Category: Uncategorized

  • Oscar-Winning Palestinian Director Is Attacked by Israeli Settlers and Detained by the Army

    Oscar-Winning Palestinian Director Is Attacked by Israeli Settlers and Detained by the Army

    Hamdan Ballal, Palestinian co-director of Oscar-winning documentary No Other Land, is detained by the Israeli military from his home in the Israeli-occupied West Bank, Monday, March 24, 2025. (AP)

    Israeli settlers beat up one of the Palestinian co-directors of the Oscar-winning documentary film “No Other Land” on Monday in the occupied West Bank before he was detained by the Israeli military, according to two of his fellow directors and other witnesses.

    The filmmaker Hamdan Ballal was one of three Palestinians detained in the village of Susiya, according to attorney Lea Tsemel, who is representing them. Police told her they were being held at a military base for medical treatment, but she said Tuesday morning that she had not been able to reach them and had no further information on their whereabouts.

    Basel Adra, another co-director, witnessed the detention and said around two dozen settlers — some masked, some carrying guns, some in Israeli uniform — attacked the village. Soldiers who arrived pointed their guns at the Palestinians, while settlers continued throwing stones.

    “We came back from the Oscars and every day since there is an attack on us,” Adra told The Associated Press. “This might be their revenge on us for making the movie. It feels like a punishment.”

    The Israeli military said it detained three Palestinians suspected of hurling rocks at forces and one Israeli civilian involved in a “violent confrontation” between Israelis and Palestinians — a claim witnesses interviewed by the AP disputed. The military said it had transferred them to Israeli police for questioning and had evacuated an Israeli citizen from the area to receive medical treatment.

    “No Other Land,” which won the Oscar this year for best documentary, chronicles the struggle by residents of the Masafer Yatta area to stop the Israeli military from demolishing their villages. Ballal and Adra, both from Masafar Yatta, made the joint Palestinian-Israeli production with Israeli directors Yuval Abraham and Rachel Szor.

    The film has won a string of international awards, starting at the Berlin International Film Festival in 2024. It has also drawn ire in Israel and abroad, as when Miami Beach proposed ending the lease of a movie theater that screened the documentary.

    Adra said that settlers entered the village Monday evening shortly after residents broke the daily fast for the Muslim holy month of Ramadan. A settler — who according to Adra frequently attacks the village — walked over to Ballal’s home with the military, and soldiers shot in the air. Ballal’s wife heard her husband being beaten outside and scream “I’m dying,” according to Adra.

    Adra then saw the soldiers lead Ballal, handcuffed and blindfolded, from his home into a military vehicle. Speaking to the AP by phone, he said Ballal’s blood was still splattered on the ground outside his own front door.

    Some of the details of Adra’s account were backed up by another eyewitness, who spoke on condition of anonymity out of fear of reprisal.

    A group of 10-20 masked settlers with stones and sticks also assaulted activists with the Center for Jewish Nonviolence, smashing their car windows and slashing tires to make them flee the area, one of the activists at the scene, Josh Kimelman, told the AP.

    Video provided by the Center for Jewish Nonviolence showed a masked settler shoving and swinging his fists at two activists in a dusty field at night. The activists rush back to their car as rocks can be heard thudding against the vehicle.

    Israel captured the West Bank in the 1967 Mideast war, along with the Gaza Strip and east Jerusalem. The Palestinians want all three for their future state and view settlement growth as a major obstacle to a two-state solution.

    Israel has built well over 100 settlements, home to over 500,000 settlers who have Israeli citizenship. The 3 million Palestinians in the West Bank live under seemingly open-ended Israeli military rule, with the Western-backed Palestinian Authority administering population centers.

    The Israeli military designated Masafer Yatta in the southern West Bank as a live-fire training zone in the 1980s and ordered residents, mostly Arab Bedouin, to be expelled. Around 1,000 residents have largely remained in place, but soldiers regularly move in to demolish homes, tents, water tanks and olive orchards — and Palestinians fear outright expulsion could come at any time.

    During the war in Gaza, Israel has killed hundreds of Palestinians in the West Bank during wide-scale military operations, and there has also been a rise in settler attacks on Palestinians. There has been a surge in Palestinian attacks on Israelis.

  • Lizzo to Rock Hollywood as Sister Rosetta Tharpe in Groundbreaking Biopic

    Lizzo to Rock Hollywood as Sister Rosetta Tharpe in Groundbreaking Biopic

    In a delicious twist of artistic karma, Lizzo — the powerhouse who’s been shattering music industry norms since her breakthrough — is stepping into the shoes of another revolutionary: Sister Rosetta Tharpe. The upcoming Amazon MGM Studios biopic “Rosetta” marks a fascinating intersection of past and present, with one boundary-breaking artist channeling the spirit of another.

    Let’s be real — Sister Rosetta Tharpe deserves way more than a footnote in rock history. Back when Elvis was still in diapers, this phenomenal woman was already wielding an electric guitar like a weapon of mass inspiration, melding gospel spirituals with what would become the backbone of rock ‘n’ roll. Now, as we approach 2025, it seems fitting that her story finally gets the spotlight it deserves.

    The film zeros in on a particularly brilliant chapter of Tharpe’s life, culminating in her legendary stadium-wedding spectacle — the kind of audacious move that would make even today’s most outrageous performers raise an eyebrow. As a queer Black woman in an era that barely tolerated any of those identities, Tharpe didn’t just survive; she electrified.

