Category: Uncategorized

  • Kai Cenat Will Be Streaming at the Grammys

    Kai Cenat Will Be Streaming at the Grammys

    Amouranth Overtaken as Top Female Streamer by Emerging Twitch Star

    Summary

    Kai Cenat has confirmed that he will be streaming live from the Grammys during the annual music awards ceremony. Kai teased guest appearances from several celebrities and musical acts in attendance for his special Grammys stream. Kai Cenat has featured a wide variety of celebrities and musicians on his streams, with names like Nicki Minaj and Snoop Dogg guest-starring.

    Popular Twitch streamer Kai Cenat has revealed he will be streaming live from the Grammys, with the streamer reportedly gaining access to feature other celebrities on-stream. Kai Cenat has grown into one of the biggest sensations on the Amazon-owned streaming platform throughout recent years, smashing through records on Twitch and expanding his brand beyond streaming. Kai Cenat has often featured well-known internet personalities and celebrities on his streams, including popular musical artists like Chris Brown and Snoop Dogg among others. Now, Kai Cenat is taking his celebrity streams to the next level.

    Kai Cenat has often looked to push the boundaries of his position on Twitch, striving for even greater heights with his content. Kai’s “Mafiathon 2” subathon made waves throughout the internet for the hype built surrounding the event and the multitude of high-profile guests featured during the stream. Mafiathon 2 also saw Kai Cenat break the record for the highest subscriber count on Twitch, with the beloved personality achieving over 150,000 paid subscribers during the livestream. Kai Cenat is now gearing up to bring his personality and streaming talents to one of the biggest events in music.

    Related

    Kai Cenat Girlfriend Revealed

    Renowned Twitch streamer Kai Cenat officially confirms his relationship, putting an end to the speculation surrounding his love life.

    Posts 1

    Kai Cenat officially announced his newest big event on Twitch during a recent stream, confirming he will be taking a trip to the Grammys. Kai confirmed that the Grammys had recently reached out to him with the offer to stream during the annual music event, confirming they would allow him to stream “whatever he wants.” The streamer expressed his own excitement at the potential to bring his fans the “real feel” of attending the awards ceremony, mingling with some of modern music’s biggest names. The 67th annual Grammy Awards will be held at 8 PM EST on February 2nd.

    Kai Cenat Will Stream at the Grammys

    Kai Cenat’s role in streaming the Grammy Awards will come as the popular streamer has already become familiar with several big musical acts expected to be in attendance. Nicki Minaj appeared as a guest during Kai Cenat’s previously-mentioned Mafiathon 2 stream, breaking Twitch records during her appearance. Kai Cenat has also interacted with R&B singer SZA, who is nominated for both “Best R&B Performance” and “Best R&B Song” for “Saturn.” It was not confirmed whether Kai Cenat would appear at all during the main event for the Grammys.

    Close

    Kai Cenat has never been far from the spotlight on Twitch throughout his tenure as one of the platform’s biggest streamers. Kai revealed late last year that he had rejected a substantial offer from competitor platform Kick worth $60 million following his first subathon, feeling that Twitch was the right platform for him. Kai Cenat’s on-stream antics have also often gotten him in hot water, with Kai nearly starting a major fire while setting off a firework inside during a recent stream. Kai Cenat’s role with the Grammys is sure to entertain fans while giving a closer look at the auspicious awards ceremony.

  • Kanye West’s Wife Bianca Censori Nakedly Shocks Grammys in Nude ‘Outfit’ as Couple Flashes Through Red Carpet

    Kanye West’s Wife Bianca Censori Nakedly Shocks Grammys in Nude ‘Outfit’ as Couple Flashes Through Red Carpet

    Kanye West and his wife Bianca Censori easily had the biggest red carpet reveal at the 67th Annual Grammy Awards in Los Angeles on Sunday when Censori dropped her fur coat to reveal literally everything underneath.

    The couple walked up to have their photos taken on the red carpet at the Crypto.com Arena ahead of the awards ceremony, with Kanye in all black and sunglasses, and Bianca wearing a floor-length fur coat.

    As they posed for the cameras, 30-year-old Bianca turned her back toward the onlookers before sliding the coat back off her shoulders and to the floor to reveal an entirely see-through slip dress, with apparently nothing on beneath it.

