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  • Beauty queen, pop singer, and spokeswoman who became an anti-gay crusader dies at 84

    Beauty queen, pop singer, and spokeswoman who became an anti-gay crusader dies at 84

    Anita Bryant, a former beauty queen and pop singer of the 1960s whose career led her to become a spokesperson for Florida oranges in the early ’70s and an evangelical crusader against gay rights later in that decade, died Dec. 16 at age 84, her family announced Thursday.

    The family’s obituary for Anita Bryant Day, as she was known outside the public sphere, was published in her hometown newspaper, the Oklahoman, and said the singer-activist died at home last month in Edmond, Oklahoma, surrounded by family and friends.

    During her heyday as a public figure, Bryant was one of the most polarizing celebrities in America, vilified by much of the show business community for campaigning against what she viewed as a gay takeover of American culture, while being embraced as a hero by many religious conservatives.

    Prior to her taking those stands, she was best known for her appearances in commercials for Florida oranges that introduced the catchphrase “Breakfast without orange juice is like a day without sunshine” — and many parodies of that statement — into the popular lexicon.

    Those advertisements eclipsed her long-dormant career as a pop singer, even as she made a move into recording gospel music after easy-listening sounds fell out of fashion in the rock era.

    Bryant’s notable public appearances in her less controversial years included singing at both the Democratic and Republican conventions in 1968, being a staple of Bob Hope’s holiday tours for overseas troops for seven straight years, singing “The Battle Hymn of the Republic” at the 1971 Super Bowl, and providing that some anthem as a musical eulogy for President Lyndon Johnson at his 1973 funeral, after singing for him on several occasions.

    In 1977, Bryant began fronting a “Save Our Children” campaign aimed at repealing an ordinance in Miami-Dade County that prohibited discrimination on the basis of sexual orientation.

    The crusade was successful in getting the ordinance repealed that year by a popular vote. (It was not restored until 1998.)

    For the next three years, her activism against such regulations made her a poster girl for the religious right and the foremost public archenemy of the gay community and social liberals.

    Her statement that she “loves homosexuals, but hates their sin” became a sort of mantra for evangelicals — and a much-mocked meme among what would later be known as the LGBTQ community — for decades to come.

    In 1978, her views were further amplified by the national media when she was the subject of the monthly “Playboy Interview.”

    The magazine began by recapping the sudden turnaround in her image:

    “For her first 36 years, Anita Bryant was the stereotypic embodiment of the American dream; hers was a rags-to-riches saga in the best Horatio Alger tradition. … Her life was comfortable and distinctly uncontroversial. Last year, all that suddenly and dramatically changed; her halcyon routine perished in the flames of political warfare.

    “When the Metropolitan Dade County Commission passed an ordinance that would, in effect, mandate that qualified homosexuals be hired as teachers in private and parochial schools, Bryant stepped forward to spearhead a drive to repeal it.

    “The ensuing campaign was drawn along classic good-versus-evil lines. Bryant recruited a slew of religious leaders and conservative politicos under the banner of her ad hoc organization, Save Our Children.

    “Her pitch was simple: Homosexuality is a sin, and if homosexuals were given carte blanche to glamorize their ‘deviate lifestyle’ in Miami-area classrooms, the American family would be destroyed and the American way of life would disappear. … Bryant had become a fixture on the American political scene.”

    In the Playboy interview, Bryant said that she had not thought much about homosexuality prior to the Florida legislation that prompted her ire.

    “I got involved only because they were asking for special privileges that violated the state law of Florida, not to mention God’s law. … God says the wages of sin are death, and one little sin brings on another. The homosexual act is just the beginning of the depravity. It then leads to-what’s the word?-sadomasochism.

    “It just gets worse as it goes on. You go further and further down the drain and it just becomes so perverted and you get into alcohol and drugs and it’s so rotten that many homosexuals end up committing suicide.

    “The worst thing is that these days, so many married men with children who don’t have a happy marriage are going into the homosexual bars for satisfaction-if they’re not careful, they’re going to get caught up in it totally.”

    Her activism extended well beyond Florida as her fame in that arena grew, and she advocated for California’s infamous Briggs Initiative, which looked to ban public school employees from making pro-gay statements, at the cost of their employment.

    Even former California governor Ronald Reagan joined liberals in opposing the initiative, and once it went down to a massive defeat among voters, Bryant’s influence waned.

    Her activism led to the end of any substantial career Bryant had beyond the conservative Christian community.

    With Bryant becoming a punchline for Johnny Carson, and counteractivists boycotting oranges and adopting catchphrases like “A day without human rights is like a day without sunshine,” the Florida Citrus Commission declined to renew her contract as its brand ambassador in 1980, after an 11-year run that had included co-hosting the Orange Bowl Parade telecast for nine years.

    Other endorsement deals also dried up, although she had a sort of last hurrah with a two-hour “Anita Bryant Spectacular” patriotic special in 1980, with Bob Hope and Pat Boone costarring.

    Bryant divorced her husband, Bob Green, also in 1980, despite his publicly contesting the split on religious grounds. Her support in the evangelical community dropped as a result, with some of her former supporters believing that her initiating a divorce was sinful.

    After a decade of being single, she married her second husband, Charlie Hobson Dry, a childhood sweetheart, in 1990.

