RCMP Under Fire: Transparency Demands Surge After Allegations of Excessive Force Against Tłı̨chǫ Woman

The RCMP, in a move that could rock the boat of public trust, is now re-evaluating its decision to keep mum regarding whether two officers from the N.W.T. faced an internal investigation for their alleged excessive use of force against a Tłı̨chǫ woman. This shift comes after mounting pressure and a stern recommendation from the Civilian Review and Complaints Commission for the RCMP (CRCC)—an independent body that advocates for transparency in policing.

Two officers in the Yellowknife detachment—Const. Francessca Bechard and Cpl. Jason Archer—had a brush with the law themselves back in 2020 after an altercation with Tracella Romie. An incident at a local liquor store led to her arrest under contentious circumstances, which escalated significantly once she arrived at the detachment. Video evidence reportedly shows Const. Bechard delivering a punch to Romie—a moment that should have triggered a quick internal review, or at least some serious soul-searching within the force.

However, despite initial charges being leveled against the officers, those were eventually stayed, leaving many questioning what, if anything, the RCMP has done in response. Tom Engel, chair of the Criminal Trial Lawyers’ Association’s policing committee, has voiced concerns over the RCMP’s silence, arguing fervently that “Whenever a police officer uses force, that’s a matter of public interest—and I would think that would be obvious to most Canadians.”

Engel’s calls for more transparency have not fallen on deaf ears, but the initial response from the former RCMP Commissioner Brenda Lucki was anything but satisfying. She claimed the situation was a “private matter,” invoking a section of the Privacy Act to justify the lack of disclosure. It was a standard line that many public institutions fall back on, but the CRCC didn’t let it rest. They agreed with Engel, stating that the inquiry into potential misconduct by police officers is inherently a matter of public interest.

With the crux of the issue laid bare, new RCMP Commissioner Mike Duheme has indicated a willingness to reconsider. He acknowledged that the rationale behind the previous decision to keep the information under wraps was insufficient and left many feeling in the dark. As Duheme noted, “There should have been more justification of the decision not to disclose whether there’s been an investigation,” emphasizing the need for clarity and accountability.

What’s particularly telling is the acknowledgment that the RCMP has the discretion to disclose or withhold information—it is not a hard-and-fast rule. Engel’s position remains steadfast: “I’m not saying that we’re looking for a particular outcome of an investigation. We just want to know, was there an investigation?” His request is as reasonable as it is necessary.

The implications of this case extend beyond the two officers involved. It raises questions about systemic practices within the RCMP and the broader issue of police accountability in Canada. While some conduct hearings are open to public scrutiny, the inconsistency in the RCMP’s approach to these matters—some deemed private, some public—needs to be scrutinized. Why the disparity? Transparency is the cornerstone of trust in any public service, especially when the actions of those sworn to protect the public come under question.

As this narrative unfolds, one thing is apparent: the conversation around policing practices in Canada is far from over. The potential for an internal investigation could either pave the way for much-needed reform or reinforce old habits that allow misconduct to slip through the cracks. The stakes are high, and the public deserves answers.

RCMP Under Fire: Calls for Transparency Rise After Excessive Force Allegations Resurface

