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  • Hugh Jackman and Sutton Foster Confirm Relationship

    Hugh Jackman and Sutton Foster Confirm Relationship

    The former Music Man co-stars have been the subject of rumors since 2022.

    Sutton Foster and Hugh Jackman are making their romance official! The two former Music Man co-stars stepped out together on Monday, Jan. 6 after plenty of speculation surrounding their relationship.

    The couple holds hands in new photos published by PEOPLE while out for dinner in Santa Monica, Calif. Jackman, 56, looked sharp clad in a dark jacket and white jeans while the Once Upon a Mattress star, 49, sported a camel trench coat over a green dress.

    Both the Deadpool & Wolverine star and the Younger alum have gone through divorces within the past couple of years. In September 2023, Jackman and his wife of almost 30 years, Deborra-Lee Furness, announced their split.

    More than a year later, Foster filed for divorce from her husband of 10 years, Ted Griffin, with whom she shares 7-year-old daughter Emily. (The Tony Award-winning actress was also previously married to Smash actor Christian Borle from 2006 to 2009.)

    Jackman and Furness released a statement at the time of their split, saying that their family, including kids Oscar, 24, and Ava, 19, are their priority still. “We have been blessed to share almost 3 decades together as husband and wife in a wonderful, loving marriage,” the pair told PEOPLE at the time. “Our journey now is shifting and we have decided to separate to pursue our individual growth.”

    Jackman and Foster have always spoken highly of one another since starring together on Broadway as Harold Hill and Marian Paroo in the 2022 revival of The Music Man. “He has an impeccable reputation of being the hardest working man, incredibly kind, and generous — and all of that is true,” Foster told Vogue of Jackman in 2022. “He’s now become one of my best friends, which was a surprise, because you usually go into these things thinking, ‘Well, I hope we get along.’ But we just spent Memorial Day with our families. It’s really fun to meet new friends after 40.”

    She also commented on their onstage chemistry, which audience members at the time thought could be indicative of real-life feelings. “One of the things that our director said early on was when you’re watching two characters fall in love, you look for the moments where they make each other smile,” the Thoroughly Modern Millie star continued. “So it’s sort of birthed out of that, and it’s a spontaneous moment that’s different every single night. It toes that line of, is it Harold and Marian, or Hugh and Sutton?”

  • Netflix’s new No.1 show is ‘WWE Raw’ — here’s every major moment

    Netflix’s new No.1 show is ‘WWE Raw’ — here’s every major moment

    Settling into my couch as Netflix’s first-ever broadcast of WWE Raw began streaming, I couldn’t help but marvel at the sight of Los Angeles’ Intuit Dome — 18,000 fans packed to the rafters, phones raised to capture history in the making. Even through my TV screen, the electricity was undeniable.

    We might be witnessing the dawn of wrestling’s next golden age. Just as the “Attitude Era” of the late ’90s captured lightning in a bottle through cable television, this Netflix deal could expose an entirely new generation to the unique blend of athletics and storytelling that makes professional wrestling something special.

    And boy, did WWE throw everything but the kitchen sink at making this debut memorable — though perhaps that sink might have helped in places.

    The historic evening kicked off with a nostalgia-rich montage celebrating Raw’s 31-year journey, before “The Game” Triple H, now WWE’s creative head, welcomed viewers to this new chapter. The symbolism wasn’t subtle, but it was effective — wrestling’s past meeting its streaming future.

    Triple H, ever the master of grand pronouncements, managed to make this feel less like a corporate handover and more like a torch-passing moment for the industry. For the uninitiated jumping into WWE for the first time, the show delivered star power in spades. Dwayne “The Rock” Johnson made a thrilling appearance, not as the villainous “Final Boss” character (known as a “heel” in wrestling parlance) we’ve seen recently.

    Instead, he played babyface Rocky (good guy), revisiting his iconic phrases and chants, with the crowd elatedly hanging onto every word. And, in a shocking turn of events, praised and then embraced former rival Cody Rhodes, in a moment that subverted fan expectations.

    While a heartwarming display that gave us all the feels (perhaps due to his daughters sat at ringside), I also felt a twinge of anticipation. The heel version of The Rock is pure gold, and this friendly, crowd-pleasing version felt like sowing a turn-seed of epic proportions.

    Roman Reigns “OTC” and Solo Sikoa settled their differences in Tribal Combat, with the ula fala and status as the undisputed Tribal Chief hanging in the balance. The Bloodline saga has been wrestling’s most organically engaging storyline in years, blending the fictional world of wrestling with authentic Samoan culture and tradition.

    In this match, the concept of family leadership carries profound real-world weight. In a moment thick with tension, The Rock strode to ringside after Reigns established his dominance over Sikoa. The Great One took the ula fala — a sacred Samoan symbol of leadership passed down through generations — from Paul Heyman and placed it around Reigns’ neck.

    The question hanging in the air wasn’t just about who leads The Bloodline, but who truly sits at the head of the table in one of wrestling’s most storied families.

    John Cena’s segment was also a stand-out, announcing 2025 as his final year competing. The 16-time world champion masterfully worked the crowd, hinting towards one last title run through a potential Royal Rumble victory. As always, Cena was on top form, cutting a perfect promo that displayed initial hesitation about his championship aspirations. This transformed into a lightbulb moment about the prospect of competing in the Royal Rumble, that had the crowd eating out of his hand.