    This is censored but viewer discretion is nevertheless advised.

    They posed for about two minutes, with Censori parading back and forth, before walking off camera.

    Page Six reports the stunt was intended to “to replicate the album cover of ‘Vultures,’” a 2024 album cover with Censori in a similar pose and lack of attire.

    And while that outlet and others are reporting from sources that Censori and West were escorted off the premises by police, a source at the Grammy Awards speaking to Variety anonymously said that story is not true.

    Many commenters on social media have described this and other pubic nudity by Censori as a deliberate degradation or “humiliation ritual” imposed by West on his wife, while others have described both of them as attention-seekers. And although others suggested Censori had certain areas covered, that does not appear to be the case in the uncensored footage.

    Still others are questioning whether the stunt violated California law regarding public indecency.

    The ploy that nobody expected and even fewer seemingly wanted drew almost no positive reactions in media or online. West has become a virtual pariah in entertainment and politics over his grotesque and public anti-Semitism and embrace of Nazism among other gross and offensive acts in the last several years.

  • Justin Baldoni Just Published 2 Years Worth Of ‘It Ends With Us’ Messages As Blake Lively Feud Unfolds

    Justin Baldoni Just Published 2 Years Worth Of ‘It Ends With Us’ Messages As Blake Lively Feud Unfolds

    Here’s everything we know about Justin Baldoni’s website amid his legal battle with It Ends With Us costar Blake Lively.

    Justin Baldoni’s website features more information on what led to his legal battle with Blake Lively.

    Justin Baldoni’s new website, called TheLawsuitInfo.com, features two options on its homepage: the Amended Complaint against Blake Lively and Ryan Reynolds and a Timeline of Relevant Events, which begins with Justin emailing author Colleen Hoover about an It Ends With Us adaptation on January 1, 2019.

    A text exchange on February 9, 2023 between the two actors features Blake, who gave birth to fourth baby Olin that same month, thanked Justin for his friendship. “Thank you for the friendship side,” she said in a text, to which he replied, “For real I was worried about you — that’s so much to hold. I’m really happy for you. I bet you feel 1000 lbs lighter.”

    “Only 20 to go,” she responded. Justin disliked the message, and later encouraged Blake when she asked about saving their intimate scenes for the end of filming.

    “I want you to know, you will look amazing. Anything you are insecure about we will talk through and get creative together and make you comfortable,” he says in a February 17 text. “I just don’t want you to stress about your body. It’s the last thing you need. As soon as I have a rough schedule that’s even remotely accurate I’ll share and I’ll make sure the team keeps this in mind as well.”

    The timeline continues with dozens of additional text exchanges, from talking to Ryan Reynolds about arranging filming schedules to accommodate his daughters (which ends with “I happen to adore you Justin,” FYI) to sending Blake Lively recommendations for getting over strep throat.

  • Doechii’s rousing best rap album acceptance speech is making fans emotional. Here’s why

    Doechii’s rousing best rap album acceptance speech is making fans emotional. Here’s why

    “You are exactly who you need to be, to be right where you are, and I am a testimony,” she said.

    Doechii gave a speech for the ages when she won the Grammy Award for best rap album for “Alligator Bites Never Heal.”

    Clearly moved, she fought back tears as she got onstage to accept the award, pointing out to a raucous crowd that only three women have it since it was introduced in 1989: Lauryn Hill, Cardi B and herself.

    “I put my heart and my soul into this mixtape. I’ve bared my life. I went through so much. I dedicated myself to sobriety and Gold told me that I would be rewarded and that he would show me just how good it can get,” she said as choked up.

    “I need to thank my beautiful mother for coaching me,” she said, as her mother, standing behind her onstage, walked over to her while they held hands.

    The “What It Is (Block Boy)” singer also took a moment to reflect.

    “There are so many people out there who probably don’t know who I am. I call myself the ‘swamp princess’ because I’m from Tampa, Florida,” she said before encouraging record labels to find talent in that city.

    Doechii also used the opportunity to inspire others.

    “I know that there is some Black girl out there, so many Black women out there that are watching me right now and I want to tell you: You can do it. Anything is possible. Anything is possible,” she said, as she whipped the crowd into a frenzy before she ended on a note of inspiration that led to a standing ovation.