The RCMP is now re-evaluating its longstanding silence regarding the investigation into two officers accused of excessive force in the Northwest Territories—a situation that has sparked significant public interest. The critical turning point arrived with a report indicating that the RCMP is considering whether to disclose information about its internal inquiry into the actions of its members. This move follows a controversial incident from 2020, where two Yellowknife RCMP officers faced charges after an altercation with a Tłı̨chǫ woman, Tracella Romie, at the local detachment.,Initially charged with assault, the officers—Const. Francessca Bechard and Cpl. Jason Archer—saw the charges eventually stayed due to a lack of evidence that would ensure a reasonable prospect of conviction. As the legal proceedings unfolded, video footage surfaced, reportedly capturing Bechard throwing a punch at Romie during the search process after her arrest. Engel, chair of the Criminal Trial Lawyers’ Association policing committee, firmly contends that the public deserves clarity on whether any internal examination has occurred, stating, “Whenever a police officer uses force, that’s a matter of public interest—and I would think that would be obvious to most Canadians.”,Despite the serious nature of the allegations, former RCMP Commissioner Brenda Lucki previously brushed off inquiries into the internal investigation. Engel had initially requested information in 2022, but Lucki’s response was nonchalant, arguing that it constituted a “private matter” and citing privacy regulations that supposedly restrained the RCMP from sharing personal employee data. However, the gravity of the situation—combined with Engel’s persistence—prompted the Civilian Review and Complaints Commission for the RCMP (CRCC) to step in, asserting not only that the internal investigation was indeed a matter of public interest but also that the RCMP’s former stance was insufficiently justified.,Fast forward to December 2024, where current RCMP Commissioner Mike Duheme recognized the need for a reassessment of the existing policy on disclosure, admitting that a more profound justification should have accompanied the previous decision. After all, the Privacy Act—as cited by Lucki—does not compel secrecy but merely offers the agency discretion over what they release to the public. “I’m not saying that we’re looking for a particular outcome of an investigation,” Engel clarified, “We just want to know, was there an investigation?”,In the aftermath of the 2020 incident—stemming from Romie’s arrest for allegedly assaulting liquor store staff—the troubling patterns of police behavior in the detachment have raised eyebrows. Engel highlights that even if the criminal charges against the officers didn’t proceed, that does not absolve them of potential breaches under the RCMP Act. The reality is agonizingly clear: the public is left in the dark as they wait for answers. “Given all those circumstances, one would think that the RCMP commissioner would say, ‘well, we’d better investigate this,’” he asserted, highlighting the irony of the situation.,As a further complication, the inconsistency in public disclosure of RCMP conduct hearings adds another layer of frustration. There doesn’t seem to be a straightforward rationale for why some hearings are accessible while others are not—a dichotomy that seems to underscore a troubling lack of transparency. The public clamor for accountability within the police force regarding use of force incidents is more than just noise; it’s a clarion call for justice and clarity—a demand that the RCMP, along with all law enforcement agencies, must take seriously.

Dubai: Where Every Moment is an Extravagant Indulgence

Dubai, a city that epitomizes opulence, isn’t merely a destination; it’s an experience that beckons adventurers and luxury seekers alike. From its towering skyscrapers to man-made islands, this emirate is a wonderland of excess—an extravagant playground where the only rule is to indulge without hesitation. Forget moderation; in Dubai, it’s all about going big, or just go home.

Imagine starting your day at the Burj Al Arab, a striking “seven-star” hotel that rises majestically from a private island. Guests often flock to Bab Al Yam for breakfast, savoring dishes that could rival any brunch spread worldwide before embarking on the must-do 90-minute butler-guided tour. This deep dive into the hotel’s history includes jaw-dropping views of the Royal Suite and a chance to see the very sports car that once spun doughnuts on the helipad—an unforgettable snapshot of Dubai’s glamorous allure.

Once you’ve satisfied your appetite for both food and sightseeing, why not take a leisurely jaunt to The Outlet Village in Jebel Ali? Here, you could snag designer duds from names like Armani and Coach at prices that make splurging feel oh-so-right. But don’t get too comfortable; the Dubai Mall is calling. As the UAE’s largest shopping destination, it’s packed with high-street and luxury boutiques under the watchful eye of the Burj Khalifa. “Be prepared to crane your neck looking up at the world’s tallest building,” as you weave through a retail wonderland.

As dusk descends, the Dubai Fountain—located at the base of Burj Khalifa—transforms into a mesmerizing aquatic performance, dancing to music and lights like nothing you’ve ever witnessed. With shows erupting every half-hour between 6 PM and 11 PM, it’s a spectacle that might just make you rethink what you thought you knew about fountains.

Let’s not forget the culinary wonders that swirl amid the confusion of Dubai’s thriving nightlife. Feeling adventurous? Dive into the izakaya-style dining at Zuma Dubai, where sharing small plates is practically a rite of passage. Who could resist the monkfish tempura with yuzu mayo or the refreshing twist on grilled chicken wings? “Model your new purchases at one of Dubai’s best restaurants”—a gentle reminder that dining here isn’t just a meal; it’s a lifestyle statement.

Day two rolls around—perhaps with the sun rising as you jog along the picturesque track at The Beach, JBR. Here, you can unleash the guilt of your previous day’s indulgences, working off that rich brunch that’s all but a weekend institution in this city. You’ll have to brace yourself for a brunch that spans three to four hours of bottomless food and drinks—because why not? The Ritz-Carlton Dubai’s London Social Garden Brunch promises a vibrant atmosphere, inspired by the charm of Notting Hill and heavenly farm-to-table ingredients, attracting crowds that are all too eager to dive back into the delicious cycle of decadence.

But after brunch, a gentle stroll through the Dubai Miracle Garden awaits—“a surreal petal-filled landscape”—where flowers bloom brilliantly against the backdrop of the desert. It’s a visual feast, featuring heart-shaped trellises and whimsical structures, making for perfect Instagram fodder.

