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Summer 2025 is shaping up to be a musical renaissance, blending digital innovation with old-school live performances in ways nobody quite expected. Remember when virtual concerts seemed like a pandemic-era compromise? Well, they’ve evolved into something entirely different — and surprisingly wonderful.

Take Sabrina Carpenter’s latest venture into Fortnite. The “Dance With Sabrina” experience (running May 30 through June 16) isn’t just another virtual concert — it’s reshaping how fans connect with their favorite artists. Emily Levy, Epic Games’ Director of Music, Talent & Influencer, puts it perfectly: artists aren’t just showing up in Fortnite; they’re creating authentic digital spaces where music and gaming collide in the most delightful ways.

But let’s talk about what’s happening in the real world, because — wow — the summer lineup is absolutely electric this year.

St. Louis is about to witness something special at the Dome at America’s Center. Kendrick Lamar and SZA sharing a stage? That’s not just a concert; it’s a cultural moment. Especially after Lamar’s eyebrow-raising Super Bowl LIX performance (you know the one — that Drake diss track “Not Like Us” is still causing ripples months later).

The Hollywood Casino Amphitheatre is throwing quite the party this season. Avril Lavigne — whose “Let Go” album somehow still feels as fresh as it did in 2002 — brings her signature punk-pop energy to the venue. Then there’s Dave Matthews Band, fresh from their long-overdue Rock and Roll Hall of Fame induction, and the absolutely legendary Outlaw Music Festival. Ten years of outlaw music celebrations, and they’ve managed to get Willie Nelson and Bob Dylan on the same stage? That’s the kind of magic that doesn’t happen every day.

Speaking of legends — the Fabulous Fox Theatre is hosting something truly special. The Temptations and Four Tops are bringing that classic Motown sound back to life. Sure, time has taken its toll on the original lineup, but watching Otis Williams, the last standing original Temptation, keep that soul-stirring legacy alive? That’s something worth witnessing.

And here’s a hometown story worth celebrating: Smino’s coming back to his roots with the “Kountry Kousins” tour. The Hazelwood Central grad isn’t just performing; he’s bringing his fourth album “Maybe in Nirvana” to life at St. Louis Music Park. Anyone who’s seen him perform for a hometown crowd knows — this isn’t just another tour stop. It’s family coming home.

From virtual dance parties to soul-stirring live shows, summer 2025’s entertainment landscape feels like a beautiful contradiction. It’s simultaneously pushing boundaries and honoring traditions, creating something entirely new while keeping the soul of live music intact. These aren’t just concerts or digital experiences — they’re moments that’ll stick with us long after the last note fades.

Rock royalty doesn’t always wear a crown, as Zak Starkey is discovering in early 2025. The son of Beatles legend Ringo Starr finds himself in an unexpected position – watching from the sidelines as two major chapters in his musical story take surprising turns.

The latest twist? Being left out of the hotly anticipated Oasis reunion tour. Starkey, who kept time for the Britpop giants from 2004 to 2009, recently shared his disappointment during a candid BBC Breakfast appearance. Like any musician worth their salt, he went straight to the source.

“I texted them and said ‘why am I not in it?’” Starkey revealed, his straightforward approach reminiscent of the no-nonsense attitude that made him such a perfect fit for the band in the first place. The gig’s gone to Joey Waronker – you might know him from his work with Beck and R.E.M. – but Starkey’s taking it on the chin.

Here’s the kicker, though – his appreciation for Oasis remains unchanged. “God, yeah. Greatest rock and roll band of my generation. Greatest rock and roll singer of my generation,” he declared, proving that sometimes you can separate the art from the awkward situations.

But wait – there’s more to this tale of musical musical chairs. In a twist that feels almost too perfectly scripted, Starkey’s also navigating a peculiar exit from The Who. Picture this: a disagreement over playing “The Song Is Over” (oh, the irony) from 1971 somehow snowballed into a bizarre “fired” versus “retired” semantic dance.

Pete Townshend took to social media, painting it as a mutual parting of ways. Starkey? Not so much. “I love the who and would never had quit,” he stated plainly, probably while wondering how rock and roll drama manages to follow him around like a particularly persistent groupie.

The situation got even more tangled when Roger Daltrey apparently told Starkey he hadn’t been “fired” but “retired” – a distinction that left both parties scratching their heads. “I had a great phone chat with Roger at the end of last week which truly confused both of us!!!” Starkey shared, adding an almost sitcom-worthy layer to the whole affair.