    “Don’t allow anybody to project any stereotypes on you, that tell you that you can’t be here, that you’re too dark or that you’re not smart enough or that you’re too dramatic or you’re too loud. You are exactly who you need to be, to be right where you are, and I am a testimony. Praise God!”

  • The Oscars: Movies That Got 10+ Nominations but Only Won One Academy Award

    The Oscars: Movies That Got 10+ Nominations but Only Won One Academy Award

    The Oscars have a crazy history of movies getting a bunch of Academy Awards nominations, only to end up with one win.

    Conventional wisdom suggests that, if you get a slew of Oscar nominations, you’re bound to also sweep the eventual awards show in terms of wins. Just look at Titanic securing 11 Oscar wins after getting 14 Oscar nominations, or The Lord of the Rings: The Return of the King winning all 11 of the Oscars it was nominated for. Don’t forget about Forrest Gump securing six Oscar wins after grabbing 13 nominations or Ben-Hur winning 11 of the 12 Oscars it was nominated for. Typically, a multitude of Oscar nominations is a surefire harbinger of also getting a ton of Oscar wins.

    However, what about those rare features that got ten or more Oscar nominations but only ended up winning a single Oscar? This is a rare phenomenon in which a movie has enough love to get into double-digit Oscar nominee territory, yet not quite enough momentum to win more than a solitary Oscar. The films that have experienced this phenomenon over the years vary wildly in genre and tone. However, they’re all bound together by how many Oscars they ended up winning after dominating the nominations.

    Ever since he headlined 1967’s The Graduate (which won Mike Nichols the Best Director Oscar), Hoffman was constantly associated with award season darlings, including the Best Picture winner Kramer vs. Kramer. The 1982 Sydney Pollack feature Tootsie continued this trend with a whopping ten nominations, including ones for Best Actor, Best Director and Best Picture. Tootsie also scored two Best Supporting Actress nominations for Teri Garr and Jessica Lange, The latter performer was victorious in the category that year, in the process securing Tootsie its sole Oscar win despite so many nominations. Not even Hoffman’s presence could get it more victories!

    A disaster movie scoring 10 Oscar nominations? Trying to comprehend modern equivalents to Airport like San Andreas or Moonfall getting so much Oscar love is impossible, but back at the dawn of the 1970s, this disaster movie hit did indeed get 10 Oscar nods. That included a Best Picture nomination and two Best Supporting Actress nominations. It was in the latter category that theatre legend Helen Hayes won Airport’s sole Oscar. Though Airport dominated in the technical categories in terms of nominations, war movies like Tora! Tora! Tora! and Patton ended up coming out on top in wins.

    Giant was an appropriate name for this George Stevens epic, considering its eventually enormous pop culture reputation even beyond being James Dean’s last star vehicle. Even back in the day, Giant was acclaimed enough to secure ten Oscar nominations. It would only win one, though it was in the Best Director category for George Stevens. This marked the second Best Director Oscar win for the legendary filmmaker, putting him among the esteemed few individuals to win multiple Best Director Oscars.

    Olivia Colman’s shock and awe at winning the Best Actress Oscar for The Favourite resulted in one of the all-time great Oscar acceptance speeches. It was also a victory that marked the only Oscar win for this Yorgos Lanthimos directorial effort that fateful night despite this unorthodox take on the period piece costume drama scoring ten Oscar nominations. At the 91st Academy Awards, the technical categories, where The Favourite could’ve secured more love, were dominated by Black Panther’s achievements. At least Colman gave a speech for the ages!

    Arriving at the end of 1969, the historical drama Anne of the Thousand Days was an anachronism, a weird throwback movie in a year dominated by transgressive post-Hays Code films like Bob & Carol & Ted & Alice, Midnight Cowboy, and Easy Rider. It received negative reviews from critics, but still scored ten Oscar nominations at the 42nd Academy Awards. Though it got nominated in Best Picture and three of the four acting categories, its only win would be in Best Costume Design.

    Today, Mr. Smith Goes to Washington is one of the famous American movies of the 1930s. Its climactic filibuster scene is still referenced in modern media and Jimmy Stewart’s performance endures adorned with reverence. It’s not surprising to hear that it secured 11 Oscar nominations back in the day. However, competing with Oscar juggernauts The Wizard of Oz and Gone with the Wind, Mr. Smith Goes to Washington couldn’t secure more than one Oscar win. Screenwriter Lewis R. Foster would receive Mr. Smith’s sole Oscar for Best Writing, Original Story, a category that would later be discontinued.