As the sun disappears, the Glow Garden lights up, with a brilliant display of illuminated sculptures—a fitting conclusion to a weekend of excess. Each visit to Dubai feels like a new chapter; whether you’re sipping artisan cocktails at a beach club or exploring the artistic corridors of Alserkal Avenue, where local talent thrives against the backdrop of a bustling city.

From the luxurious Bulgari Resort on Jumeirah Bay to the quirky charm of Rove Downtown Dubai, the accommodations here are as varied as the experiences. If you want to try something uniquely Dubai, don’t miss camel milk ice cream, available in flavors like saffron and cardamom—a delicious twist that encapsulates the emirate’s rich cultural tapestry and creative flair.

Summer may bring intense heat, but from the late autumn to early spring, enjoy the beautiful weather while diving into everything Dubai has to offer. Nevertheless, no matter when you visit, this city promises an unforgettable experience of glamour, excess, and the kind of lifestyle that most only dream about. Plan wisely, soak it all in, and, above all, remember—while in Dubai, indulge to your heart’s content.

‘Den of Thieves 2: Pantera’ Is Not the Pulp Fiction You’re Looking For

There’s an entire subgenre of modern crime movies you might call “Heat Rashes” — those heist thrillers that worship at the altar of Michael Mann’s 1995 stone-cold classic. Imitation is the sincerest form of flattery, and the best and most admiring of these Mann-handlers is, by a huge margin, 2018’s Den of Thieves. In the De Niro corner, you’ve got Pablo Schreiber as the leader of a bank-robbery crew who’s dreaming the impossible dream: ripping off the Federal Reserve in Los Angeles. Taking on the Pacino role, Gerard Butler is the one calling the shots for the sheriff department’s Major Crimes Unit, a morally gray law-enforcement gang he runs with a fuck-you panache that would put Vic Mackey to shame. When Schreiber isn’t whipping his cohorts — which includes Curtis “50 Cent” Jackson, O’Shea Jackson Jr. and Evan Jones, a.k.a. Cheddar Bob from 8 Mile — into shape and Butler isn’t dealing with domestic strife on the homefront, they’re engaged in a he-man dick-measuring contest; the equivalent of their diner conversation is a dialogue-less sequence set in a gun range. Freudian analysts, start your engines!

It helped immensely that writer-director Christian Gudegast not only seemed to have studied that earlier totem of tough-guy cinema but knew exactly how to hug the curves during the action sequences, notably a climactic showdown that combined Heat’s ballistic street fight with Sicario’s cat-and-mouse game in border-stop traffic. It’s an impeccably curated, high-grade pulp mix-tape that succeeds best when it’s paying homage to one specific film, only to become diluted by a last-act decision to try aping The Usual Suspects as well. Full disclosure: We still rewatch this at least once a year. And when Den ended with one of the few surviving characters mentioning something about the European diamond market, a million pairs of fans’ fingers were crossed in the hope that maybe, just maybe, we’d one day get a sequel.

And now that sequel has finally arrived, and we wished we’d read the fine print a little closer in this particular monkey-paw-wish negotiation. Gudegast’s Den of Thieves 2: Pantera — the subtitle refers to the name of a task force looking into a massive heist, and spoiler alert, “Walk” isn’t on the soundtrack — does make good on the jewel-heist tease, kicking off with a well-organized boost of rare diamonds that’s just arrived at a Belgian airport. It seems that Donnie Wilson (Jackson) is leading a crew of his own, which includes a French thief named Jovanna (Evin Ahmad), a Serbian crook named Slavko (Gomorrah’s Salvatore Esposito), and a whole lotta Balkan thugs. Back in L.A., “Big Nick” O’Brien (Butler) is still stewing over the fact that the money from the Fed job was never recovered. (In fact, the stolen millions were never even registered as being stolen, but that’s a whole other story.) He gets a hunch that the Antwerp job might have been done by his M.I.A. main suspect, however, so thanks to some vague favor-trading with that F.B.I. agent for the first film, he somehow gets international jurisdiction. Once again, we got ourselves a good ol’ fashioned cop-vs.-criminal-mastermind standoff!

His timing is good, since Donnie is pretending he’s a French diamond broker and running a long-game con against the World Diamond Center in Nice. He’s also accidentally stolen a giant gemstone owned by a Sicilian Mafia bigwig, however, and needs to retrieve it from his liason’s safety deposit box in the building’s vault or else. Big Nick tracks him down on the Riviera, and says that in exchange for not taking Donnie in — or putting a bullet through his skill, because y’know how corrupt cops operate — he wants in on the job as well. Being a rogue sheriff in the City of Angels doesn’t pay well, so why not get some of that sweet, sweet illicit loot?