    One of Bryant’s most curious public appearances came in 1989 when she was interviewed by Roger Moore for his “Roger & Me” documentary. “Cheer up, Flint, Michigan,” Bryant was seen as advising the economically depressed city, leading to further derision.

    Bryant represented Oklahoma in the Miss America pageant in 1958, becoming second-runner-up.

    Many people believed she won the contest, because she already had some notoriety in television and music at that point. “I already had a recording contract when I did Miss America, so people knew me,” she said in a 2008 interview. “It’s really funny because people still tell me they remember when I won Miss America.”

    Bryant’s biggest break came when one of Arthur Godfrey’s talent scouts discovered her and put her on his variety show when she was 16, with a series of appearances there leading to her record deal.

    She soon was appearing on other shows, from Ed Sullivan’s to “American Bandstand.” Commercials for Kraft, Coca-Cola and Holiday Inn followed.

    Her biggest charting song was “Paper Roses,” which reached No. 5 on the Billboard Hot 100 in 1960. It was followed by one other top 10 song, “My Little Corner of the World.”

    She registered 14 singles on the chart between 1959 and 1964, recording for the Carlton and Columbia labels. As rock sounds took over, she was seen more often on TV variety shows than on pop radio.

    Bryant did not have any breakout albums, although a holiday album that became something of an easy listening perennial, “Do You Hear What I Hear?: Christmas With Anita Bryant,” peaked at No. 25 in 1967.

    In 1970, Bryan released her first album with Word, the prominent Christian label of the day, and released primarily religious material thereafter.

    She also wrote a series of books with and without her then-husband Bob for Fleming H. Revell, a Christian publisher, that were popular in religious bookstores throughout the ’70s. Her last album was released in 1985.

    She was nominated for three Grammys in the late ’60s and early ’70s, all for religious material, two in the since-renamed “best sacred performance” category and one for best inspirational performance.

    During her glory days as one of TV’s most sought-after advertising personalities, Bryan’s campaign for Florida oranges had such a positive effect, she was credited with orange juice sales climbing from 382 million gallons to 800 million-plus gallons during her 1969-80 tenure as pitchwoman.

    In the subsequent years when the gay rights controversies made her anathema to most mainstream television programmers and advertisers, she continued to enjoy name value among some older consumers who came to see her first in Branson, Missouri, where she and her second husband opened a theater in the early ’90s, and then Nashville, where she moved in 1998 to put on a live variety extravaganza.

    Bryant moved back to Oklahoma in 2002 to care for her ill mother, deciding to remain in the state thereafter because of its friendliness to her traditional religious values. Well out of the limelight, she worked on writing inspirational books and founding Anita Bryant Ministries International.

    Bryant was preceded in death by her husband, Charlie, and is survived by four children, two stepdaughters, and seven grandchildren and their spouses.

    © 2025 Variety Media, LLC, a subsidiary of Penske Business Media; Distributed by Tribune Content Agency, LLC

  • Alec Baldwin Sues for ‘Malicious’ Prosecution After Dismissal of Involuntary Manslaughter Charge in ‘Rust’ Shooting

    Alec Baldwin Sues for ‘Malicious’ Prosecution After Dismissal of Involuntary Manslaughter Charge in ‘Rust’ Shooting

    Charmaine Patterson is an Associate Editor at PEOPLE. She first began working at PEOPLE in 2021 as a Digital News Writer. Her work has previously appeared on xoNecole, The Lakelander, and Aspire TV.

    Alec Baldwin has filed a malicious prosecution lawsuit six months after an involuntary manslaughter charge against him, stemming from the 2021 Rust shooting, was dropped.

    In a civil complaint obtained by PEOPLE on Thursday, Jan. 9, the actor, 66, sued prosecutors in the case, First Judicial District Attorney officials, Santa Fe County Sheriff’s Office authorities and Santa Fe County Board of County Commissioners for “malicious abuse of process, intentional spoliation of evidence, defamation, and violation of the New Mexico Civil Rights Act.”

    Baldwin, through his attorneys, alleged the defendants were “blinded by their desire to convict” him “for all the wrong reasons, and at any cost,” for the fatal October 2021 shooting of cinematographer Halyna Hutchins.

    Baldwin was indicted in January 2024 after a gun he was holding on the set of the film Rust discharged in October 2021, killing Hutchins. The charge was dismissed in July 2024 after Baldwin’s attorneys alleged prosecutors had buried evidence. In December 2024, prosecutors dropped their notice to appeal the dismissal.

    In his lawsuit, Baldwin maintains that on the day of the fatal shooting, he was handed a prop gun and a crew member yelled out “cold gun” to “assure Baldwin” and those nearby that the firearm only had “dummy rounds” in it. “The prop fired a live round that killed Hutchins,” the complaint states.

    He alleges “certain defendants” purposefully hid evidence and lied while on the stand, aiming to make Baldwin the “scapegoat” for the tragedy. He wants the defendants, which include special prosecutor Kari Morrisey and District Attorney Mary Carmack-Altwies, to be “held accountable” for their “malicious and unlawful pursuit” against him.

    Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

    The lawsuit alleges Morrissey delivered “inconsistent” testimony on the evidence she allegedly concealed. It also alleges Carmack-Altwies defamed Baldwin when she said in a 2023 CNN interview that Baldwin “had a duty to make sure the set was safe,” suggesting he was at fault for Hutchins’ death.