    “Black people made rock n roll yeaaaah,” Lizzo declared on Instagram, her enthusiasm practically leaping through the screen. There’s something rather perfect about this casting — both artists share that rare ability to make traditionalists clutch their pearls while simultaneously commanding respect for their raw talent.

    The timing feels particularly resonant. Lizzo recently laid bare her own struggles during a raw performance at LA’s Wiltern Theatre, speaking about battling depression and feeling alienated from the world. “I was so deeply afraid of people that I didn’t want to be seen,” she confessed. Perhaps there’s no better time to step into the role of a woman who refused to dim her light, even when the world insisted she should.

    For the uninitiated (and shame on us for needing this history lesson), Tharpe’s influence rippled through decades of music. Her innovative fusion of spiritual lyrics with electric guitar riffs in the 1930s and ’40s essentially wrote the playbook for what we now call rock ‘n’ roll. Chuck Berry, Little Richard, Elvis — they all owe a debt to the Godmother of Rock.

    The project’s got some serious muscle behind it. Beyond Lizzo’s star power and producer role, industry veterans Forest Whitaker and Nina Yang Bongiovi are bringing their Significant Productions expertise to the table. The script, penned by Natalie Chaidez and Kwynn Perry, promises to dig deeper than your typical music biopic fare.

    Sure, Lizzo’s acting resume might be relatively slim — a scene-stealing moment in “Hustlers” here, a quirky appearance as The Duchess in “The Mandalorian” there. But something about this feels right. Maybe it’s because both women share that ineffable quality of being unapologetically themselves in industries that often demand conformity.

    As Amazon MGM Studios moves forward with “Rosetta,” they’re not just producing another biopic — they’re finally giving credit where it’s long overdue. In an era where conversations about representation and artistic legacy have never been more crucial, this project feels less like a history lesson and more like a much-needed correction to the record.

    Rock ‘n’ roll’s DNA has always been Black, female, and queer — even if the history books sometimes forgot to mention it. Now that’s a truth that hits harder than any power chord.

  • Miley Cyrus Stuns in Mugler for ‘Something Beautiful’ Album Reveal

    Miley Cyrus Stuns in Mugler for ‘Something Beautiful’ Album Reveal

    Miley Cyrus just dropped a bombshell that’s got both the fashion and music worlds buzzing. The pop chameleon’s ninth studio album “Something Beautiful” isn’t just another record – it’s shaping up to be a bold artistic statement that might just redefine how we experience music in 2025.

    Fresh off her Grammy sweep (and doesn’t that still feel surreal?), Cyrus took to Instagram earlier this week with a jaw-dropping album cover that’s pure visual poetry. There she stands, wrapped in a piece of fashion history – a 1997 Thierry Mugler creation that somehow looks both vintage and startlingly modern. Glen Luchford, the mastermind behind the lens, has managed to capture something almost ethereal in the shot. It’s Miley, but not as we’ve ever seen her before.

    The timing couldn’t be better. With streaming numbers through the roof and vinyl sales hitting another unexpected peak in early 2025, Cyrus seems to have her finger perfectly on the pulse of what’s next. “It’s a concept album that’s an attempt to medicate somewhat of a sick culture through music,” she revealed in her November Harper’s Bazaar cover story. Pretty heavy stuff from someone who once swung naked on a wrecking ball, right?

    But here’s where it gets really interesting – Cyrus is drawing inspiration from Pink Floyd’s “The Wall,” of all things. Though in typical Miley fashion, she’s putting her own glamorous spin on it. “My idea was making The Wall, but with a better wardrobe and more glamorous and filled with pop culture,” she explains. Leave it to Miley to reimagine a rock classic through a high-fashion lens.

    The 13-track collection, dropping May 30th, feels like a natural evolution from “Endless Summer Vacation” – though maybe evolution isn’t quite the right word. Revolution might be more fitting. Working alongside producer Shawn Everett, Cyrus has apparently created something that’s equal parts sonic journey and visual feast.

    What’s particularly striking about this project is how Cyrus approaches the intersection of beauty and pain. “The songs, whether they’re about destruction or heartbreak or death, they’re presented in a way that is beautiful,” she muses. “Because the nastiest times of our life do have a point of beauty. They are the shadow, they are the charcoal, they are the shading.” There’s something almost poetic about that perspective – and coming from an artist who’s lived so much of her life in the public eye, it carries real weight.

    The album rollout is hitting all the right notes too. Traditional formats? Check. Digital innovations? You bet. It’s like Cyrus knows exactly how to bridge the gap between old-school music lovers and the TikTok generation.

    “Something Beautiful” might just be the project that cements Cyrus’s place in the pantheon of artists who successfully reinvented themselves. It’s more than just a collection of songs – it’s shaping up to be a complete artistic vision, one that marries sound and sight in ways we haven’t quite seen before. And in a music landscape that sometimes feels oversaturated with the same old formulas, that’s something worth paying attention to.

  • Will Smith’s Musical Comeback: From Oscar Drama to Soul-Baring Album

    Will Smith’s Musical Comeback: From Oscar Drama to Soul-Baring Album

    Will Smith’s latest creative endeavor feels less like a comeback and more like a revelation. The Fresh Prince — now a seasoned king of Hollywood approaching his late fifties — has traded his trademark swagger for something far more precious: raw authenticity.

    Remember that gut-wrenching moment at the 2022 Oscars? The slap heard ’round the world? Well, hold onto your seats, because that watershed moment has birthed something unexpected. Smith’s upcoming album “Based on a True Story” doesn’t just mark his return to music after a two-decade hiatus — it’s shaping up to be the most brutally honest artistic statement of his career.