Long story short, things don’t quite go as smoothly as planned. Having established the foundation for a potential franchise with the original Den of Thieves, Gudegast stops going to the Heat well and mines a host of old-school European heist flicks, making the most of both the exotic locales and the Fort Knox-style set-up of the Center. It’s not a knock to say that the most elaborate set piece here is also its biggest example of meta-thievery: an extended, showstopping sequence involving the gang’s infiltration, penetration and escape from the WDC, done with military-style precision and more than a little pickpocketing of the genre’s Rosetta stone, Rififi (1955). Given how airtight this whole affair is presented, you’d think that the writer-director and his crew were as expert at their jobs as Wilson and “the Panthers,” as the thieves are called, are at theirs.

It’s everything else around this centerpiece that’s the problem. Pantera tries to build off of the legacy of that first glorious slab of pulp cinema without replicating it — Gudegast isn’t interested in mounting a copy of a copy. But a lot of the pleasure of watching the filmmaker and his cast do their exquisite cover version is gone, replaced only by some clumsy buddy-comedy elements (was anyone begging to see Butler and Wilson to race each on electric scooters while high on Ecstasy?) and a lot of action-movie hot air. Far be it from us to say that watching Butler do his cock-of-the-walk bad-cop act isn’t fun, especially when he and Ahmad start generating their own heat. Ditto seeing Jackson unleashing his patented “Aw, come on, man!” facial expression while gamely trying to master a fake French accent. And kudos for that car chase scene through the tunnels of Sardinia!

It’s just that the original Den of Thieves reveled in being the baddest B movie on the block, happily hardboiling in its own Angeleno crime thriller juices. This sequel tries to expand into tonier genre horizons and gin up a sort of Den-iverse mythology, yet simply ends up playing tourist in smaller, more previously colonized territory. Congratulations on your European adventure. Now quit trying to be the next Fast & Furious and get back to those mean streets, please.

Gary Ginstling is hired as Houston Symphony CEO months after surprise departure from NY Philharmonic

Gary Ginstling was hired Friday as CEO of the Houston Symphony, six months following his surprise departure from the New York Philharmonic after just one year in charge.

Ginstling will start Feb. 3 and replace John Mangum, who had been Houston’s CEO since 2018 and left in September to succeed Anthony Freud as general director of the Lyric Opera of Chicago.

“The Houston Symphony has a really strong track record and my goal is to continue to appeal to the greatest conductors and greatest artists of the day that Houston is a place that you want to be,” Ginstling said.

Ginstling, 58, became New York’s CEO on July 1, 2023, and quit last July 11. His predecessor, Deborah Borda, had remained as executive adviser to Ginstling and the board of directors.

Ginstling has not detailed the circumstances of his departure.

“It wasn’t a good fit for him culturally. It wasn’t a good fit for him, from his style. He did a lot of good things there,” Houston Symphony board president Barbara J. Burger said. “He started, from day one with us, how important culture was and I understand that completely. No one wants to work in an environment where they feel like they either can’t be successful, or they’re not trusted or they’ve got somebody looking over their shoulder.”

New York replaced Ginstling with Philadelphia Orchestra CEO Matías Tarnopolsky, who started Jan. 1. He was boosted by his long friendship with Gustavo Dudamel, who becomes New York’s music director in the 2026-27 season.

Ginstling worked for the Berkeley Symphony Orchestra and San Francisco Symphony before becoming general manager of the Cleveland Orchestra (2008-13), CEO of the Indianapolis Symphony Orchestra (2013-17) and executive director of the National Symphony Orchestra (2017-22).

Juraj Valčuha started as Houston’s music director for the 2022-23 season and is signed through 2025-26. The orchestra gives 130 concerts annually, has an operating budget of $40.7 million and includes 90 full-time musicians and 74 administrative staff.

Jones Hall, the orchestra’s home, has been undergoing a renovation over three summers that is scheduled to be finished this year ahead of its 60th anniversary in 2026.

Cillian Murphy will NOT reprise his role in 28 Days Later

Cillian Murphy will not reprise his role as Jim in the post-apocalyptic film 28 Days Later.

The movie’s producer Andrew Macdonald confirmed the disappointing news following wide speculation Cillian would be returning as a Zombie.

After the trailer dropped last year, fans went wild as they thought the star seemingly made a jaw-dropping comeback in zombie form.

The Hollywood actor, 48, starred in Danny Boyle’s original 2002 horror flick as survivor Jim.