    The Pride of the Yankees, a cinematic homage to Lou Gehrig starring Gary Cooper, scored the second-most number of nominations at the 15th Academy Awards with 11 nods, only behind Mrs. Miniver’s 12 nominations. Though that number of nominations seemed to be setting the film to hit countless award season home runs during the eventual ceremony, The Pride of the Yankees only won in Best Editing. At least that was better than striking out entirely after scoring 11 nominations.

    1974’s bleak neo-noir Chinatown was all over the Oscar nominations at the 47th Academy Awards with a towering 11 nominations. Given that it’d won in categories like Best Director or Best Actor at major Oscar precursor ceremonies like the National Society of Film Critics Awards and the BAFTA’s, it wasn’t inconceivable Chinatown could also dominate that year’s Oscars. In the end, it would only win a solitary Oscar in Best Original Screenplay for Robert Towne. The Godfather: Part II, which also scored 11 nods that year, was just unstoppable in key categories like Best Picture and Best Original Dramatic Score. Forget it Jake, it’s the unpredictability of the Oscars!

    1964 historical drama Becket, like so many period pieces full of lavish costumes and sets, had no trouble racking up lots of Oscar nominations. It managed a whopping 12 Oscar nominations at the 37th Academy Awards, though it wasn’t the only feature to hit double-digit Oscar nominations that year. Mary Poppins (13 nominations) and My Fair Lady (12 nominations) would translate their outstanding nomination hauls into five and eight Oscar wins, respectively. Becket, meanwhile, only won in Best Screenplay – Based on Material from Another Medium. This project was also the second of eight times poor Peter O’Toole would lose the Best Actor Oscar category in his esteemed career.

    One of only three movies in history to score 12 or more Oscar nominations yet only win one Academy Award, 1948’s Johnny Belinda did get Jane Wyman a Best Actress statue. This film, about the horrors and lingering trauma after sexual trauma, hinged entirely on Wyman’s performance as the psychologically tormented Belinda MacDonald. This made it unsurprising that she was the sole Oscar winner for the project. Though Johnny Belinda had by far the most Oscar nominations of any movie at the 21st Academy Awards, that year belonged to Hamlet and The Treasure of the Sierra Madre among movies winning multiple Oscars.

    The Power of the Dog saddled up into the 94th Academy Awards with a whopping 12 Oscar nominations, putting it well ahead of any other 2021 feature in overall Oscar nominations. However, once the ceremony got underway, Dune took home various technical category Oscar wins The Power of the Dog could’ve secured. CODA, that year’s Best Picture winner, beat it out in key categories like Best Supporting Actor and Best Adapted Screenplay. The only place The Power of the Dog ended up winning was in the Best Director category. That was a fitting victory given that Dog helmer Jane Campion was the first woman in history to secure multiple Best Director Oscar nominations.

  • Blake Lively and Justin Baldoni’s legal battle intensifies with new lawsuit website, texts and 1st court hearing

    Blake Lively and Justin Baldoni’s legal battle intensifies with new lawsuit website, texts and 1st court hearing

    Lawyers for the feuding former “It Ends With Us” co-stars are in court Feb. 3.

    Attorneys for Blake Lively and Justin Baldoni have their first court hearing on Feb. 3 for the It Ends With Us drama, but that’s just one of several new developments in the case.

    Over the weekend, Baldoni’s legal team filed an amended lawsuit against Lively, who he’s suing for $400 million, alongside her husband, Ryan Reynolds, for civil extortion, defamation and invasion of privacy. They also launched a website with documents related to the case.

    Lively initiated the legal battle, first with a complaint and then a lawsuit, alleging that Baldoni sexually harassed her on the set of the 2024 film, which was based on Colleen Hoover’s bestselling novel, and then launched a smear campaign against her when she spoke up. Baldoni directed the film and played Lively’s love interest.

    Neither Lively nor Baldoni is expected to be present for the hearing, according to CNN.