    The project drops right as Hollywood’s landscape keeps shifting beneath our feet. Spring 2025 has already seen its share of industry earthquakes, from the AI actors’ union disputes to streaming platforms’ desperate scramble for original content. Yet here’s Smith, swimming against the current, choosing this moment to bare his soul through music.

    “There’s something liberating about hitting rock bottom in front of the whole world,” an industry veteran close to the project confides. “Will’s not trying to rebuild his image — he’s finally letting it crack wide open.”

    The album’s impressive collaborator roster reads like a Grammy afterparty guest list. Big Sean brings his introspective wordplay, Teyana Taylor lends her soul-stirring vocals, and — in what might be the year’s most unexpected musical pairing — Kanye West’s Sunday Service Choir adds ethereal depth to several tracks.

    Smith’s been doing his homework, too. Between studio sessions, he’s been diving deep into everything from Nelson Mandela’s writings to Pema Chödrön’s Buddhist teachings. The result? A sound that defies easy categorization. Sure, “You Can Make It” topped Billboard’s Gospel Airplay chart, but don’t expect fourteen tracks of pure praise music.

    The timing feels particularly poignant. As Jada Pinkett Smith’s memoir “Worthy” continues stirring conversations about modern relationships, Will’s musical response offers a different kind of vulnerability. It’s less about setting records straight and more about exploring the messy reality of personal growth.

    His upcoming tour — kicking off at Morocco’s Mawazine festival this summer — promises to be equally revealing. Picture this: a three-act journey through the Fresh Prince years, Hollywood superstardom, and now… whatever comes next. European venues are already reporting record-breaking presale numbers, suggesting audiences are hungry for this new, unvarnished version of Will Smith.

    Meanwhile, Hollywood hasn’t given up on him either. “I Am Legend 2” and “Hancock 2” are both greenlit and charging ahead, though industry insiders hint these performances might show us a different side of Smith’s acting range. After all, how could they not?

    “This is about to be the greatest creative run of my entire career,” Smith declared during a recent studio session. Coming from anyone else, such a statement might sound like typical Hollywood hyperbole. But watching him work — sleepless, energized, totally present — you start to believe it.

    Perhaps that’s the real story here. In an era of carefully curated comebacks and PR-polished apologies, Will Smith is choosing a different path. He’s turning his public stumbles into what he calls “divine curriculum,” and in doing so, might just be writing his most compelling chapter yet.

    The question isn’t whether audiences will listen — they’re already lining up. The real question is: are we ready for what he has to say?

  • Conan O’Brien Decries ‘Bullies’ While Receiving Kennedy Center’s Mark Twain Prize

    Conan O’Brien Decries ‘Bullies’ While Receiving Kennedy Center’s Mark Twain Prize

    Comedian Conan O’Brien waves to the crowd at the start of the 25th Annual Mark Twain Prize for American Humor Celebrating Conan O’Brien, Sunday, March 23, 2025, at the Kennedy Center for the Performing Arts in Washington. (AP)

    Conan O’Brien accepted the Mark Twain Prize for American Humor on Sunday with a not-so-subtle broadside against President Donald Trump, whose takeover of the Kennedy Center, which awarded the prize, has shaken the arts world.

    A host of comedians including David Letterman, Adam Sandler, Sarah Silverman and Stephen Colbert celebrated O’Brien for comic greatness while ribbing the Trump administration and putting a spotlight on the renowned arts facility that is now overseen by Trump allies.

    But it was O’Brien, the longtime late-night television host and comedy writer, who aimed his comments most directly at the Republican president without using his name.

    “Twain hated bullies,” O’Brien said. “He punched up, not down. And he deeply, deeply empathized with the weak.”

    O’Brien described the award’s namesake as “allergic to hypocrisy” and suspicious of populism and imperialism. “He loved America but knew it was deeply flawed,” O’Brien said.

    Trump, who came into office in January, has spent the last two months implementing much of the populist agenda that helped him get elected last year while advocating for US annexation of Canada and Greenland, firing federal workers, and deporting migrants who were in the United States illegally.

    The show was the first signature event at the Kennedy Center since Trump announced he would become chairman of the institution, pushing out billionaire philanthropist David Rubenstein.

    Trump dismissed board members appointed by former President Joe Biden and installed officials loyal to him. He handed leadership reins for the facility to Richard Grenell, a close ally and former ambassador to Germany who is serving as envoy for special missions in Trump’s current administration.

    The new board, which includes White House chief of staff Susie Wiles and Usha Vance, wife of Vice President JD Vance, fired its former president, Deborah Rutter.

    Trump visited the center last week and declared it in “tremendous disrepair.” O’Brien thanked Rubenstein and Rutter in his remarks, drawing loud applause from the audience.

    “When he accepted the Mark Twain Prize, this was a very different place,” Colbert said from the Kennedy Center stage. “Today they announced two board members: Bashar al-Assad and Skeletor,” Colbert quipped, referring to the former president of Syria and a cartoon villain.

    COMEDY GIANT

    Other comedians joked that this would be the last Mark Twain Prize awarded by the Center. John Mulaney cracked that the facility, which is seen as a memorial to slain former President John F. Kennedy, would be renamed after Roy Cohn, a political fixer known for his role in Senator Joseph McCarthy’s anti-communist scare campaigns of the 1950s, and a lawyer for Trump in his early years in business.

    Along with the annual Kennedy Center Honors in December, the Mark Twain Prize is one of the premier events at the renowned arts institution.

    Trump did not attend the event on Sunday and did not attend any of the Honors performances during his first term.

    O’Brien hosted the Oscars earlier this month and is slated to come back in the emcee role next year.

    He was the host of “Late Night with Conan O’Brien” and “The Tonight Show with Conan O’Brien” on NBC and “Conan” on TBS. He is a former writer for “Saturday Night Live.”

    “You are a genius, my friend,” comedian and actor Will Ferrell said from the stage.

    “You’re an absolute giant in the world of comedy,” said actor and comedian Tracy Morgan.

    O’Brien told reporters before the show that he wanted to go through with the event to support Kennedy Center workers. “Our country has been through many different sea changes, and my thought is I will be here specifically to honor Mark Twain and the people that this award stands for,” he said.

    Previous winners of the Mark Twain Prize include Kevin Hart, Sandler, Jon Stewart, Julia Louis-Dreyfus and Carol Burnett. Sunday’s show will be available for viewing on Netflix on May 4.

  • Palestinian director who won Oscar for No Other Land 3 weeks ago, attacked by Israeli settlers, detained by army

    Palestinian director who won Oscar for No Other Land 3 weeks ago, attacked by Israeli settlers, detained by army

    The filmmaker, Hamdan Ballal was one of three Palestinians detained in the village of Susiya, according to attorney Leah Tsemmel

    Israeli settlers beat up one of the Palestinian co-directors of the Oscar-winning documentary film No Other Land on Monday in the occupied West Bank before he was detained by the Israeli military, according to two of his fellow directors and other witnesses.

    The filmmaker, Hamdan Ballal was one of three Palestinians detained in the village of Susiya, according to attorney Leah Tsemmel. Police told her they’re being held at a military base for medical treatment and she said she hasn’t been able to speak with them.

    Basel Adra, another co-director, witnessed the detention and said around two dozen settlers – some masked, some carrying guns, some in Israeli uniform – attacked the village. Soldiers who arrived pointed their guns at the Palestinians, while the settlers continued throwing stones.

    “We came back from the Oscars and every day since there is an attack on us. This might be their revenge on us for making the movie. It feels like a punishment,” Adra told The Associated Press.

    The Israeli military said it detained three Palestinians suspected of hurling rocks at forces and one Israeli civilian involved in a “violent confrontation” between Israelis and Palestinians – a claim witnesses interviewed by the AP disputed.

    The military said it had transferred them to Israeli police for questioning and had evacuated an Israeli citizen from the area to receive medical treatment.

    “No Other Land”, which won the Oscar this year for best documentary, chronicles the struggle by residents of the Masafer Yatta area to stop the Israeli military from demolishing their villages.

    Ballal and Adra, both from Masafar Yatta, made the joint Palestinian-Israeli production with Israeli directors Yuval Abraham and Rachel Szor.

    The film has won a string of international awards, starting at the Berlin International Film Festival in 2024. It has also drawn ire in Israel and abroad, as when Miami Beach proposed ending the lease of a movie theatre that screened the documentary.

    Adra said the settlers entered the village on Monday evening, shortly after residents broke the daily fast for the Muslim holy month of Ramzan.

    A settler – who according to Adra frequently attacks the village – walked over to Ballal’s home with the military, and soldiers shot in the air. Ballal’s wife heard her husband being beaten outside and scream “I’m dying”, according to Adra.

    Adra then saw the soldiers lead Ballal, handcuffed and blindfolded, from his home into a military vehicle. Speaking to the AP by phone, he said Ballal’s blood was still splattered on the ground outside his own front door.

    Some of the details of Adra’s account were backed up by another eyewitness, who spoke on condition of anonymity out of fear of reprisal.

    A group of 10-20 masked settlers with stones and sticks also assaulted activists with the Center for Jewish Nonviolence, smashing their car windows and slashing tires to make them flee the area, one of the activists at the scene, Josh Kimelman, told the AP.

    Video provided by the Center for Jewish Nonviolence showed a masked settler shoving and swinging his fists at two activists in a dusty field at night. The activists rush back to their car as rocks can be heard thudding against the vehicle.

    Israel captured the West Bank in the 1967 Mideast war, along with the Gaza Strip and east Jerusalem. The Palestinians want all three for their future state and view settlement growth as a major obstacle to a two-state solution.

    Israel has built well over 100 settlements, home to over 500,000 settlers who have Israeli citizenship. The three million Palestinians in the West Bank live under seemingly open-ended Israeli military rule, with the Western-backed Palestinian Authority administering population centers.

    The Israeli military designated Masafer Yatta in the southern West Bank as a live-fire training zone in the 1980s and ordered residents, mostly Arab Bedouin, to be expelled.

    Around 1,000 residents have largely remained in place, but soldiers regularly move in to demolish homes, tents, water tanks and olive orchards – and Palestinians fear outright expulsion could come at any time.

    During the war in Gaza, Israel has killed hundreds of Palestinians in the West Bank in wide-scale military operations, and there has also been a rise in settler attacks on Palestinians. There has also been a surge in Palestinian attacks on Israelis.

  • Lizzo Lands First Lead Acting Role as Rock Star Rosetta Tharpe: ‘I’m So Excited and Honored’

    Lizzo Lands First Lead Acting Role as Rock Star Rosetta Tharpe: ‘I’m So Excited and Honored’

    The Grammy winner will play the legendary “Godmother of Rock and Roll” who combined gospel with guitar

    The Grammy award winner has landed her first lead role as she is set to play Sister Rosetta Tharpe, an American gospel singer known as the “Godmother of rock and roll,” in Amazon MGM Studios’ Rosetta.