Meanwhile, back in the Oasis camp, those reunion tour preparations are rolling along. Starting July 4th at Cardiff’s Principality Stadium, they’ve got 41 shows lined up through November. Word has it the Gallagher brothers are rehearsing separately – perhaps some habits die harder than others.

Even rock royalty dad Ringo’s gotten involved, reportedly “not too happy” about The Who situation. But then again, who would be? (Pun absolutely intended, and we’re not even sorry about it.)

For Starkey, it’s a reminder that even with rock’s most impressive DNA and decades of experience, the music industry can still throw you a curveball. Or in this case, two of them. Still, in an industry where comeback stories are practically their own genre, who knows what the next beat might bring?

Darlings, Hollywood’s digital landscape is serving up a deliciously diverse trio of films that’s about to shake up our streaming queues — and honestly, it’s about time. The entertainment gods have blessed us with everything from blood-sucking period pieces to mockumentary mayhem, and yours truly is living for every minute of it.

Let’s dish about Ryan Coogler’s “Sinners” first, shall we? After making audiences weak in the knees during its theatrical run (and trust me, this columnist included), this vampire-noir masterpiece is finally sashaying its way onto Prime Video and Apple TV come June 3rd, 2025. Michael B. Jordan — that absolute treasure — pulls off the kind of double act that would make Jeremy Irons circa Dead Ringers positively green with envy. Warner Bros. tried to play coy by releasing what they dubbed a “wholesome” behind-the-scenes peek, but honey, there’s nothing PG about this deliciously dark romp through a 1930s Mississippi juke joint.

Speaking of scene-stealers, Hailee Steinfeld’s turn as Mary is giving us serious awards season buzz already. The way she’s woven her own family history research into the character? *chef’s kiss* Now that’s what we call method acting with a dash of genealogy, sweeties.

But wait — there’s more. In what might be the most meta moment since “Adaptation” made our heads spin, Vertical’s nabbed “Found Footage: The Making of The Patterson Project.” Think “This Is Spinal Tap” meets indie horror filmmaking, and you’re halfway there. Director Maz Tzannes isn’t just making a movie; she’s crafting what could be the horror-comedy lovechild we never knew we needed. Mark those calendars for June 20th, darlings — or June 24th if you’re more of a streaming-and-sweatpants type (no judgment here).

And then… oh, then there’s “The President’s Cake.” Sony Pictures Classics has outdone themselves by snagging Hasan Hadi’s Camera d’Or winner, and it’s precisely the kind of intimate storytelling that makes this jaded entertainment columnist’s heart skip a beat. Set in ’90s Iraq, it follows a 9-year-old aspiring baker with a presidential deadline — and honestly, if that doesn’t sound like the most refreshing palate cleanser in this superhero-saturated era, what does?

What’s truly fascinating about this particular moment in cinema is how it perfectly captures the beautiful chaos of modern distribution. From streaming behemoths to boutique distributors, everyone’s carving their own little niche in the entertainment ecosystem. And you know what? In a world where vampire twins can share billing with junior pastry chefs, maybe — just maybe — we’re finally getting somewhere interesting.

Now, if you’ll excuse me, there’s a screening calling my name. And darling, you know how fashionably late one must be to these things.

Politics crashed headlong into sports entertainment last Saturday night, and the results were about as awkward as you’d expect. Former presidential hopeful and current Florida Governor Ron DeSantis stepped into the WWE universe at Tampa’s Yuengling Center — though unlike the carefully choreographed drama typically seen in the squared circle, this show went a bit off-script.

The night’s unexpected swerve? DeSantis apparently caught some serious heel heat from the crowd. Wrestling fans — notorious for their unfiltered opinions — reportedly launched into “you suck” chants that would’ve made Kurt Angle proud. Though like most political stories these days, what actually happened depends entirely on who’s telling the tale.

Social media lit up faster than a Randy Orton RKO, with conflicting accounts spreading across every platform imaginable. Some attendees swore the governor got booed out of the building, while others insisted it never happened. Welcome to 2025, where even a simple wrestling show appearance becomes another chapter in our nation’s ever-deepening political kayfabe.

Earlier that day, DeSantis had shared what he called a “cold Real American beer” with wrestling legend Hulk Hogan at Clearwater Beach — a moment that probably seemed like solid political theater on paper. But by night’s end, the governor might’ve wished he’d stuck to traditional campaign stops.