Despite Cillian wanting to be involved in the upcoming film, Andrew told Empire magazine he is only an executive producer currently.

Speaking with Empire magazine, Andrew said: ‘[On] this, we wanted him to be involved and he wanted to be involved. He is not in the first film, but I’m hoping there will be some Jim somewhere along the line.

Cillian Murphy, 48, will not reprise his role as Jim in the post-apocalyptic film 28 Days Later

The movie’s producer Andrew Macdonald confirmed the disappointing news following wide speculation Cillian would be returning as a Zombie

‘He’s involved at the moment as an executive producer, and I would hope we can work with him in some way in the future in the trilogy.’

After the trailer dropped, fans were quick to share their shock on X at the zombified form of what is seemingly Cillian’s character Jim, with the scene indicating the grim fate of the courier following the 28 Weeks Later film.

They penned: ‘Bro, what this mf did to Cillian Murphy’

‘Us seeing Cillian Murphy’; ‘Is….is that Cillian Murphy?’

‘Cillian Murphy has that perfect eerie vibe to pull off an infected’

‘That better not be Cillian Murphy rising out of that field. I didn’t think we’d actually ever get this movie’; ‘that’s not cillian murphy’

‘Oh god finally! Was not expecting Cillian Murphy to come back like that! I’m shook!!!’

Back in January, Cillian addressed speculation that he’d once again feature in the hit zombie franchise.

After the trailer dropped last year, fans went wild as they thought the star seemingly made a jaw-dropping comeback in zombie form

The nail-biting trailer for the upcoming post-apocalyptic horror film dropped last year, giving fans a glimpse of what’s to come in the horror sequel

After the trailer dropped, fans were quick to share their shock on X at the zombified form of what is seemingly Cillian’s character Jim, with the scene indicating the grim fate of the courier following the 28 Weeks Later film

Read More Cillian Murphy and Barry Keoghan share a laugh on the set of upcoming Peaky Blinders movie The Immortal Man

Cillian told The Independent of his plans for involvement: ‘I would be there in a flash. I made two movies with both of those guys (Boyle and Garland), and I would love to work with them again. Of course, I’m there.’

The original film 28 Days Later starred Cillian as a bicycle courier who wakes up from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society.

Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson appeared in supporting roles.

The film 28 Years Later is the sequel to 2002’s 28 Days Later and 2007’s 28 Weeks Later.

A sequel has already been ordered – 28 Years Later Part II: The Bone Temple – and will be directed by The Marvels’ Nia DaCosta.

Last year, fans were stunned to discover that the 2025 blockbuster was filmed on an iPhone – the biggest movie to ever do so.

While most films use cameras from German manufacturers ARRI Group, director Danny Boyle decided the first ’28’ film in 18 years needed something different.

28 Years Later concluded filming this summer – and principal photography took place with a bunch of adapted iPhone 15s, WIRED reported.

Back in January, Cillian addressed speculation that he’d once again feature in the hit zombie franchise

‘I would be there in a flash. I made two movies with both of those guys (Boyle and Garland), and I would love to work with them again. Of course, I’m there’

28 Years Later is set to hit cinemas in June 2025 and also stars Jodie Comer, Aaron Taylor-Johnson [pictured] , Ralph Fiennes , Erin Kellyman and Jack O’Connell

With a budget of $75million, 28 Years Later is the biggest film to be created with an iPhone and follows in the footsteps of a new Apple TV show.

28 Days Later was a genre-defining film as it was the first to portray zombies as lightning fast rather than slow and sluggish.

The films take place 28 days, weeks, and years after the outbreak of a deadly virus in London, which infects everyone and turns them into bloodthirsty killers.

Anthony Dod Mantle will serve as 28 Years Later’s cinematographer – he and Danny won Oscars together in 2009 for their work on Slumdog Millionaire.

Anthony was also cinematographer on 28 Days Later, as well as Danny’s other films 127 Hours (2010), Trance (2013), and T2 Trainspotting (2017).

Principal filming for 28 Years Later wrapped at the end of August, and until now the production has kept under wraps the fact that the movie was shot with smartphones, with the film’s staff being asked to signed NDAs preventing the disclosure of this detail.

‘Den of Thieves 2: Pantera’ Review: Gerard Butler, the King of the January Box Office, Elevates His Blasted-Cop-Meets-Heist-Movie Into a Franchise

Why It Would Be Really Dumb for the Oscars Not to Nominate ‘Challengers’ for Best Picture 3 weeks ago

As a movie star, Gerard Butler owns January the way Will Smith once owned Memorial Day and the “Meg” films own August. That Butler’s B-movie thrillers now hold sway over the frozen, box-office-lite oblivion of the early weeks of the year may seem a Pyrrhic victory, but at least he’s the king of something. And Butler’s brusque, beady-eyed, scowling-hulk charisma has aged well. A quick-fire actor in a caveman’s body, he has the ability to lift a piece of pulp so it almost seems like a real movie.

For much of its two-hour-and-24-minute running time, “Den of Thieves 2: Pantera,” the sequel to Butler’s cops-vs.-crooks heist thriller from 2018, does a satisfying impersonation of a high-end crime film. If you want to know what makes Butler a commanding genre bruiser, look no further than the way he smokes on camera, dragging on a cigarette as if he were sucking the tobacco right into his soul. In “Den of Thieves 2,” Butler returns as “Big Nick” O’Brien, an L.A. cop at the frayed end of his tether. There’s a new team of burglars — they’re Balkan thugs who speak in knotty accents — and O’Shea Jackson Jr. is once again on hand as Donnie Wilson, who by the end of “Den of Thieves” was revealed to be that film’s underworld mastermind.

Having successfully robbed the Federal Reserve by stealing a mountain of about-to-be-shredded bills (so no one would know they were missing), Donnie escaped to Antwerp, which is where he now hooks up with Jovanna (Evin Ahmad), who leads a team of thieves known as the Panthers. (Pantera is the code name for the police task force out to stop them.) The film opens with the Panthers, disguised in SWAT gear, lifting a cache of diamonds from a jet that flew in from South Africa.

But those diamonds are just going to be the bait. In Nice, Donnie and Jovanna, posing as wealthy jewel connoisseurs, launch a plan to fence the stolen gems at the World Diamond Center, a public fortress — sort of like a Swiss bank for precious stones — that’s patrolled like a castle, with a phalanx of security guards and 137 surveillance cameras. Once set up there, they launch their real plan: to break into the World Diamond Center’s inner vault.

That’s an “Ocean’s”-level job. And Donnie, played by Jackson with a newly nimble cosmopolitan savoir faire, is going to have a partner he didn’t expect. It’s Nick, who has tracked Donnie down and wants to join the gang, which he does by parading his newly divorced, down-in-the-dumps cop’s life as a turncoat sob story. In reality, Nick wants to get his revenge on Donnie by entrapping him. But the plot of “Den of Thieves 2” is a have-your-heist-and-eat-it-too con-within-a-con, with Nick and Donnie as both adversaries and buddies. How could we not want to see them succeed?

Nick, brandishing an international marshal’s badge (it’s expired, but who cares?), has formed a hidden alliance with a Belgian police chief, Hugo (Yasen Zates Atour), which allows him to strut around the Antwerp police station mangling the pronunciation of “croissant” and generally pushing his Ugly American rebel boorishness. He does the same thing when infiltrating the thieves, and it’s a kick to see Butler take the piss out of these Euro thugs or get blasted on hashish on the dance floor.

The writer-director Christian Gudegast staged the first “Den of Thieves” as a solid imitation Michael Mann film (it was like an overboiled “Heat”), at least until the movie succumbed to more and more preposterous plotting. “Den of Thieves 2” is smoother and more all of a piece, with a story that skips around European cities and pauses for a subplot about Sardinian mobsters, who lost a giant pink rock in the jet heist. They drop Nick and Donnie into the ocean as a threat about what will happen if they don’t get it back.

The heist itself is brash, fun, and impossible to believe (which, for me, kind of tamped down on the fun). The Panthers learn that most of the surveillance-cam images aren’t visible on the guards’ monitor at any given moment; they hack the grid to learn which shots flash into visibility when. But the notion that they could somehow coordinate all this with where they are in the fortress at any given moment — hallways, elevator shaft, vault — makes little sense. Watching “Den of Thieves 2,” you don’t so much suspend your disbelief as slip it a sedative for about 25 minutes.

Yet Gudegast, for all his casualness toward plausibility, is an energizing filmmaker. He keeps the mano-a-mano standoffs humming, and he’s got a sixth sense for how to showcase Butler as a glamorously disheveled schlock version of Dirty Harry-meets-Popeye Doyle-meets- “Lethal Weapon”-gone-lone-wolf. Butler has been a star for 20 years now, and in that time he has fought an array of political terrorists (in the “…Has Fallen” films) and faced off against forces as disparate as ecological disaster (“Greenland”), Russian kidnappers (“Hunter Killer”), and anti-colonial guerrillas (“Plane”). But the “Den of Thieves” films could turn out to be Butler’s most rock-solid franchise. They’re something old that’s also new: heist movies with a death wish.

‘Game of Thrones’ Star Set to Replace the Late Ray Stevenson in ‘Ahsoka’ Season 2

As Lucasfilm begins to gear up for the beginning of production on Ahsoka Season 2, there’s been a surprising casting announcement, which will be noteworthy for both fans of Star Wars and HBO’s Game of Thrones. Following the sudden, shocking and tragic death of Ray Stevenson in May 2023, Scottish actor Rory McCann, best known for his role as Sandor Clegane (aka The Hound) on Game of Thrones, has been cast to continue Stevenson’s legacy by stepping into the role of Baylan Skoll. The Hollywood Report confirmed the news, first reported by Jeff Sneider. McCann was a close friend of Stevenson, and Sneider reported that Stevenson’s widow gave McCann her blessing to take on the role and pay tribute to Stevenson’s memory in that way.

Baylan Skoll is a complex, layered anti-hero, which should be perfect for McCann to take on given his history, particularly in Game of Thrones. The character was introduced in Ahsoka Season 1, and is a former Jedi who abandoned the Order after the fall of the Republic. He is now a mercenary for hire, wielding a red lightsaber, and is accompanied by his apprentice, Shin Hati (played by Ivanna Sakhno). Skoll’s mysterious motivations and considerable screen presence quickly made him a seriously popular character, and fans are eager to see how the story will develop in the upcoming season.

Who is Rory McCann?

Outside of his role as Sandor Clegane in Game of Thrones, which he played for the full 8 seasons (or 6 seasons if you prefer to ignore how it ended), McCann has had quite the career. Since his time in Westeros, McCann has kept busy, recently appearing as General Tegula in Ridley Scott’s Gladiator II. His role in Edgar Wright’s Hot Fuzz is one of the most memed moments in the Cornetto Trilogy, while he’s also appeared in blockbuster movies like Clash of the Titans and Jumanji: The Next Level. His TV credits are just as good, too.

He has appeared in shows like Shameless, The Legend of Vox Machina and Knuckles, the Sonic the Hedgehog spin-off which streamed last year on Paramount+. In his native Scotland, McCann is also known as the face of Scott’s Porage Oats, a beloved porridge company for which he became a household name. From breakfast food to the Jedi Order in 25 years. Not a bad career trajectory if you think about it.

Stay tuned to Collider for more updates on Ahsoka and Star Wars. The InSneider was first to report this news.

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7 10 Ahsoka ActionDrama Sci-Fi

After the fall of the Galactic Empire, former Jedi Ahsoka Tano investigates an emerging threat to a vulnerable galaxy.

Cast Rosario Dawson , Natasha Liu Bordizzo , Hayden Christensen , Eman Esfandi , Ivanna Sakhno , Mary Elizabeth Winstead , Ray Stevenson , Genevieve O’Reilly , Lars Mikkelsen , Diana Lee Inosanto Seasons 1 Writers Dave Filoni

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Yan Couto: The Unsung Hero Ready to Ignite Your EA FC 25 Ultimate Team!

Braziian defender Yan Couto is rumored to be making waves in the EA FC 25 Ultimate Team as a new NumeroFUT player—thanks to a leak from none other than X/FUT Sheriff, a source that’s gained plenty of trust among fans for its track record. While the digital pitch is filled with superstars like Antoine Griezmann and Eder Militao, Couto’s potential arrival adds a refreshing layer to the game—one that may not scream ‘overpowered’ but certainly packs a punch in the right circumstances.,At just 22 years old, Couto is establishing himself as a noteworthy figure in Borussia Dortmund’s roster. His base overall rating of 80 may not turn heads immediately, but this Brazilian right-back is the definition of an unsung hero—a player whose skills could elevate the game to new heights if given the right tools. Leaks suggest a potential upgrade to an 89-rated card with key attributes that could see him flourish as a Wing-Back. Imagine the exhilaration, the rush of nailing those tackles, and pushing the ball up the flank while your opponents scramble to catch up. This isn’t just speculation; it’s a tantalizing glimpse of what could be.,Couto’s playing style is largely defined by his speed and dribbling—skills that fit seamlessly into the evolving FC IQ system. As he maneuvers past opponents with the agility of a cat, defenders are left grasping at shadows. The speculation surrounding his card also hints at the Jockey+ PlayStyle—an attribute that could give players a leg-up against nimble dribblers and electrifying attackers. It’s this kind of tactical advantage that makes the game thrilling; every match becomes a chess game where every move counts and hasty decisions can tilt the balance.,Indeed, the second batch of NumeroFUT players is shaping up to be a spectacle, promising not just fan favorites but also hidden gems—like Couto—that could redefine gameplay. As X/FUT Sheriff has noted, “the lineup could bring exciting options to EA FC 25.” With heavyweights like Militao and Griezmann flanking the ranks, the anticipation for this fresh batch is already palpable, especially with Team of the Year looming closer on the horizon.,In a gaming landscape often dominated by the usual suspects, Yan Couto represents the thrill of the unexpected—a player who might not be the headline grabber but has the potential to be your secret weapon. With the hype around his predicted card rising, fans are left in eager anticipation. If Couto’s leaked stats hold true, we could be looking at a formidable addition for any EA FC 25 squad—one that combines tactical prowess with the excitement of beating the odds. Get ready to sharpen those tactics; a new contender is on the brink of entering the game!

Broncos vs. Bills: A Clash of Titans – Can Denver Tame the Dual-Threat Juggernaut Josh Allen?

ENGLEWOOD, Colo. — The stage is set for a heavyweight clash this Sunday as the Denver Broncos, riding high on the best pass-rushing season in franchise history, prepare to take on the formidable Buffalo Bills and their cannon-armed quarterback, Josh Allen, in an AFC wild-card matchup. Buckle up, because this showdown promises to be a test of wills—might versus might, speed against strength—against the backdrop of playoff intensity. nnIn the Bills’ opening game of the season against the Arizona Cardinals, Allen showcased his incredible pocket awareness. Down by a touchdown, he faced a blitzing linebacker, yet instead of faltering under the pressure, he ducked, danced, and delivered a strike to running back James Cook—resulting in a pivotal 25-yard gain that shifted the tide of the game. “This is one of those games where you really can’t rush selfish,” said Broncos sack leader Nik Bonitto, who notched 14 sacks this season—an impressive feat that harks back to the days of Von Miller.nnThe Broncos’ defense, boasting a collective 63 sacks from 16 players, has become a well-oiled machine, with collaboration and synergy being the secret sauce to their success. Each player has risen to the occasion, contributing to the highest sack total since 2018. “You try to cage him in because everybody knows when he gets outside the pocket, he’s really dangerous,” Bonitto added, underscoring the need for discipline and teamwork in their quest to contain Allen.nnBut let’s get real—keeping Allen in check is no small task. With his 6-foot-5, 237-pound frame and a combination of speed and agility that could leave any linebacker in the dust, Allen is a dual-threat. The quarterback has learned to navigate the tightrope between chaos and brilliance—his ability to read defenses and adjust has led to a career-low in sacks taken, just 14 this season. The Broncos will have to bring their A-game if they’re going to get to him. nn“Josh is so mobile and so strong that it’s really hard to bring him down,” noted Broncos defensive end Zach Allen, who—despite sharing a last name—has no connection to the Bills’ signal-caller. As the game looms, defensive coordinator Vance Joseph finds himself in a strategic balancing act—blitz heavily versus playing it safe? The Broncos blitzed on 37 percent of opponent dropbacks, ranking fourth in the league, but against a quarterback as adept as Allen, one misstep could lead to explosive plays.nnThe Broncos recognize the need for a focused effort, especially in the secondary, where cornerback Pat Surtain II prepares for the challenge that arises when Allen extends plays. “What I watch on film is that guys will be covered, but his scrambling ability and his second-play ability are key for us,” Surtain emphasized, highlighting the importance of being patient and relentless. “When he extends plays, that’s where he really becomes a playmaker.”nnMoreover, Allen’s ability to throw on the run—averaging 8 yards per attempt when outside the pocket—adds another layer of complexity for Denver. The Bills’ offensive line, arguably the best Allen has played behind during his time in Buffalo, provides him with a sheltered environment to unleash his cannon of an arm. With pressure allowed on only 34.5 percent of opponent blitzes, stopping Allen from gaining momentum will require a multifaceted approach.nnAnd let’s not forget the ground game—the Bills became the first team in NFL history this season to boast over 30 rushing and passing touchdowns, a testament to the balance introduced by their offensive coordinator Joe Brady. This presents yet another challenge for a Broncos defense that has significantly improved its run defense, setting the stage for an exhilarating duel of strategy and execution.nnAs the anticipation builds, the mindset within the Broncos’ camp remains resolute. “We’re not going to back down to anybody,” Bonitto proclaimed, embodying the fierce spirit of a team that relishes the underdog role. With every snap, every tackle, and every calculated risk, the Broncos aim not just to face Allen—but to face him down—knowing that the stakes are high, and the reward could be the start of a storied playoff run.