    In-ring action peaked with CM Punk versus Seth Rollins, a match where their real-life animosity added an extra layer of intensity to every move. Their genuine dislike for each other has created something special — a feud where the line between performance and reality is deliciously blurred.

    The match’s climax came when Rollins rebounded off the ropes and slumped onto Punk’s shoulders, setting up a perfectly executed Go To Sleep for the win. What made this contest particularly interesting was its throwback feel. This style of wrestling doesn’t always connect with today’s audience, but it was a masterclass for fans who appreciate wrestling’s grittier roots. Although the match lived up to the hype, ending it on Raw feels like leaving a story half-told.

    The show brought some incredible production flourishes, none more electrifying than Travis Scott’s involvement. His unreleased “4×4” track debuting as Raw’s new theme song was an instant hit, perfectly capturing the show’s energy.

    But the real magic happened when Scott escorted Jey Uso to the ring — the Intuit Dome nearly exploded as Scott, championship belt proudly slung over his shoulder and fully embracing his role, escorted Uso to the ring. Jey emerged in his hot pink “YEET” attire while Scott hyped up the crowd. The whole entrance felt larger than life, exactly the kind of cross-cultural moment that makes wrestling special.

    The energy carried through to Uso’s match against Drew McIntyre, where Jey proved why he’s become one of WWE’s most compelling singles competitors. Uso managed to outwit “The Scottish Warrior” in an epic showdown that had me on the edge of my seat. The victory felt earned, showcasing just how far Jey’s come since breaking away from The Bloodline.

    The Women’s World Championship match delivered, with Rhea Ripley proving why she’s the dominant force in women’s wrestling by defeating Liv Morgan.

    After the match, “Mami” even took time to put an exclamation point on her night by hitting her signature Riptide finisher on former ally “Dirty” Dominik Mysterio, leaving him crumpled in the ring.

    What should have been Ripley’s moment to shine was overshadowed by The Undertaker’s appearance. Instead of hearing the bone-chilling gong that makes every wrestling fan’s hair stand on end, we got the American Badass version of Taker, rumbling around the ring on his motorcycle. Don’t get me wrong, “Biker Taker” has its place in wrestling history — but this moment was crying out for the Deadman.

    While Ripley’s dominant victory wasn’t overshadowed per se, Taker’s appearance felt lacklustre and shoehorned into the segment. Still, on a night meant to bridge wrestling’s past and future, I get it.

    The most telling moment came when Hulk Hogan appeared to promote his Real American Beer brand, only to be met with resounding boos — a stark reminder that today’s wrestling audience demands more than just nostalgia acts and commercial plugs.

    Despite some growing pains, the potential here is undeniable. With Netflix’s global reach and WWE’s proven ability to create compelling characters and storylines, we could be entering professional wrestling’s most accessible and potentially most influential era yet. The ring may have moved from broadcast TV to streaming, but the magic of WWE — when it hits right — remains as potent as ever.

    The success of this new partnership won’t be measured by one night alone. Just as other eras took time to find its footing, this new chapter will need space to develop its own identity. The audio mixing needs work, the ad placement could use refinement, and someone needs to have a serious conversation about pacing.

    With more eyes on the product than ever before and the technical capabilities to reach viewers worldwide instantly, WWE on Netflix could very well usher in professional wrestling’s next revolutionary period. The ropes are still the same, but the ring just got a whole lot bigger — let’s just hope they figure out how to properly mic it.

  • Noel Gallagher joins new band with Ringo Starr’s son months before Oasis tour

    Noel Gallagher joins new band with Ringo Starr’s son months before Oasis tour

    Noel Gallagher has joined a new band – just months before Oasis hit the road.

    Gallagher has joined supergroup Mantra Of The Cosmos, led by the son of Beatles drummer Sir Ringo Starr, on their new psychedelic track. The song, titled Domino Bones (Gets Dangerous), features Gallagher alongside Happy Mondays singer Shaun Ryder on vocals, former Oasis guitarist Andy Bell, Sir Ringo’s son Zak Starkey on drums and Happy Mondays’ Mark “Bez” Berry on percussion.

    It comes after Gallagher announced the Britpop band he formed with his brother Liam was reuniting for a 2025 world tour. “Mantra Of The Cosmos is like Dylan, Dali and Ginsberg on a rocket ship to the moon to have it with the clangers,” Gallagher said. Starkey first met Gallagher in a London rehearsal room in early 1995 when he was in a band called Face before he began drumming for Oasis in 2004 – playing on albums Don’t Believe The Truth and Dig Your Own Soul.

    Speaking about Domino Bones, Starkey said: “It’s not every day that the greatest songwriter of my generation – not to mention Shaun, the greatest beat poet of our times – sends a tune to me and I was in a daze for a bit cos it’s not something you want to f*** up.

    “It came together great – everyone digs it. Noel loves Shaun. He texted me to say ‘Do you know what you’ve got? The British Bob Dylan’ – and he’s not f****g about because now I’ve witnessed what Shaun does. Noel calls him the ‘king of lyrics’.” Starkey first met Ryder in 2015, during the filming of the revival of TFI Friday on Channel 4.