The timing couldn’t be more fascinating. Here’s DeSantis, fresh off a failed presidential bid and subsequent Trump endorsement, term-limited and wrestling (pun intended) with environmental controversies back home. His recent executive order protecting Florida’s state parks from development came only after massive public pressure — or as Republican State Senator Gayle Harrell put it, “It took the entire state of Florida to do that.”

The Yuengling Center wasn’t exactly packed to the rafters that night. But in our hyper-connected age, it hardly matters anymore. Videos of the alleged incident spread faster than backstage gossip at a wrestling pay-per-view.

One family member of an attendee adamantly defended the governor: “No DeSantis wasn’t booed. They sent me this video because it’s the second time our family has seen Ron DeSantis this week.” Yet others paint a different picture entirely — one where Florida’s chief executive got the kind of reception usually reserved for wrestling’s most notorious heels.

Perhaps what’s most telling isn’t whether the crowd actually turned on DeSantis, but how readily believable either version of events has become. In an era where a WWE Hall of Famer has already served as president, the line between political theater and actual theater has become blurrier than a ref’s vision after taking a chair shot.

As DeSantis approaches his final act as Florida’s governor (term limits will show him the door in 2027), this bizarre wrestling show cameo might end up being just another footnote in his political storyline. But it serves as a perfect metaphor for modern American politics — where the crowd reaction isn’t always what you script, and sometimes the heel heat is very, very real.

Remember when smart TVs were a luxury? Those days feel like ancient history now, especially with streaming devices becoming as essential as a TV remote. The living room’s digital transformation is in full swing, and 2025’s offerings are making the choice more interesting — and complicated — than ever.

Take Amazon’s Fire TV Stick, currently sporting a sweet 30% discount that brings it down to $35. Not bad for a gadget that essentially gives your old TV a graduate degree in entertainment. “Turned a not so smart TV into a very smart TV at a very reasonable price,” as one user put it, pretty much nailing the device’s appeal. With access to over 700,000 movies and shows, it’s hard to feel like you’re missing out on anything.

But hold onto your popcorn, because Google TV isn’t sitting this one out. Their upcoming features might just change the game entirely. The new Media Quality Manager looks particularly promising — finally, a solution to that annoying ritual of adjusting picture settings every time you switch between The Super Bowl and your favorite noir film.

Sure, the current Fire TV Stick has its quirks. That occasionally laggy interface can test your patience (especially during those nail-biting moments when you’re trying to fast-forward through commercials). Yet most users seem willing to overlook these hiccups, praising its Alexa integration and generally responsive interface. That 50% power boost over the previous model definitely helps, though it’s not quite perfection.

Meanwhile, Google TV’s playing the long game. Their partnership with Samsung for Eclipsa Audio support feels like a direct challenge to Dolby Atmos’s throne. An open-source spatial audio format? Now that’s something worth keeping an ear out for.

Speaking of pleasant surprises — Hisense has somehow managed to crash the premium party while keeping prices surprisingly reasonable. Their 43-inch QD6 Series, now going for $200 (down a hundred bucks), makes you wonder how they’re pulling it off. It’s like getting champagne taste on a beer budget.

The real wild card here? AI integration. Google’s Gemini is promising to understand your entertainment preferences better than your significant other. Want something “scary but not too scary, and also maybe a little bit funny, but not like haha funny”? Apparently, that’s not too tall an order anymore. Though we’ll have to wait and see if AI can really decode the complexities of human taste — or if it’ll just keep suggesting true crime documentaries because you watched “Making a Murderer” that one time.

Let’s be real — smart TVs aren’t just about Netflix and chill anymore. They’re evolving into entertainment command centers that actually try to understand what you want to watch. Whether you’re team Amazon or betting on Google’s AI-powered future, one thing’s clear: getting into the smart TV game has never been more affordable.

For now, budget-conscious viewers can breathe easy. Whether it’s through a $35 streaming stick or a surprisingly capable budget smart TV, premium features are becoming increasingly accessible. The future of home entertainment is looking pretty bright — and thankfully, your TV can probably auto-adjust the brightness settings for that, too.

The Music Industry’s Dark Symphony: Inside the Diddy Trial

The gleaming facade of the music industry cracked wide open this winter, revealing a disturbing tableau of power, abuse, and alleged sex trafficking. At its center stands Sean “Diddy” Combs — hip-hop mogul, business titan, and now defendant in what’s becoming 2025’s most explosive courtroom drama.

Sixteen witnesses have taken the stand, each adding another layer to a story that reads more like a crime thriller than music industry news. But it’s the testimony of singer Cassie Ventura that’s sent shockwaves through the entertainment world.

“I can’t carry this anymore,” Ventura declared during her fourth day of testimony, her voice steady despite the weight of her words. The former Bad Boy artist spent nearly a week detailing what prosecutors describe as a “cycle of abuse, violence, and sex trafficking” spanning more than a decade.

The prosecution’s evidence feels like something from a twisted fever dream. Hotel records from L’Ermitage Beverly Hills contain an oddly specific note about Combs’ guest profile: “Always spills candle wax on everything and uses excessive amounts of oil, place rooms out of order upon departure for deep cleaning.” These seemingly mundane details take on a darker significance when paired with testimony about alleged “freak-offs” — carefully orchestrated sex parties where male escort Sharay Hayes claims he earned up to $6,000 per encounter.

Perhaps most chilling is the surveillance footage from LA’s InterContinental Hotel Century City. The grainy video shows what prosecutors claim is Combs grabbing Ventura, throwing her to the ground, and dragging her across the floor. Security guard Israel Florez, who witnessed the aftermath, described Combs’ “devilish stare” — and an alleged attempt to buy his silence.

Dawn Richard, formerly of Danity Kane, recounted a particularly jarring incident. “He proceeded to come over to her and took the skillet with the eggs in it and tried to hit her over the head with it,” she testified, her voice trembling slightly. “She fell to the ground.”

The case took an unexpected turn when rapper Kid Cudi stepped forward. His testimony painted a picture of alleged retribution that sounds straight out of a mob movie — broken into homes, opened Christmas presents, and a Porsche firebombed with a Molotov cocktail. All, prosecutors argue, because he dared to date Ventura.

When federal agents raided Combs’ Star Island mansion in Miami Beach, what they found seemed to confirm the darker allegations. AR-15 assault-style rifles with defaced serial numbers stored alongside sex party supplies and drugs — prosecutors argue these were used to make women compliant during encounters.

Combs’ defense team isn’t backing down. They’ve acknowledged some behavior might’ve crossed lines but maintain it doesn’t constitute sex trafficking. Their argument? Any violence stemmed from jealousy and drug use rather than organized coercion.

Expert testimony from Dawn Hughes shed light on why victims often remain trapped in such situations. “When you have all this violence and abuse, you’re just trying to live day to day in this very micro way,” she explained, addressing the question that’s haunted many following the case: Why didn’t Ventura leave sooner?

As former assistant Capricorn Clark prepares to take the stand, the industry holds its breath. Whatever the verdict, this trial has already accomplished something significant — exposing the toxic power dynamics that have long festered beneath the music industry’s glossy surface.

The question isn’t just whether Combs will be found guilty. It’s whether this case might finally force the entertainment world to confront its darker impulses, where influence and fear create a dangerous cocktail of silence and compliance. In an industry that’s weathered countless storms, this might be the tempest that finally forces real change.

Some performances just hit different. Last night at the Fontainebleau Las Vegas, Gloria Estefan didn’t just return to the American Music Awards stage — she reminded everyone why Latin music runs through America’s veins.

The scene? Pure magic. Picture this: neon lights dancing across the BleauLive Theater, artificial palm trees swaying gently, and there she was — Gloria herself, absolutely killing it in a black sequined top and velvet pants that somehow managed to capture both elegance and that signature Miami flair. After 30-plus years away from the AMAs stage, you might expect some rust. But nah — not Gloria.

“Rhythm Is Gonna Get You” kicked things off, and honestly? It did. The crowd couldn’t help themselves. Then came “Conga” — you know, that song that’s probably playing at someone’s wedding reception right this second. “Happy 40th birthday ‘Conga,’ you still got it,” Gloria quipped, her voice carrying that warm hint of mischief that’s become her trademark.

At 67, she’s not just performing — she’s proving a point. Jennifer Lopez, who introduced the performance, put it perfectly: pioneers open doors in people’s consciousness. And speaking of doors? Gloria’s been kicking them wide open since day one.

But here’s what makes Gloria different from your typical industry veteran: zero pretense. When asked about her influence, she brushes it off with characteristic humility. “We just keep moving forward, picking projects that make us happy,” she says, casually dropping wisdom like she’s sharing a café cubano with old friends.

The timing feels particularly right. With her first Spanish-language album in 18 years, “Raíces,” dropping May 30th, 2025, Gloria’s proving she’s not done innovating. The album, encouraged by her husband Emilio (talk about relationship goals), dives deep into her musical roots. “It’s my core music,” she explains, “the stuff I’d sing as a 3-year-old.”