    New York federal Judge Lewis J. Liman told both sides to be prepared to address complaints about attorney conduct and pretrial publicity, with the possibility that a gag order might be imposed. Lively’s lawyers have accused Baldoni’s attorney, Bryan Freedman, of making “misleading and selective” public statements about Lively in a public PR campaign, which could taint a jury pool. Baldoni’s legal team accused Lively of a publicity campaign that left him and other defendants the “objects of public scorn and contempt.”

    Another issue due to be discussed is when Lively will be deposed. Baldoni’s team said they wanted it to be as soon as possible but claimed her lawyers indicated she wouldn’t agree to have her deposition conducted by Freedman, because of “unspecified statements” he had made.

    Lively and Baldoni’s lawsuits against each other will likely be combined into one case for trial, which is expected to begin in March 2026. However, attorneys for Lively and Reynolds indicated that they intend to file a motion to dismiss Baldoni’s lawsuit.

    On Jan. 31, Baldoni’s lawyers filed a 224-page amended lawsuit against Lively, Reynolds, the New York Times and Lively’s publicist Leslie Sloane, alleging that they colluded to smear him.

    Freedman said in a statement to Variety, “This fresh evidence corroborates what we knew all along, that due to purely egotistical reasons Ms. Lively and her entire team colluded for months to destroy reputations through a complex web of lies, false accusations and the manipulation of illicitly received communications.”

    The new allegations include the claim that the New York Times had access to Lively’s civil rights complaint, which outlined her sexual harassment allegations, before it was filed on Dec. 20, for the story it published on Dec. 21. Baldoni’s attorneys said metadata discovered by online readers showed that a “message-embed-generator” used in the article to display text messages sent by Baldoni and his publicity team “referred to a date of ‘2024-10-31.’” They claim the PDF of the complaint was uploaded on Dec. 10 and a video accompanying the story was finalized on Dec. 12, per metadata.

    A spokesperson for the New York Times denied to TMZ that the outlet “had early access to Ms. Lively’s state civil rights complaint.” They said the date was generated by Google software and was unrelated to the date when the outlet received it. “Baldoni’s lawyers base[d] their erroneous claim on postings by amateur internet sleuths, who, not surprisingly, are wrong,” the statement said.

    Another addition to the amended complaint was the allegation about Reynolds allegedly mocking Baldoni with his Deadpool & Wolverine character Nicepool. The lawsuit claims the scene was shot in January 2024, after Baldoni alleged he was called to Lively and Reynolds’s penthouse, where Lively read him a list of grievances and Reynolds allegedly berated Baldoni.

    “Reynolds portrayed Nicepool as a vicious caricature of a ‘woke’ feminist before concluding the character’s arc with his violent shooting death at the hands of ‘Ladypool,’ a character voiced by Blake Lively,” Baldoni’s lawsuit stated. It also claimed Nicepool “intended to be a transparent and mocking portrayal of Reynolds’s warped perception of Baldoni.”

    The members of Baldoni’s legal team said they planned to publicly share documents related to the case on a dedicated website aimed at defending the filmmaker against Lively’s allegations, and followed through on Friday.

    The website, titled Lawsuit Info, has the amended complaint as well as a 168-page “Timeline of Relevant Events” related to the dispute and the film’s production. It begins with an email from Baldoni to Hoover on Jan. 1, 2019, about the It Ends With Us book, and ends with the claim about the New York Times metadata on Jan. 29, 2025.

    Included were previously unseen — and unverified — text messages, including one Lively sent to Baldoni in April 2023 discussing a rewrite of the movie’s rooftop scene.

    “if you knew me (in person) longer you’d have a sense of how flirty and yummy the ball busting will play. It’s my love language. Spicy and playfully bold, never with teeth….,” she allegedly texted Baldoni.

    Another was purportedly sent from Reynolds to Baldoni in February 2023, saying how excited he was for Lively to work with Baldoni.

    “I’m excited for Blake to crack open her creative piggy bank with someone as dynamic as you. This is gonna be INCREDIBLE. I happen to adore you, Justin,” Reynolds allegedly wrote.

    Baldoni, who claimed he was steamrolled by Lively in a bid for creative control of the film, also claimed the actress declined to meet with the intimacy coordinator for the film. He shared notes from that meeting.