    “Shaun was on the show, and we literally said hello for five minutes and then a photograph – and that was it. Then I just cold-called him about this group, which I didn’t want to be about guitars – I wanted to be about his words. He immediately said yes. I asked if his mate (Bez) was going to be in it and he said ‘He doesn’t know yet – but he is’.”

    Domino Bones (Gets Dangerous) – the name of Bez’s first band – is the supergroup’s latest single after Gorilla Guerilla and X (Wot You Sayin?) in 2023 – the same year the band made its debut at Glastonbury Festival. Starkey, who has only visited Liverpool once before, will take to the stage with the band to play two sets on January 19 at the Cavern Club – made famous by the Beatles.

    “Can’t believe I’ve never even been there,” he said. “There’s a great deal of family heritage at the Cavern, aside from the Beatles, my parents courted there… Who knows I may have even been conceived there.” Gallagher’s appearance on the new Mantra Of The Cosmos single comes following the reunion with his brother.

    Around 15 years after their explosive split, prompted by a backstage brawl at the Rock en Seine festival in Paris, the brothers confirmed Oasis would be back for a long-awaited world tour in 2025. The Mancunian rockers seem to have put their differences aside so fans can relive the group’s 1990s glory days by hearing the band perform hits including Wonderwall, Don’t Look Back In Anger and Stop Crying Your Heart Out live.

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  • ‘Holes’ TV Series Picked Up to Pilot by Disney+ (EXCLUSIVE)

    ‘Holes’ TV Series Picked Up to Pilot by Disney+ (EXCLUSIVE)

    A “Holes” TV series has been ordered to pilot at Disney+, Variety has learned exclusively.

    The potential show would be based on the book of the same name by Louis Sachar, which was previously adapted into a 2003 feature film by Walt Disney Pictures.

    Alina Mankin serves as writer and executive producer, while Liz Phang will serve as showrunner and executive producer. Drew Goddard will executive produce via Goddard Textiles along with Sarah Esberg. Walden Media, which produced the film, is also producing the pilot and has been attempting to get a series version of the book off the ground for some time, according to sources. Mike Medavoy will executive produce with rights holder Shamrock executive producing. Andrea Massaro of Goddard Textiles is a co-executive producer. 20th Television, where Goddard is based, is the studio.

    The official logline for the project states, “In this reimagining of the beloved 1998 book from Louis Sachar, a teenage girl is sent to a detention camp where the ruthless Warden forces the campers to dig holes for a mysterious purpose.”

    The book told the story of Stanley Yelnats, an unlucky boy who is sent to a juvenile detention camp for a crime he did not commit. Now incarcerated at Camp Green Lake, Stanley is forced to spend his days digging holes in a dry lake bed. But as the story unfolds, Stanley discovers that both his own story and the story of his family are more connected to Camp Green Lake than he could have ever imagined.

    “Holes” was originally published in 1998 and went on to win both the National Book Award and Newbery Medal. The book has sold several million copies to date. Sachar has published dozens of other books as well, including the popular “Wayside School” series and the “Marvin Redpost” books. He also wrote the book “Stanley Yelnats’ Survival Guide to Camp Green Lake” ahead of the film version’s release and the spinoff book “Small Steps,” which tells the story of “Holes” character Theodore “Armpit” Johnson.

    “My mom’s been a schoolteacher for her whole life and, as such, she’s served as a de facto book scout for Goddard Textiles,” Goddard said in an interview with Variety. “She always knows what ‘the kids’ are into long before everyone else does. ‘Holes’ was the first book she suggested to me – this was back in the late ’90s – and she was positive it was going to be a phenomenon. It feels good to bring it full circle for Mrs. Goddard and her sixth grade class.”

    The 2003 film version of “Holes” starred Shia LaBeouf as Stanley, with Sigourney Weaver, Khleo Thomas, Jon Voight, Tim Blake Nelson, Patricia Arquette, Dulé Hill, and Eartha Kitt also starring. Sachar wrote the screenplay with Andrew Davis directing. The film was a box office success, grossing an estimated $71 million worldwide against a reported budget of $20 million.

    Besides the critically acclaimed ABC series “Lodge 49,” Mankin’s past TV credits include the “Katy Keene” TV series at The CW, Fox/Hulu’s “The Mindy Project” and the Netflix series “Anne with an E.” Phang, meanwhile, has worked on critically acclaimed shows like Showtime’s “Yellowjackets,” “Foundation” at Apple TV+, and “The Haunting of Hill House” and “Locke & Key” at Netflix.

    “They’ve done a wonderful job capturing Louis Sachar’s unique spirit,” Goddard added. “To say much more about what they have in store would spoil all the fun.”

    Mankin is repped by UTA and Kaplan / Perrone Entertainment. Phang is repped by WME and Yorn Levine. Goddard is repped by UTA and Hansen Jacobson.

  • Paris Jackson celebrates 5 years of sobriety from alcohol and heroin…

    Paris Jackson celebrates 5 years of sobriety from alcohol and heroin…

    Paris Jackson celebrated five years of sobriety from alcohol and heroin with an emotional video shared to her Instagram on Tuesday.

    “hi, i’m pk and i’m an alcoholic and a heroin addict,” Jackson, 26, wrote in the caption of her post on Jan. 7.

    The video began with a montage of clips in which she was seen drinking booze and using drugs and transitioned into showing her enjoying several happy moments in life.

    “Today marks 5 years clean & sober from all drugs and alcohol,” she continued. “to say that i’m thankful would be a poor euphemism.”