    Lizzo, 36, took to Instagram to share her excitement, sharing a photo of Deadline’s coverage (which first reported the news) with the caption, “Black people made rock n roll yeaaaah.”

    On her Instagram story, Lizzo also wrote “It’s finally out ya’ll. I’m so excited and honored.”

    Rosetta will be written by Natalie Chaidez (The Flight Attendant, Queen of the South) and Kwynn Perry (Tigerbelles, The Burned Photo). Along with Lizzo, producers for the project include Kevin Beisler, Significant Productions’ Nina Yang Bongiovi and Forest Whitaker.

    Tharpe was a gospel singer who started to gain popularity in the 1930s by mixing spiritual lyrics with electric guitar and has been nicknamed the “Godmother of rock and roll.”

    The biopic will be Lizzo’s first feature film role since 2019’s Hustlers, which she starred in alongside Jennifer Lopez and Constance Wu. Lizzo played a stripper named Liz in the Lorene Scafaria-directed crime comedy about a crew of New York City strippers who steal money by drugging stock traders and CEOs who visit their club.

    The singer/rapper also recently made a guest television appearance in The Mandalorian as The Duchess.

    Related: Lizzo Shows Off Weight Loss Transformation in Cheeky New Selfies

    Lizzo — whose real name is Melissa Jefferson — has recently been speaking up about her mental health and recent weight loss amid the release of her new single and music video for “Still Bad” ahead of her new album Love in Real Life.

    During a concert at the Wiltern Theatre in Los Angeles on Wednesday, March 12, the “Juice” singer talked about struggling with depression in 2023. She was sued by former backup dancers on allegations of harassment and a toxic workplace environment in August of that year and has denied all allegations.

    Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

    According to videos shared to social media, Lizzo opened up about her mental health while sharing the inspiration behind her upcoming album’s title.

    “I named it that because about a year and a half ago — it’s so hard for me to talk about — I was in such a dark, deep depression,” Lizzo said. “I was so heartbroken by the world and so deeply hurt that I didn’t want to live anymore, and I was so deeply afraid of people that I didn’t want to be seen. Eventually I got over that fear.”

    Lizzo explained she had a breakthrough moment while attending a concert at the time. “As I was walking through the crowd to get to my spot, something miraculous happened. Somebody, who I didn’t know, looked at me and said, ‘Lizzo, I love you.’ And they reached out, and I reached back, and we hugged, and it felt so damn good,” she said.

  • Lizzo Lands First Lead Acting Role as Rock Star Rosetta Tharpe: ‘I’m So Excited and Honored’

    Lizzo Lands First Lead Acting Role as Rock Star Rosetta Tharpe: ‘I’m So Excited and Honored’

    Lizzo Lands First Lead Acting Role as Rock Star Rosetta Tharpe: ‘I’m So Excited and Honored’

    Sharareh Drury

    March 24, 2025 at 7:43 PM

    Lizzo is ready to rock and roll!

    The Grammy award winner has landed her first lead role as she is set to play Sister Rosetta Tharpe, an American gospel singer known as the “Godmother of rock and roll,” in Amazon MGM Studios’ Rosetta.

    Lizzo, 36, took to Instagram to share her excitement, sharing a photo of Deadline’s coverage (which first reported the news) with the caption, “Black people made rock n roll yeaaaah.”

    On her Instagram story, Lizzo also wrote “It’s finally out ya’ll. I’m so excited and honored.”

    View this post on Instagram

    A post shared by Lizzo (@lizzobeeating)

    Rosetta will be written by Natalie Chaidez (The Flight Attendant, Queen of the South) and Kwynn Perry (Tigerbelles, The Burned Photo). Along with Lizzo, producers for the project include Kevin Beisler, Significant Productions’ Nina Yang Bongiovi and Forest Whitaker.

    Tharpe was a gospel singer who started to gain popularity in the 1930s by mixing spiritual lyrics with electric guitar and has been nicknamed the “Godmother of rock and roll.”

    The biopic will be Lizzo’s first feature film role since 2019’s Hustlers, which she starred in alongside Jennifer Lopez and Constance Wu. Lizzo played a stripper named Liz in the Lorene Scafaria-directed crime comedy about a crew of New York City strippers who steal money by drugging stock traders and CEOs who visit their club.

    The singer/rapper also recently made a guest television appearance in The Mandalorian as The Duchess.

    Related: Lizzo Shows Off Weight Loss Transformation in Cheeky New Selfies

    Lizzo — whose real name is Melissa Jefferson — has recently been speaking up about her mental health and recent weight loss amid the release of her new single and music video for “Still Bad” ahead of her new album Love in Real Life.

    During a concert at the Wiltern Theatre in Los Angeles on Wednesday, March 12, the “Juice” singer talked about struggling with depression in 2023. She was sued by former backup dancers on allegations of harassment and a toxic workplace environment in August of that year and has denied all allegations.

    Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

    According to videos shared to social media, Lizzo opened up about her mental health while sharing the inspiration behind her upcoming album’s title.

    “I named it that because about a year and a half ago — it’s so hard for me to talk about — I was in such a dark, deep depression,” Lizzo said. “I was so heartbroken by the world and so deeply hurt that I didn’t want to live anymore, and I was so deeply afraid of people that I didn’t want to be seen. Eventually I got over that fear.”