    “These notes would later become the basis for Lively’s Complaint, in which she states that Baldoni would talk about his own sex life and insert gratuitous scenes with Lively’s character orgasming,” Baldoni’s timeline stated. “As seen in the notes, these mentions come directly from the intimacy coordinator’s notes. … Ideally, these conversations would have taken place directly between Lively and the intimacy coordinator directly, as Baldoni had requested; however, Lively declined to meet with her.”

    Baldoni also claimed Reynolds had him fired from their mutual agency, WME, which WME has denied. The timeline on the website states that Baldoni’s production company was “informed that Reynolds contacted Baldoni’s personal agent at WME” on July 15, 2024, and called Baldoni “a ‘deranged predator.’” It also claimed that Reynolds “approached a senior executive at WME” at the Deadpool & Wolverine premiere after-party on July 22 and said, “the agency is working with a ‘sexual predator.’”

    Baldoni also published on the website a statement he claimed Lively and Reynolds demanded that he release in August 2024. This was around the time of the premiere, as rumors ran rampant of infighting between the co-stars. Baldoni said he refused to issue the statement.

    “It Ends With Us was a troubled production which we take full accountability for,” the alleged statement ran. “We are very sorry to everyone we caused upset to privately and publicly. Blake Lively, Colleen Hoover, the entire cast and crew led with professionalism every step of the way, any negativity aimed at them is ours to own. We mutually agreed that the cast would be promoting the film separately and understood why.”

    The website launch followed the release by Baldoni’s team of a 10-minute clip of a slow-dancing scene Baldoni and Lively shot for the film. Baldoni also included some texts in his lawsuits against the NYT and Lively.

    Lively’s initial lawsuit against Baldoni also included texts. Baldoni asserted that he was smeared by the news outlet and Lively because they took texts that he had sent and reported them out of context.

    With multiple lawsuits and even more plaintiffs, here’s a quick guide to the legal battle…

    Aug. 9, 2024: It Ends With Us hits theaters. Ahead of its release, there were rumors of a feud between the director-actor and actress.

    Dec. 20, 2024: Lively files a sexual harassment complaint against Baldoni with the California Civil Rights Department.

    Dec. 21, 2024: The New York Times story, “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine” comes out with texts purportedly showing Baldoni’s alleged campaign to tarnish Lively’s reputation after she accused him of misconduct.

    Dec. 31, 2024: Lively officially files a federal lawsuit against Baldoni, his Wayfarer Studios and his publicists, alleging she was retaliated against for reporting the misconduct.

    Baldoni and his publicists file a $250 million lawsuit against the New York Times for libel over the article.

    Jan. 16, 2024: Baldoni countersues Lively, Reynolds and her publicist for $400 million, accusing them of defamation.

    Jan. 31, 2024: Baldoni files an amended complaint against Lively, Reynolds, her publicist and the New York Times and launches his lawsuit website.

  • When Do Beyoncé’s ‘Cowboy Carter Tour’ Tickets Go On Sale?

    When Do Beyoncé’s ‘Cowboy Carter Tour’ Tickets Go On Sale?

    After taking home Album of the Year at the 67th Annual Grammy Awards, Beyoncé has released tour dates and ticket details for her highly anticipated “Cowboy Carter Tour.” Read on for everything you need to know, including how to register for the multiple presales.

    On Feb. 2, the “Texas Hold ‘Em” singer officially announced her “Cowboy Carter Tour” with a video on Instagram. Shortly after she made history at the Grammys with her Country Album wins, Beyoncé dropped the official tour dates and captioned the post, “SHE COMING.”

    The 22-show tour commences in April with a four-night stint at Los Angeles’ SoFi Stadium. From there, she’ll perform two nights in Chicago, four in East Rutherford, four in London, two in Paris, two in Houston, and two in Washington, D.C. The tour wraps up with a two-night run in Atlanta on July 11.

    Tickets for Beyoncé’s “Cowboy Carter Tour” go on sale starting Feb. 11 at 12 p.m. with the BeyHive Presale. The following day, on Feb. 12, fans can access tickets through the Artist Presale, Citi and Verizon Presales in the U.S., and the Mastercard Presale in the U.K. and France. Keep reading for all the details.

    The BeyHive presale will begin Feb. 11 at 12 p.m. According to the singer’s website, current Beyoncé.com subscribers will receive BeyHive pre-sale details via email. Those not subscribed by Feb. 3 can sign up here for other ticket sales.