    The daughter of the late Michael Jackson admitted that the word gratitude “hardly scratches the surface” of how she is feeling about reaching the milestone.

    “it’s because i’m sober that i get to smile today. i get to make music. i get to experience the joy of loving my dogs and cat,” she wrote. “i get to feel heartbreak in all it’s glory. i get to grieve. i get to laugh. i get to dance. i get to trust. i feel the sun on my skin and it’s warm.”

    She continued, “i’ve found that life keeps happening regardless of whether i’m sober or not, but today i get to show up for it.”

    Paris said that the powerful video was a “little snapshot” of how she has been able to live her life because of her sobriety.

    “My god i can’t believe i almost missed it all. thanks,” she concluded, along with Tuesday’s date.

    The video showed the “Running For So Long” singer before she was clean and captured her partying and, at one point, crying amid her addiction.

    Paris then proudly showed photos of her sobriety chips after being sober for one day, five months, six months, nine months, 18 months, 1 year, 11 months, two years, three years, four years and five years.

    The model posted back-to-back clips laughing and dancing with friends.

    She was also seen making music, meeting a baby bat, walking the red carpet at a Christian Louboutin event during Paris Fashion Week 2023, performing live on a stage, and rock climbing.

    She featured her fiancé Justin Long in several clips where the duo looked cuddly and loved up, as well as some blissful moments she spent with her dogs.

    “To those that helped me on this journey, if only for just the beginning, middle, or the whole time so far, you know who you are and i owe you my life. Thank you,” she wrote in the video, adding, “5 years. THANK GOD.”

    Paris reportedly checked into a treatment facility for her emotional health in 2019.

    The “Gringo” actress revealed that she had engaged in cutting herself and attempted suicide.

    “It was just self-hatred, low self-esteem, thinking that I couldn’t do anything right, not thinking I was worthy of living anymore,” Paris told Rolling Stone magazine in 2017.

    “I was crazy. I was actually crazy,” she said at the time. “I was going through a lot of, like teen, angst. And I was also dealing with my depression and my anxiety without any help.”

  • Is Justin Baldoni’s Legal Team Taking a ‘Blame the Victim’ Approach Against Blake Lively?

    Is Justin Baldoni’s Legal Team Taking a ‘Blame the Victim’ Approach Against Blake Lively?

    The ongoing back-and-forth accusations between Blake Lively and Justin Baldoni have generated more than their hit drama It Ends With Us, a film where this debacle officially began. Lively first filed a complaint with California’s Civil Rights Department against Baldoni, citing sexual harassment and a calculated smear campaign to sully her name during the film’s promotion.

    This was then followed by a lawsuit from Stephanie Jones, who was once the head of Baldoni’s old PR firm, who alleged defamation and breach of contract against Baldoni, Wayfarer Studios, and publicists Melissa Nathan and Jennifer Abel.

    Not one to have all the attacks against him, Baldoni then sued The New York Times for $250 million, which alleged that their piece reporting Lively’s claims was libel. Finally, on New Year’s Eve, Lively doubled down on her CRD filing by filing a sexual harassment lawsuit in New York against Baldoni and his team. It’s all hard to keep up and more is to come, but Lively’s lawyers say that Baldoni’s suit against The New York Times only serves to “blame the victim” in the media.

    Per Deadline, Lively’s Manatt, Phelps & Phillips attorneys want to make it clear that their client filings are very serious and aren’t about media attention or distorting the truth. The lawyer team said, “Ms. Lively’s federal litigation before the Southern District of New York involves serious claims of sexual harassment and retaliation, backed by concrete facts.”

    They then go on to insist that the lawsuit isn’t about creative differences over a film or a feud playing out between a director and big Hollywood players. This is something that references claims made by Baldoni’s attorney, Bryan Freedman, after an appearance on NewsNation that took aim at the New York Times article, Lively, and her husband, Ryan Reynolds.

    “This is not a ‘feud’ arising from ‘creative differences; or a ‘he said/she said’ situation. As alleged in Ms. Lively’s complaint, and as we will prove in litigation, Wayfarer and its associates engaged in unlawful, retaliatory astroturfing against Ms. Lively for simply trying to protect herself and others on a film set. And their response to the lawsuit has been to launch more attacks against Ms. Lively since her filing.”

    The It Ends With Us Drama Has Been a He Said/She Said Close

    All of this drama has been playing out in the media between their respective lawyers. Probably on the advice of their attorneys, Lively hasn’t spoken publicly about the matter and neither has Baldoni. What is happening instead is both sides trying to create their own narratives of what happened as they all try to fix their respective images.

    At the moment, Lively has proved more successful in changing the attitudes of public opinion with more high-profile support, while Baldoni has been dropped by his agency, WME. From Baldoni’s side of things, he and his team have seemed to try to present all of this as two powerful Hollywood figures who used their status to bully him and his team during and after the filming of It Ends With Us.

    Related ‘It Ends with Us’ Author Colleen Hoover Weighs In on the Blake Lively Lawsuit

    “I am done being afraid to post in fear of the comment section hurting my reputation.”

