Television’s body count in 2025 has reached positively macabre proportions, darlings — and we’re barely past spring’s first blossoms. The small screen’s become a veritable graveyard of beloved characters, each exit more dramatic than the last.
Let’s dish about the most devastating departure first. “9-1-1” gave us perhaps the most exquisitely crafted farewell since — well, since Grey’s Anatomy broke our collective hearts with McDreamy’s exit. Peter Krause’s Bobby Nash (those cheekbones, those eyes!) met his maker in “Contagion,” a two-parter that hit harder than a triple shot of espresso during awards season.
The way they handled it? Pure television couture.
Krause’s goodbye letter on X — formerly Twitter, for those still catching up — struck that perfect note between grace and gravitas. “Bobby Nash was written in sacrifice and he was built for this,” he wrote, proving that sometimes the most memorable exit requires neither fanfare nor fireworks. Just pure, unadulterated class.
Speaking of exits that left us gasping for air — “Yellowjackets” has been serving death with a side of wilderness chic this season. Lauren Ambrose’s Van (oh, that magnificent mane of red hair) took her final bow with a knife to the heart. Darling, even in death, the timing was impeccable. And Steven Krueger’s Coach Ben? His final scene with Sophie Thatcher’s Natalie proved that sometimes the most powerful moments come wrapped in whispers rather than screams.
But wait — there’s a peculiar phoenix rising from television’s ashes. Nathan Fielder’s “The Rehearsal” is making its triumphant return, trading social awkwardness for… aviation disasters? Only Fielder could transform plane crashes into metaphors for corporate culture. The second season promises more layers than a Valentino couture gown, with our host emerging “in front of a projected inferno, a Mona Lisa smile on his face.” Perfectly on-brand for 2025’s obsession with controlled chaos, n’est-ce pas?
What makes these farewells particularly striking isn’t just their frequency — it’s their flair. Each departure feels meticulously choreographed, like a finale at Paris Fashion Week. Whether it’s Bobby Nash’s noble sacrifice or Van’s heart-stopping conclusion, these aren’t just deaths — they’re perfectly tailored television moments.
As we navigate through what’s shaping up to be the small screen’s deadliest year yet, one truth remains crystal clear: 2025 isn’t just taking our favorites — it’s giving them send-offs worthy of their star power. And really, darling, isn’t that what we all deserve? Well, that and perfect lighting. Always perfect lighting.
Leave a Reply