    An Artist Presale will also take place on Feb. 12 at 12 p.m until Feb. 13 at 10 p.m. local time. Fans can sign up for the artist presale now until Feb. 6 at 8 a.m. ET. You can sign up here for the U.S. and U.K. shows, and here for the Paris shows.

    Additionally, there will also be Citi and Verizon presales in the U.S. and a Mastercard Presale in the U.K and France.

    Travel packages through Vibee will also be available starting Feb. 11, 2025, at 12 p.m. local time. These packages include premium tickets, two-night hotel accommodations, and more. The Concert & VIP Hotel Experience starts at $1,119 per person, while the Concert & Signature Hotel Experience starts at $689 per person.

    The “Cowboy Carter Tour” General Sale will begin on Feb. 14 at 12 p.m. local time on beyonce.com.

    Beyoncé’s “Cowboy Carter Tour” kicks off on April 28 in Los Angeles at SoFi Stadium. Check out the full tour schedule below.

    Beyoncé released her acclaimed country album Cowboy Carter on March 29, 2024. The Billboard 200 No. 1 album features more than two dozen tracks and a diverse lineup of collaborators, including Dolly Parton, Miley Cyrus, Linda Martell, and Post Malone.

    The “Cowboy Carter Tour” follows the singer’s successful Renaissance Tour, which ran from May 10 to Oct. 1, 2023, and grossed over half a billion dollars. The tour was later turned into a concert film, Renaissance: A Film by Beyoncé, which premiered in theaters on Dec. 1, 2023.

  • The Weeknd’s boycott of Grammys ends in shocking performance with Playboi Carti

    The Weeknd’s boycott of Grammys ends in shocking performance with Playboi Carti

    Toronto megastar The Weeknd shocked the crowd at the 2025 Grammy Awards, ending his years-long boycott of the music industry awards show with a surprise performance alongside Playboi Carti.

    The Weeknd took the stage on Sunday night’s 67th Annual Grammy Awards with performances of “Cry for Me” and “Timeless” featuring Playboi Carti, who will be touring alongside the Toronto-born artist.

    The Weeknd had been boycotting the annual music awards show since 2021, when he publicly rebuked the Recording Academy and vowed not to participate in the Grammys after his 2020 album After Hours was snubbed.

    So, naturally, it came as a bit of a shock to the star-studded crowd at the Crypto.com Arena in Los Angeles when Recording Academy CEO Harvey Mason Jr. came out to acknowledge and apologize for The Weeknd’s concerns about representation in the music industry, and personally introduced the platinum-certified artist.

    Mason explained that the Academy has “changed” since the famous snub, noting that “We’ve launched initiatives like the Black Music Collective, Women in the Mix, Academy Proud, and others.”

    “We have completely re-made our membership, adding more than 3,000 women voting members. The Grammy electorate is now younger, nearly 40 per cent people of colour, and 66 per cent of our members are new since we started our transformation.”

    The Weeknd dazzled the celebrity-packed crowd with a dramatic performance featuring impressive lighting and choreography featuring dozens of dancers.

    The artist was also nominated in the “Best Melodic Rap Performance” category for his appearance on Future’s “We Still Don’t Trust You” alongside Metro Boomin, though the award went to “3:AM” – Rapsody featuring Erykah Badu.

  • Why Diddy was secretly taken to a New York Hospital for a scan – Face2Face Africa

    Why Diddy was secretly taken to a New York Hospital for a scan – Face2Face Africa

    Embattled music executive Sean “Diddy” Combs was reportedly sneaked into a Brooklyn hospital from jail to undergo an MRI scan on his knee.

    A source told Page Six that Combs, who is being held at the Metropolitan Detention Center in Brooklyn, was transported to the Brooklyn Hospital on Thursday night for the procedure. The source said Combs, 55, started experiencing knee issues after he partook in the New York Marathon, adding that authorities gave the green light for him to undergo the scan because he was having problems with his knee .

    The source also explained that Combs was transported to the hospital late at night because officials did not want fellow inmates or prison staffers to make assumptions among themselves. Combs was returned to jail after the scan, and he did not spend the night at the medical facility, the New York Post reported.