    “The false and defamatory statements carry the unmistakable message that Baldwin committed a serious crime — i.e., that he negligently or recklessly caused the death of another human,” court documents allege.

    Baldwin is suing for general and/or compensatory damages in an amount to be decided at trial. He’s also suing for punitive damages and attorneys’ fees.

    “Criminal prosecutions are supposed to be about the search for truth and justice, not to pursue personal or political gain or harass the innocent,” his legal team Alex Spiro and Luke Nikas said in a statement to PEOPLE. “Kari Morrissey and the other defendants violated that basic principle, over and over, and trampled on Alec Baldwin’s rights. We bring this action to hold the defendants accountable for their misconduct and to prevent them from doing this to anyone else.”

    Morrissey tells PEOPLE in a statement, “In October 2023 the prosecution team became aware that Mr. Baldwin intended to file a retaliatory civil lawsuit. This was three months before the grand jury indicted him. We look forward to our day in court.”

    PEOPLE reached out to Carmack-Altwies for comment.

  • ‘Quiet on Set’ producer tackles Diddy abuse allegations in new docuseries: See the trailer

    ‘Quiet on Set’ producer tackles Diddy abuse allegations in new docuseries: See the trailer

    As Sean “Diddy” Combs’ legal fate hangs in the balance, several of his accusers are coming forward in a new docuseries to further detail his alleged abuses.

    Investigation Discovery released a trailer for its upcoming docuseries on the embattled music mogul, “The Fall of Diddy,” on Thursday. The four-part series, helmed by “Quiet on Set” producer Maxine Productions and Rolling Stone Films, will feature “exclusive, never-before-heard accounts and never-before-seen archival footage” illuminating the “harrowing allegations of violent behavior and illegal activity” recently leveled against Combs.

    “Spanning Combs’ decades-long impact on music and popular culture, from his early days as a talented creative to his 2024 arrest, the docuseries uncovers the insidious and terrifying allegations of sexual assault, abusive behavior, violence and other disturbing claims that lay beneath his success,” Investigation Discovery said in a press release.

    Combs, who was arrested in September on charges of racketeering, sex trafficking and transportation to engage in prostitution, remains in custody at the Special Housing Unit in Brooklyn’s Metropolitan Detention Center. A trial for the Grammy-winning rapper, who’s denied all accusations against him, is set to commence on May 5.

    Combs’ alleged misconduct came under scrutiny in November 2023 when ex-girlfriend and “Me & U” singer Casandra “Cassie” Ventura accused Combs of rape, sex trafficking and physical abuse in a lawsuit that was promptly settled one day after Ventura filed. The lawsuit spurred multiple civil suits alleging rape and sexual assault by the hip-hop mogul, as well as pair of federal raids.

    The docuseries will include interviews with more than 30 Combs’ associates, ranging from former friends and colleagues to individuals who worked directly for Combs, such as former Danity Kane member D. Woods.

    ‘Making of a Bad Boy’: Sean ‘Diddy’ Combs’ legal troubles to be explored in Peacock documentary

    Thalia Graves and Rodney “Lil Rod” Jones Jr., both of whom have sued Combs for alleged sexual assault, appear in Thursday’s trailer. Graves, who claims Combs and his bodyguard “viciously raped her” in 2001, says in the clip: “I always believed that I was the only victim.”

    Jones, who worked as a producer on Combs’ “The Love Album: Off the Grid,” alleged in his February 2024 lawsuit that the rapper “forcibly touched” him and accused Combs and his associates of participating in “a sex-trafficking venture.”

    “There’s a lot of people like Puffy in the music business,” Jones says in the trailer. “Exposing Puffy means exposing them.”

    The ID series is not the only TV exposé on Combs’ alleged abuses. Streaming service Peacock will be releasing a documentary special, “Diddy: The Making of a Bad Boy,” on Tuesday.

    “The Fall of Diddy” will premiere in two parts on Jan. 27 and Jan. 28 at 9 p.m. ET on Investigation Discovery. Episodes will also be available to stream on Max.

    Contributing: KiMi Robinson, USA TODAY

  • Elmo tells all: ‘Sesame Street’ 55th season features SZA, Chris Stapleton, Reneé Rapp and more

    Elmo tells all: ‘Sesame Street’ 55th season features SZA, Chris Stapleton, Reneé Rapp and more

    This image released by Sesame Workshop shows actor-singer Renee Rapp with muppet characters Cookie Monster, from left, Elmo and Abby Cadabby on the set of “Sesame Street.” (Richard Termine/Sesame Workshop via AP)

    The 55th season of the acclaimed family program features a star-studded lineup of musicians that would be the envy of any summer festival: SZA, Chris Stapleton, Noah Kahan, Reneé Rapp and Samara Joy.

    The upcoming season will focus on lessons in emotional well-being. It debuts Jan. 16 on MAX with new episodes releasing every Thursday. “Sesame Street” will also be available on PBS stations and to stream on PBS Kids in the fall.

    No one is more excited than Elmo himself.

    “There’s a lot to learn from music — yeah, timing and harmonies and melody and different styles and different cultures,” the 3 1/2-year-old monster told The Associated Press. “It’s really cool! We’ve got a lot of wonderful people come and do some music with us on ‘Sesame Street,’ like Miss Reneé Rapp and SZA! Chris Stapleton, Noah Kahan, Samara Joy — lots of great people!”

    Songs double as life lessons on “Sesame Street,” from an alt-R&B-pop track about gratitude with SZA to an acoustic number about feelings with Rapp.

    “SZA is really cool — really talented. And ‘gratitude’ was a new word for Elmo, too. So, Elmo learned all about gratitude with SZA,” he said.

    “Elmo was feeling really, really happy after his playdate with Miss Reneé. It was a really beautiful song. She’s got a great voice and Elmo hopes she comes back soon.”

    As for the secret to a great “Sesame Street” song? According to Tony – and Grammy-winning composer, producer and “Sesame Street” music director Bill Sherman, its “earworms on earworms.”

    “If the verse is an earworm, so is the chorus. Mostly in pop music, the chorus is the earworm, and the verses are just a bunch of jumble.” The difference, he explains, is that pop songs are about three and a half minutes long. Children’s music is about a minute and a half. “You only have a very finite amount of time to do what you got to do.”

    Usually, writers on the show provide Sherman and his team of songwriters with a script and lyrics detailing the lesson of each episode, as well as the name of the musical guest. Then they get to work, composing music true to the genre and spirit of each artist.

    Those musical guests take different levels of involvement, but the result is always awe-inspiring.

    Other highlights from this season include Kahan performing a foot-stomping folk song about music and feelings, Joy using jazz improvisation to teach a lesson in taking turns and a country ode to music and friends courtesy of Stapleton.

    “Chris Stapleton really wanted to write his own song,” says Sherman, and so the pair hopped on a Zoom and wrote a song together, Stapleton with his guitar in tow, ideas flowing. “It was really one of the most surreal two-hour Zooms that I really ever had in my life.”

    Joy took a different approach. “Samara Joy insisted on singing live,” says Sherman. “It very rarely happens on ‘Sesame Street.’ I can only count, like, a few times. So, there was like Stevie Wonder back in the day, which is a classic. And there’s like Billy Joel, there’s John Legend, there’s a couple people that actually sing live. But Samara insisted on it.”

    Her reasoning was simple. “She said, ‘Well, this whole episode is about improvisation and thinking on your toes. And so, if it’s prerecorded, that’s the opposite of what we’re trying to teach.’”

    If there is a theme that connects all these performances to one another, it’s a spirit of connection. At least, that’s Elmo’s theory: “Elmo thinks that music brings people together, you know? And some people who like some things and some people who like other things can kind of come together because they like the same kind of music. And that’s kind of cool!”

    “Sesame Street,” designed by education professionals and child psychologists, is shown in more than 150 countries, has won over 200 Emmys, 11 Grammys, two Peabody Awards and received a Kennedy Center Honor for lifetime artistic achievement, the first time a television program got the award.

    There’ve been no shortage of great musical guests across the show’s five decade run. So, who would they like to see pay a visit in the future? “Miss Taylor Swift! Maybe she could revisit her ‘Red’ era?” chimes in Elmo. That’s his favorite of her albums.

    “But also, Elmo would love to sing with Miss Beyoncé. Destiny’s Child was on ‘Sesame Street,’ so Elmo would love to have her back.”

  • Vigilance in the Shadows: The Alarming Rise of Radical Threats Across America

    Vigilance in the Shadows: The Alarming Rise of Radical Threats Across America

    In the chilling aftermath of the Islamic extremist terror attack in New Orleans, a dark cloud has settled over the hearts and minds of many Americans. The reverberations are palpable, prompting urgent questions—who else is at risk? What’s coming next? As a nation grapples with fear and uncertainty, Sarah Adams, a former CIA targeter, takes center stage, shedding light on the alarming potential for further attacks across the United States.

    Adams made a prediction six to seven months ago—one that has now turned into a grim reality. “There are radical Islamists peppered across the United States,” she warned, highlighting a concerning presence of so-called sleeper cells primed for coordinated terror strikes. Yes, this isn’t the stuff of Hollywood thrillers; this is the weighty truth that Adams emphasizes.

    During a recent interview on “The Liz Wheeler Show,” Adams dove into the disturbing implications of these threats. “If we are sitting here in the United States in a situation where there are a thousand radical Islamist sleeper cells… what are they waiting for?” Wheeler pressed, her voice thick with concern.

    Adams didn’t shy away from the gravity of the situation. “There’s going to be a number of these, as you call them, ‘lone wolf attacks’ over the course of whatever time al-Qaeda chose and whatever deal they made with the Islamic State Khorasan Province,” she explained. It’s a tactic that aims to divert law enforcement’s attention towards these individuals—those lone wolves—drawing crucial resources away from sniffing out larger, more coordinated plots. It’s a well-known game of misdirection, and it could have deadly consequences.

    Under the Biden administration, Adams argues, the threat has escalated. “We let a lot of terrorists into the country,” she stated bluntly. This influx is not merely a statistic; it has real-world implications, as it takes time to train and operationalize these threats. The proverbial clock is ticking—these operatives are being deployed, and the landscape of potential attacks is shifting.

    Adams alerts that we’re on the precipice of a series of attacks—which she insists could be thwarted with vigilance and preparedness. She paints a picture that is both chilling and urgent. “What do you anticipate these attacks looking like?” Wheeler challenged. “Are we going to see these quote-unquote ‘one-offs’ like in New Orleans, just randomly and with more frequency?”

    Adams replied with a sobering clarity. “We have both,” she stated, indicating that while random acts of violence will likely proliferate, a more concerted assault is also on the horizon. “We’re probably going to see at least one U.S. embassy overseas targeted, and then there is a large 9/11-style attack,” she continued.

    But it doesn’t stop there—Adams warned that these forthcoming attacks might resemble the horrifying Hamas strikes or the infamous Mumbai plot from over a decade ago. The implications are staggering, haunting, and shadowed by a grim reality. “We believe about 10% of the attackers will be suicide bombers,” she elaborated, asserting that the devastating potential of these strategies isn’t confined to just land; it could also play out in the air—“on airplanes,” she added, leaving a heavy silence in its wake.

    In this age of uncertainty, with fear hovering like a thick fog, the call to remain vigilant has never been more pressing. For every action we take towards prevention, there’s a counteraction being plotted by radical agendas lurking in the shadows. As citizens, we must arm ourselves not just with information, but with a strategic mindset to face these challenges head-on. This is not just about surviving; it’s about thriving amidst adversity, rising up to protect our communities—together. How we respond in the coming days and months could mean the difference between safety and chaos.

  • Otto Schenk, director known for traditional opera productions, dies at 94

    Otto Schenk, director known for traditional opera productions, dies at 94

    Otto Schenk, an actor who became a noted director praised for traditional opera productions and criticized by advocates of contemporary approaches, died Thursday at age 94.

    Schenk lived in Austria, and his death was announced by the Vienna State Opera.

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    He created 31 productions there, starting with Janáček’s “Jenůfa” in 1964 and ending with Janáček’s “The Cunning Little Vixen” in 2014. Many of his creations remain in use, including a 1979 version of Johann Strauss II’s “Die Fledermaus” that was streamed around the world on New Year’s Eve.

    “Otto Schenk is an essential, unforgettable chapter in the history of our theater,” Vienna State Opera Director Bogdan Roščić said in a statement. “But he was also an artist who shaped the world of theater for half a century like few others. As sacred as the theater was to him, he approached the works naturally and fearlessly, drawing on an immense knowledge. An infinite love for the singers went hand in hand with hard, uncompromising rehearsal work and honesty. “

    Schenk led 16 productions at New York’s Metropolitan Opera, starting with Puccini’s “Tosca” in 1968 and ending with Donizetti’s “Don Pasquale” in 1996. His staging of Wagner’s four-work “Der Ring des Nibelungen” premiered from 1986-89 and was shown in 20 full cycles from 1989 to 2009 and broadcast on public television in 1990. Schenk received a huge ovation when he took a curtain call after an April 18, 2009, performance of “Siegfried.”

    His romantic, realistic staging had set designer Günther Schneider-Siemssen create images of a river, forest and mountains dominated by greens and oranges, and costumes by Rolf Langenfass that evoked the original Ring of the 1876 Bayreuth Festival. It was in a way a response to Patrice Chéreau’s centennial Ring at Bayreuth in 1976, set in an industrial age Ring and interpreted by some as Marxist.

    “I wanted to tell a romantic old story, like starting with ‘Once upon a time,’” Schenk said during a 1989 interview with The Associated Press. “All the secrets of Wagner’s Ring should be guessed by the audience or found by the audience.”

    Born in Vienna, Schenk studied acting at Vienna’s University of Music and Performing Arts, began directing in 1953 and led his first opera, Mozart’s “Die Zauberflöte (The Magic Flute),” at Salzburg’s State Theatre in 1957. He continued to act and performed 237 times at the Salzburg Festival from 1950-97, becoming head of drama there from 1986-88.

    “The theater world has lost one of its greatest phenomena, an exceptional artist, a real legend,” current Salzburg Festival artistic director Markus Hinterhäuser said in a statement.

    At the Met, his stagings of Offenbach’s “Les Contes d’Hoffmann (The Tales of Hoffmann)” and Wagner’s “Tannhäuser” in 1977 earned rave reviews, and Met artistic director James Levine picked him to direct a new Ring Cycle plus Wagner’s “Parsifal” in 1991 and “Die Meistersinger von Nürnberg” in 1993.

    “At a time when many new productions of ‘Der Ring des Nibelungen’ might be more aptly entitled ‘Der Ringling des Barnum und Bailey,’ the Metropolitan Opera’s staging of Wagner’s epic has cast a vote for the notion that maybe, just maybe, the composer knew best,” New York Times critic Donal Henahan wrote in 1989. “The Metropolitan’s trend-bucking project has aroused widespread suspicion, even resentment. ‘Traditional,’ ‘conventional,’ ‘regressive’ and ‘childishly representational’ were some of the nicer epithets thrown about in lobbies and in print. … Even granting the possibility that radical rethinking of Wagner’s works might occasionally stimulate thought about their everyday relevance, a staging that pays honor to the original is a useful counterbalance.”

    Met presentations were long dominated by Schenk and Franco Zeffirelli, who had 11 stagings that premiered from 1964-98. Schenk said he did not look for hidden meanings.

    “Wagner in his life gave no indication on what the Ring meant,” Schenk told the AP. “He didn’t interpret.”

  • Paris Hilton and Billy Crystal lead stars ‘heartbroken’ over losing home in fire

    Paris Hilton and Billy Crystal lead stars ‘heartbroken’ over losing home in fire

    Paris Hilton and Billy Crystal have described the anguish they feel at losing the respective homes they raised their children in, amid the “unprecedented wildfires” raging across Los Angeles.

    Thousands of firefighters were attempting to contain the original Palisades fire, which has burnt nearly 16,000 acres, and seven others across southern California which threaten to destroy more homes and lives as strong winds scattered embers.

    The wildfires have seen the city declare a state of emergency, with at least 70,000 people forced to evacuate their homes as the metropolitan area became blanketed in a thick cloud of smoke and ash.

    The latest update saw a new fire break out in the Hollywood Hills, threatening a host of tourist sites including the Walk of Fame.

    US socialite Hilton said she was “heartbroken beyond words” to see her Malibu home “burn to the ground on live TV” as she watched the news with her family – including her son Phoenix and daughter London whom she shares with husband Carter Reum.

    “This home was where we built so many precious memories. It’s where Phoenix took his first steps and where we dreamed of building a lifetime of memories with London,” she said in a post on Instagram.

    “While the loss is overwhelming, I’m holding onto gratitude that my family and pets are safe.”

    It comes months after a trailer on the set of her Bad Bitch Academy music video set fire, which saw “so many of my favourite things destroyed”, Hilton said at the time.

    Meanwhile US actor Crystal, and his wife Janice, have confirmed their home of 46 years was destroyed in the blaze.

    “Words cannot describe the enormity of the devastation we are witnessing and experiencing,” the couple said in a joint statement given to the PA news agency.

    “Janice and I lived in our home since 1979. We raised our children and grandchildren here. Every inch of our house was filled with love. Beautiful memories that can’t be taken away.

    “We are heartbroken of course but with the love of our children and friends we will get through this.”

    The couple described the Pacific Palisades as a “resilient community of amazing people”, adding: “It is our home”.

    It comes after Oscar-winning songwriter Diane Warren confirmed she had also lost her beach home of 30 years in the wildfire, adding that her animals had survived the ordeal.

    A string of stars shared harrowing stories of having to flee their homes, including Mark Hamill, James Woods and Mandy Moore.

    Star Wars actor Hamill said his family were “fleeing for our lives” as they evacuated their home, while Once Upon A Time In America star Woods said: “It tests your soul, losing everything at once.”

    Sharing footage of the destruction in her neighbourhood, This Is Us actress Moore wrote on Instagram: “Honestly, I’m in shock and feeling numb for all so many have lost, including my family.

    “My children’s school is gone. Our favourite restaurants, leveled. So many friends and loved ones have lost everything too. Our community is broken but we will be here to rebuild together.”

    Meanwhile, Oscar-winner Jamie Lee Curtis confirmed her home was safe, but “our beloved neighbourhood is gone” as she shared videos of the fire on Instagram.

    The Hills stars Spencer Pratt and Heidi Montag also confirmed they had lost their home in the blaze.

    The pair, who married for the second time in 2009, documented the escalation of the fire on their Snapchat stories with Pratt saying: “I’m watching our house burn down on the security cameras.”

    Montag said: “So our house is on fire and we were able to get out in time, but I keep going over and over in my mind of the things I should’ve got, but we’re out safe and that is the most important thing, and Spencer is behind me.”

    In a later post, she said while tearing up: “I’m so sad our house has gone” as they had lost “everything we worked so hard for”.

    In a post on X, Khloe Kardashian paid tribute to the “brave firefighters, volunteers, neighbours, good Samaritans and first responders working tirelessly to protect lives and communities across California”.

    She added: “Your dedication, courage, and selflessness in the face of such challenging conditions are truly inspiring. We are all so grateful for your hard work and sacrifices.”

    It comes after Governor Gavin Newsom thanked President Joe Biden for his “swift response and aid to California as we work to battle these unprecedented wildfires”.

    More than 1,400 firefighters remained on the scene, alongside 267 fire engines and nine helicopters, according to the California Governor’s Office of Emergency Services.

    It comes less than a month after residents in Malibu were evacuated from a wind-driven blaze dubbed the Franklin Fire, which saw more than 4,000 acres burn and stars including Dick Van Dyke, Cher and Jane Seymour forced to leave their homes.

  • Diddy accusers and former employees detail alleged abuse in docuseries

    Diddy accusers and former employees detail alleged abuse in docuseries

    Diddy accusers and former employees have detailed alleged violence and abuse in on-camera interviews for an upcoming docuseries coming off of the heels of the announcement of a different one from Peacock.

    Investigation Discovery (ID) released a trailer for The Fall Of Diddy on Thursday which featured some inner circle members of the 55-year-old rapper – born Sean Combs – who is currently in federal prison over charges including sex trafficking and racketeering.

    The Fall Of Diddy is a four-part series and will premiere across two nights beginning Monday, January 27 at 9pm EST on ID and streaming service Max.

    A press release for the upcoming docuseries reads: ‘Through these interviews combined with a vast collection of archival footage, The Fall of Diddy paints a holistic picture of a mogul who is alleged to have wielded his extensive power and influence to obscure, for decades, a pattern of abuse and violence that left an unprecedented amount of pain and suffering in his wake.’

    Two of Diddy’s accusers were featured in the trailer including Rodney ‘Lil Rod’ Jones and Thalia Graves who have each sued the rapper for sexual misconduct.

    Jones had one of the strongest moments of the clip as he says at the end: ‘It’s a lot of people like [Combs] in the music business.

    Diddy accusers and former employees have detailed alleged violence and abuse in on-camera interviews for an upcoming docuseries The Fall Of Diddy from Investigation Discovery (ID)

    Two of Diddy’s accusers were featured in the trailer including Rodney ‘Lil Rod’ Jones (pictured) and Thalia Graves who have each sued the rapper for sexual misconduct

    Jones is a former producer for Diddy and has claimed that he had sexually harassed him while Graves (pictured) alleged that Diddy violently raped her in 2001 before threatening her into silence.

    ‘Exposing [him] means exposing them.’

    Graves said she believed that she was the only one accusing Diddy as she said: ‘I always believed that I was the only victim.’

    Jones is a former producer for Diddy and has claimed that he had sexually harassed him while Graves alleged that Diddy violently raped her in 2001 before threatening her into silence.

    There were also others featured including a member of his Bad Boy Records girl group Danity Kane named D. Woods.

    Former Vibe magazine Editor-in-Chief Danyel Smith was also featured in the trailer as she opened up about alleged violent behavior toward her.

    Others who previously worked for Diddy were featured in the clip including a onetime chef, early publicist, and make-up artist Mylah Morales who says she witnessed Diddy’s alleged abuse of singer and ex-girlfriend Cassie (born Cassandra Ventura).

    The trailer includes a short clip of footage from March 5, 2016 showing the rapper shirtless with a towel wrapped around his waist, chasing Cassie down the hall at the InterContinental Hotel in Century City before grabbing and kicking her.

    There was also Diddy’s former bodyguard Roger Bonds in addition to a man who said – without context – that he was ‘fighting for his life’ and had a photo of himself in the hospital.

    Archival footage of Diddy arriving with then-girlfriend Jennifer Lopez to the MTV Video Music Awards in September 2000 was shown

    There were also others featured including a member of his Bad Boy Records girl group Danity Kane named D. Woods

    Former Vibe magazine Editor-in-Chief Danyel Smith was also featured in the trailer as she opened up about alleged violent behavior toward her

    Others who previously worked for Diddy were featured in the clip including a onetime chef, early publicist, and make-up artist Mylah Morales (pictured) who says she witnessed Diddy’s alleged abuse of singer and ex-girlfriend Cassie (born Cassandra Ventura)

    The trailer includes a short clip of footage from March 5, 2016 showing the rapper shirtless with a towel wrapped around his waist, chasing Cassie down the hall at the InterContinental Hotel in Century City before grabbing and kicking her

    One of the most interesting parts of the trailer came when a woman sat down in the interview chair while in the dark with their identity hidden.

    She said: ‘The truth will always find its way, even in the dark.’

    Adding to the intrigue, ID also says that there will also be ‘accounts from new voices yet to be announced, including those coming forward for the first time with deeply disturbing accounts of their encounters with Combs.’

    The music mogul remains in federal custody at the notoriously tough Metropolitan Detention Center in New York City awaiting trial.

    Combs has pleaded not guilty, and in a recent report from Page Six he was said to have appeared in court ‘astonishingly thinner’ and ‘greyer,’ after months away from the lavish lifestyle he and his family were accustomed to.

    Following a months-long investigation by authorities, he was charged with sex trafficking, racketeering and transportation to engage in prostitution – all of which he denies – and a trial date has been set for May 5.

    Combs was placed on suicide watch during his first week in custody, but was taken off of it shortly after, with his lawyer claiming his client was ‘focused and very strong.’

    He faces a string of sex charges alongside renewed allegations, including a new lawsuit alleging sexual assault against a 13-year-old girl.

    There was also Diddy’s former bodyguard Roger Bonds

    An old photo of Bonds and Diddy together was shown

    There was also an unnamed man

    He said – without context – that he was ‘fighting for his life’ and had a photo of himself in the hospital

    One of the most interesting parts of the trailer came when a woman sat down in the interview chair while in the dark with their identity hidden as she said: ‘The truth will always find its way, even in the dark’

    Jones had one of the strongest moments of the clip as he says at the end: ‘It’s a lot of people like [Combs] in the music business. Exposing [him] means exposing them’

    The Fall Of Diddy is a four-part series and will premiere across two nights beginning Monday, January 27 at 9pm EST on ID and streaming service Max

    The new legal filing seen by DailyMail.com claims Diddy had allegedly ‘aggressively approached’ the young girl with a ‘crazed look in his eyes’ before sexually assaulting her.

    She claims an unidentified male celebrity also raped her while Diddy and an unnamed female celebrity watched.

    The rapper has denied the allegations. His attorneys told DailyMail.com he ‘never sexually assaulted anyone’ and said the most recent ‘barrage of filings’ were nothing but ‘clear attempts to garner publicity.’

  • Diddy Accusers Detail Alleged Violence and Abuse in ID Docuseries Trailer: ‘We Did Not Realize the Extent of the Darkness’

    Diddy Accusers Detail Alleged Violence and Abuse in ID Docuseries Trailer: ‘We Did Not Realize the Extent of the Darkness’

    Nikki Glaser Roasts Timothée Chalamet’s Mustache and Diddy Parties in Golden Globes Monologue: ‘Stanley Tucci Freak-off Doesn’t Have the Same Ring to It’ 4 days ago

    A new docuseries from “Quiet on Set” producer Investigation Discovery will explore the “insidious and terrifying” allegations of rape, violence and abuse leveled against Sean “Diddy” Combs.

    The four-part series, titled “The Fall of Diddy,” will premiere across two nights starting Jan. 27 at 9 p.m. ET on ID.

    The docuseries promises “unheard accounts from survivors and insiders,” as it features more than 30 interviews with Diddy’s accusers and former friends and employees. In the trailer for “The Fall of Diddy,” they detail years’ worth of alleged violence and abuse.

    Among the people interviewed are Danity Kane member D. Woods, former Vibe editor-in-chief Danyel Smith and producer Rodney “Lil Rod” Jones. Thalia Graves, who alleges that Diddy violently raped her in 2001 and then threatened her into silence, also speaks out in the docuseries, saying, “I always believed that I was the only victim.”

    Per ID, there will also be “accounts from new voices yet to be announced, including those coming forward for the first time with deeply disturbing accounts of their encounters with Combs.”

    The series will also feature never-before-seen archival footage of Diddy, painting a full picture of the disgraced music mogul.

    “[There are] a lot of people like Puffy in the music business,” Jones says in the trailer. “Exposing Puffy means exposing them.”

    Combs has been accused of rape, child sexual abuse and sexual misconduct by multiple people for incidents taking place between 1991 and 2023. His homes were raided by the Department of Homeland Security, and he was arrested after a grand jury indicted him. He was charged with sex trafficking and racketeering and is currently incarcerated in Brooklyn as he awaits a criminal trial in May. Combs has pleaded not guilty to all federal criminal charges from 2024.

    “The Fall of Diddy” is produced for Investigation Discovery by Maxine Productions and The Intellectual Property Corporation, both part of Sony Pictures Television, in association with Rolling Stone Films.

  • Marie Osmond Reacts To Brother Wayne’s Death: “A True, Loving Brother”

    Marie Osmond Reacts To Brother Wayne’s Death: “A True, Loving Brother”

    After Wayne Osmond’s death, The Osmonds are mourning a loss in their family.

    Breaking her nine-month social media hiatus, Marie Osmond paid tribute to her late older brother with a heartfelt statement Wednesday on Instagram, after Wayne died at age 73 on New Year’s Day in Utah after suffering a stroke.

    “I’m so grateful that just a few weeks ago, I was able to take a long drive to spend time with my brother Wayne,” she wrote in the post. “I really felt the Spirit compel me to go see him, and I’m so thankful I listened to what I was feeling. I will cherish those hours I spent with him for the rest of my life. I didn’t know that just a few days after my visit, he would have a massive stroke.

    “I haven’t done any interviews or issued any statements until this post. The truth is, it’s just too hard to put into words, but I will try my best to honor one of the most loving men I have ever known. Wayne’s death has left another giant hole in my heart.

    Reflecting on Wayne’s “long and successful career as an entertainer, musician, and songwriter,” founding their family band The Osmonds, Marie continued, “But what stands out to me as his sister were the joy-filled, humorous times I spent laughing with him and our deep intellectual conversations that left me edified. He was always my safe place to go when I needed advice.

    “Wayne loved deeply, and he showered this love upon his beautiful wife, Kathy, whom he loved with all his heart, and his beautiful children and grandchildren. It’s all he ever talked about! I admired him, too, for his deep love and unwavering devotion to God our Father and His Son, our Savior, Jesus Christ. Throughout his life, Wayne was an honorable member of The Church of Jesus Christ of Latter-day Saints. It was his eternal compass, and he was a light to others as he testified of God’s great plan for us in this life. If you can, listen to one of his favorite albums that my brothers wrote ‘The Plan’.

    “So right now, if I could say anything to him, it would be: ‘Wayne, I could not cherish the gift God gave me more than to be loved by you in this life! You are a true, loving brother, and I will miss you so very much. I testify eternally of my great love for you with every fiber of my heart and soul! #TillWeMeetAgain,” added Marie. “I know many of you understand these feelings from losing your loved ones. My deepest prayers are with you and also those dealing w/ devastating fires in CA.”

    Their brother Merrill Osmond previously confirmed Wayne’s death after he suffered a stroke. “I’ve never known a man that had more humility. A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met. Until I see him again, know that he was loved,” he wrote in part.

    Born on August 28, 1951, in Ogden, Utah, Wayne Osmond began singing with his siblings Alan, Merrill and Jay in a barbershop quartet called The Osmond Brothers during the late 1950s. They found their break in 1962 on NBC variety show The Andy Williams Show, where they were soon joined by younger brother Donnie.

    Wayne Osmond is survived by his wife of 50 years, Kathlyn; their three daughters and two sons; and all of his siblings, of whom he is the fourth-oldest.