Blog

  • Street Fighter live-action movie finally has its director

    Street Fighter live-action movie finally has its director

    Street Fighter finally has a director.

    Per The Hollywood Reporter, Kitao Sakurai will direct Street Fighter, a live-action movie for Legendary Entertainment based on the classic video game from Capcom. Sakurai replaces Danny and Michael Philippou, who were in talks to direct before dropping out to work on Bring Her Back. Plot details are being kept under wraps.

    Recommended Videos

    The Emmy-nominated Sakurai is best known as a writer, director, and producer on The Eric Andre Show. Sakurai has directed two feature films: 2010’s Aardvark and 2021’s Bad Trip, with the latter starring comedian Eric Andre. Sakurai is an executive producer on the upcoming season of Netflix’s Beef.

    Please enable Javascript to view this content

    First released as an arcade game by Capcom in 1987, Street Fighter is a competitive fighting game featuring one-on-one battles with martial artists. Memorable characters include Ryu, Ken Masters, Chun-Li, Guile, and the villainous M. Bison. The second game, 1991’s Street Fighter II, became one of the best-selling arcade games. The Street Fighter franchise has an estimated gross of $14 billion.

    Street Fighter (1994) Trailer HD | Jean-Claude Van Damme | Raul Julia This is not the first time Street Fighter has received the live-action treatment. In 1994, Jean-Claude Van Damme headlined Street Fighter from 48 Hrs. scribe Steven E. de Souza. Van Damme starred as Colonel Guile, with Raul Julia as M. Bison, Ming-Na Wen as Chun-Li, Damian Chapa as Ken Masters, and Bryon Mann as Ryu. The film received negative reviews from critics but grossed nearly $100 million worldwide on a $35 million budget. Street Fighter has developed cult status in the years since its release.

    Sony will release the live-action Street Fighter in theaters on March 20, 2026.

  • A$AP Rocky dives into Rihanna’s arms after not guilty verdict in assault trial – National | Globalnews.ca

    A$AP Rocky dives into Rihanna’s arms after not guilty verdict in assault trial – National | Globalnews.ca

    After a jury found rapper A$AP Rocky not guilty at his trial on two felony counts of assault with a semi-automatic firearm, he celebrated by diving into the arms of Rihanna in the packed courtroom.

    The Los Angeles courtroom, full of fans and family, exploded into celebration as Rocky leapt from the defence table, over a barrier and into the gallery, where Rihanna sat between his mother, Renee Black, and sister, Erika B. Mayers. They embraced and sobbed.

    Amid the chaos, it took the clerk a few minutes to read the second not guilty verdict once Rocky returned to the defence table after hugging his longtime girlfriend.

    “I didn’t know how athletic he was,” Rocky’s lawyer Joe Tacopina told reporters outside the courthouse. “That was raw emotion, you guys got to see that. Even for us it was insane.”

    After a tense three-week trial, the jury deliberated for just three hours to reach the verdict that spared Rocky, whose legal name is Rakim Mayers, a prison sentence of up to 24 years in prison.

    “Thank y’all for saving my life,” Rocky told the jurors as they left the courtroom.

    “Mr. Mayers, you’re excused,” Judge Mark Arnold said.

    On the eve of trial, Rocky turned down a prosecution offer of just six months in jail, along with probation and other conditions, if he pleaded guilty to one count.

    Prosecutors and their witnesses said Rocky was feuding with a former friend, A$AP Relli. The pair had been in a crew who called themselves the A$AP Mob since high school. They said the two men met up in Hollywood on Nov. 6, 2021, and after a scuffle, Rocky pulled the gun and fired twice at Relli, who said one of the shots grazed his knuckle. He was not seriously hurt.

    Tacopina said in his closing argument that Relli is “an angry pathological liar” who “committed perjury again and again and again and again.”

    Rocky’s lawyers and the witnesses they called said Rocky had shot a prop gun that only fires blanks, which he had been carrying for security since taking it from a music video set months earlier. They said he fired it as a warning because Relli was attacking another member of their crew.

    Rocky insisted on his innocence and decided to gamble that a jury would feel the same way following the three-week trial.

    In his closing argument, Deputy District Attorney John Lewin urged the jurors not to be influenced by the celebrity or family aspects of the case, and suggested Rihanna bringing the kids — two-year-old RZA Athelston Mayers and one-year-old Riot Rose Mayers — to closing arguments was an attempt to manipulate the jury.

    “You are not allowed to consider how this might affect Rihanna and his kids,” the prosecutor said. “We are all responsible for our own actions in the world.”

    The 36-year-old rapper hugged his defence lawyers, as did Rihanna, who was in attendance for most of the trial.

    District Attorney Nathan Hochman said he respected the jury’s decision.

    “Our office remains committed to seeking accountability for those who break the law, no matter their status or influence,” Hochman said in a statement. “Fame does not place anyone above the law, and we will not waver in our pursuit of justice for victims and the community.”

    Rocky was more than 30 minutes late for the reading of the verdict and looked shaken and tense as he waited for the clerk to read it.