    Lizzo explained she had a breakthrough moment while attending a concert at the time. “As I was walking through the crowd to get to my spot, something miraculous happened. Somebody, who I didn’t know, looked at me and said, ‘Lizzo, I love you.’ And they reached out, and I reached back, and we hugged, and it felt so damn good,” she said.

    Lizzo currently faces multiple ongoing lawsuits filed by some of her former employees alleging sexual and racial harassment and a hostile work environment. She has denied all the allegations.

    Read the original article on People

  • ‘The White Lotus’ Season 3, Episode 6 recap: What happened last night?

    ‘The White Lotus’ Season 3, Episode 6 recap: What happened last night?

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    Another blue-hued Ratfliff nightmare sets in motion an episode that delves into worst-case scenarios for some of the show’s characters.

    The episode opens with Tim (Jason Isaacs) raising a gun to his head and pulling the trigger, leaving his wife and daughter in hysterics. But Tim comes out of his daydream, seated at the patio table where things left off in last week’s episode. He stashes the weapon he took from the guard booth in a nearby apothecary cabinet before popping another lorazepam and climbing into bed. Victoria (Parker Posey), thinking he’s preoccupied with Piper’s (Sarah Catherine Hook) recent news, attempts to ease his worry. But his panic only intensifies when Victoria makes it known, in no uncertain terms, that she’d rather die than live a potential life of poverty: “I just don’t think, at this age, I’m meant to live an uncomfortable life. I don’t have the will.” It prompts Tim to have another hallucination, this time a murder-suicide of him and his wife. But any gun action from Tim is now thwarted because Gaitok (Tayme Thapthimthong) successfully retrieved the gun from the cabinet while the Ratliff’s are away.

    Piper, meanwhile, is trying to prove to her mother that she’s serious about her decision to move to Thailand. When Victoria challenges her spiritually curious daughter to spend the night at the Buddhist center to get a sense of what she’s in for long term, Piper hesitantly accepts.

    But Tim’s secret and whatever shame Victoria has about Piper’s decision are hardly the biggest family scandals now. Saxon (Patrick Schwarzenegger) is grappling with whatever dirty deeds went on between him and his younger brother. The memories of his drug-fueled night hit him in spurts. It isn’t until Chloe (Charlotte Le Bon) and Chelsea (Aimee Lou Wood) fill him in on their escapades that Saxon learns he and Lochy (Sam Nivola) did more than kiss. Saxon tries to blame the drugs, which gives Chelsea the opportunity to say what we’re all thinking: “God, I don’t think there’s a drug in the world that would make me get with my brother.” Lochy, on the other hand, comes to his own realization about the extent of his full moon shenanigans while in a meditation session with Piper at the center.

    And because this episode is really putting the question “What would be my worst nightmare?” to the test, over in Belinda’s (Natasha Rothwell) corner, her son Zion (Nicholas Duvernay) arrives to find her in bed with Pornchai (Dom Hetrakul). But there’s no time to worry about the imprint that’s left on his brain because Pornchai suggests they open a spa together in Thailand, and then Greg/Gary (Jon Gries) invites Belinda and her son to a party at his home. (The sketchy widower also encourages Chloe to invite Saxon after she denies anything happened between them.) If that’s not cause for a head massage, what is?

    Then there’s the matter of the three frenemies. After witnessing Valentin’s (Arnas Fedaravičius) walk of shame, Kate (Leslie Bibb) tells Laurie (Carrie Coon) about Jaclyn’s (Michelle Monaghan) late-night rendezvous. Noticeably peeved and continuing the trio’s vacay ritual of talking behind each other’s back, Laurie calls out the pick-me girl behavior: “She has not changed at all … It’s sad. She’s an aging actress. You saw her yesterday. She literally lives off male attention. It’s one thing when you’re 25. But now you’re 45, and guess what? It’s pathetic,” Laurie says. When she confronts Jaclyn about it, the actress denies anything happened. But the tension is set.

    Meanwhile, our new favorite pair of friends, Rick (Walton Goggins) and Frank (Sam Rockwell), are about to give us the buddy comedy (or buddy true crime drama) that we didn’t know we needed. After last week’s truth bomb, Frank again delivers one of the most masterful moments in this week’s episode with his first spoken line — “That’s a brutal story, man” — as Rick shares the background on his father and why he’s concocted this plan about a fictional Hollywood movie to entice Sritala (Lek Patravadi) to give them access to the home she shares with her husband, who Rick is convinced is responsible for his father’s death. Frank reluctantly agrees to help play the fictitious producer, so long as things don’t get messy. The episode closes with their arrival at the home.

    And surely things are about to get messy.

    Now it’s time for Greg Braxton, Mary McNamara and Yvonne Villarreal, platinum-status members of “The White Lotus” frequent guest program, to break it all down.

    Who do we think is the corpse this week? Does Gaitok’s retrieval of the gun change things?

    McNamara: Between Tim’s suicidal ideation, Victoria’s “I’d rather be dead than poor” speech and the potentially life-ruining revelations of drunken incest between Saxon and Loch, it certainly feels like the Ratliff family is a “put the gun down” powder-keg. A struggle between Tim and Gaitok for said gun, now in Gaitok’s possession again, is certainly possible, but I still believe monkeys will be involved. The victims of the past two seasons have been beloved characters killed in tragically absurd circumstances, so I still think Tim is out. I was hoping White would leave the younger siblings alone, but I suppose Loch, especially after the incest thing, and Piper are fair game. But pending developments on the Rick front (please, please don’t let the body be Chelsea!), I’m going to go with Gaitok. Though the “do you think you’re a killer” comment by his boss during target practice could be key — if he winds up killing Mook (while shooting at monkeys), that would be sufficiently absurd and terrible.

    Villarreal: We haven’t seen Pam (Morgana O’Reilly) lately and I’m worried that when we do, the resort wellness mentor will get caught in the crosshairs of one of the Ratliff scandals and meet her death.

    Braxton: I’m going to continue my stance on not speculating about whose corpse it is. In the previous seasons, the characters were extremely flawed and troubled, but White’s genius was making them layered and even relatable. This season seems stacked with so many self-absorbed, one-dimensional characters it’s hard for me to root for most of them to survive. (Yes, I’m looking at you, Ratliff family.)

    What do we make of the Ratliff brothers’ flashbacks? And is Saxon soulless, as Chelsea suggests?

    McNamara: Never mind the flashbacks. Chloe straight up told them what happened. Honestly, I have never felt worse for two TV characters in my life — cruel and unusual punishment by White! I mean, it even made me feel bad for Saxon — he didn’t want to take drugs in the first place. (And the moral, children, is … do not take rando pills handed to you by a stranger.) Saxon is a classic entitled frat boy a — , but even he doesn’t deserve this.

    Villarreal: This is not the will they/won’t they I need from “White Lotus.” Even though I knew White would hit us with more than a kiss, and the red flags were there all along, I was not prepared for what appeared on my screen — and this is coming from someone who watched the recent birthing scene from “The Pitt.” I know the producers have said that this is not for shock value, and I believe them, but holy moly, someone better make sure Victoria is appropriately medicated by then.

    Braxton: If there were truly an exploration of the Ratliff brothers dealing honestly with their feelings about each other, I think that could get beyond the “ick” factor and enter territory that could be risky but revelatory. But there are too many other traumas for this show to explore, so I’m not holding my breath for the series to go there. As for Saxon, I don’t necessarily find him “soulless,” just clueless, like the kind of guy at a party who would say, “Well, enough about me. What do you think of me?”

    What are you expecting from Greg/Gary’s party? Do you think Belinda will show up? Would you?

    McNamara: Absolutely not. And if she does, I will be very disappointed. Frankly, I’m already disappointed that she hasn’t called the police, Interpol or whichever agency is seeking Gary. What’s wrong with an anonymous tip? As for Gary’s motivations, well, he is, and always has been, the least believable character in the “White Lotus” universe so pretty much anything is on the table, including Tom Hollander, having somehow survived the Season 2 shootout, showing up to take revenge.

    Villarreal: As a real estate voyeur, I am curious to see more of Greg/Gary’s posh pad up on the hills. But judging from his yacht party, whatever this shindig is won’t be very lively (unless Chloe is passing out more of her pills). I do think Belinda will be intrigued enough to engage in some detective work and scope it out. But I’m telling you now, if anyone puts their hands on Belinda, I will send White a box full of poisonous fruit from a pong pong tree.

    Braxton: Are you asking whether Belinda, who almost collapsed in fright after seeing a lizard in her room, would attend a party hosted by a guy she suspects might be trying to kill her? Of course she would. Duh!

    Does Pornchai’s suggestion to help Belinda open a spa seem suspicious?

    McNamara: Not really. If anything, the fact that Tanya was, essentially, the reason Belinda asked Pornchai to spend the night would make it a wonderful way for Tanya to sort of deliver on her initial promise. And for Belinda to have a happy ending, which I think we all want.

    Villarreal: I, too, want Belinda to enjoy some romance. But my head did tilt to the side when Pornchai brought up opening a spa together. I’m not saying it isn’t possible the man is down that hard for her after one night, but I would think he’d be more concerned with helping her reach authorities to tip them off on Greg/Gary. So, yes, I’m wary of his intentions.

    Braxton: It wasn’t the most romantic “we had a wonderful night” morning-after convo. Plus, Belinda has the right to be suspicious of any business proposition after what happened with Tanya. Fool me once, shame on you, fool me twice …

    Beyond helping Rick carry out his plan, do you think there is more to Frank’s presence with that storyline?

    McNamara: I certainly hope so — Sam Rockwell is too big a treasure to waste. I wonder if Jim Hollinger will turn out to be one of the men Frank encountered during his sexual escapades. It feels like someone should be; otherwise, why deliver that instantly iconic monologue?

    Villarreal: Yes, I want to go down this rabbit hole. I have spent too much time trying to figure out what Frank’s head-spinning life update was trying to signal. I saw a theory that suggested it might be setting the stage for Rick to discover that his father might actually be Sritala.

    Braxton: You mean Sam’s obvious Emmy-bait moment? I’m sorry. All the shock-and-awe hoopla over Frank’s “journey through Asian ladyboy hell and back” monologue skipped over a logical point. Frank has turned his decadent life around and has found peace with Buddhism and is so clean that he won’t let his lips touch alcohol, preferring chamomile tea. But securing a gun to Rick to commit a crime? No problemo, man. I don’t think that would be in the Buddhist guide of living a good life. Isn’t he concerned of his possible implication in a crime? When it comes to that exchange, I’ll stick with my “all for shock value” opinion.

    Let’s dissect Victoria and the “fear of poverty” scene.

    McNamara: First, let’s dissect her use of the term “comfortable life.” Talk about an understatement, but very revealing of the 1% mindset. I find Victoria very problematic — for an addict, she appears remarkably calm about her missing benzos. It would make more sense for her to be screaming down the place for a replacement prescription, not to mention a more thorough search of where they might have gone. Remember “Nurse Jackie” nearly tearing apart her car when her pills fell between the seats?

    Villarreal: What struck me about this conversation was Tim’s reaction to it — as if he hadn’t been aware just how much his wife’s identity is tethered to their wealth and status, or at least their perceived wealth and status. I would have thought the pressure to maintain his grip on their lifestyle by engaging in fraudulent business dealings was at least partly motivated by that, so wouldn’t he expect their world crumbling down — especially with how she’s struggling to process Piper’s plan — to be so devastating that she’d take drastic measures, just as he’s tempted to do? And, sure, it could just be that her matter-of-fact, unequivocal delivery that she’d rather be dead than poor is so halting to him, considering his state of mind. There was also something both weirdly sinister and calming in how Victoria spoke while raising a bottle of essential oils to her nose — but maybe that’s just the Southern drawl at work.

    Do you think Jaclyn will finish the Barbra Streisand memoir on this trip?

    McNamara: Like she’s reading it in the first place.

    Villarreal: Maybe it’s the murder weapon we didn’t see coming?

    Braxton: She’s just looking at the pictures.

    Who gets your Best Facial Expression award this week?

    McNamara: Chelsea, after the incestuous hand-job revelation. Never has the word “what?” been infused with such a broad spectrum of emotion.

    Villarreal: With a book of Rumi’s poetry splayed across her stomach, no less. The bulging eyes truly carried the moment.

    Braxton: Rick’s death-eyes glare when finally seeing his father’s suspected killer.

    _________

  • ‘Snow White’ Scores Ridiculous Number of 1-Star Reviews on IMDb; Has One of the Site’s Lowest Aggregates

    ‘Snow White’ Scores Ridiculous Number of 1-Star Reviews on IMDb; Has One of the Site’s Lowest Aggregates

    Snow White is no stranger to cinematic makeovers, but Disney’s live-action remake of the classic 1937 animated movie has proven to be one of their most divisive movies. While the film defied critics with a reasonable 71% Rotten Tomatoes audience score, over on IMDb it is a very different story as the film has gained one of the lowest ratings on the site. While many cite the atrocious 2009 Dragonball Evolution as the movie site’s worst-rated film, there are several with lower scores, and Snow White has found itself in the same territory thanks to an incredibly high volume of 1-star reviews, leaving it with a 2.2/10 score.

    While many of the lowest-scored movies on IMBd have a fair split of ratings from one to 10, Snow White has garnered a ridiculously high proportion of reviews, giving it one of the lowest scores possible. At the time of writing, 78% of the film’s reviews are 1-star reviews, equating to 30,000 of the 39,000 ratings logged. For those still using Dragonball Evolution as a benchmark for disastrous movies, that film has only 46% of its ratings in the 1-star category, and other abominations of cinema such as Son of the Mask also only have around a 45% ratio of lowest marks.

    Related ‘Snow White’ Box Office Stats Reveal Surprising Truth About “Woke” Remake’s Performance

    “There was no red theater blockade due to any perceived controversies with Snow White.”

    Posts 1

    The problem with these reviews is that they come with click-button anonymity which makes it hard to work out if these scores are being added by people who have genuinely seen and hate a movie, or just those looking to jump on a review-bombing bandwagon. In the last year, Rotten Tomatoes began separating their audience reviews into verified and non-verified categories in an attempt to prevent those with agendas from crashing movies’ ratings. IMDb doesn’t have such a safeguard.

    Is ‘Snow White’ Really That Bad?

    According to all the facts, no it is not. There have been several controversies surrounding Snow White that have overshadowed the movie at every turn. From the initial casting of Rachel Zegler in the titular role, which was met with an incredible amount of racial backlash, to the controversy around the use of CGI dwarfs, there was no stage of the production that did not meet a wall of criticism.

    Despite that, and issues surrounding Zegler and costar Gal Gadot’s views on the Israel-Gaza war, the film arrived this weekend whistling a tune that was happier than many anticipated. Although the film underperformed for a Disney movie, it still managed to pull in $43 million, making it the second-highest opening of the year so far. Like many blockbusters, the biggest problem with Snow White is that its budget was ridiculously high, meaning that only a huge box office result would see it called anything other than a failure.

    In all, Snow White has probably performed as well as was expected and has followed a trend of diminishing returns on Disney’s live-action remakes that has seen films based on animated classics from more than 30 years ago not performing as well as more modern stories from Disney’s renaissance years. Whether that trend continues will be seen later this year when Lilo & Stitch arrives in cinemas. In the meantime, Disney will be hoping that Snow White’s slow start could still emulate the recent success of Mufasa: The Lion King, which opened poorly but built to become one of the highest-grossing movies of 2024.

    Source: IMDb

    Your Rating close 10 stars 9 stars 8 stars 7 stars 6 stars 5 stars 4 stars 3 stars 2 stars 1 star Rate Now 0/10 Disney’s Snow White Family Fantasy Release Date March 19, 2025 Director Marc Webb Writers Erin Cressida Wilson, Greta Gerwig Producers Callum McDougall, Marc Platt Cast See All Rachel Zegler Snow White Gal Gadot Evil Queen Andrew Burnap Jonathan Martin Klebba Grumpy Powered by Expand Collapse