    “For privacy, safety, and security reasons we do not comment on the conditions of confinement for anyone in our custody to include medical status or medical trips,” a Bureau of Prisons spokesperson told the news outlet.

    READ ALSO: ‘You can’t be serious’ – Shyne touches on when Diddy only offered him $50K after his prison stint

    Combs’ attorney, Marc Agnifilo, also told TMZ that he could not “comment on anything related to prisoner movements.” “Also, I’m not commenting on anything related to possible medical issues,” he added.

    As previously reported by Face2Face Africa, Combs was arrested by federal agents on September 16 and charged with sex trafficking, racketeering conspiracy, and transportation to engage in prostitution. Combs, who entered a not-guilty plea, is being held without bail at the Metropolitan Detention Center in Brooklyn. His trial date has been set for May 5, 2025. But the Bad Boy Records founder is additionally facing multiple sexual assault lawsuits.

    The embattled music executive’s legal woes started after CNN shared a video of him assaulting his ex-girlfriend Cassie Ventura at a Los Angeles hotel in 2016. The rapper and music executive had initially denied allegations of rape and abuse from Cassie. But he later issued an apology on social media after the circulation of the video.

    Combs and Cassie started dating in 2007 and had an on-and-off relationship for over 10 years. The American music mogul signed Cassie to his label in 2005 when she was 19 and he was 37.

    And Cassie, now 38, initially filed a lawsuit in New York federal court alleging that Combs brought her into his “ostentatious, fast-paced, and drug-fueled lifestyle” after she met him. The lawsuit further alleged that Combs was “prone to uncontrollable rage” and physically abused her during their relationship including punching, beating, kicking, and stomping on her.

    It alleged that Combs urged Cassie to use drugs and forced her to have sex with other men while he masturbated and filmed. The lawsuit was later dismissed after both parties reached an undisclosed settlement.

  • Whoa…Why Was Diddy Hospitalized Over the Weekend?

    Whoa…Why Was Diddy Hospitalized Over the Weekend?

    You might be wondering what kind of shape Sean “Diddy” Combs is in after a few months of being stuck inside federal jail. Our latest update comes from an emergency hospital trip sources say he took last night.

    Sources tell The New York Post that Combs was transported from Metropolitan Detention Center Brooklyn to the hospital around 10 p.m. Sunday night. The sources say his knee was bothering him. Medical staff ordered him to an MRI scan given the rapper’s alleged “long history of knee issues.” The issues began after Combs ran the New York Marathon, the report says.

    Luckily, Combs was released from the hospital following the scan and was transported back to the jail. This is out latest update on how the rapper has been holding up since being detained. Following a December court hearing, Law&Crime reporter Elizabeth Millner said the rapper appeared “grayer.”

    “He appeared just astonishingly thinner, which you can expect [being] inside a federal detention center for a couple of months now,” Millner said. “A lot different from the luxury lifestyle that he was living before, but he appeared very noticeably thinner and maybe being locked up in detention is starting to wear on him.”

    In September 2024, the 55-year-old rap mogul was arrested in Manhattan by federal authorities, six months after they raided his two homes in Los Angeles and Miami. He’s since been charged with racketeering conspiracy, sex trafficking and engaging in interstate transportation for prostitution. The allegations against Combs include sexual abuse, physical abuse, bribery and various drug offenses against at least three victims.

    The most notable claims stem from his so-called “freak off” sex parties, where prosecutors allege women and men were drugged and forced to perform sexual acts at Combs’ pleasure. He was also accused of using video footage to blackmail the victims into compliance.

    These allegations were first brought forth by ex-girlfriend and Bad Boy Records signee Casandra “Cassie” Ventura in a civil suit that accused him of sex trafficking, human trafficking, sexual battery, sexual assault, and other allegations. Combs quickly settled the suit within 24 hours, but lawsuits from other associates have quickly followed in the months since. Most recently, Houston attorney Tony Buzbee announced he’s representing over 100 plaintiffs who came forward with claims of rape, sexual exploitation and sexual assault against the rapper.

    While many of the suits since 2023 have been civil, this federal case has Combs facing criminal charges. He has pleaded not guilty, and was denied bail. His trial is scheduled for May 2025.

    As we wait for more developments check out our previous coverage on Combs’ case: