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  • The Latest: Grammys host Trevor Noah opens with a sober address about the LA wildfires

    The Latest: Grammys host Trevor Noah opens with a sober address about the LA wildfires

    The show began at 8 p.m. Eastern/5 p.m. Pacific and can be streamed via CBS and Paramount+.

    Fashion at music’s biggest night is traditionally the wackiest on the awards circuit.

    Shakira, Billie Eilish, Chappell Roan, Doechii, Sabrina Carpenter and Charli xcx are performers. Will Smith, Stevie Wonder and Janelle Monáe are presenting a tribute to the late, legendary producer Quincy Jones. Comedian Trevor Noah is hosting the show for the fifth consecutive time.

    “We love you L.A.!” Eilish yelled after concluding her performance of “Birds of a Feather” alongside brother Finneas. The pair, along with their backing band, performed in front of a superimposed backdrop of a Southern California hillside. They’re very closely associated with their hometown — Eilish also performed the song in a pretaped segment for the Paris Olympics’ closing ceremony, marking the passing of the torch to Los Angeles.

    During the performance, Margaret Qualley and Taylor Swift danced along. Qualley is married to frequent Swift collaborator Jack Antonoff.

    Oscar nominee Cynthia Erivo is also sitting with them.

    Small cards are stashed in cup holders with a QR code that allows people to donate to wildfire relief efforts using their smartphones throughout the show.

    The five-time host shed quickly the sober tone of his opening speech to a rapid-fire series of jokes, touching on the Beatles’ use of artificial intelligence, the prospect of a new Rihanna album, whether or not Beyoncé will show, the impending rise in the cost of maple syrup and how this might be the last time he’s allowed to host anything in the U.S.

    He did pivot back to sincerity before introducing Billie Eilish, plugging wildfire aid.

    After a short intro from host Trevor Noah, Dawes kicked off a tribute to Los Angeles with “I Love L.A.,” along with a backing band consisting of stars John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St. Vincent.

    Dawes’ Taylor Goldsmith lost a portion of the Altadena house he shares with his wife, actor-singer Mandy Moore, and his home recording studio and instruments were destroyed. His brother and bandmate, Griffin Goldsmith, and his pregnant wife also lost their home in the fire. Dawes also performed at the FireAid benefit concert on Thursday.

    A familiar song is blasting inside the arena. Dawes is opening the show with Randy Newman’s “I Love L.A.” with some lyrics changed to reflect the wildfires.

    The song plays after every Los Angeles Lakers victory in Crypto.com Atena.

    Host Trevor Noah replaced the usual revved-up opening to the Grammys with sober talk about the California wildfires.

    “Just a few weeks ago we weren’t sure tonight that this show would even happen,” he said from backstage before walking out on the stage at Crypto.com Arena in Los Angeles.

    “His city has just been through one of the largest natural disasters in American history.”

    The slinky bombshell look had a high neck and deep cutout at the front with a low open back and double straps securing the look.

    She’s nominated for a track that appeared in the Hunger Games prequel movie “The Ballad of Songbirds and Snakes.” And she’s presenting one of the awards.

    The highest profile nominees will be sitting at small tables with white lamps clustered at the foot of the stage. Behind them are rows of traditional seats. The stage runs the width of the arena floor.

    The mainly instrumental Khruangbin’s sonic explorations have paid off of late, with a warmly received 2024 album, “A La Sala,” that reached the top 40 of the Billboard 200 and a Grammy Award nomination for best new artist. Not that any of that is going to their heads.

    “I think we’re just going to keep leaning in what we do and keep trying to be more the silhouette version of ourselves as much as we can and let the music speak for itself, because that’s who we are. We don’t like the spotlight in that way,” says bassist Laura Lee.

    The Texas trio makes music that’s hard to describe, a mix of soul, surf rock, psychedelic and funk that creates a melodic, Afro-pop-inspired, reverb-heavy sound with nods to other cultures. The band’s name is appropriately travel-related — Khruangbin is the Thai word for airplane.

    ▶ Read more about Khruangbin in the Grammys spotlight

    It’s a short little number with a pleated skirt at the bottom and one sleeve up top. It matched her signature red lips perfectly.

    The sparkly dress had a little chain with red jewels at one hip.

    People are taking turns posing for photos on the stage before the show begins. There’s no forgetting which awards show this is either. The Grammys is in all capital letters and lit at the foot of the stage.

    After handing out 85 awards over about four hours, the Grammys Premiere Ceremony is over.

    It’s time to move from the Peacock Theater next door to the Crypto.com Arena for the main show and telecast.

    Charli XCX and Kendrick Lamar have each already won two Grammys. Beyonce and Sabrina Carpenter also won at the early ceremony and have chances at winning many more tonight.

    She’s a bombshell in gold, black and feathers at the bottom. It’s a custom Roberto Cavalli Couture creation. The mermaid design is a true body hugger. It’s covered in hand-embroidered beads and sequins reminiscent of a tiger pattern.

    The couple that got engaged on the red carpet just before the Premiere Ceremony isn’t going home quite empty-handed, given the ring. But Todd Boss and Hila Plitmann didn’t take home any Grammys tonight.

    Plitmann was nominated for best classical compendium for her album “Mythologies II.” Boss, a poet, was up for a Grammy for best choral performance for his work on the album “A Dream So Bright: Choral Music of Jake Runstad.”

    Plitmann already has two Grammys.

    In classic Charli XCX fashion, the “Brat” singer is always ahead even when it comes to the latest fashions.

    The performer wore a custom look from Jean Paul Gaultier by Ludovic de Saint Sernin. Sernin debuted his first collection for Gaultier titled “Le Naufrage” at Paris couture week. In a twist from the runway look, Charli XCX’s exposed her décolletage and swapped out the white for a bluish gray.

    There were no wedding bells on the Grammy red carpet, but singer Gracie Abrams glowed in a demure custom Chanel bridal look.

    While some celebrities use the Grammys as a chance to go all out with color, fun cutouts and over-the-top sequined looks, the “I love you, I’m sorry” singer took a more modest route.

    In a rare classical performance at the Grammys, sopranos Renée Fleming and Kelli O’Hara and mezzo-soprano Joyce DiDonato sang a selection from “The Hours” by Kevin Puts, nominated for best opera recording.

    It came as the crowd thinned at the Premiere Ceremony in Peacock Theater, with the main show next door at Crypto.com Arena growing closer. Host Justin Tranter urged people to fill in the seats in front of the stage.

    “There are people all over the world that would do anything to see what you’re about to see!” he shouted.

    While the stars hit the red carpet and the preshow continues across the street, regular folks are already inside Crypto.com Arena.

    They’re picking up glossy souvenir programs and hitting the bars and concession stands to fuel themselves for the long night ahead.

    Accepting the Grammy for best rock song, St. Vincent thanked her wife, Leah, and their daughter.

    That was news to some, and the musician born Annie Clark backstage said she kept it “under wraps” until now. She said her child was young, but didn’t reveal an age.

    In case there’s any doubt about whose house the Grammys are it, there’s a large reminder on the wall.

    A sign reading “Taylor Swift most sold out performances” is next to three photo panels of her performing at Crypto.com Arena. The sign is located next to a bar near a busy concourse.

    He and his partner, Raiche Wright, are expecting their first child. So what’s an R&B singer to do? Cover himself in the baby’s birthstone: pearl.

    Swims wore a heavily pearl-embellished look in tan. By pearls, we mean pearls from the cap on his head to the outer seams of his trousers. Big pearls. Small pearls. Swims pulled it off beautifully, as he always does.

    And he didn’t forget the man bling. He wore a chunky choker around his neck.

    Swims is nominated for best new artist.

    Bradley Cooper has yet to win an Oscar in a dozen nominations, but he keeps winning Grammys.

    He won his third, for best compilation soundtrack for visual media, for the music from “Maestro,” the Leonard Bernstein biopic he directed and starred in. He won the same award for his previous film, “A Star is Born,” which also got him a Grammy for best pop duo/group performance for “Shallow” with Lady Gaga.

    But he’s still quite a ways from an EGOT. Major awards in his main disciplines — acting and directing — have evaded him. He’s never won an Oscar or a Tony (or a Golden Globe, for that matter) despite nominations for each. He was submitted for an Emmy for his cameo on “Abbott Elementary” last year but did not get a nomination.

    Rapper Ye, formerly known as Kanye West, is no stranger to causing a scene at the Grammys. On the Grammys red carpet, his partner Bianca Censori took all the spotlight in her barely there, seemingly transparent dress that left nothing to the imagination. Censori is known for causing a stir with her sheer street-style shots.

    With brother Finneas, natch. They vamped on the carpet wearing hipster shades. Billie wore trousers and a black jacket, a jaunty hat on her head and a big smile on her face. The look is Prada.

    One accessory on the Grammys red carpet is making more than a fashion statement.

    Stars like Mike Dirnt from Green Day and singer Jacob Collier sported a pin representing the MusiCares fire relief efforts. The organization collaborated with the 67th Grammy Awards to support and raise funds for those impacted by the California wildfires. The pins feature a blue heart and a music note. MusiCares provides financial, personal and medical assistance to the music community.

    In January, the Recording Academy and MusiCares launched the Los Angeles Fire Relief effort with a $1 million donation.

    Chappell Roan’s vintage Jean Paul Gaultier Haute Couture look from spring 2003 was first worn by Beyonce in Elle magazine that April.

    The two are nominated against each other for top awards.

    Teddy Swims is busier than ever with two babies on the way: The child he’s expecting, and his new album, “I’ve Tried Everything But Therapy (Part 2).” While he’s excited to talk new music, fatherhood is what elates him.

    “I can’t wait to hear the voice or ‘What’s your favorite color?’ … I hope he thinks I’m cool – or she thinks I’m cool,” said the soulful crooner. “I want my son – or daughter – to say that, about what I say about my father.”

    Continuously switching pronouns, Swims carefully concealed the gender, fearing facing a displeased girlfriend, fellow musician Raiche Wright. But it’s difficult for the Grammys best new artist nominee to contain his joy.

    ▶ Read more from AP’s interview with Teddy Swims

    Jimmy Carter leads all presidents with four Grammy wins. Barack Obama and Bill Clinton have two apiece.

    Harry S. Truman, John F. Kennedy and Richard Nixon were all nominated, but didn’t win.

    First ladies Michelle Obama and Hillary Clinton have also each won.

    All the wins came for either audiobook or spoken word recordings, none for music.

    The first time Chris and Rich Robinson were at the Grammy Awards, it was 1991. The New York Giants had won the Super Bowl, and the U.S. was in the midst of the Gulf War.

    The siblings behind the band The Black Crowes had just released their debut album “Shake Your Money Maker” and were nominees for best new artist. They didn’t have high hopes. Sure enough, Mariah Carey would take the crown.

    “I don’t remember ever like getting too worked up about it,” singer-songwriter Chris Robinson recalls. “Of course, Mariah Carey is going to get that. Are they going to give it to these dirtbag kids from Atlanta who just came to the party really to get thrown out?”

    Fast forward more than three decades and the Black Crowes have been invited back to the party, earning their second career Grammy nod this year for best rock album alongside the Rolling Stones.

    ▶ Read more about the Black Crowes today

    She walked in a strapless look, long wavy hair flowing down her back. Her makeup was whitened and full of color: yellows and blues and pinks and reds. Her look had touches of teal and images of women from a bygone era on the skirt. It was Jean Paul Gaultier vintage from spring 2003.

    The best rock performance Grammy has gone to the Beatles for “Now and Then.”

    “Since no one is coming up to take this award, I figured I’d come up and sit in,” John Lennon’s son Sean Ono Lennon said onstage.

    It’s the group’s first Grammy win in 27 years, and the song was notable for its use of artificial intelligence technology.

    “As far as I’m concerned, it’s the greatest band of all time,” he added.

    He instructed viewers to play his father’s band for their kids, saying the world couldn’t afford to forget about groups like them.

    Norah Jones was a remarkable mash-up of texture in an above-the-knee look by In Earnest. Belted in red at the waist, it had short sleeves, an adorned black front and side panels of chunky silver.

    Kehlani wore Robert Wun as she walked the carpet with her adorable daughter, Adeya Nomi Parrish. Kehlani’s look was strapless and pinstriped. Long black opera gloves brought home the look.

    Willow Smith’s itty-bitty, two-piece sparkler is Versace. Kacey Musgraves’ gold skirt is Ralph Lauren Collection for spring 2025.

    The interplay between sports and music is well-chronicled, but a blockbuster NBA trade has yielded quite the collision today.

    The Los Angeles Lakers traded forward Anthony Davis to the Dallas Mavericks in return for star guard Luka Doncic. That means Doncic’s new home arena is the Crypto.com Arena — also home to the Grammys.

    If any performers from Dallas — or anyone who happens to randomly be a Mavs fan — take the Grammys stage tonight, don’t be surprised if Doncic’s name gets mentioned. The trade of Dallas’ best player for the last few years has shocked those who follow the NBA.

    Snoop Dogg, Ice Cube and Kendrick Lamar are among the best-known musical Lakers fans. We’re guessing they’ll be thrilled to see Doncic in purple and gold very soon.

    As for that other Los Angeles team, the Clippers had their own musical interlude this past week: Their home arena, the Intuit Dome, and the Clippers-owned Kia Forum were the dual sites of the FireAid benefit concert for wildfire relief.

    It’s actually his fourth. His posthumous Grammy joins his three previous ones for spoken word album.

    Only recently given stewardship over his late father’s work, Sean Ono Lennon is on a remarkable run.

    The only child of John Lennon and Yoko Ono won an Academy Award this year for a short film based on his parents’ 1971 song “Happy Christmas (War is Over”)” and, a few months later, was nominated for his first-ever Grammy, for producing a box set on the album “Mind Games,” originally released in 1973. On Sunday, he won.

    For Lennon, who was 5 when the former Beatle was murdered in 1980, the work is a way to connect with his father. It’s more than a preservation mission: On “Mind Games,” he takes artistic license, pulling apart the recordings of John Lennon’s music to create something entirely new.

    The late Jimmy Carter won a posthumous Grammy Award for narrating audiobook for “Last Sundays in Plains.”

    He received his nomination before his late December death at 100.

    “Having his words captured in this way for my family and for the world is truly remarkable and I think really means so much at this moment in our history as a country, as a world to bring people together, to preach that love and kindness,” grandson Jason Carter said, accepting the award.

    A$AP Rocky lost out on a Grammy as he goes through a trial just up the street that might mean years in prison. His partner and the mother of his sons Rihanna was in court supporting him for most of the week.

    Rocky got his third Grammy nomination for best music video for his song “Tailor Swif.” A win would’ve been his first, but it went to Kendrick Lamar for “Not Like Us.”

    Two miles away at a downtown Los Angeles courthouse, he’s been on trial for the past two weeks on two felony counts of assault with a semiautomatic firearm. A former friend who goes by A$AP Relli testified that Rocky fired a gun at him on a Hollywood street in 2021. Rocky’s lawyers say he was shooting a starter pistol that only fires blanks that he carries for security.

    The Grammys Premiere Ceremony moves at a breakneck pace, but much of it is spent waiting on winners as everyone wonders whether they’re in the room to accept.

    The answer is often no, at least in the early afternoon. Ten of the first 15 winners were not there to pick up the award, including Beyoncé, Charli XCX and Sabrina Carpenter.

    With several hundred nominees, it’s impossible to keep track of the whereabouts of all of them at the 7,000-seat Peacock Theater.

    When Cory Henry won best roots gospel album, the Grammy had already been accepted on his behalf and the show was starting to move on by the time he was able to run up to the stage and make his speech.

    There were two winners for the best progressive R&B album Grammy:

    Ties are not unheard of at the Grammys, but they still are relatively rare.

    All of the nominees in this category were women except Édgar Barrera. RAYE, Jessi Alexander, Amy Allen or Jessie Jo Dillon all had the potential to be the first women to ever win in the category, and Allen took the crown.

    The category is also new, only in its third year. Allen dedicated her award to all the songwriters who she says should have been recognized before its inception.

    “We are the engine that fuels the entire music industry,” she said of her fellow songwriters.

    Jaden Smith is walking the red carpet with his sister Willow, and he’s wearing a large black castle on his head. Willow went classic young Hollywood in a tiny, sparkling black two piece with a long matching coat.

    Sierra Ferrell has won BIG with four Grammys. She did it just as BIG in a huge white gown that evoked a way enthusiastic bride with no fashion fears, designed by Jeffrey Kelly Designs.

    Ferrell’s dress included huge luminescent sleeves, pearl embellishment all over and a matching choker piece. And she didn’t forget her bold bride’s veil: a head piece with pearls and flower touches above large pearl chandelier earrings. And she had a scepter, where she stashed her acceptance speech.

    Beyoncé already snagged a Grammy in a country category, despite not even being nominated at the Country Music Awards.

    The superstar singer won best country duo/group performance for “II Most Wanted” with Miley Cyrus during the Grammys’ Premiere Ceremony.

    However, Beyonce fell short in two other country categories: best country solo performance, which went to Chris Stapleton’s “It Takes a Woman,” and best country song, which was awarded to “The Architect,” a single written by Kacey Musgraves, Shane McAnally and Josh Osborne.

    Sierra Ferrell won three straight Grammys and accepted them in a ruffly white gown and pearly headdress worthy of Marie Antoinette, or the top of a wedding cake.

    Ferrell won best Americana performance then best American roots song then best Americana album for “Trail of Flowers.”

    “Honestly this is hilarious,” as she came back for a third time after barely leaving the stage.

    JaNa Craig, Quigley Goode, Poppy: All lent oomph to the color red. So did the hair of Kara Cannella.

    Red is an enduring trend in fashion of late, thanks to Taylor Swift’s commitment to the color at boyfriend Travis Kelce’s Kansas City Chiefs games.

    Among other vibes: swingy and sparkly metallics. Kacey Musgraves represented in a long gold belted skirt she wore with a simple white muscle T-shirt.

    “I know what you’re thinking, someone whose wrists move like this,” Tranter said, letting his wrist go limp, “and legs move like that,” he said, giving a showgirl-style kick, “hosting a celebration during these tumultuous times, ‘this is going to get political.’ But I promise you, I’m going to bring you nothing but joy, fashion and a lot of music. Because record labels trying to win over voters is political enough.”

    He said, “This year our Grammy Premiere is a tribute to resilience, creativity and community.”

    It may be Groundhog Day, but Punxsutawney Phil’s prognostication of six more weeks on winter is going unheeded at the Grammys.

    They’re set to shine, and not just onstage. Los Angeles is serving up perfect award-show weather, with sunny skies and a high of 72 Fahrenheit.

    The weather today is quite the contrast from last year’s deluge that flooded streets near the arena and caused many attendees to arrive late and soaked.

    The temperature is expected to drop to around 60 degrees by the end of the main show.

    The best remixed recording category is one of few that honors singles or tracks that aren’t necessarily new — just newly altered. These aren’t covers, re-recordings or remastered tracks: To qualify as a remix, the remixer has to substantially change the original recording. Shortening the track or adding a featured artist, for example, wouldn’t cut it.

    “Espresso (Mark Ronson x FNZ (backslash)nWorking Late Remix)” FNZ & Mark Ronson, remixers (Sabrina Carpenter) won the award.

    Fitting with the remixes’ home on the dance floor, the category moved under the pop and dance/electronic field this year, from its previous home in the production, engineering, composition and arrangement field.

    There are 94 categories to be awarded today. Of those, around 85 will be handed out during the pre-telecast Premiere Ceremony, per host Justin Tranter.

    As guests first began arriving for the 67th Grammy Awards, cheers erupted on the red carpet as two Grammy nominees celebrated their love with a proposal. Poet Todd Boss got down on one knee to propose to Grammy nominee Hila Plitmann on the carpet.

    Plitmann, who is nominated for best classical compendium for her album “Mythologies II,” said yes to Boss. Plitmann has previously taken home two Grammy awards. Boss is also up for a Grammy for his work on the album “A Dream So Bright: Choral Music of Jake Runestad.”

    The best solo pop performance award is the first of the night — sorry, day — and it goes to Sabrina Carpenter for “Espresso.” She wasn’t on hand to accept.

    If you’re not there to accept your Grammy, we’re moving on. That’s what Premiere Ceremony host Justin Tranter instructed the audience — no substitutes will be allowed onstage to accept a Grammy. That’s designed to keep the awards-packed pre-show moving.

    Justin Tranter returns as host of the Grammys’ Premiere Ceremony.

    The much-nominated songwriter is charged with keeping the three-hour show before the show, where scores of awards are handed out, going.

    Nominated himself for song of the year — he’s one of the songwriters behind Chappell Roan’s “Good Luck, Babe!” — he’s written smash hits for Lady Gaga, Selena Gomez, Dua Lipa, Britney Spears, Fall Out Boy and more.

    Tranter is “back by popular demand,” said Tammy Hurt, chair of the Recording Academy Board of Trustees in her introduction.

    The Grammys Premiere Ceremony has begun with a group rendition of Simon and Garfunkel’s “Bridge Over Troubled Water” over images of the Los Angeles-area wildfires.

    The performance from nominees Angélique Kidjo, Wayne Brady, Scott Hoying, Deborah Cox and Taj Mahal began solemnly in front of a big screen showing flames and firefighters, then turned into a gospel-style tribute.

    The performance set a very different tone for the usually breezy Premiere Ceremony, and for an entire Grammy night that will be focused on raising money and paying tribute in the aftermath of the fires.

    Fashion at music’s biggest night is traditionally the wackiest on the awards circuit. With the loss and devastation of the Los Angeles fires as a backdrop, many went for subdued. Lots of black and other dark tones mixed with a few pops of color and sparkle. But the night is young. Will Grammy fashion go over the top?

    The Grammys have nearly 100 awards to hand out. There’s simply not enough time to fit all of that, plus performances and acceptance speeches, into a three-hour, prime-time telecast. That’s where the Premiere Ceremony comes in.

    The Premiere Ceremony runs for three hours, starting at 12:30 p.m. Pacific/3:30 p.m. Eastern. It’s where categories like best audiobook narration are handed out and it’s often where many stars earn their EGOT — like Viola Davis, in 2023.

    If you’re curious, no one is poised to EGOT (complete the circuit of winning an Emmy, Grammy, Oscar and Tony) this year. But there are still some unexpected celebrities who could earn a Grammy this year.

  • Charli XCX wins her first Grammy Award for smash hit album Brat

    Charli XCX wins her first Grammy Award for smash hit album Brat

    Charli XCX won her first Grammy Award in LA on Sunday but failed to accept it as she was still busy posing up a storm on the red carpet.

    The 32-year-old’s smash hit album Brat is nominated for a whopping eight awards and kicked off with the track Von Dutch. being crowned Best Dance Pop Recording

    Producer and pal Finn Keane took to the stage to accept the trophy before Charli joined him inside the Crypto.com Arena.

    The now iconic Brat album is also nominated Record of the Year, Album of the Year, Best Pop Solo Performance, Best Music Video, Best Dance/Electronic Album and Best Recording Package.

    Arriving at the star-studded ceremony Charli ensured all eyes were on her in a very dramatic and racy gown.

    Her duck egg blue dress boasted a bodice which cinched her tiny waist along with a dramatic tulle skirt and matching neck piece.

    Charli XCX won her first Grammy Award in LA on Sunday but failed to accept it as she was still busy posing up a storm on the red carpet

    Producer and pal Finn Keane (pictured) took to the stage to accept the trophy before Charli joined him inside the Crypto.com Arena

    The gown featured a plunging neckline and racy thigh-high slit which perfectly showcased her toned thighs.

    The show will raise funds to support fire relief efforts after the devastation caused by the LA blazes which began on January 7 in Pacific Palisades.

    Superstar singer Beyonce dominates the list of Grammy Award contenders with 11 nods, including an Album Of The Year nomination for her venture into country music, Cowboy Carter.

    Behind Beyonce, Billie Eilish, Charli XCX, Kendrick Lamar and Post Malone tie with seven nominations each.

    Pop phenomenon Taylor Swift and newcomers Chappell Roan and Sabrina Carpenter scored six each.

    Women dominated the Album of the Year category, the top Grammy honor.

    Beyonce, winner of more Grammys over her career than any other artist, has never taken home the album trophy. Swift has won the honor four times and is in the running again with her breakup album The Tortured Poets Department.

    At the awards ceremony in February, the Beyonce and Swift records will compete with Carpenter’s ‘Short n’ Sweet,’ ‘Brat’ from Charli XCX, Eilish’s ‘Hit Me Hard and Soft,’ and Roan’s ‘The Rise and Fall of a Midwest Princess.’

    The 32-year-old’s smash hit album Brat is nominated for a whopping eight awards and kicked off with the track Von Dutch . being crowned Best Dance Pop Recording

    Arriving at the star-studded ceremony Charli ensured all eyes were on her in a very dramatic and racy gown

    The iconic Brat album is also nominated Record of the Year, Album of the Year, Best Pop Solo Performance, Best Music Video, Best Dance/Electronic Album and Best Recording package

    The two male artists nominated in the album field were rapper Andre 3000 with ‘New Blue Sun’ and jazz artist Jacob Collier for ‘Djesse Vol. 4.’

    Winners will be chosen by the roughly 13,000 singers, songwriters, producers, engineers and others who make up the Recording Academy.

    Read More Charli XCX puts on a VERY leggy display in a dramatic ruffled gown with racy thigh-high slit as she joins Raye and Cynthia Erivo leading the British glamour at the 2025 Grammy Awards

    Beyonce’s Cowboy Carter was viewed by experts and fans as a reclamation and homage to an overlooked legacy of Black Americans within country music and culture.

    It became the first album by a Black woman to land at No. 1 on the Billboard Top Country Albums chart when it was released last spring.

    The Beyonce album was snubbed, however, by voters for the Country Music Awards in September.

    Beyonce’s other Grammy nods included record and song of the year for single ‘Texas Hold ‘Em.’ Her 11 nominations brought her lifetime total to 99, more than any other artist. Prior to Friday, she had been tied for the lead with her husband, rapper Jay-Z, who has 88.

    Beyonce’s other Grammy nods included record and song of the year for single ‘Texas Hold ‘Em.’ Her 11 nominations brought her lifetime total to 99, more than any other artist. Prior to Friday, she had been tied for the lead with her husband, rapper Jay-Z, who has 88.

    In the best new artist field, ‘Espresso’ singer Carpenter will face fellow pop singer Roan, pop-rock singer Benson Boone, hip-hop/country artist Shaboozey, multi-genre musician Teddy Swims and others.

    Beyonce’s Cowboy Carter was viewed by experts and fans as a reclamation and homage to an overlooked legacy of Black Americans within country music and culture

    The show will raise funds to support fire relief efforts after the devastation caused by the LA blazes which began on January 7 in Pacific Palisades – pictured: Flames from the Eaton fire in Altadena engulf a home

    Gayle King made an introduction before the Grammy nominations were announced

    Another name on the Grammy nominations list? The Beatles. ‘Now and Then,’ produced with artificial intelligence to bring the voice of John Lennon to life, was nominated for song of the year.

    Best Pop Solo Performance nominations went to Beyonce, Sabrina Carpenter, Charli XCX, Billie Eilish, and Chappell Roan.

    Best New Artist went to Benson Boone, Sabrina Carpenter, Doechii, Khruangbin, Raye, Chappell Roan, Shaboozey and Teddy Swims.

    Best Country Album went to Cowboy Carter, F-1, Deeper Well, Higher, and Whirlwind.

    Song of the Year went to Beyoncé – Texas Hold ‘Em, Billie Eilish – Birds of a Feather, Chappell Roan – Good Luck, Babe!, Kendrick Lamar – Not Like Us, Lady Gaga & Bruno Mars – Die With a Smile, Sabrina Carpenter – Please Please Please, Shaboozey – A Bar Song (Tipsy) and Taylor Swift Featuring Post Malone – Fortnight.

    Grammy Awards 2025 winners

    Album of the Year

    André 3000 – New Blue Sun

    Beyoncé – Cowboy Carter

    Sabrina Carpenter – Short n’ Sweet

    Charli xcx – Brat

    Jacob Collier – Djesse Vol 4

    Billie Eilish – Hit Me Hard and Soft

    Chappell Roan – The Rise and Fall of a Midwest Princess

    Taylor Swift – The Tortured Poets Department

    Record of the Year

    The Beatles – Now and Then

    Beyoncé – Texas Hold ‘Em

    Sabrina Carpenter – Espresso

    Charli xcx – 360

    Billie Eilish – Birds of a Feather

    Kendrick Lamar – Not Like Us

    Chappell Roan – Good Luck, Babe!

    Taylor Swift featuring Post Malone – Fortnight

    Song of the Year

    Beyoncé – Texas Hold ‘Em

    Billie Eilish – Birds of a Feather

    Chappell Roan – Good Luck, Babe!

    Kendrick Lamar – Not Like Us

    Lady Gaga & Bruno Mars – Die With a Smile

    Sabrina Carpenter – Please Please Please

    Shaboozey – A Bar Song (Tipsy)

    Taylor Swift Featuring Post Malone – Fortnight

    Best New Artist

    Benson Boone

    Doechii

    Chappell Roan

    Khruangbin

    Raye

    Sabrina Carpenter

    Shaboozey

    Teddy Swims

    Best Pop Solo Performance

    Beyoncé – Bodyguard

    Billie Eilish – Birds of a Feather

    Chappell Roan – Good Luck, Babe!

    Charli XCX – Apple

    Sabrina Carpenter – Espresso – WINNER

    Best Pop Duo/Group Performance

    Ariana Grande, Brandy & Monica – The Boy Is Mine – Remix

    Beyoncé Featuring Post Malone – Levii’s Jeans

    Charli XCX & Billie Eilish – Guess Featuring Billie Eilish

    Gracie Abrams Featuring Taylor Swift – Us.

    Lady Gaga & Bruno Mars – Die With a Smile

    Best Traditional Pop Vocal Album

    Cyrille Aimée – À Fleur De Peau

    Norah Jones – Visions – WINNER

    Lake Street Dive – Good Together

    Aaron Lazar – Impossible Dream

    Gregory Porter – Christmas Wish

    Best Pop Vocal Album

    Sabrina Carpenter – Short n’ Sweet

    Billie Eilish – Hit Me Hard and Soft

    Ariana Grande – Eternal Sunshine

    Chappell Roan – The Rise and Fall of a Midwest Princess

    Taylor Swift – The Tortured Poets Department

    Best Dance/Electronic Recording

    Disclosure – She’s Gone, Dance On

    Four Tet – Loved

    Fred Again.. and Baby Keem – Leavemealone

    Justice and Tame Impala – Neverender – WINNER

    Kaytranada – Witchy

    Best Pop Dance Recording

    Ariana Grande – Yes, And?

    Billie Eilish – L’Amour de Ma Vie [Over Now Extended Edit]

    Charli XCX – Von Dutch – WINNER

    Madison Beer – Make You Mine

    Troye Sivan – Got Me Started

    Best Dance/Electronic Music Album

    Charli xcx – Brat – WINNER

    Four Tet – Three

    Justice – Hyperdrama

    Kaytranada – Timeless

    Zedd – Telos

    Best Contemporary Instrumental Album

    Taylor Eigsti – Plot Armor

    Béla Fleck – Rhapsody In Blue

    Bill Frisell featuring Alexander Hanson, Brussels Philharmonic, & Thomas Morgan – Orchestras (Live)

    Mark Guiliana – MARK

    Julian Lage – Speak to Me

    Best Rock Performance

    The Beatles – Now and Then – WINNER

    The Black Keys – Beautiful People (Stay High)

    Green Day – The American Dream Is Killing Me

    Idles – Gift Horse

    Pearl Jam – Dark Matter

    St Vincent – Broken Ma

    Best Metal Performance

    Gojira, Marina Viotti and Victor Le Masne – Mea Culpa (Ah! Ça ira!) – WINNER

    Judas Priest – Crown of Horns

    Knocked Loose featuring Poppy – Suffocate

    Metallica – Screaming Suicide

    Spiritbox – Cellar Door

    Best Rock Song

    The Black Keys – Beautiful People (Stay High)

    St Vincent – Broken Man – WINNER

    Pearl Jam – Dark Matter

    Green Day – Dilemma

    Idles – Gift Horse

    Best Rock Album

    The Black Crowes – Happiness Bastards

    Fontaines D.C. – Romance

    Green Day – Saviors

    Idles – Tangk

    Jack White – No Name

    Pearl Jam – Dark Matter

    The Rolling Stones – Hackney Diamonds – WINNER

    Best Alternative Music Performance

    Alvvays – Belinda Says

    Cage the Elephant – Neon Pill

    Fontaines D.C. – Starburster

    Kim Gordon – Bye Bye

    Nick Cave & the Bad Seeds – Song of the Lake

    St. Vincent – Flea – WINNER

    Best Alternative Music Album

    Nick Cave & the Bad Seeds – Wild God

    Clairo – Charm

    Kim Gordon – The Collective

    Brittany Howard – What Now

    St Vincent – All Born Screaming – WINNER

    Best R&B Performance

    Chris Brown – Residuals

    Coco Jones – Here We Go (Uh Oh)

    Jhené Aiko – Guidance

    Muni Long – Made for Me (Live on BET) – WINNER

    SZA – Saturn

    Best Traditional R&B Performance

    Marsha Ambrosius – Wet

    Kenyon Dixon – Can I Have This Groove

    Lalah Hathaway featuring Michael McDonald – No Lie

    Muni Long – Make Me Forget

    Lucky Daye – That’s You – WINNER

    Best R&B Song

    Kehlani – After Hours

    Tems – Burning

    Coco Jones – Here We Go (Uh Oh)

    Muni Long – Ruined Me

    SZA – Saturn – WINNER

    Best Progressive R&B Album

    Avery*Sunshine – So Glad to Know You – WINNER (TIE)

    Durand Bernarr – En Route

    Childish Gambino – Bando Stone and the New World

    Kehlani – Crash

    NxWorries (Anderson .Paak and Knxwledge) – Why Lawd? – WINNER (TIE)

    Best R&B Album

    Chris Brown – 11:11 (Deluxe) – WINNER

    Lalah Hathaway – Vantablack

    Lucky Daye – Algorithm

    Muni Long – Revenge

    Usher – Coming Home

    Best Rap Performance

    Cardi B – Enough (Miami)

    Common and Pete Rock featuring Posdnuos – When the Sun Shines Again

    Doechii – Nissan Altima

    Eminem – Houdini

    Future and Metro Boomin featuring Kendrick Lamar – Like That

    GloRilla – Yeah Glo!

    Kendrick Lamar – Not Like Us – WINNER

    Best Melodic Rap Performance

    Beyoncé, Linda Martell & Shaboozey – Spaghettii

    Future, Metro Boomin & The Weeknd – We Still Don’t Trust You

    Jordan Adetunji Featuring Kehlani – Kehlani (Remix)

    Latto – Big Mama

    Rapsody Featuring Erykah Badu – 3:AM – WINNER

    Best Rap Song

    Rapsody featuring Hit-Boy – Asteroids

    ¥$ [Kanye West and Ty Dolla Sign] featuring Rich the Kid and Playboi Carti – Carnival

    Future and Metro Boomin featuring Kendrick Lamar – Like That

    Kendrick Lamar – Not Like Us- WINNER

    GloRilla – Yeah Glo!

    Best Rap Album

    J. Cole – Might Delete Later

    Common and Pete Rock – The Auditorium, Vol 1

    Doechii – Alligator Bites Never Heal

    Eminem – The Death of Slim Shady (Coup De Grâce)

    Future and Metro Boomin – We Don’t Trust You

    Best Country Solo Performance

    Beyoncé – 16 Carriages

    Chris Stapleton – It Takes a Woman – WINNER

    Jelly Roll – I Am Not Okay

    Kacey Musgraves – The Architect

    Shaboozey – A Bar Song (Tipsy)

    Best Country Duo/Group Performance

    Kelsea Ballerini with Noah Kahan – Cowboys Cry Too

    Beyoncé featuring Miley Cyrus – II Most Wanted – WINNER

    Brothers Osborne – Break Mine

    Dan + Shay – Bigger Houses

    Post Malone featuring Morgan Wallen – I Had Some Help

    Best Country Song

    Kacey Musgraves – The Architect – WINNER

    Shaboozey – A Bar Song (Tipsy)

    Jelly Roll – I Am Not Okay

    Post Malone featuring Morgan Wallen – I Had Some Help

    Beyoncé – Texas Hold ‘Em

    Best Country Album

    Beyoncé – Cowboy Carter

    Chris Stapleton – Higher

    Kacey Musgraves – Deeper Well

    Lainey Wilson – Whirlwind

    Post Malone – F-1 Trillion

    Best New Age, Ambient, or Chant Album

    Ricky Kej – Break of Dawn

    Wouter Kellerman, Éru Matsumoto & Chandrika Tandon – Triveni

    Ryuichi Sakomoto – Opus

    Anoushka Shankar – Chapter II: How Dark It Is Before Dawn

    Radhika Vekaria – Warriors of Light

    Best Jazz Performance

    The Baylor Project – Walk With Me, Lord (SOUND | SPIRIT)

    Lakecia Benjamin featuring Randy Brecker, Jeff “Tain” Watts, & John Scofield – Phoenix Reimagined (Live)

    Chick Corea & Béla Fleck – Juno

    Samara Joy featuring Sullivan Fortner – Twinkle Twinkle Little Me

    Dan Pugach Big Band featuring Nicole Zuraitis & Troy Roberts – Little Fears

    Best Jazz Vocal Album

    Journey in Black – Christie Dashiell

    Wildflowers Vol. 1 – Kurt Elling & Sullivan Fortner

    A Joyful Holiday – Samara Joy – WINNER

    Milton + Esperanza – Milton Nascimento & Esperanza Spalding

    My Ideal – Catherine Russell & Sean Mason

    Best Jazz Instrumental Album

    Owl Song – Ambrose Akinmusire featuring Bill Frisell & Herlin Riley

    Beyond This Place – Kenny Barron feat. Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson

    Phoenix Reimagined (Live) – Lakecia Benjamin

    Remembrance – Chick Corea & Béla Fleck

    Solo Game – Sullivan Fortner

    Best Large Jazz Ensemble Album

    John Beasley & Frankfurt Radio Big Band – Returning To Forever

    The Clayton-Hamilton Jazz Orchestra – And So It Goes

    Orrin Evans & the Captain Black Big Band – Walk A Mile In My Shoe

    Dan Pugach Big Band – Bianca Reimagined: Music For Paws And Persistence

    Miguel Zenón – Golden City

    Best Latin Jazz Album

    Michel Camilo & Tomatito – Spain Forever Again

    Zaccai Curtis – Cubop Lives!

    Hamilton de Holanda & Gonzalo Rubalcaba – COLLAB

    Eliane Elias – Time And Again

    Horacio “El Negro” Hernández, John Beasley, & José Gola – El Trio: Live in Italy

    Chucho Valdés & Royal Quartet – Cuba and Beyond

    Donald Vega featuring Lewis Nash, John Patitucci, & Luisito Quintero – As I Travel

    Best Alternative Jazz Album

    Arooj Aftab – Night Reign

    André 3000 – New Blue Sun

    Robert Glasper – Code Derivation

    Keyon Harrold – Foreverland

    Meshell Ndegeocello – No More Water: The Gospel of James Baldwin – WINNER

    Best Gospel Performance/Song

    Doe – Holy Hands

    Melvin Crispell III – Yesterday

    Ricky Dillard – Hold On (Live)

    Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr – One Hallelujah

    Yolanda Adams – Church Doors

    Best Contemporary Christian Music Performance/Song

    Bethel Music, CeCe Winans & Jenn Johnson – Holy Forever (Live)

    Elevation Worship ft. Brandon Lake, Chandler Moore and Chris Brown – Praise

    Honor & Glory ft. Disciple – Firm Foundation (He Won’t)

    JWLKRS Worship & Maverick City Music ft. Chandler Moore – In the Name of Jesus

    Maverick City Music, Naomi Raine & Chandler Moore ft. Tasha Cobbs Leonard – In The Room

    CeCe Winans – That’s My King

    Best Gospel Album

    Melvin Crispell III – Covered Vol. 1

    Ricky Dillard – Choirmaster II (Live)

    Kirk Franklin – Father’s Day

    Karen Clark Sheard – Still Karen

    CeCe Winans – More Than This

    Best Contemporary Christian Music Album

    DOE – Heart of a Human

    Elevation Worship – When Wind Meets Fire

    Forrest Frank – Child of God

    Brandon Lake – Coat of Many Colors

    Maverick City Music, Naomi Raine & Chandler Moore – The Maverick Way Complete

    Best Roots Gospel Album

    The Blackwood Brothers Quartet – Tribute to the King

    Blind Boys of Alabama – Echoes of the South

    Becky Isaacs Bowman – Songs That Pulled Me Through the Tough Times

    Brian Free & Assurance – Meet Me at the Cross

    Gaither Vocal Band – Shine: The Darker the Night the Brighter the Light

    Best Latin Pop Album

    Anitta – Funk Generation

    Kali Uchis – Orquídeas

    Kany García – García

    Luis Fonsi – El Viaje

    Shakira – Las Mujeres Ya No Lloran

    Best Música Urbana Album

    Bad Bunny – Nadie Sabe lo Que Va a Pasar Mañana

    J Balvin – Rayo

    Feid – Ferxxocalipsis

    Residente – Las Letras Ya No Importan – WINNER

    Young Miko – Att

    Best Latin Rock or Alternative Album

    El David Aguilar – Compita del Destino

    Cimafunk – Pa’Tu Cuerpa

    Mon Laferte – Autopoiética

    Nathy Peluso – Grasa

    Rawayana – ¿Quién Trae las Cornetas? – WINNER

    Best música Mexicana album (including Tejano)

    Carín León – Boca Chueca, Vol. 1

    Chiquis – Diamantes

    Jessi Uribe – De Lejitos

    Peso Pluma – Éxodo

    Best Tropical Latin Album

    Marc Anthony – Muevense

    Sheila E. – Bailar

    Juan Luis Guerra – Radio Güira

    Tony Succar & Mimy Succar – Alma, Corazón y Salsa (Live at Gran Teatro Nacional) – WINNER

    Kiki Valera – Vacilón Santiaguero

    Best Music Video

    ASAP Rocky – Tailor Swif

    Charli XCX – 360

    Eminem – Houdini

    Kendrick Lamar – Not Like Us – WINNER

    Taylor Swift featuring Post Malone – Fortnight

    Best Music Film

    Jon Batiste – American Symphony – WINNER

    June Carter Cash – June

    Run DMC – Kings from Queens

    Steven van Zandt – Stevie Van Zandt: Disciple

    (Various Artists) – The Greatest Night in Pop

    Best Contemporary Classical Composition

    Andrea Cassarubios – Seven for Solo Cello

    Valerie Coleman – Revelry

    David Lang – Composition as Explanation

    Gabriela Ortiz – Revolución Diamantina

    Kaaija Saariaho – Adriana Mater

    Best American Roots Song

    Mark Knopfler – Ahead Of The Game

    Sam Beam – All In Good Time (Iron & Wine featuring Fiona Apple)

    Aoife O’Donovan – for All My Friends” (Aoife O’Donovan)

    Sierra Ferrell & Melody Walker – American Dreaming (Sierra Ferrell)

    John Hahn & Will Kimbrough – Blame It On Eve (Shemekia Copeland)

    Best American Roots Performance

    Shemekia Copeland – Blame It On Eve

    The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb’ Mo’, Taj Mahal & Mick Fleetwood – Nothing In Rambling

    Sierra Ferrell – Lighthouse

    Rhiannon Giddens – The Ballad Of Sally Anne

    Best Americana Performance

    Beyoncé – Ya Ya

    Madison Cunningham – Subtitles

    Madi Diaz featuring Kacey Musgraves – Don’t Do Me Good

    Sierra Ferrell – American Dreaming – WINNER

    Sarah Jarosz – Runaway Train

    Gillian Welch & David Rawlings – Empty Trainload of Sky

    Best Bluegrass Album

    Bronwyn Keith-Hynes – I Built a World

    The Del McCoury Band – Songs of Love and Life

    Sister Sadie – No Fear

    Billy Strings – Live Vol. 1

    Tony Trischka – Earl Jam

    Dan Tyminski – Live From The Ryman

    Best Traditional Blues Album

    Cedric Burnside – Hill Country Love

    The Fabulous Thunderbirds – Struck Down

    Sue Foley – One Guitar Woman

    Little Feat – Sam’s Place

    The Taj Mahal Sextet – Swingin’ Live at the Church in Tulsa – WINNER

    Best Contemporary Blues Album

    Joe Bonamassa – Blues Deluxe Vol. 2

    Shemekia Copeland – Blame It On Eve

    Steve Cropper & The Midnight Hour – Friendlytown

    Ruthie Foster – Mileage

    Antonio Vergara – The Fury

    Best Folk Album

    American Patchwork Quartet – American Patchwork Quartet

    Madi Diaz – Weird Faith

    Adrianne Lenker – Bright Future

    Aoife O’Donovan – All My Friends

    Gillian Welch & David Rawlings – Woodland

    Best Regional Roots Music Album

    Sean Ardoin and Kreole Rock And Soul – 25 Back to My Roots

    Big Chief Monk Boudreaux & The Golden Eagles featuring J’Wan Boudreaux – Live at the 2024 New Orleans Jazz & Heritage Festival

    New Breed Brass Band featuring Trombone Shorty – Live at the 2024 New Orleans Jazz & Heritage Festival

    Kalani Pe’a – Kuini – WINNER

    The Rumble featuring Chief Joseph Boudreaux Jr. – Stories from The Battlefield

    Best Reggae Album

    Collie Buddz – Take It Easy

    Vybz Kartel – Party With Me

    Shenseea – Never Gets Late Here

    Various Artists – Bob Marley: One Love – Music Inspired By The Film (Deluxe)

    The Wailers – Evolution

    Best Global Music Performance

    Arooj Aftab – Raat Ki Rani

    Jacob Collier featuring Anoushka Shankar & Varijashree Venugopal – A Rock Somewhere

    Rocky Dawuni – Rise

    Sheila E. featuring Gloria Estefan & Mimy Succar – Bemba Colorá – WINNER

    Angélique Kidjo featuring Soweto Gospel Choir – Sunlight to My Soul

    Masa Takumi featuring Ron Korb, Noshir Mody & Dale Edward Chung – Kashira

    Best African Music Performance

    Yemi Alade – Tomorrow

    Asake & Wizkid – MMS

    Chris Brown featuring Davido & Lojay – Sensational

    Burna Boy – Higher

    Tems – Love Me JeJe – WINNER

    Best Global Music Album

    Matt B ft. Royal Philharmonic Orchestra – Alkebulan II – WINNER

    Ciro Hurtado – Paisajes

    Rema – Heis

    Antonio Rey – Historias de un Flamenco

    Tems – Born in the Wild

    Best Children’s Music Album

    Lucky Diaz & The Family Jam Band – Brillo, Brillo!

    Lucy Kalantari & The Jazz Cats – Creciendo

    John Legend – My Favourite Dream

    Rock For Children – Solid Rock Revival

    Divinity Roxx & Divi Roxx Kids – World Wide Playdate

    Best Audio Book, Narration, and Storytelling Recording

    All You Need Is Love: The Beatles In Their Own Words – Guy Oldfield

    …And Your Ass Will Follow – George Clinton

    Behind the Seams: My Life in Rhinestones – Dolly Parton

    Last Sunday in Plains: A Centennial Celebration – Jimmy Carter – WINNER

    My Name Is Barbra – Barbra Streisand

    Best Spoken Word Poetry Album

    Civil Writes: The South Got Something to Say – Queen Sheba

    Concrete & Whiskey Act II Part 1: A Bourbon 30 Series – Omari Hardwick

    Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In the Beginning Was the Word – Malik Yusef

    The Heart, The Mind, The Soul – Tank and the Bangas

    The Seven Number Ones – Mad Skillz

    Best Comedy Album

    Armageddon – Ricky Gervais

    The Dreamer – Dave Chappelle

    The Prisoner – Jim Gaffigan

    Someday You’ll Die – Nikki Glaser

    Where Was I – Trevor Noah

    Best Musical Theater Album

    Hell’s Kitchen

    Merrily We Roll Along

    The Notebook

    The Outsiders

    Suffs

    The Wiz

    Best Compilation Soundtrack for Visual Media

    The Color Purple

    Deadpool & Wolverine

    Maestro

    Saltburn

    Twisters: The Album

    Best Score Soundtrack for Visual Media (Includes Film and Television)

    American Fiction – Laura Karpman

    Challengers – Trent Reznor and Atticus Ross

    The Color Purple – Kris Bowers

    Dune: Part Two – Hans Zimmer

    Shōgun – Nick Chuba, Atticus Ross and Leopold Ross

    Best Score Soundtrack for Video Games and Other Interactive Media

    Avatar: Frontiers of Pandora – Pinar Toprak

    God of War Ragnarök: Valhalla – Bear McCreary

    Marvel’s Spider-Man 2 – John Paesano

    Star Wars Outlaws – Wilbert Roget II

    Wizardry: Proving Grounds of the Mad Overlord – Winifred Phillips

    Best Song Written for Visual Media

    Ain’t No Love in Oklahoma (from Twisters: The Album)

    Better Place (from Trolls Band Together)

    Can’t Catch Me Now (from The Hunger Games: The Ballad of Songbirds & Snakes)

    It Never Went Away (from American Symphony) – WINNER

    Love Will Survive (from The Tattooist of Auschwitz)

    Best Classical Solo Vocal Album

    Karen Slack (soloist); Michelle Cann (pianist) – Beyond the Years – Unpublished Songs of Florence Price

    Nicholas Phan (soloist); Palaver Strings (ensemble) – A Change Is Gonna Come

    Fotina Naumenko (soloist); Marika Bournaki (pianist) – Newman: Bespoke Songs

    Will Liverman (soloist); Jonathan King (pianist) – Show Me The Way

    Joyce DiDonato (soloist); Maxim Emelyanychev (conductor of Il Pomo d’Oro) – Wagner: Wesendonck Lieder

    Best Classical Compendium

    Andy Akiho & Imani Winds (artists); Andy Akiho, Sean Dixon & Mark Dover (producers) – BeLonging

    Curtis Stewart (artist); James Blachley (conductor), Blanton Alspaugh (producer) – American Counterpoints

    JoAnn Falletta (conductor); Bernd Gottinger (producer) – Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode

    Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse (artists); Michael Shapiro (conductor); Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse & Kitt Wakeley (producers) – Mythologies II

    Gustavo Didamel (conductor); Dmitriy Lipay (producer) – Ortiz: Revolución Diamantin

    Best Contemporary Classical Composition

    Curtis Stewart (artist); James Blachley (conductor), Blanton Alspaugh (producer) – American Counterpoints

    JoAnn Falletta (conductor); Bernd Gottinger (producer) – Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode

    Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse (artists); Michael Shapiro (conductor); Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse & Kitt Wakeley (producers) – Mythologies II

    Gustavo Didamel (conductor); Dmitriy Lipay (producer) – Ortiz: Revolución Diamantina

    Best Arrangement, Instrumental or A Cappella

    Michael League – Baby Elephant Walk – Encore (Snarky Puppy)

    Jacob Collier, Tori Kelly & John Legend – Bridge Over Troubled Water (Jacob Collier ft. John Legend & Tori Kelly) – WINNER

    Béla Fleck & Ferde Grofé – Rhapsody in Blue(grass) (Béla Fleck ft. Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)

    Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor – Rose Without the Thorns (Scott Hoying ft. säje & Tonality)

    Erin Bentlage, Sara Gazarek, Johnnaye Kendrick & Amanda Taylor – Silent Night

    Best Arrangement, Instruments and Vocals

    Erin Bentlage, Sara Gazarek, Johnnye Kendrick & Amanda Taylor – Alma (säje ft. Regina Carter)

    Matt Jones – Always Come Back (John Legend)

    Willow, Chris Greatti, Zach Tenorio – B i g f e e l i n g s (Willow)

    Charlie Rosen & Jake Silverman – Last Surprise (The 8-bit Big Band ft. Jonah Nilsson & Button Masher)

    Cody Fry – The sound of silence (Cody Fry ft. Sleeping At Last

    Best Recording Package

    Jonny Black & Giorgia Sage – The Avett Brothers (The Avett Brothers)

    Sarah Dodds & Shauna Dodds – Baker Hotel (William Clark Green)

    Brent David Freaney, Charli XCX & Imogene Strauss – Brat (Charli xcx)

    Archie Lee Coates IV, Austin Post (Post Malone), Bobby Greenleaf, Jeffrey Franklin, Blossom Liu, Kylie McMahon & Ana Cecilia Thompson Motta – F-1 Trillion (Post Malone)

    Kate Bush & Albert McIntosh – Hounds of Love – The Baskerville Edition (Kate Bush)

    Andrew Wong & Julie Yeh – Jug Band Millionaire (The Muddy Basin Ramblers)

    Lee Pei-Tzu – Pregnancy, Breakdown and Disease (WhoiWhoo)

    Best Boxed or Special Limited Edition Package

    Nick Azinas & Mike Hicks – Half Living Things (Alpha Wolf)

    Kate Bush & Albert McIntosh – Hounds of Love – The Boxes of Lost at Sea (Kate Bush)

    Doug Cunningham & Jason Noto – In Utero (Nirvana)

    Simon Hilton & Sean Ono Lennon – Mind Games (John Lennon)

    Takahiro Kurashima & Marek Polewski – Unsuk Chin (Unsuk Chin & Berliner Philharmoniker)

    Rebeka Arce & Farbod Kokaki – We Blame Chicago (90 Day Men)

    Best Album Notes

    Tim Brooks – After Midnight

    Lauren de Graf – The Carnegie Hall Concert

    Ricky Riccardi – Centennial

    Dominic Fyfe – John Culshaw – The Art of the Producer – The Early Years 1948-55

    Josh Kun – SONtrack Original de la Pelicula Al Son de Beno

    Best Historical Album

    Centennial – Meagan Hennessy & Richard Martin

    Prince – Diamonds and Pearls: Super Deluxe Edition

    Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV and Victor Recordings

    Pepito y Paquito – Pepe De Lucía & Javier Doria,

    The Sound of Music – Super Deluxe Edition

    Songwriter of the Year, Non-Classical

    Jessi Alexander

    Amy Allen – WINNER

    Édgar Barrera

    Jessie Jo Dillon

    Raye

    Best Engineered Album, Non-Classical

    Algorithm (Lucky Daye)

    Cyan Blue (Charlotte Day Wilson)

    Deeper Well (Kacey Musgraves)

    Empathogen (Willow)

    I/O (Peter Gabriel)

    Short n’ Sweet (Sabrina Carpenter)

    Producer of the Year, Non-Classical

    Alissia

    Dernst “D’Mile” Emile II

    Ian Fitchuk

    Mustard

    Dan Nigro – WINNER

    Best Remixed Recording

    Kaytranada – Alter Ego (Kaytranada Remix) (Doechii featuring JT)

    David Guetta – A Bar Song (Tipsy) (remix) (Shaboozey & David Guetta)

    Mark Ronson x FnZ – Espresso (Working Late remix) (Sabrina Carpenter)

    Alexx Antaeus, Footsteps & MeMyish – Jah Sees Them (Amapiano remix)” (Julian Marley & Antaeus)

    A. G. Cook – Von Dutch (remix) (Charli XCX & A. G. Cook featuring Addison Rae)

    Best Immersive Audio Album

    Roxy Music – Avalon

    Ray Charles – Genius Loves Company

    Trondheim Symphony Orchestra – Borders

    Peter Gabriel – i/o (In-Side Mix)

    Ensemble 96 & Current Saxophone Quartet -Pax

    Best Instrumental Composition

    Shelton G. Berg – At Last

    Christopher Zuar – Communion

    André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño – I Swear, I Really Wanted To Make A “Rap” Album But This Is Literally The Way The Wind Blew Me This Time

    Chick Corea – Remembrance

    Pascal Le Boeuf – Strands

    Best Engineered Album, Classical

    Alexander Lipay & Dmitriy Lipay – Adams: Girl of the Golden West

    Silas Brown, Doron Schachter & Michael Schwartz – Andres: The Blind Banister

    Mark Donahue & John Newton – Bruckner: Symphony No. 7; Bates: Ressurexit

    Daniel Shores – Clear Voices in the Dark

    Alexander Lipay & Dmitriy Lipay – Ortiz: Revolución Diamantina

    Producer of the Year, Classical

    Erica Brenner

    Morten Lindberg

    Dmitriy Lipay

    Elaine Martone

    Dirk Sobotka

    Best Orchestral Performance

    Marin Alsop (cd); ORF Vienna Radio Symphony Orchestra – Adams: City Noir, Fearful Symmetries & Lola Montez Does the Spider Dance

    JoAnn Falletta (cd); Buffalo Philharmonic Orchestra – Kodály: Háry János Suite; Summer Evening & Symphony in C Major

    Gustavo Dudamel (cd); Los Angeles Philharmonic – Ortiz: Revolución Diamantina

    Susanna Mälkki (cd); Helsinki Philharmonic Orchestra – Sibelius: Karelia Suite; Rakastava & Lemminkäinen

    Esa-Pekka Salonen (cd); San Francisco Symphony – Stravinsky: The Firebird

    Best Opera Recording

    Adams: Girls of the Golden West -Los Angeles Philharmonic; Los Angeles Master Chorale

    Catán: Florencia en el Amazonas – The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus

    Moravec: The Shining -Kansas City Symphony; Lyric Opera of Kansas City Chorus

    Puts: The Hours – The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus

    Saariaho: Adriana Mater -San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkilangas

    Best Choral Performance

    Skylark Vocal Ensemble (ensemble) – Clear Voices in the Dark

    True Concord Voices (ensemble) – A Dream So Bright – Choral Music of Jake Runestad

    Apollo’s Fire (ensemble); Apollo’s Singers (ensemble) – Handel: Israel in Egypt

    The Crossing (ensemble) – Ochre

    Novus NY, Artefact Ensemble, The Choir of Trinity Wall Street, Downtown Voices & Trinity Youth Chorus (ensembles) – Sheehan: Akathist

    Best Chamber Music/Small Ensemble Performance

    JACK Quartet – J.L. Adams: Waves & Particles

    Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax – Beethoven for Three: Symphony No. 4 and Op. 97, ‘Archduke’

    Beth Willer, Christopher Cerrone & Lorelei Ensemble – Cerrone: Beaufort Scales

    Miró Quartet – Home

    Caroline Shaw & So Percussion – Rectangles and Circumstance

    Best Classical Instrumental Solo

    Andy Akiho – Akiho: Longing

    Vikingur Ólafsson – Bach: Goldberg Variations

    Seth Parker Woods (soloist); Christopher Rountree (conductor of Wild Up) – Eastman: The Holy Presence of Joan d’Arc

    Mak Grgić – Entourer

    Curtis Stewart (soloist); James Blachly (conductor of the Experiential Orchestra) – Perry: Concerto for Violin & Orchestra

    Best Classical Compendium

    Andy Akiho & Imani Winds – BeLonging

    Curtis Stewart – American Counterpoints

    JoAnn Falletta – Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode

    Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse – Mythologies II

    Gustavo Didamel – Ortiz: Revolución Diamantina

  • Alicia Keys Says DEI “Is A Gift” As She Accepts Dr. Dre Global Impact Grammy Award

    Alicia Keys Says DEI “Is A Gift” As She Accepts Dr. Dre Global Impact Grammy Award

    Alicia Keys is championing diversity initiatives as her work is recognized at the 67th Grammy Awards.

    After winning the Dr. Dre Global Impact Award at Sunday’s awards show, Keys shined a light on other female music producers and called for more platforms for diverse voices.

    “This is not the time to shut down the diversity of voices,” said Keys. “We’ve seen on this stage talented, hardworking people from different backgrounds with different points of view, and it changes the game. DEI is not a threat, it’s a gift.”

    Beyoncé led the nominations with 11 categories, followed by Billie Eilish, Kendrick Lamar, Post Malone and Charli XCX at seven each, and Taylor Swift, Sabrina Carpenter and Chappell Roan with six apiece.

    The Recording Academy previously revealed Benson Boone, Billie Eilish, Chappell Roan, Charli XCX, Doechii, Raye, Sabrina Carpenter, Shakira, Teddy Swims, Brad Paisley, Brittany Howard, Coldplay’s Chris Martin, Cynthia Erivo, Herbie Hancock, Jacob Collier, Janelle Monáe, John Legend, Lainey Wilson, Sheryl Crow, St. Vincent and Stevie Wonder as part of the Grammy performance lineup.

    The awards show will also feature a series of special performances during the In Memoriam segment, a salute to the life and legacy of Quincy Jones and tributes celebrating the spirit of the city of Los Angeles.

    Hosted by Trevor Noah, the 2025 Grammy Awards will air live from L.A.’s Crypto.com Arena on Sunday, Feb. 2 at 8 pm ET/5 pm PT on CBS and streaming on Paramount+.

    Additionally, starting at 3:30 pm ET/12:30 pm PT is the Grammy Awards Premiere Ceremony, in which the majority of Grammy winners across 80 categories will be announced. Hosted by Grammy nominee Justin Tranter, the ceremony will stream live from Peacock Theater in Los Angeles on live.Grammy.com and YouTube. The show also help raise additional funds to support wildfire relief efforts.

  • Sean ‘Diddy’ Combs taken from lock-up to hospital for MRI: sources

    Sean ‘Diddy’ Combs taken from lock-up to hospital for MRI: sources

    Sean ‘Diddy’ Combs taken from lock-up to hospital for MRI: sources

    Tina Moore, Eileen Reslen

    February 2, 2025 at 6:11 PM

    Sean “Diddy” Combs was moved from a Brooklyn federal lock-up where he’s being held on sex charges to a hospital Thursday night to receive an MRI, a law enforcement source said.

    The 54-year-old rap kingpin was taken from the notorious Metropolitan Detention Center to Brooklyn Hospital around 10 p.m., the source said.

    It wasn’t immediately known why he was taken to the hospital at night but the source wondered if the musician had been involved in a prison fight or had some other emergency.

    However, a second source clarifies that Combs was not involved in any altercation but was instead taken to seek medical assistance because his “knee was bothering him,” citing the rapper’s long history of knee issues after he ran the New York marathon.

    The insider adds that the hospital visit was done late at night in order to avoid whispers and further speculation from other inmates or prison staffers. We’re also told Combs did not stay overnight and was taken back to his cell after the MRI concluded.

    A Bureau of Prisons spokesperson told The Post, “For privacy, safety, and security reasons we do not comment on the conditions of confinement for anyone in our custody to include medical status or medical trips.”

    Our law enforcement source said they were given a heads up about what occurred “just in case it was leaked and they would have chaos.” The source said someone “might want to free him.”

    Reps and attorneys for Combs could not immediately be reached for comment.

    The music mogul has been held at MDC since he was denied bail on Dec. 3 and is awaiting trial on sex trafficking, racketeering and prostitution charges.

    Combs was accused of abusing several women and leading Bad Boy Records as a “criminal enterprise” for more than a decade.

    Combs forced his lovers into the “Freak-Offs,” days-long sexual “performances” where the women had sex with male escorts while he watched and masturbated, according to court papers.

    He would secretly film the encounters to use as leverage against his alleged victims, the feds claim.

    Combs has denied all wrongdoing. His trial is scheduled to begin on May 5.

  • Grammys: Chappell Roan wins best new artist, Beyoncé wins best country album

    Grammys: Chappell Roan wins best new artist, Beyoncé wins best country album

    LOS ANGELES (AP) — Chappell Roan was named best new artist at the 2025 Grammys.

    She read a speech from a notebook, beginning by addressing her fellow nominees. “BRAT was the best night of my life this year,” she said, as her hat fell off her head, referencing Charli xcx.

    Then her speech changed course. She directed her attention to major labels and the music industry, instructing them to “offer a living wage and healthcare, especially to developing artists.” Then she described getting signed as a minor, getting dropped and entering the workforce during COVID-19 with no work experience and no health care. She asked them to treat artists like “valuable employees.”

    “Labels, we got you, but do you got us?” she concluded her speech. “Thank you.”

    In one of the biggest moments of the evening so far, Taylor Swift presented the award for best country album at the 2025 Grammys to Beyoncé for her groundbreaking “Cowboy Carter.”

    “I really was not expecting this. Wow,” she started her speech. “Genre is a cold word to keep us in our place as artists … I’m still in shock. Thank you so much for this honor.”

    A little bit of the wild west, a little bit of West Hollywood. Chappell Roan brought a rocking version of her “Pink Pony Club” to the 2025 Grammy stage. Joined by a posse of dancing clown cowboys, she sang from atop a giant pink horse.

    The first televised award of the 2025 Grammy Awards went to Doechii for best rap album for “Alligator Bites Never Heal.”

    The tears were immediate. “This category was introduced in 1989. Two women have won, Lauryn Hill — ” she said, correcting herself. “Three women have won. Lauryn Hill, Cardi B and Doechii.”

    It was Doechii’s first Grammy. Her heartfelt speech came after the show opened with several references to the Los Angeles-area wildfires that have devastated the city but put the spotlight on the city’s resiliency. The Grammys kicked off Sunday at the Crypto.com Arena in high spirits, drawing attention to first responders and the resilience of the music community.

    Host Trevor Noah’s opening speech was dedicated to those affected by the fires, promising a show that not only celebrates them, but one that also celebrates “the city that brought us so much of that music.” The Grammys have also allotted ad time to be used by local businesses affected by the fires.

    On a stage set up to look like the mountains of Los Angeles, the LA born-and-raised Billie Eilish and her brother/collaborator Finneas performed her hit “Birds of a Feather.” It was one of a number of ways the show seeks to salute the city. “We love you LA,” she told the crowd at the end of the set.

    The show kicked off with a powerful opening performance of Randy Newman’s “I Love L.A.” by Dawes — whose members were directly affected by the Eaton fire — backed by John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St. Vincent.

    Later, Sabrina Carpenter launched into a medley of her biggest singles of the last year — a jazzy rendition of “Espresso” into “Please, Please, Please,” with a brief “Espresso” reprise.

    Most of the best new artist nominees took part in a medley performance: Khruangbin with “May Ninth,” Benson Boone with “Beautiful Things,” Doechii launching “Catfish” into “Denial Is a River,” Teddy Swims doing “Lose Control,” Shaboozey with “Good News” into “A Bar Song (Tipsy)” and RAYE with “Oscar Winning Tears.”

    The Red Hot Chili Peppers’ Anthony Kiedis and Chad Smith led the crowd in a short singalong of their hit “Under the Bridge,” reminding the crowd to “support their friends and neighbors as they rebuild their lives,” said Kiedis. Then they presented the best pop vocal album award to Carpenter for “Short n’ Sweet.”

    “I really wasn’t expecting this,” she said. “This is, woo, my first Grammy so I’m going to cry.” (She’s now won two, but the earlier award was handed out a pre-telecast ceremony that many artists don’t attend.)

    An exciting, early theme of the 67th Grammy Awards? First time winners.

    During Sunday’s Premiere Ceremony, a pre-telecast show hosted by songwriter Justin Tranter, some of the biggest names in pop like Carpenter and Charli xcx won their first Grammys, as did Música Mexicana star Carin León, French metal band Gojira and country folk artist Sierra Ferrell.

    They weren’t the only ones: Veterans took home trophies, as did former President Jimmy Carter. He won a posthumous Grammy Award for narrating “Last Sundays in Plains: A Centennial Celebration,” recordings from his final Sunday School lessons delivered at Maranatha Baptist Church in Georgia. It was his fourth Grammy win.

    Soon afterward, Charli xcx also won her first two Grammys, in the best pop dance recording category for “Von Dutch” and best dance/electronic album for “BRAT.”

    Amy Allen won the songwriter of the year, non-classical, a Grammy category that has only existed for three years. She is the first woman to ever win. Tobias Jesso Jr. won in 2023 and Theron Thomas won in 2024.

    “The child in me … is screaming and crying and laughing at the absurdity of this moment,” Allen started her speech. “We are the engine that fuels the entire music industry,” she said of songwriters past and present.

    Ferrell won her first Grammys for Americana performance, Americana roots song, Americana album, and American roots performance. She pulled an acceptance speech out of scepter. “Honestly this is kind of hilarious,” she joked after returning to the stage for a third time. “Yikes!” she started her fourth acceptance speech.

    Leading nominee Beyoncé won her first award of the day for her song featuring Miley Cyrus, “II Most Wanted.” It took home the country duo/group performance during the Grammy’s Premiere Ceremony, where a whopping 85 awards will be handed out. It marks Beyoncé’s first win in a country category.

    Kenrick Lamar’s ubiquitous “Not Like Us” was an early winner, receiving trophies for music video, rap song and rap performance. It marks his seventh time winning in the latter category.

    The Beatles’ “Now and Then,” which used AI technology, took home best rock performance. Sean Lennon accepted the award on behalf of his father John Lennon. “As far as I’m concerned, it’s the best band of all time,” he said of the Beatles. “Play the Beatles’ music for your kids. I feel like the world can’t afford to forget.”

    Beyoncé leads the Grammy nods with 11 thanks to her acclaimed “Cowboy Carter” album, bringing her career total to 99 nominations. She’s also been the most decorated artist, having earned 32 trophies across her career.

    Post Malone, Billie Eilish, Kendrick Lamar and Charli xcx follow with seven nominations.

    Taylor Swift and first-time nominees Carpenter and Roan boast six nominations each.

  • Brad Paisley, Sheryl Crow, John Legend, St. Vincent, Dawes Open Grammys With ‘I Love L.A.’

    Brad Paisley, Sheryl Crow, John Legend, St. Vincent, Dawes Open Grammys With ‘I Love L.A.’

    Randy Newman’s 1983 song “I Love L.A.” has more than a hit of irony in the lyrics, but the 67th annual Grammy Awards kicked off with a totally sincere, even moving, version of it from a one-time-only supergroup: Dawes backed by Sheryl Crow, Brittany Howard, Brad Paisley, John Legend, and St. Vincent. Taylor and Griffin Goldsmith of Dawes both lost their homes in the wildfires, and they’ve been very active in relief efforts.

    The Grammy Awards ceremony was nearly postponed when the full extent of the California wildfires became clear last month, but the organizers decided to stick with the original date and shift some of the focus of the evening to relief efforts. They also wanted the event to become a celebration of Los Angeles itself.

    “Postponing the show for me didn’t feel like the right thing for the city of Los Angeles,” Grammy Awards head Harvey Mason Jr. told The New York Times. “We wanted to make sure that we showed a resilience and strength and unity in a time when I thought we were going to really, really need it.”

    “I Love L.A.” originally appeared on Newman’s 1983 LP Trouble in Paradise. “There’s sort of an aggressive ignorance to it that I like,” Newman told The New York Times in 2021. “You know, he likes the redhead. I do too — and the Beach Boys and riding in an open car. Maybe people in L.A. have to apologize for those kinds of basic joys in life, but I don’t know why.”

  • Beyoncé Announces ‘Cowboy Carter’ Tour

    Beyoncé Announces ‘Cowboy Carter’ Tour

    She announced her “Cowboy Carter” tour in an Instagram post early Sunday. She shared a video with her fans showing a sign hanging above a desert floor with “COWBOY CARTER TOUR” spelled out with a wind sound effect playing.

    The singer also shared a second Instagram post of a promotional photo of herself with the caption “COWBOY CARTER TOUR 2025.” No specific details surrounding the tour have been released.

    The tour announcement comes on the same day as the Grammy Awards where the “Cowboy Carter” album earned 11 Grammy nominations, including for album of the year.

    This will be her first time back on the road since her “Renaissance” tour in 2023.

  • Bianca Censori goes completely naked at Grammys with fully dressed Kanye West

    Bianca Censori goes completely naked at Grammys with fully dressed Kanye West

    Bianca Censori has worn a completely sheer dress to the Grammy awards 2025.

    When arriving at the music event with husband Kanye West she was wearing a fluffy black jacket but quickly shredded it.

    The 30-year-old architect dropped the coat to reveal the transparent garment beneath it, and as she was not wearing any underwear her body was completely exposed.

    The sheer item was paired with perspex thong heels and her hair was slicked back, while her makeup was kept minimal.

    Meanwhile rapper Kanye, 47, was fully dressed in a black t-shirt and trousers as they walked into the Crypto.com Arena in Los Angeles. He also chose to wear dark sunglasses.

    The couple held hands as they strolled along the red carpet with both maintaining stern expressions.

    After posing for photos together, Bianca took some solo shots showing her choice of garment from all angles.

    Bianca is routinely seen out and about wearing almost no clothing, and Kanye will often remain clothed by her side.

    Kanye has also shared nude imagery of Bianca on his social media.

    His Grammy attendance comes just hours after his return to X. He posted a slew of tweets, including a now-deleted explicit comment about former US Vice President Kamala Harris.

    Kanye – who now goes by Ye – was slammed by fans after reportedly publishing in a now-deleted tweet: ‘I used to want to f**k Kamala until she loss [sic]. I don’t f**k losers anymore.’

    Bianca has worked at Kanye’s brand Yeezy since 2020 as an architectural designer.

    The music and fashion mogul finalised his divorce with ex-wife Kim Kardashian – with whom he shares four kids – in November 2022. Bianca and Kanye secretly tied the knot in December 2022, having been publicly linked since earlier that year.

    Got a story?

    If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.

  • The Top 2025 Oscar Misses and Our Picks for Each Major Category

    The Top 2025 Oscar Misses and Our Picks for Each Major Category

    The start of a new year marks the final stretch of awards season in the film industry. The Golden Globes, Critics Choice Awards, BAFTAs, SAG Awards, and more occur within the first two months of the year. All of these ceremonies lead up to the most prestigious award show in the industry, the Academy Awards. The Academy recognizes what they think are the best films to come out the year before in numerous categories. From acting and directing to costume design and sound design, the Academy hands out awards in each category.

    The Academy of Motion Picture Arts & Sciences is the governing voting body that is responsible for electing the nominees in each category. The Academy members vote on who and what they believe to be the best of each year, leading to the list of nominees we see every January. While the Academy might recognize these performances and movies as the best of the year, moviegoers aren’t necessarily going to agree. The 2025 nominees for the 97th Academy Awards ceremony are in, and some of our picks would have looked a little different. Here are the performances and films we think should have received a nomination in each of the major categories:

    Best Picture: ‘Challengers,’ ‘A Real Pain,’ and ‘Nosferatu’ Close

    The most coveted award of the Academy Awards ceremony is the last award of the night; Best Picture. For the 97th Oscars, the ten nominees for Best Picture are Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, I’m Still Here, Nickel Boys, The Substance, and Wicked. It is perhaps one of the most diverse nominee groups in terms of genre and production country, with two foreign films nominated and multiple genres on the list. Biopics and war-centered dramas are among the Academy’s favorite film genres to nominate, but we also have a romantic dramedy, a blockbuster sci-fi, a musical, and most importantly, a horror film in the running.

    A Strong List of Nominees Missing a Few Pieces

    Emilia Perez has generated a significant amount of criticism online this awards season, and the whopping 13 nominations have already caused a lot of backlash. The controversial crime musical has been the subject of online discourse as it claims to be a pro-trans movie but doesn’t really accurately represent those in the trans community. A Complete Unknown’s nomination was a bit surprising as well, but makes sense given the Academy’s love for biopics. With the recent news that AI was used to enhance Adrien Brody’s Hungarian accent in The Brutalist, it is just a little bit surprising it earned so many nominations.

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    Films like Challengers, A Real Pain, and Nosferatu were not lucky enough to earn a spot in the Best Picture category, which is a shame. Challengers featured some of the best performances of the year in addition to immaculate editing and a skipless soundtrack. For many film fans, this should have been up there with the best of the year. Jesse Eisenberg’s A Real Pain is a much more subdued, meditative slice-of-life narrative that sees Eisenberg and Kieran Culkin playing estranged cousins reunited on a trip to Poland to visit their late grandmother’s childhood home. Robert Eggers’ remake of Nosferatu was one of the most anticipated horror films of the year, and the gothic nightmare did not disappoint. Any of these films, or all three, should have earned the coveted Best Picture nomination.

    Best Director: Luca Guadagnino for ‘Challengers’ Close

    One of the biggest awards of Oscars night is the winner of the Best Director category. The nominees for this year are Sean Baker for Anora, Bradey Corbet for The Brutalist, James Mangold for A Complete Unknown, Jacques Audiard for Emilia Perez, and Coralie Fargeat for The Substance. Based on the awards season journey for most of these films, the nominees are unsurprising. Except for maybe James Mangold. A win for Fargeat would be phenomenal as she would be the fourth woman to ever win the award, and it would be a massive win for the horror community. However, Corbet will likely be the winner.

    Smooth Yet Energetic Direction

    While the nominees for this category were mostly predicted, it is somewhat shocking that Luca Guadagnino was not nominated for directing Challengers. For film fans, Challengers was one of the best films of the year. In addition to a standout cast, impeccable editing, and an electrifying score, Guadagnino’s moves behind the camera greatly helped the film become the modern masterpiece it is. The direction is smooth yet energetic, matching the intensity of the many tennis scenes, as well as the more steamy scenes. Plenty of people around the world enjoy tennis, but Guadgnino made it look unbelievably sexy.

    Best Actress: Zendaya for ‘Challengers’ Close

    The nominees for Best Actress are strong this year. Mikey Madison, unsurprisingly, received a nod for her incredible work in Anora. Fernanda Torres followed up her Golden Globe win for Best Female Actor in a Motion Picture, Drama with another nomination for her work in I’m Still Here. Cynthia Erivo earned a spot in the category for her moving performance as Elphaba in Wicked. Plus, Demi Moore rightfully was nominated for her brilliant performance in The Substance. Moore was unbelievably brave and vulnerable in the film, and she more than deserved the nod.

    A Fierce Performance from One of the Best Young Actors

    Still, the category feels incomplete without the inclusion of Zendaya for her work in Challengers. Zendaya gives a fierce performance as Tashi Donaldson, a tennis prodigy turned coach caught in an intense love triangle with two best friends. Zendaya has already proven that she is a worthy actress in HBO’s Euphoria, but her role as Tashi solidifies that she is one of the best young actors working right now. She not only performed well on her own, but she also gave her co-stars Josh O’Connor and Mike Faist an excellent material to work off of.

    Best Supporting Actress: Margaret Qualley for ‘The Substance’ Close

    This year’s Best Supporting Actress category came with a few surprises. The most pleasant surprise came with Ariana Grande’s nomination for her incredibly dedicated performance as Galinda/Glinda in Wicked, marking her first Academy Award nomination. Grande transformed into Glinda for the movie musical, truly embodying every facet of a character beloved by many. Selena Gomez was left out despite her Golden Globe nomination for Best Supporting Actress in Any Motion Picture. Perhaps the biggest surprise, though, was Margaret Qualley not receiving a nomination.

    A Boldly Unhinged Performance

    Qualley’s work in The Substance is bold. She gave an immensely dedicated performance in a role that demanded much of her physically and emotionally. She served as the perfect counterpart to Demi Moore’s Elisabeth, embodying everything Elisabeth thought she wanted to be. Qualley is already a talented actress, but this was a career-best performance from her that showed she is willing to go to bizarre, downright unhinged places for the sake of a film.

    Best Actor: Sebastian Stan for ‘A Different Man’ Close

    If you have been keeping up with awards season, the Best Actor nominees should not be surprising (mostly). Adrien Brody won the Golden Globe for Best Actor in a Motion Picture this year, so the nomination was all but guaranteed. Although Sing Sing has had an extremely limited theatrical release, Colman Domingo has been highly praised for his performance. Ralph Fiennes, Timothee Chalamet, and Sebastian Stan were nominated as well. Sebastian Stan gave two excellent performances last year in two different films. He has been nominated for The Apprentice, for which he plays Trump during the beginning of his real estate business. Unsurprisingly, Trump didn’t like the film because he wasn’t portrayed in a positive light.

    A Raw, Emotional Performance

    Sebastian Stan indeed gives an authentic performance, but his performance in A Different Man was perhaps even better. He even won the Golden Globe for Best Performance by a Male Actor in a Motion Picture, Musical or Comedy. Stan plays Edward, a facially disfigured man who shies away from the world in fear of judgement, who eventually agrees to an experimental medical procedure that “cures” the imperfections on his face. Of course, becoming conventionally attractive does not solve his problems or rid him of his inner demons. Stan’s performance is raw and emotional, showcasing his range as an actor. It’s not the type of film audiences are used to seeing him in, and the fact that he nails the role makes it even more satisfying.

    Best Supporting Actor: Denzel Washington in ‘Gladiator II’ Close

    One of the most exciting surprises from the Oscar nominations announcement was that Kieran Culkin was nominated for Best Supporting Actor for A Real Pain. He was wonderful in the film, and he is once again in competition with his former Succession co-star, Jeremy Strong, who was nominated for The Apprentice. Yura Borisov was nominated for Anora, Edward Norton for A Complete Unknown, and Guy Pearce for The Brutalist. Culkin won Best Supporting Actor in Any Motion Picture at the Golden Globes, which could be an indicator that he is likely to win the Oscar, which we would be happy to see.

    A Hollywood Vet Snubbed

    It is a bit surprising that Denzel Washington was not nominated for Ridley Scott’s Gladiator II. He seemed to be the standout to most fans of the film. He is an actor that always gives a strong performance no matter what the project is, so he seemed likely to be nominated. It is clear that Washington had a blast playing Macrinus, a former slave willing to do whatever it takes to gain control of Rome. Audiences love him, Hollywood loves him, and he played Macrinus perhaps better than anyone could have, so the snub is a tad shocking.

    Best Original Screenplay: ‘Challengers’ and ‘Strange Darling’ Close

    The nominees for Best Original Screenplay are stacked this year. Anora, The Brutalist, A Real Pain, September 5, and The Substance all received nominations for their outstanding screenplays. The nominations for A Real Pain and The Substance in particular are exciting news for movie fans. It is rare that a horror film, especially a gory body horror film, is recognized by the Academy for its screenplay, so this is a win for the horror genre. Any of these films could win the award, and it would be deserved, but two more films could easily have been added in as well.

    Two Enthralling Screenplays Left Behind

    Challengers getting completely shut out of this year’s Academy Awards is baffling to many film fans, especially when the screenplay was so tight. It is a highly engaging, enthralling screenplay that at times makes the film feel like a thriller because of how fast it gets your heart racing. The characters and their arcs are written to near perfection, the plot points are beautifully detailed, and the third act is jaw-dropping.

    JT Mollner’s screenplay for the horror-thriller Strange Darling could have easily been a contender as well. The film cleverly reveals its twists and turns, keeping the viewer constantly guessing as to what direction the film is actually going. It effortlessly makes you think one thing and then immediately shatters any confidence you had in predicting the narrative’s direction. The use of a non-linear narrative was an incredibly smart creative decision that forces the viewer to stay in detective mode. It’s one of the most engrossing films of 2024.

    Best Original Score: ‘Challengers’ and ‘The Substance’ Close

    A movie would simply not be the same without its score. The score elevates scenes, emphasizes specific moments, and can even indicate what will happen next. Music is essential to filmmaking as they go hand in hand. The nominees for this year’s Best Original Score include The Brutalist, Conclave, Emilia Perez, Wicked, and The Wild Robot. Wicked undoubtedly has an excellent score and is deserving of its spot here. The inclusion of Emilia Perez is, once again, being met with criticism on social media. Nevertheless, it is baffling that Trent Reznor and Atticus Ross’ infectious score for Challengers was not nominated in the Original Score category, a category many believed the film would easily secure a nod for.

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    The score for Challengers is undoubtedly one of the best of last year, if not the best. It’s sort of unbelievable that the film, at the very least, didn’t secure a nomination in this category. The pulsating techno-house score is vibrant and addicting. Each use of the score in the film enhances the scenes it’s used in. Similarly, the score by Raffertie for The Substance is equally as heart-pounding. Specifically, in the scenes with Elisabeth’s counterpart Sue, the score pulsates through your veins and creates anticipation for what’s to happen next. Both of these scores are some of the best musical works of the 2020s so far and should have received nominations.

  • Trevor Noah Opens Grammys With Tribute to Those Impacted by LA Fires: ‘The Spirit of the City Has Emerged’

    Trevor Noah Opens Grammys With Tribute to Those Impacted by LA Fires: ‘The Spirit of the City Has Emerged’

    “Just a few weeks ago, we weren’t sure tonight that this show would event happen … Due to the heroic efforts of the firefighter, the firs have now been contained,” host Trevor Noah says

    Trevor Noah paid tribute to those impacted by the fires and surprised the audience with a performance by several artists, including John Legend and rock group Dawes, to open the 2025 Grammy Awards.

    “This city has just been through one of the largest natural disasters in American history. Tens of thousands of people have lost their homes. Entire neighborhoods have been erased, schools, local businesses and entire communities have burned to the ground,” Noah said as he opens the ceremony from the Crypto.com arena in Los Angeles. “Thankfully, due to the heroic efforts of firefighters, the fires have now been contained, and despite all the devastation, the spirits of the city has emerged. Neighbors who had never spoken before are helping each other.”

    The Los Angeles fires, which started up the morning of Jan. 7 in the Pacific Palisades. Over the course of a few weeks, the blaze ravaged through 23, 338 acres, and has is now at 100% containment, per NBC News.

    Noah continued: “So to kick off tonight’s show in a really special way, allow me to tell you about a band that has LA in their DNA. Taylor and Griffin Goldsmith are two brothers born and raised in the city who make up the band Dawes. They, like so many others, have lost so much in these fires. Griffin’s home, their childhood home, their home music studio, and almost all of their instruments. But despite their tragic loss, doors have helped raise money for nearly 100 other families also affected by the disaster, and they truly epitomize the unique spirit that we are seeing in LA right now.”

    Noah then introduced a performance of Randy Newman’s “I Love LA” by Dawes backed by Brittany Howard, St. Vincent, John Legend and Sheryl Crow.