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    On the one hand, Lively’s lawyers want to keep the focus on sexual harassment and how it has no place in any work environment. Lively’s legal team said:

    “While we go through the legal process, we urge everyone to remember that sexual harassment and retaliation are illegal in every workplace and in every industry. A classic tactic to distract from allegations of this type of misconduct is to “blame the victim” by suggesting that they invited this conduct, brought it on themselves, misunderstood the intentions, or even lied. Another classic tactic is to reverse the victim and offender and suggest that the offender is actually the victim.”

    For Baldoni’s part, his attorney states that:

    “We are releasing all of the evidence which will show a pattern of bullying and threats to take over the movie. None of this will come as a surprise because, consistent with her past behavior, Blake Lively used other people to communicate those threats and bully her way to get whatever she wanted. We have all the receipts and more.”

    Yeah, this isn’t going anywhere anytime soon.

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    It Ends With Us PG-13

    Based on Colleen Hoover’s 2016 novel, It Ends With Us is a drama-romance film directed by Justin Baldoni. The film follows a recent college graduate named Lily, who meets a man named Ryle and falls in love with him. However, a traumatic incident compounded with her former high-school sweetheart re-entering her life complicates her plans.

    Release Date August 9, 2024 Director Justin Baldoni Runtime 130 Minutes Cast Blake Lively , Justin Baldoni , Brandon Sklenar , Jenny Slate , Hasan Minhaj , Amy Morton , Kevin McKidd , Isabela Ferrer , Alex Neustaedter , Robert Clohessy , Robyn Lively , Megan Robinson , Robin S. Walker , Emily Baldoni , Adam Mondschein , Caroline Siegrist , Steve Monroe , Daphne Zelle Main Genre Romance Expand

  • Here’s why Hulk Hogan got booed out of the building on WWE’s Netflix debut

    Here’s why Hulk Hogan got booed out of the building on WWE’s Netflix debut

    WWE’s flagship show, “Monday Night Raw,” made its much anticipated debut on Netflix on, well, Monday. Streaming live from the Intuit Dome, several former stars returned, giving the show a bit of a “Wrestlemania” feel.

    After Paul “Triple H” Levesque opened the show talking about WWE’s rich history, Dwayne “The Rock” Johnson came out to praise WWE and Netflix (Netflix was praised so often during the show it felt like WWE was Eddie Haskell and Netflix was Mrs. Cleaver).

    John Cena returned as the first part of his farewell tour, with it already being announced that this will be his last year as a wrestler. After telling fans there was no path to him winning the title for a record 17th time, he then remembered you can get a title shot if you win the “Royal Rumble” match, and declared himself an entrant in the match, to be held in three weeks.

    After Rhea Ripley won the Raw women’s title from Liv Morgan, a familiar gong sound was heard. That signaled the return of The Undertaker, who rode out on his motorcycle and posed with Ripley.

    Really, all that was missing Monday was Shawn Michaels, Bret Hart, Steve Austin and Mick Foley to make the Attitude Era reunion complete.

    But wait, there was one more old name who came out Monday. A guy who helped pro wrestling reach new heights in the 80s, and again in the 90s as part of the NWO. After a commercial break, the familiar opening of “Real American” hit and out came Hulk Hogan, with his longtime manager Jimmy Hart waving the American flag.

    Except Hogan, who has probably received more cheers than anyone in wrestling history, was met with overwhelming boos. On a night where the Intuit Dome crowd was cheering almost everything, the immortal Hulk Hogan was booed out of the building. Hogan began with his usual catchphrase, brother, and was booed. He talked about how great the fans were, and was booed. He talked about Randy Savage and Andre the Giant, and was booed. He talked about his new beer, and was booed. He talked about how great Netflix is, and was booed. He tore his T-shirt off, just like the old days, and was booed. Even the American flag couldn’t save him.

    Even Hogan seemed taken aback by the reaction. He finished his promo, posed for a second, and shuffled off to the back, getting booed all the way.

    Afterward, on social media, people were speculating as to why. Most figured it was because he came out in support of Donald Trump. But that’s not it. Maybe for a few, but not the majority. After all, The Undertaker had Trump on his podcast and was cheered louder than anyone. Levesque and his wife, Stephanie McMahon, were at Trump’s New Year’s Eve party, and they were both cheered loudly.

    In 2015, Hogan was embroiled in controversy after a tape was released of him using a racial slur to describe his daughter’s then boyfriend. WWE removed him from its Hall of Fame, reinstating him later when he apologized for his comments. He returned to live WWE events at the 2021 “Wrestlemania” and, guess what, he was booed loudly then too. Monday in Inglewood was his first live TV appearance in front of an audience since then.

    Overall, it was a great night for WWE, who put on a strong show. But it will be a big surprise if we ever see Hogan live on WWE television again.

  • Hugh Jackman and Sutton Foster confirm romance as they hold hands

    Hugh Jackman and Sutton Foster confirm romance as they hold hands

    Hugh Jackman and Sutton Foster seemed to make their relationship official when they were spotted out on a dinner date on Monday evening.

    The 56-year-old X-Men star and the 49-year-old Broadway veteran were seen holding hands and grinning ear to ear as they had a night on the town in Santa Monica, California, in new photos.

    The outing comes the same day that Jackman was reported to be planning to go ‘public’ with his new ‘girlfriend’ in the imminent future.

    The new pairing follows Hugh and his estranged wife Deborra-lee Furness’ announcement in September 2023 that they were separating after 27 years of marriage.

    In the photos, Jackman looked casual-cool in a charcoal zip-up jacket that he wore over a slim gray sweater and a pair of tan chinos with black sneakers.

    He also sported a dashing salt-and-pepper beard and wore his hair shaggier than usual.

    Hugh Jackman and Sutton Foster seemed to make their relationship official when they were spotted holding hands dinner date on Monday evening in Santa Monica, Calif., in photos obtained by People; seen together in June 2022 in NYC

    The outing comes the same day that Jackman was reported to be planning to go ‘public’ with his new ‘girlfriend’ in the imminent future; pictured in February 2022 in NYC

    Sutton went with a more elegant look with a long double-breasted cashmere overcoat.

    It featured interesting details usually reserved for military attire and classic trench coats, including a storm flap over her left shoulder and epaulets on her shoulders.

    Read More Hugh Jackman set to go public with ‘girlfriend’ Sutton Foster imminently

    The Music Man star wore a lovely dark green maxi dress underneath that flowed elegantly and reached down to her ankles.

    She wore her shoulder-length brunette locks styled pin straight, and she completed her look with a pair of classic black pumps.

    As Hugh and Sutton walked down the sidewalk they had their hands locked tightly, and they turned periodically to gaze into each others eyes.

    The former costars appeared to be having a great time, as they could be seen smiling broadly and laughing together.

    Representatives for Jackman and Foster didn’t immediately comment on their evening out together.

    Their outing comes after the Logan star attended a performance of Foster’s production of Once Upon A Mattress in Los Angeles over the weekend, which had just transferred after wrapping up a run in New York at the end of November.

    Hugh was casual in a charcoal zip-up jacket with a gray sweater, tan chinos and a salt-and-pepper beard; pictured in May 2022 in NYC

    Sutton was the picture of elegant in a double-breasted brown cashmere overcoat that she wore with a dark green maxi dress and classic black pumps; pictured December 13 in LA

    In September 2023, Hugh shocked fans when he filed for divorce from wife Deborra-Lee Furness after 27 years of marriage; pictured in May 2023 in NYC

    Jackman isn’t the only one recently exiting a marriage, as Foster filed to divorce her husband, 53-year-old Ocean’s Eleven screenwriter Ted Griffin, in October of last year; seen in June 2022 in NYC

    The two stars had previously shared the stage on Broadway when the played the leads in an acclaimed production of the classic musical The Music Man.

    Jackman isn’t the only one recently exiting a marriage, as Foster filed for an uncontested divorce from her husband Ted Griffin in October of last year.

    Read More Hugh Jackman and comedy legend seen in audience of Sutton Foster’s show amid affair rumors

    She had been married to the 53-year-old Ocean’s screenwriter for 10 years.

    Foster and Jackman have been swarmed in recent months by rumors that an affair between the two scuttled their marriages.

    Fans had remarked on how close they appeared to be in their off-stage interactions while they appeared together in The Music Man, but Furness seemed to credence to the rumors when she like an Instagram post in October from a gossip blogger who claimed that her husband was ‘running off with the mistress’ and planning a ‘soft launch’ of their relationship, according to Us Weekly.

    A source told DailyMail.com in October that Furness had her suspicions of an affair, but she was still ‘blindsided when she found out about the affair.’

    They described the alleged affair as ‘Broadway’s worst-kept secret,’ adding that ‘Deborra-Lee was the last to know.’

    According to a RadarOnline report, Furness was particularly upset over the behavior of Jackman’s close friend Ryan Reynolds and his wife Blake Lively because they allegedly ‘kept quiet’ about the rumored affair.

    In October, Jackman’s ex Furness liked a post suggesting he had had an affair with Foster, and a source claimed to RadarOnline that she was upset that his friends Ryan Reynolds and Blake Lively had allegedly kept quiet about the supposed affair; seen in August in NYC

    ‘They kept their lips sealed out of loyalty to Hugh,’ a source claimed to the publication.

    ‘Now she is seething with rage over being the last to know, Deb feels blindsided. She has a memory like a steel trap and isn’t afraid to use it.

    ‘Debs feels cheated by all three because someone could have told her what was happening and they all chose to keep their mouths shut,’ they added.

    Daily Mail Australia contacted Furness and Reynolds’ representatives at the time for comment.

    Following Jackman and Furness’ split, the former couple shared a statement addressing the breakup.

    ‘We have been blessed to share almost 3 decades together as husband and wife in a wonderful, loving marriage. Our journey now is shifting and we have decided to separate to pursue our individual growth,’ they announced.

    ‘Our family has been and always will be our highest priority,’ they continued. ‘We undertake this next chapter with gratitude, love, and kindness. We greatly appreciate your understanding in respecting our privacy as our family navigates this transition in all of our lives.’

  • Blake Lively, Justin Baldoni’s lawyers trade jabs amid ongoing legal battle

    Blake Lively, Justin Baldoni’s lawyers trade jabs amid ongoing legal battle

    Blake Lively’s lawyers have issued a statement amid the ongoing legal feud between her and Justin Baldoni.

    In the new statement, released Jan. 7, Lively’s lawyers said, “Ms. Lively’s federal litigation before the Southern District of New York involves serious claims of sexual harassment and retaliation, backed by concrete facts. This is not a ‘feud’ arising from ‘creative differences’ or a ‘he said/she said’ situation. As alleged in Ms. Lively’s complaint, and as we will prove in litigation, Wayfarer and its associates engaged in unlawful, retaliatory astroturfing against Ms. Lively for simply trying to protect herself and others on a film set.”

    The statement, issued on Lively’s behalf, also claimed that Baldoni’s response — his lawsuit filed Dec. 31 against The New York Times — was allegedly meant to “launch more attacks against Ms. Lively since her filing.”

    The statement continued, “While we go through the legal process, we urge everyone to remember that sexual harassment and retaliation are illegal in every workplace and in every industry. A classic tactic to distract from allegations of this type of misconduct is to ‘blame the victim’ by suggesting that they invited the conduct, brought it on themselves, misunderstood the intentions, or even lied. Another classic tactic is to reverse the victim and offender, and suggest that the offender is actually the victim.”

    “These concepts normalize and trivialize allegations of serious misconduct,” the statement concluded. “Most importantly, media statements are not a defense to Ms. Lively’s legal claims. We will continue to prosecute her claims in federal court, where the rule of law determines who prevails, not hyperbole and threats.”

    The statement from Lively’s camp comes after Baldoni sued the New York Times for libel and false light invasion of privacy for publishing a story detailing Lively’s initial claims against him, including sexual harassment and orchestrating a smear campaign against Lively during the production of the film “It Ends with Us,” which Baldoni also directed and starred in with Lively. The lawsuit came after Lively’s initial complaint, filed Dec. 20, and subsequent lawsuit, filed Dec. 31, against Baldoni.

    In a statement to “Good Morning America” addressing Lively’s latest comments, Bryan Freedman, an attorney for Baldoni and Wayfarer Studios, said, “It is painfully ironic that Blake Lively is accusing Justin Baldoni of weaponizing the media when her own team orchestrated this vicious attack by sending the New York Times grossly edited documents prior to even filing the complaint. We are releasing all of the evidence which will show a pattern of bullying and threats to take over the movie. None of this will come as a surprise because consistent with her past behavior Blake Lively used other people to communicate those threats and bully her way to get whatever she wanted. We have all the receipts and more.”

    Read more about the legal battle between Lively and Baldoni below.

    Lively first filed a complaint with the California Civil Rights Department in late December, alleging “severe emotional distress” after she said Baldoni and key stakeholders in the film sexually harassed her and attempted, along with Baldoni’s production company, to orchestrate a smear campaign against her.

    The complaint was detailed in a New York Times article titled “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine.” Included in the report were details surrounding a January 2024 “all hands” meeting — held “prior to resuming filming of ‘It Ends With Us,’” according to the complaint — that was held to address Lively’s workplace concerns, adding that it was attended by key stakeholders in the film and Lively’s husband, Ryan Reynolds.

    According to the complaint, Lively said she laid out specific demands at that meeting to ensure a safe and professional working environment.

    Lively claimed Baldoni and his production company Wayfarer Studios, which produced “It Ends With Us,” then engaged in a “social manipulation” campaign to “destroy” Lively’s reputation, according to the complaint. The complaint included alleged texts from Baldoni’s publicist to a Wayfarer publicist, who allegedly wrote that Baldoni “wants to feel like [Ms. Lively] can be buried,” and “We can’t write we will destroy her.”

    Freedman, the attorney for Baldoni and Wayfarer Studios, denied the allegations.

    “These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media,” Freedman said in a statement to ABC News at the time, in response to Lively’s initial complaint. He claimed Lively’s complaint was “yet another desperate attempt to ‘fix her negative reputation which was garnered from her own remarks and actions during the campaign for the film […].”

    Lively was criticized during the “It Ends with Us” tour for her conduct during press interviews and from some who felt she did not highlight the film’s focus of domestic violence enough.

    On Dec. 31, Baldoni filed a lawsuit against the Times for libel and false light invasion of privacy, after it published the article about Lively’s complaint.

    The lawsuit claimed the Times, which included the alleged text messages and email exchanges between Baldoni’s publicists Jennifer Abel and Melissa Nathan, had relied on “cherry-picked” and altered communications, with details “stripped of necessary context and deliberately spliced” to “mislead.”

    Baldoni is seeking $250 million in damages in his suit against the Times and also listed nine other co-plaintiffs including Wayfarer Studios LLC and his publicists, Abel and Nathan.

    Freedman claimed in a statement to “GMA” that the Times “cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites, disregarding journalistic practices and ethics once befitting of the revered publication by using doctored and manipulated texts and intentionally omitting texts which dispute their chosen PR narrative.”

    A Times spokesperson told “GMA” that the they “plan to vigorously defend against the lawsuit.”

    “The role of an independent news organization is to follow the facts where they lead. Our story was meticulously and responsibly reported,” the spokesperson continued. “It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”

    “To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error,” the spokesperson claimed. “We published their full statement in response to the allegations in the article as well.”

    Also on Dec. 31, Lively formalized her initial California Civil Rights Department complaint into a lawsuit, which reiterated details she previously presented in her complaint.

    Attorneys for Lively said in a statement that the actress’s “decision to speak out has resulted in further retaliation and attacks.”

    “As alleged in Ms. Lively’s federal Complaint, Wayfarer and its associates have violated federal and California state law by retaliating against her for reporting sexual harassment and workplace safety concerns,” Lively’s attorneys claimed. “Now, the defendants will answer for their conduct in federal court. Ms. Lively has brought this litigation in New York, where much of the relevant activities described in the Complaint took place, but we reserve the right to pursue further action in other venues and jurisdictions as appropriate under the law.”