    “There was a moment when before we heard the words from the clerk, he didn’t know if he was going to be spending the next two decades in jail or going home,” Tacopina said.

    Following the verdict, Rocky spoke to reporters outside the courthouse.

    “First of all, I got to thank God. We want to thank God first, you know what I’m saying?” Rocky told the press. “And I really want to thank the jury for making the right decision. I’m just so thankful. This is crazy right now.

    “This whole experience has been crazy for the past four years,” he continued. “But I’m thankful, nonetheless. I’m thankful and blessed to be here right now to be a free man talking to y’all. Thank you. All praise to God.”

    Rihanna also shared a statement on her Instagram Stories, writing, “The glory belongs to God and God alone! Thankful, humbled by his mercy!”

    Rocky also took to X after the verdict and posted, “DON’T BE DUMB,” in reference to his upcoming fourth studio album.

    Despite the legal battle, Rocky has an exciting year ahead.

    He is set to bask in the height of hip-hop as the headliner of the Rolling Loud music festival next month. He’ll also be at the height of fashion’s biggest night, the Met Gala, as a celebrity co-chair along with LeBron James and Pharrell Williams in May. And in the summer, he adds major motion picture actor to his resume as the co-star — with Denzel Washington — in director Spike Lee’s film Highest 2 Lowest.

  • Kitao Sakurai Tapped To Direct ‘Street Fighter’ For Legendary

    Kitao Sakurai Tapped To Direct ‘Street Fighter’ For Legendary

    Legendary’s live-action Street Fighter movie, based on the Capcom video games, has found a new director in Kitao Sakurai (Bad Trip), Deadline has learned.

    Sakurai inherits the project from Talk To Me filmmakers Danny & Michael Philippou, who attached themselves in April of 2023, following the studio’s acquisition of exclusive film and TV rights to the property.

    Street Fighter is a series of fighting games, launched in 1987, which revolves around intense one-on-one battles between a diverse cast of martial artists. While the plot of the film and other attachments are being kept under wraps for now, the games often center around a global fighting tournament organized by M. Bison, the leader of the evil organization Shadaloo.

    Street Fighter has sold over 55 million units worldwide since launch, making it one of the most well-known and highest-grossing video game franchises of all time. The most recent installment, Street Fighter 6, won Best Fighting Game at the Game Awards in 2023. The film adaptation is being co-developed and co-produced alongside Capcom, the developer and publisher of the video games.

    Emmy nominated for his work on The Eric Andre Show, on which he was director and executive producer, Sakurai is otherwise best known for co-writing and directing Netflix’s chart-topping hidden camera prank pic Bad Trip, also starring Andre.

  • True crime cruise will star John Walsh and hosts of ‘RedHanded,’ ‘Scamfluencers’ and ‘Kill List’

    True crime cruise will star John Walsh and hosts of ‘RedHanded,’ ‘Scamfluencers’ and ‘Kill List’

    NEW YORK — Hosts of many popular true crime podcasts will headline a murder-themed cruise next year that’s being billed as a first-of-its kind immersive mystery experience at sea.

    The cruise will feature “America’s Most Wanted” host John Walsh, Hannah Maguire and Suruthi Bala from “RedHanded,” Scaachi Koul and Sarah Hagi from “Scamfluencers,” Aaron Habel and Justin Evans from “Generation Why,” Carl Miller of “Kill List,” “Hollywood & Crime” host Tracy Pattin and Chris Stewart from “Law & Crime.”

    “The true crime community is packed full of talented creators, experts and some of the most discerning fans/listeners out there! So, finding such an exciting way to connect with all these people — on a one-of-a-kind Caribbean cruise(!) — is the best news ever! It’s going to be so much fun, we can’t wait!” Bala wrote to The Associated Press.

    Wondery’s Exhibit C Presents: A True Crime Cruise will take place on Norwegian Cruise Line’s Norwegian Joy ship. The four-night cruise will sail from Miami starting Jan. 26, 2026, to Nassau, Bahamas.

    In addition to the podcast hosts, the cruise will have body language expert Susan Constantine, blood splatter expert Alina Burroughs, forensic psychologist Kris Mohandie, genetic genealogist CeCe Moore, former detectives Robert Souza and Tom Lange and true crime author Tori Telfer.

    The cruise will feature murder mystery events, workshops, panel discussions, a crime-solving immersive theater, self-defense classes and trivia nights.

    Two packages are available: One includes food, basic drinks, access to panels and presentations, starting at $1,335 per person based on double occupancy. The other package starts at $3,235.

    The cruise is a collaboration between festival and music cruise operator Sixthman and podcast studio and network Wondery.

    “We are looking forward to sharing this with so many other talented individuals who are sure to make this event truly special, through their expertise, energy, and enthusiasm for the genre,” Hagi said in an email.

  • Two other women willing to testify in Blake Lively, Justin Baldoni lawsuit

    Two other women willing to testify in Blake Lively, Justin Baldoni lawsuit

    Two other actresses on the set of It Ends With Us are prepared to come forward and testify about being made “uncomfortable” by actor Justin Baldoni, an amended legal complaint from Blake Lively has revealed.

    Warning: This story contains graphic allegations of sexual misconduct

    The actress has filed an amended complaint in her lawsuit against Justin Baldoni for sexual harassment and a retaliatory smear campaign.

    The amended complaint, which does not name the two women, said that two actresses raised their concerns with Lively and the production company over Baldoni’s “unwelcome” behaviour during filming.

    Baldoni has denied all allegations and filed a counter-lawsuit against Lively, her husband Ryan Reynolds and her PR firm in addition to a defamation suit against the New York Times for its reporting of the allegations.

    The lawsuit is expected to be heard in court in March next year.

    Here’s the latest on the complex and public legal feud between the film’s stars.

    What has been added to the legal complaint?

    The amended legal complaint alleges Baldoni was made aware of concerns over his behaviour by several actresses on set and acknowledged their concerns.

    “The experiences of Lively and others were documented at the time they occurred starting in May of 2023,” the document read.

    “Importantly, and contrary to the entire narrative the defendants have invented, Mr. Baldoni acknowledged the complaints in writing at the time.

    “He knew that women other than Ms. Lively also were uncomfortable and had complained about his behaviour.”

    The amended complaint said that on May 26, 2023, Ms Lively reported her concerns regarding unwelcome and inappropriate behaviour by Mr Baldoni and Mr Heath, the chief executive officer of Wayfarer and producer of the film, to Sony employee Ange Gianetti, the film’s representative for its distributor Sony Pictures Entertainment.

    Three days later, another female cast member reported her own concerns regarding Baldoni’s “unwelcome behaviour” to both Ms Gianetti and one of the film’s producers.

    “Notwithstanding that female cast member’s considerable reservations, she nonetheless spoke up and conveyed her feelings that the work on the film was suffering as a result of Mr Baldoni’s behaviour,” it said.

    Ms Gianetti shared those concerns with Wayfarer.

    The complaint said that Baldoni wrote to the cast member and said changes would be made on set but this did not happen.

    On June 8, the same female cast member told Lively her growing concerns about set conditions and that she found it difficult to work with Baldoni.

    The text messages are not included in the complaint to protect the anonymity of the other female witnesses.

    But, it said that Lively responded by saying” “I know I find it really hard to speak to him. I try cover it with busyness but not sure that covers what’s going on.”

    Later, it is alleged that another female cast member confided to Lively that she too felt uncomfortable on set.

    “All of this occurred, and was documented in writing, almost one year before the editing of the Film began,” the complaint said.

    Lively also added two new causes to her lawsuit, alleging that Baldoni’s attorney, Bryan Freedman, made defamatory comments about Lively in the media, retaliating against her for “speaking up and bringing legal claims against Mr Baldoni.”

    ‘Invasive’ comments made to Lively

    The complaint also reveals more detail about some of the “invasive” comments Baldoni is accused of making to Lively.

    The comments were made in response to Lively’s objection to additional graphic content added into the script without Lively’s consent.

    “When Ms Lively objected to these additions, Mr Baldoni insisted he had added them because he was making the Film “through the female gaze.”

    “Although he agreed to remove the scenes, he made a last-ditch attempt to keep one in which the couple orgasm together on their wedding night, which he said was important to him because he and his partner climax simultaneously during intercourse.”

    It is alleged Baldoni then intrusively asked Lively whether “she and her husband climax simultaneously during intercourse, which Ms Lively found invasive and refused to discuss”.

    There are also allegations that in the wake of the public legal feud, others who have publicly support Lively have been subjected to harassment and threats.

    “One fact witness known to publicly support Ms Lively recently received a written threat indicating that the witness’s family would be sexually assaulted and killed unless the witness agreed to ‘make a statement and give the truth.’”

    The complaint said that “this type of climate was the predictable, if not inevitable, result of the retaliatory campaign launched by the Baldoni-Wayfarer parties, both before and after the litigation began.”

    The complaint also names Steve Sarowitz who was the executive producer of the film and the co-founder of Wayfarer Studio and said that he once compared his battle against her and her husband Ryan Reynolds to the war between Israel and Hamas.

    The suit claims that Mr Sorowitz told an employee of Wayfarer that if Lively and Reynolds “ever cross the line, I will go after them.”

    “I will protect the studio like Israel protected itself from Hamas. There were 39,000 dead bodies. There will be two dead bodies when I’m done. Minimum,” he allegedly said, per the complaint.

    “Not dead but ‘you’re dead to me’ so that kind of dead.”

    He said he would “spend a lot of money to make sure the studio is protected.”

    In a statement to the New York Times, Baldoni’s lawyer Bryan Freedman said: “Her underwhelming and amended complaint is filled with unsubstantial hearsay and unmanned persons who are clearly no longer willing to come forward.”

    Lively’s lawyers Esra Hudson and Mike Gottlieb said in a statement that the amended complaint “includes significant contemporaneous evidence” and that Lively was “not alone” in raising concerns.

    Lively and Baldoni have been engaged in a heated legal saga since she came forward with allegations against him in December.

    The New York Times and other US media outlets reported on her civil rights complaint in a story shortly after.

    Baldoni has sued The Times for libel, claiming that the newspaper relied on Lively’s “unverified and self-serving narrative.”

    The newspaper has said that the story was “meticulously and responsibly reported,” and that the newspaper planned to “vigorously defend” against the lawsuit.

    Two weeks ago, the federal judge presiding over the federal case warned Lively and Baldoni’s lawyers to obey court rules about public statements to ensure a fair trial.

    Judge Lewis Liman suggested he could make the trial scheduled for March 9, 2026 start sooner if lawyers were able to stop making fiery public comments that could contaminate a potential jury pool.

  • ‘The Last of Us’ Gets Season 2 Premiere Date

    ‘The Last of Us’ Gets Season 2 Premiere Date

    Season two of The Last of Us has — at last — a specific premiere date.

    The seven-episode season of the drama will debut April 13 on HBO. That means the season will complete its run in late May, just under the wire for Emmy eligibility this year.

    The premiere will come two years and one month after the finale of The Last of Us’ first season in March 2023. That season was one of HBO’s biggest since the end of Game of Thrones, drawing some 30 million cross-platform viewers per episode and won eight Emmys, including guest acting awards for Storm Reid and Nick Offerman.

    The season two logline reads, “Five years after the events of the first season, Joel (Pedro Pascal) and Ellie (Bella Ramsey) are drawn into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.”

    Along with Pascal and Ramsey, the season two cast includes returnees Gabriel Luna and Rutina Wesley and newcomers Kaitlyn Dever, Isabela Merced, Young Mazino, Ariela Barer, Tati Gabrielle, Spencer Lord, Danny Ramirez and Jeffrey Wright. Catherine O’Hara guest stars.

    Craig Mazin (Chernobyl) and Neil Druckmann, who developed the Last of Us video game, are writers and executive producers of the series. Carolyn Strauss, Jacqueline Lesko, Cecil O’Connor, Asad Qizilbash, Carter Swan and Evan Wells also executive produce; Halley Gross is a writer and co-EP. Sony Pictures Television and HBO co-produce.

  • Renée Fleming to make directing debut at Aspen Festival this July in Mozart’s ‘Cosi fan tutte’

    Renée Fleming to make directing debut at Aspen Festival this July in Mozart’s ‘Cosi fan tutte’

    ASPEN, Colo. (AP) — Soprano Renée Fleming will make her directing debut in Mozart’s “Così fan tutte” at the Aspen Festival with three performances from July 21-26.

    While Mozart and librettist Lorenzo Da Ponte set their opera about fiancee-swapping in 18th century Naples, Italy, Fleming is shifting the work to a contemporary setting, the company announced Wednesday.

    “It’s supposed to be royalty or aristocracy,” she said. “I’m putting this more in high school, 1980, Yarmouth, Massachusetts, at the beginning of World Wide Wrestling. … Also, the early ’80s was Jane Fonda aerobics.”

    Fleming, who turned 66 last week, continues to sing in recitals and in a few contemporary operas but gave her last staged performance from the central repertoire in 2017.

    Patrick Summers will conduct a student cast at the Wheeler Opera House. Summers and Fleming have been co-artistic directors of the Aspen Opera Theater and Vocal Arts Program since 2019.

    “She is such a polymath,” Summers said. “I’ve known very few people in the opera industry as intelligent and as nice as Renée Fleming.”

    Fleming was to have directed “Cosi” for the Washington National Opera at the Kennedy Center starting Feb. 27, 2021, with Paulo Szot as Don Alfonso, but the production was canceled because of the coronavirus pandemic.

    Fleming last week resigned as artistic adviser at large to the Kennedy Center after Deborah Rutter was fired as the organization’s president and President Donald Trump replaced David Rubenstein as chairman.

    The Aspen Festival runs from July 2 to Aug. 24 and includes the world premiere of Christopher Theofanidis’ “Siddhartha, She” on Aug. 2. The gender-swapping music drama based on Hermann Hesse’s 1922 novel “Siddhartha” has a libretto by Melissa Studdard and is conducted by Robert Spano, the festival’s music director since 2011.

  • A$AP Rocky Found Not Guilty: The Extremely High Stakes of the Rapper’s Risky Trial

    A$AP Rocky Found Not Guilty: The Extremely High Stakes of the Rapper’s Risky Trial

    Three weeks of testimony and arguments. Three hours of jury deliberations. Three might be A$AP Rocky’s new lucky number as the rapper was found not guilty of two felony counts of assault with a semiautomatic firearm on February 18. However, A$AP Rocky’s trial involved more than luck.

    The 36-year-old turned down an offer from the prosecution involving just six months in jail. He would’ve had to plead guilty to one count and spend six months in prison. But A$AP Rocky, also known as Rakim Mayers, insisted on his innocence and risked everything to discover if a jury would feel the same. Here’s what was at stake for the father of two as his trial unfolded:

    Rihanna and their two sons attended much of the closing arguments of the LA-based trial. With Riot and RZA at 1 and 2 years old, respectively, A$AP Rocky faced the reality that he might not experience life with his children outside of prison walls until both boys were in their twenties. Add a 20-plus-year separation from his partner of at least five years, Rihanna. The rapper would essentially lose his family life for decades.

    This factor alone could’ve tempted the entrepreneur to plead guilty to at least one count, as The Economic Times reports. But A$AP Rocky believed strongly that he was innocent regarding accusations that he shot a semiautomatic firearm at former friend and collaborator A$AP Relli (Terell Ephron) in 2021.

    A$AP Rocky is arguably at the height of his music career. The Harlem native faces a banner year of music festivals and events. These include the Rolling Loud music festival in March and three major European festivals throughout August (Budapest’s Sziget Festival, Belgium’s Pukkelpop, and France’s Rock en Seine). A$AP Rocky will also release his highly anticipated fourth studio album, Don’t Be Dumb, in early 2025.

    A$AP Rocky has become a major influence on streetwear and high fashion. His icon status earned him the coveted position of celebrity co-chair for this year’s Met Gala. The May event focuses on the influence of Black men’s fashion from the 18th century to the present day — something the rapper cares about deeply.

    Along with co-chairs Pharrell Williams and LeBron James, A$AP Rocky’s involvement represents the pinnacle of his impact at the biggest night in fashion. In addition to the Met Gala, A$AP Rocky would’ve had to step back from AWGE, the creative collective he founded in 2014 and continues to direct.

    Highest 2 Lowest is set to premiere in the summer of 2025. Directed by Spike Lee, the crime thriller stars A$AP Rocky in the leading role. With a star-studded cast, including Denzel Washington and Jeffrey Wright, Highest 2 Lowest represents a huge moment in the rapper’s acting career, which includes roles in 2015’s Dope and 2018’s Monster. Filming wrapped in May 2024. But A$AP Rocky would’ve missed all 2025 promotional and red-carpet events, saying goodbye to his acting career from jail.

    Ultimately, A$AP Rocky’s jury of five men and seven women sided with the fashion mogul. Rocky’s defense successfully argued that Relli was not a credible witness and that there was no concrete evidence linking A$AP Rocky to the shooting. Upon the verdict’s announcement in court, the rapper emotionally hugged Rihanna and his defense team. Rihanna posted a simple story on Instagram. She wrote in simple white text, “The glory belongs to God and God alone. Thankful, humbled by his mercy,” with a prayer hands emoji.

  • Cynthia Erivo To Host The 78th Tony Awards At Radio City Music Hall | Essence

    Cynthia Erivo To Host The 78th Tony Awards At Radio City Music Hall | Essence

    The multi-award-winning star will lead Broadway’s biggest night, airing live on CBS on June 8, 2025.

    The 78th Annual Tony Awards will return to Radio City Music Hall in New York City on Sunday, June 8, 2025, airing live on CBS and streaming on Paramount+. This year, the ceremony will be hosted by Cynthia Erivo, a Tony, Emmy, and GRAMMY Award-winner and three-time Oscar nominee. With only an Oscar win standing between her and EGOT status, Erivo has become one of the most accomplished performers of her generation.

    Erivo expressed her excitement for the role, stating in a press release, “I am so proud and excited to take on this glorious honor.”

    Erivo first gained widespread recognition for her performance in The Color Purple on Broadway, earning her a Tony Award. She has since expanded her career to film and television, most recently starring as Elphaba in Universal’s adaptation of Wicked, which broke box office records. Her performance has earned critical acclaim and multiple award nominations.

    Beyond acting, Erivo is an accomplished musician, releasing her debut album Ch. 1 Vs. 1 in 2021. She has also ventured into production with her company, Edith’s Daughter, which aims to highlight underrepresented stories. In addition, she will be honored at the 2025 ESSENCE Black Women in Hollywood, celebrating her impact as a trailblazer in entertainment.

    Heather Hitchens, President & CEO of the American Theatre Wing, and Jason Laks, President of The Broadway League, praised Erivo’s ability to bring the magic of musical theater to a global audience. “Through performances on both stage and screen, Cynthia has extended the magic of musical theater to millions of new fans around the globe — and that is exactly the mission of the Tony Awards,” said Hitchens and Laks. “Her talent defies gravity and boundaries, and we are beyond thrilled to welcome her home to Broadway for what will be a joyful and inspiring celebration of the theatrical artform. We hope audiences are ready to leap to their feet, cry tears of joy, and maybe even get up and dance.”

    CBS executive Mackenzie Mitchell added that Erivo’s deep connection to the theater community ensures she will deliver an unforgettable evening. “Cynthia is a remarkable talent and with her deep roots in the theater community, we are honored to have her host this year’s Tony Awards on CBS,” said Mitchell. “There is no doubt with her innate creativity and captivating presence, she will deliver an unforgettable evening highlighting the extraordinary achievements of this Broadway season.”

    Nominations for the Tony Awards will be announced on May 1. The ceremony is produced in collaboration with Tony Award Productions, a joint venture of the American Theatre Wing and The Broadway League, alongside White Cherry Entertainment. Ricky Kirshner and Glenn Weiss will serve as executive producers, with Weiss also directing.

    With a career spanning theater, music, and film, Erivo hosting the Tony Awards will be the highlight of the Broadway season, celebrating the best of live theater with a global audience. “I am looking forward to ushering the theatre community at large through a night that celebrates the wonderful performances we have witnessed throughout the year. I hope I can rise to the occasion,” Erivo said.

  • Blake Lively, Justin Baldoni’s ‘It Ends with Us’ legal battle: A timeline

    Blake Lively, Justin Baldoni’s ‘It Ends with Us’ legal battle: A timeline

    The onscreen drama of “It Ends with Us” is nothing compared to the legal battle its co-stars, Blake Lively and Justin Baldoni, are at the center of in real life.

    The castmates have been embroiled in a heated legal feud since December 2024, when Lively first filed a complaint against Baldoni with the California Civil Rights Department accusing him of sexual harassment on the set of the film, which he also directed.

    Lively, represented by attorney Michael Gottlieb, and Baldoni, represented by attorney Bryan Freedman, have launched dueling lawsuits against each other in the weeks since, dominating headlines and drawing attention at every step.

    The actors are due to appear in the U.S. District Court for the Southern District of New York March 9, 2026, with Judge Lewis Liman overseeing the case.

    Ahead of their court date, Lively followed in Baldoni’s steps by filing an amended version of her original complaint, one that her lawyers said “provides significant additional evidence and corroboration of her original claims.”

    Keep reading to see a timeline of the events in the actors’ legal back-and-forth.

    “It Ends with Us,” based on Colleen Hoover’s bestselling novel of the same name, debuted in theaters on Aug. 9.

    The film, which explores themes of domestic violence and emotional abuse, starred Lively, Baldoni, Jenny Slate, Brandon Sklenar, Hasan Minaj and more. Christy Hall wrote the screenplay and Baldoni directed.

    According to the box-office data website The Numbers, “It Ends with Us” grossed nearly $350 million worldwide.

    Lively first filed a complaint with the California Civil Rights Department in late December, alleging “severe emotional distress” after she said Baldoni and key stakeholders in the film sexually harassed her and attempted, along with Baldoni’s production company, to orchestrate a smear campaign against her.

    The allegations in the California complaint were detailed in a New York Times article titled “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine.” Included in the report were details surrounding a January 2024 “all hands” meeting — held “prior to resuming filming of ‘It Ends With Us,’” according to the complaint — that was held to address Lively’s workplace concerns, adding that it was attended by key stakeholders in the film and Lively’s husband, Ryan Reynolds. Lively said she laid out specific demands at that meeting to ensure a safe and professional working environment.

    Lively claimed Baldoni and his production company Wayfarer Studios, which produced “It Ends With Us,” then engaged in a “social manipulation” campaign to “destroy” Lively’s reputation, according to the complaint.

    Freedman, the attorney for Baldoni and Wayfarer Studios, denied the allegations, calling Lively’s claims “completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media.”

    Lively was criticized during the “It Ends with Us” tour for her conduct during press interviews and from some who felt she did not highlight the film’s focus of domestic violence enough.

    Baldoni filed a lawsuit against the New York Times for libel and false light invasion of privacy on Dec. 31 after it published the article about Lively’s California complaint.

    The lawsuit claimed the Times, which included the alleged text messages and email exchanges between Baldoni’s publicists Jennifer Abel and Melissa Nathan, had relied on “cherry-picked” and altered communications, with details “stripped of necessary context and deliberately spliced” to “mislead.”

    Baldoni is seeking $250 million in damages in his suit against the Times and also listed nine other co-plaintiffs including Wayfarer Studios LLC and his publicists, Abel and Nathan.

    Freedman claimed in a statement to “GMA” that the Times “cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites, disregarding journalistic practices and ethics once befitting of the revered publication by using doctored and manipulated texts and intentionally omitting texts which dispute their chosen PR narrative.”

    A Times spokesperson told “GMA” that the they “plan to vigorously defend against the lawsuit,” adding, “The role of an independent news organization is to follow the facts where they lead. Our story was meticulously and responsibly reported. It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”

    On Dec. 31, Lively formalized her initial California Civil Rights Department complaint into a lawsuit filed in New York, which reiterated details she previously presented in her California complaint.

    Attorneys for Lively said in a statement that the actress’s “decision to speak out has resulted in further retaliation and attacks.”

    “As alleged in Ms. Lively’s federal Complaint, Wayfarer and its associates have violated federal and California state law by retaliating against her for reporting sexual harassment and workplace safety concerns,” Lively’s attorneys claimed. “Now, the defendants will answer for their conduct in federal court.”

    Baldoni denied the allegations.

    In a statement obtained by ABC News on Jan. 7, Lively’s lawyers said their client’s “federal litigation before the Southern District of New York involves serious claims of sexual harassment and retaliation, backed by concrete facts.”

    “This is not a ‘feud’ arising from ‘creative differences’ or a ‘he said/she said’ situation,” Lively’s attorneys added. “As alleged in Ms. Lively’s complaint, and as we will prove in litigation, Wayfarer and its associates engaged in unlawful, retaliatory astroturfing against Ms. Lively for simply trying to protect herself and others on a film set.”

    The statement continued by asking “everyone to remember that sexual harassment and retaliation are illegal in every workplace and in every industry.”

    Freedman, Baldoni’s lawyer, responded to the statement from Lively’s camp by saying, “It is painfully ironic that Blake Lively is accusing Justin Baldoni of weaponizing the media when her own team orchestrated this vicious attack by sending the New York Times grossly edited documents prior to even filing the complaint.”

    “We are releasing all of the evidence which will show a pattern of bullying and threats to take over the movie. None of this will come as a surprise because consistent with her past behavior Blake Lively used other people to communicate those threats and bully her way to get whatever she wanted. We have all the receipts and more.”

    Baldoni formally filed a civil lawsuit against Lively, Reynolds, the couple’s publicist Leslie Sloane and Sloane’s public relations company Vision PR for, among other things, extortion and defamation.

    Baldoni accused Lively of having “robbed” him and Wayfarer Studios LLC of control of “It Ends with Us,” as well as destroying Baldoni’s “personal and professional reputations and livelihood.”

    Baldoni, Wayfarer, Baldoni’s publicist Jennifer Abel, Melissa Nathan — a crisis PR specialist hired by Wayfarer Studios — and Baldoni’s friend, podcast co-host, and Wayfarer CEO Jamey Heath are listed as plaintiffs. They are seeking $400 million in damages.

    The suit claims Lively pushed a “false and damaging narrative” against Baldoni that was “rife with lies and doctored ‘evidence’” in accusing him of sexual harassment on the set of “It Ends with Us.”

    Baldoni’s suit accuses Sloane of having gone “so far as to propagate malicious stories portraying Baldoni as a sexual predator” and Reynolds of using the term to describe Baldoni in a call with Baldoni’s agent. The suit claims Reynolds told Baldoni’s rep to “drop” him as a client.

    The suit also claims Baldoni and the other plaintiffs were “the targets of a calculated and vitriolic smear campaign” lodged by the defendants, and that Lively, leveraging her and her husband’s star power, took control of the film — including Lively having her own cut of it.

    Freedman called the lawsuit “a legal action based on an overwhelming amount of untampered evidence detailing Blake Lively and her team’s duplicitous attempt to destroy Justin Baldoni, his team and their respective companies by disseminating grossly edited, unsubstantiated, new and doctored information to the media.”

    Lively’s lawyers responded with a statement calling the lawsuit “another chapter in the abuser playbook.”

    “This is an age-old story: A woman speaks up with concrete evidence of sexual harassment and retaliation and the abuser attempts to turn the tables on the victim. This is what experts call DARVO. Deny. Attack. Reverse Victim Offender.”

    “They are trying to shift the narrative to Ms. Lively by falsely claiming that she seized creative control and alienated the cast from Mr. Baldoni. The evidence will show that the cast and others had their own negative experiences with Mr. Baldoni and Wayfarer,” the statement continued. “The evidence will also show that Sony asked Ms. Lively to oversee Sony’s cut of the film, which they then selected for distribution and was a resounding success.”

    Lively and Reynolds’ lawyers filed the latest of several letters to Judge Liman on Jan. 27 regarding Freedman’s comments to the media.

    The couple’s legal team has claimed Freedman is influencing “public perception” of the cases and “tainting” and attempting to “prejudice” a jury pool “beyond repair” by sharing “false and defamatory statements and character attacks against Ms. Lively” to the media.

    Their letter requested the judge to keep Freedman from releasing “strategically selected” evidence, specifically pointing to Freedman’s promise to create a website to house all communications between Lively and Baldoni for public consumption. The website, they claim, would be “incomplete, biased, and prejudicial by design.” They also asked the judge to address Freedman’s conduct with the media, writing, “The endless stream of defamatory and extrajudicial media statements must end.”

    In response, Freedman said in a statement: “The irony continues to be rich for team Lively/Reynolds. Our intention with the upcoming website is to do the exact opposite of what they themselves did when they gave provably false information to the New York Times. We will not be selective, we will not cherry pick and we will not doctor text messages. Both Ms. Lively and Mr. Reynolds do not yet understand that there isn’t one rule for them and one rule for everybody else.”

    On Jan. 27, Judge Liman set a trial date in the matter of Lively and Baldoni’s lawsuits for March 9, 2026.

    At the time, he signaled a plan to consolidate the actors’ lawsuits against each other into one and told both parties to be prepared to address “pretrial publicity and attorney conduct” at the initial pretrial conference on Feb. 3.

    Lively and Reynolds’ attorney stated they intend to file a motion to “dismiss” Baldoni’s lawsuit against them in a court document submitted Jan. 30.

    In an order also filed Jan. 30, Judge Liman instructed the clerk to consolidate the cases between Lively and Baldoni into one singular case.

    In the days before the actors’ lawyers met in court for the first time, Baldoni’s attorneys launched a website containing two links: one to an amended version of Baldoni’s complaint, as well as a document titled “Timeline of Relevant Events,” both of which are noted to have been published Jan. 31.

    Attorneys for Lively and Baldoni met in court for the first time on Feb. 3 for a 90-minute hearing that largely revolved around scheduling going forward but offered insights into upcoming strategy, what’s to come and concerns about the case being litigated in the media.

    Gottlieb said they would be moving to dismiss the complaint from Baldoni and that they would file an amended complaint of their own by the end of next week that would add both new claims and new defendants — though they did not say who or what.

    Freedman, an attorney for Baldoni, said they plan to dismiss their case against The New York Times in California, as the publication has been added to the New York case in an effort to speed things along, saying “it kind of made no sense at all to be doing this on different coasts.”

    The New York Times told ABC News in a statement Monday — which referenced their initial statement — that their story “was meticulously and responsibly reported” and that they “plan to vigorously defend against the lawsuit.”

    Despite the changes, Freedman indicated their desire to move the case along and noted he wants to take Lively’s deposition as soon as possible, saying, “We would like to move this case along as quickly as possible. There’s no reason to wait.”

    Lively’s attorney said the actress has “suffered an ongoing campaign of retaliation” and is “very eager to have her day in court.”

    Judge Liman said the idea of early depositions is “not going forward” until all parties are decided on in the case, adding, “I’m not going to have people deposed twice, unless there’s a really good reason.”

    Sigrid McCawley, an attorney for Sloane and Vision PR, Lively and Reynolds’ publicist, said they would be filing a motion to dismiss regarding the claims against her client and her business.

    The issue of the case being litigated in the press was a major topic of discussion by both lawyers.

    Gottlieb said Freedman’s public statements have been defamatory and “continue the campaign of retaliation” against Lively. He added that they are not seeking “a gag order” against Freedman, only for the judge to adopt the rules of professional conduct for lawyers that govern what can be said outside of court.

    Freedman signaled he also wanted those rules adopted, saying, “This has not been a one-way street.”

    Both the judge and Lively’s attorney took issue with an attachment Freedman included on a recently launched website, the document titled “Timeline of Relevant Events.”

    “The law is pretty clear — you can’t just attach a factual narrative,” Judge Liman said, later stating that sanctions are possible.

    At one point in Monday’s hearing, the judge also stated that he has the power to move up the trial date if the case is litigated in the press to the point that it becomes untenable. “I don’t want to do that,” Judge Liman warned, but noted that he could.

    Lively and Reynolds attended the 50th anniversary special for “Saturday Night Live” in New York City on Feb. 16. During the show, the couple participated in a segment with comedians Tina Fey and Amy Poehler titled “Audience Q&A” in a moment that seemingly referenced their ongoing legal drama.

    As Reynolds stood up to ask a question, Fey asked, “How’s it going?”

    Reynolds answered, “Great. Why? What have you heard?”

    Fey then said “cool stuff only” while Poehler said “great stuff.”

    Reynolds, in response, said, “Yeah, OK,” while Lively smiled.

    Lively filed an amended version of her lawsuit in court on Feb. 18.

    The actress’s lawyers said in a statement that the new version “provides significant additional evidence and corroboration of her original claims” and “includes previously undisclosed communications” as well as “numerous other witnesses.”

    The amended complaint alleges that Lively was not the only woman to voice concern over sexual harassment on the set of “It Ends with Us.”

    Lively’s complaint notes that in May 2023 “another female cast member reported her own concerns regarding Mr. Baldoni’s unwelcome behavior” and that the cast member came forward despite “considerable reservations” because she felt “the work on the Film was suffering as a result of Mr. Baldoni’s behavior.” She claims Baldoni then “responded to that cast member in writing, acknowledging that he was aware of her concerns and that adjustments would be made” but that conditions didn’t approve.

    “Later, another female cast member confided to Ms. Lively that she too felt uncomfortable on set,” the amended complaint reads. “All of this occurred, and was documented in writing, almost one year before the editing of the Film began.”

    Lively’s amended complaint alleges that Baldoni’s “false narrative crumbles under the indisputable truth that Ms. Lively was not alone in complaining about Mr. Baldoni and raised her concerns contemporaneously as they arose in 2023, not in connection with some imagined power play for control of the Film in 2024.” Additionally, it alleges Baldoni “acknowledged the complaints in writing at the time” and “knew that women other than Ms. Lively also were uncomfortable and had complained about his behavior.”

    Lively argues in her amended complaint that Baldoni’s public persona of having “portrayed himself as a leader of the male feminist movement” is a “stark contrast” to his private behavior, which she alleges “is replete with hypocrisy, misogyny, and retaliation.”

    The actress’ attorneys said in a statement of the amended complaint, “Over the next several weeks, we will move to dismiss the utterly meritless lawsuits brought against Ms. Lively and Mr. Reynolds, and we will move full speed ahead with discovery that we expect will reveal shocking details about the depth to which the Defendants have sunk in their unending efforts to ‘bury,’ ‘ruin,’ and ‘destroy’ Ms. Lively and her family.”

    The amended complaint has also added a new claim for defamation, which, according to Lively’s attorneys, is “based on the repeated false statements the defendants have made about Ms. Lively since she filed her original complaint.”

    ABC News has reached out to Baldoni’s attorneys for statement.