But wait — there’s more. Together with her daughter Emily, she’s cooking up something completely different: “Basura,” a musical about a scrap-metal orchestra. Set to premiere in Atlanta come May 2026, it’s exactly the kind of creative curveball you’d expect from someone who’s never played by anyone else’s rules.

Looking at today’s Latin music scene — where Bad Bunny and Karol G are smashing streaming records left and right — it’s wild to think about how different things were when Gloria first started. Yet watching her command that stage last night, one thing became crystal clear: some pioneers don’t just open doors — they build whole highways for others to follow.

The rhythm got us then. It’s still getting us now. And somehow, you get the feeling Gloria’s just getting started.

Oh darlings, pour yourself a glass of champagne because we simply must discuss the deliciously scandalous plot twist in streaming entertainment. Netflix — yes, that digital behemoth often accused of killing the traditional cinema experience — has just thrown down $4 million for Richard Linklater’s “Nouvelle Vague.” The irony is absolutely divine.

Let’s dish about what makes this particularly fascinating. Fresh off their awards season triumph with “Emilia Perez” (those 13 Oscar nods have certainly gone to their heads), Netflix has decided to play fairy godmother to what might be the most sophisticated French cinema homage since… well, since the actual French New Wave.

The film earned an 11-minute standing ovation at Cannes — though honestly, what doesn’t these days? But this one actually deserved it. Linklater’s latest masterpiece reconstructs the electric atmosphere surrounding Godard’s “Breathless” with such precision that it’s practically giving cinephiles heart palpitations.

Guillaume Marbeck steps into Godard’s shoes (presumably Repetto loafers), while Zoey Deutch channels Jean Seberg’s pixie-cut perfection. The real revelation? Newcomer Aubry Dullin as Jean-Paul Belmondo. Darling, the casting is nothing short of genius — though one does wonder if Netflix’s algorithmic overlords had any say in the matter.

Here’s where things get deliciously complicated. While Netflix’s $4 million splurge marks a record-breaking domestic deal for a French-language film, it also means “Nouvelle Vague” will likely get the briefest of theatrical runs — just two weeks for awards qualification. It’s enough to make any serious cinephile reach for the smelling salts.

The film itself is practically drowning in cinema royalty. We’re talking appearances by everyone who was anyone in French cinema — Cocteau, Bresson, Rossellini, Varda. It’s like the Met Gala of mid-century European filmmaking, but with better cigarettes and even more existential angst.

But let’s address the elephant in the screening room, shall we? There’s something wonderfully perverse about Netflix — which just announced its AI-powered content optimization system last month — betting big on a film that celebrates the very theatrical experience it’s helping to transform. It’s the kind of paradox that would’ve had Godard lighting another Gauloises while muttering something devastatingly profound in French.

The timing couldn’t be more fascinating. As we’re witnessing the rise of virtual reality cinema houses and blockchain-distributed independent films in 2025, here’s Netflix paying top dollar for a love letter to traditional moviegoing. Perhaps it’s less ironic than it seems — after all, wasn’t the French New Wave all about breaking with convention?

One can’t help but wonder what Godard himself would make of all this. His story being told through an American lens, distributed via streaming platform, possibly viewed on phones (the horror!) by audiences who might be simultaneously scrolling through TikTok. Then again, wasn’t that precisely his thing — challenging how we consume and understand cinema?

Darlings, in an era where most studio executives are more concerned with franchise potential and merchandise opportunities, there’s something absolutely thrilling about this bold move. It’s like wearing haute couture to a fast-fashion party — completely unnecessary, but oh so fabulous.

Darlings, let’s dish about the latest tech drama that’s giving budget-conscious streaming enthusiasts something to celebrate this Memorial Day. Amazon’s serving up their Fire TV Stick collection at prices that would make even a seasoned bargain hunter weak in the knees — we’re talking $19.99 for the HD model (down from $34.99) and $39.99 for the swanky 4K Max version.

Look, not everyone needs (or wants) to drop a small fortune on one of those fancy smart TVs that cost more than a designer handbag. Sometimes the simplest solution is the most fabulous, and honey, this little stick is serving major main character energy in the world of home entertainment.

What’s the tea with these pocket-sized powerhouses? Picture this: over 700,000 movies and shows at your fingertips, voice control that would make Tony Stark’s AI system look positively prehistoric, and — if you’re fancy enough to spring for the 4K Max — the ability to stream games like Starfield without dropping thousands on a console. It’s giving very much “living in 2025” energy, and we’re here for it.

The setup? Easier than deciding what to watch on Netflix (and we all know that’s a whole evening’s entertainment right there). Just plug it in, connect to Wi-Fi, and boom — you’re ready to live your best couch potato life. One reviewer gushed, “Turned a not so smart TV into a very smart TV at a very reasonable price,” and honestly? The taste level of that statement? Immaculate.

Now, let’s keep it real for a hot minute. These gadgets aren’t without their… shall we say, quirks? Some users have reported the occasional lag when browsing the home screen — though honestly, who among us hasn’t experienced a slight delay when making our grand entrance? And that adorable little remote? It’s got a peculiar talent for playing hide-and-seek in the sofa cushions. But darling, these are minor inconveniences in the grand scheme of streaming nirvana.

The interface deserves its own moment in the spotlight — it’s more intuitive than your average dating app (and potentially more rewarding). The Alexa integration? *chef’s kiss* Perfect for those moments when you’re too comfortable to reach for the remote. Just bark your commands like the media mogul you are, and watch as your TV bends to your will.

At these Memorial Day prices, we’re basically stealing — in the most legal and fabulous way possible, of course. The HD model at $19.99 is practically giving it away, while the 4K Max at $39.99 is still a bargain that would make any savvy shopper’s heart skip a beat.

Bottom line? Whether you’re stuck with a TV that’s about as smart as last season’s platforms or just looking to upgrade your streaming game, these Fire TV Stick deals are more unmissable than a Met Gala wardrobe malfunction. But like all the best things in life (including that crush who never texted back), these prices won’t stick around forever. Time to make your move, sweetie.

The streaming wars just got a lot more interesting — and considerably more musical. In what might be 2025’s biggest power play in kids’ entertainment, CoComelon is packing up its nursery rhymes and heading to Disney+, leaving Netflix to sing the blues.

Let’s be real: this isn’t just another content shuffle. We’re watching a seismic shift that’ll reshape the entire kids’ streaming landscape. CoComelon — that earworm-generating juggernaut that’s had parents everywhere unconsciously humming “JJ’s Morning Routine” during board meetings — isn’t just any show. It’s a cultural phenomenon that transformed from a scrappy YouTube channel into a global empire.

Disney+ didn’t just bag a hit show; they’ve nabbed a unicorn. The platform, already dominating the kiddie zeitgeist with Bluey (currently crushing it at #1) and Spidey and His Amazing Friends (#2), just added some serious muscle to their preschool lineup. CoComelon’s current #6 position in Nielsen’s streaming rankings? That’s probably gonna look like rookie numbers once Disney’s marketing machine kicks into high gear.

Meanwhile, Netflix isn’t exactly crying in the corner. They’ve got their eyes on Sesame Street — talk about a flex. The streaming giant clearly isn’t ready to wave the white flag in the battle for tiny eyeballs and parent-approved screen time.

But here’s where it gets really interesting. During its Hulu run (2020-2022), CoComelon’s first season basically broke the platform’s preschool viewership records. The show didn’t just perform well — it dominated. Disney+ isn’t just getting the existing content; they’ve locked down exclusive SVOD global rights to future CoComelon content, plus eight seasons of Little Angel (huge in Latin America, by the way).

The timing? *chef’s kiss* Perfect. Universal’s got a CoComelon movie slated for 2027, and Disney+ just positioned itself as the streaming headquarters for all things CoComelon. Smart money says they’re playing the long game here — building anticipation, growing the audience, and potentially setting up some sweet cross-promotional opportunities.

This whole situation speaks volumes about how the streaming landscape has evolved. Remember when kids’ content was just the cherry on top of streaming services? Now it’s the whole sundae. Parents aren’t just subscribers — they’re the holy grail of retention metrics. Give them their kids’ favorite shows, and they’ll stick around through price hikes, password crackdowns, and whatever else you throw at them.

What’s particularly fascinating is how this move highlights the new path to success in kids’ entertainment. CoComelon’s journey — from YouTube to Netflix to Disney+ — mirrors Bluey’s rise to fame. It’s a blueprint that proves you don’t need traditional studio backing to build a global phenomenon. Sometimes all it takes is a catchy tune about vegetables or potty training to capture the hearts (and attention spans) of millions.

The House of Mouse knows exactly what they’re doing here. They’re not just acquiring content; they’re reinforcing their position as the undisputed heavyweight champion of family entertainment. And in today’s fractured streaming landscape, that’s worth its weight in gold — or should we say, in monthly subscription fees?