    Both Baldoni and Lively are seeking a jury trial.

    “GMA” has reached out to Baldoni’s rep for comment about Lively’s lawsuit.

  • ‘On the run’ hotel worker accused of selling Liam Payne drugs hands himself in

    ‘On the run’ hotel worker accused of selling Liam Payne drugs hands himself in

    The ‘on-the-run’ hotel worker accused of selling Liam Payne drugs has turned himself in four days after the singer’s other alleged dealer was arrested.

    Ezequiel David Pereyra, 21, is said to have negotiated his surrender to the authorities through his lawyer.

    Police had come away empty-handed after heading to his home on the outskirts of Buenos Aires on Friday with an arrest warrant so he could be taken into pre-trial custody.

    Pereyra’s unnamed lawyer informed officials yesterday his client would hand himself in at a building at Hornos 200, according to local reports.

    It was not immediately clear if it was number 200 of a main road called General Hornos near Buenos Aires’ famous La Boca neighbourhood or the same location in a smaller residential street a short drive from Pereyra’s home address in Lomas de Zamora on the outskirts of the Argentine capital.

    A source told respected Argentinian news daily La Nacion: ‘After Friday’s operation a place where police believed he was working and other residential addresses were put under surveillance and because of the pressure he did the right thing with help from his lawyer.’

    Pereyra, suspended from his job at CasaSur Palermo Hotel – where Payne fell to his death from his third-floor balcony on October 16 – is understood to have been formally read his rights before being taken into custody so he could be taken to prison on the orders of Judge Laura Bruniard.

    Bruniard had ordered his capture when he failed to honour a 24-hour deadline to hand himself in for pre-trial detention after she charged him on December 27 with supplying former One Direction singer Payne with drugs.

    Public prosecutors confirmed late last month the judge had accused him of ‘selling Liam cocaine on October 15 at 3.25am and between 3.30pm and 4pm on October 16 so that he could consume it during his hotel stay’.

    They also claimed witness statements and CCTV analysis supported the allegation Pereyra had received $100 fromPayne to buy narcotics and the singer had sent a car to his home on another occasion to pick up more drugs.

    In November TMZ published footage showing Payne stepping out of a lift at the CasaSur Palermo Hotel and chatting with a man it identified as Pereyra shortly before the singer died, claiming the 31-year-old Brit had asked him for ‘seven grams of the same drug he had handed him earlier’.

    Like Payne’s other alleged dealer Braian Nahuel Paiz, he is facing a prison sentence of between four to 15 years if convicted as charged.

    Paiz was arrested at his home in Berazategui to the south-east of Quilmes near Buenos Aires on Friday so he could start his pre-trial detention.

    His lawyer Fernando Madeo had previously claimed it was ‘impossible’ the charges against his client would stick following Payne’s death.

    He also insisted the 24-year-old was the victim of a ‘witch hunt’ sparked by the authorities’ desire for culprits.

    Waiter Paiz, who met Payne at a restaurant in the upmarket Buenos Aires neighbourhood of Puerto Madero where he had gone to eat with his girlfriend Kate Cassidy and friends, has confessed to consuming drugs with the singer at the hotel where he died but refuted claims he sold him any narcotics.

    The other three men indicted – Payne’s close friend Roger Nores, chief hotel receptionist Esteban Grassi and the hotel’s head of security Gilda Martin – have all been charged with manslaughter but are allowed to remain free while their prosecution continues.

    They are facing between one and five years in prison if convicted as charged, although they have been told they could be eligible for suspended jail sentences.

    Judge Bruniard pointed the finger at the hotel chiefs over their decision to move Payne from the lobby to his third-floor room when he couldn’t stand on his feet, saying it ‘created a legally unacceptable risk to his life’ which had ‘foreseeable’ consequences.

    Argentinian prosecutors referred to Payne’s friend Roger Nores in a lengthy statement they released last week as the ‘victim’s representative’ although they identified him only by his initials R.L.N.

    Judge Bruniard in her indictment ruling accused the businessman, currently banned from leaving Argentina because of the charges against him, of ‘failing in his duty of care, assistance and help’ towards the singer and ‘abandoning him to his fate, knowing he couldn’t fend for himself, aware he suffered multiple additions to alcohol and cocaine and fully conscious of the state of intoxication, vulnerably and defenceless he was in’.

    Nores told a recent TMZ documentary examining the life and death of Liam Payne that he was ‘in good spirits and perfectly balanced’ the day he died as he refuted claims the singer was acting erratically and was intoxicated shortly before his fatal fall.

    The businessman had previously protested his innocence and refuted claims he was Payne’s ‘de facto’ manager.

    He said in a statement shortly after it emerged he was being officially investigated before being charged: ‘I never abandoned Liam, I went to his hotel three times that day and left 40 minutes before this happened.

    ‘There were over 15 people at the hotel lobby chatting and joking with him when I left.

    ‘I could have never imagined something like this would happen.

    ‘I’ve given my statement to the prosecutor on October 17 as a witness and I haven’t spoken to any police officer or prosecutor ever since.

    ‘I wasn’t Liam’s manager. He was just my very dear friend.’

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