Entertainment’s New Queen: Lisa Holme Leads Roku’s TV Takeover

Remember when streaming was just a fancy alternative to cable? Well, the tables have officially turned. Roku’s meteoric rise to viewing dominance — outpacing traditional broadcast TV for the third straight month — isn’t just making waves; it’s reshaping the entire entertainment landscape.

The numbers tell quite a story. Roku’s devices now command an impressive 21.4% share of TV viewing across their platform, leaving broadcast TV’s 18.4% share in the dust. With 90 million active streaming households (as of January 2025), they’ve essentially become the new gatekeeper of modern entertainment — or as Charlie Collier, Roku Media’s president, puts it, “the ‘lead-in’ to TV for millions of viewers’ and partners’ journeys.”

But here’s where things get really interesting.

Take a look at the hardware space, where Roku’s dominance has reached almost absurd levels. Recent financial analysis from Pocket Option shows Roku-branded TV sets (both manufactured and co-branded) snagging a whopping 40.3% of all TV sets sold in Q1. They’re not just selling hardware — they’re printing money through advertising inventory (15-30% on ad-supported channels) and subscription fees (15-20% cut).

The company’s latest power move? Bringing Lisa Holme aboard as their new content chief. Fresh from Warner Bros. Discovery and Hulu, Holme steps into the role previously held by David Eilenberg (who’s moved on to ITV America). Her appointment couldn’t come at a more crucial time — she’ll be steering everything from original programming to sports content and partnerships.

The financial outlook seems equally promising, though perhaps not quite as straightforward. Platform revenue guidance suggests healthy growth — high teens organic growth in Q3, followed by mid-to-high teens in Q4. Dan Jedda, their new COO & CFO, recently laid out their strategy at the Bank of America 2025 Media conference. It’s refreshingly simple: build scale, focus on engagement, then monetize. (Sometimes the best strategies don’t need complicated buzzwords.)

Speaking of monetization — let’s talk about Roku Channel. Their free ad-supported streaming service has seen a remarkable 75% year-over-year jump, claiming a 2.8% share of total day viewing among viewers aged two and up, according to Nielsen’s “Gauge” report. In today’s cutthroat streaming landscape, that’s no small feat.

The writing’s on the wall: traditional TV’s grip on our viewing habits is loosening faster than anyone expected. Roku’s ascendancy might just be the clearest sign yet that the future of entertainment isn’t just streaming — it’s already streamed.

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