Category: Uncategorized

  • Serena Williams Surprises the Super Bowl Halftime Show in Her Tennis Staples

    Serena Williams Surprises the Super Bowl Halftime Show in Her Tennis Staples

    Serena Williams just made her Super Bowl 2025 debut — as a surprise halftime show performer, that is.

    The tennis legend briefly joined Pulitzer Prize-winning rapper Kendrick Lamar toward the end of his historic 15-minute set, appearing onstage in a cropped cobalt blue jacket, white crop top, and pleated skirt — all staples of her history-making tennis fashion as a Grand Slam champion. A stack of diamond necklaces, including a heart shaped pendant, glistened under the lights of the Caesar’s Superdome in New Orleans above her white top. And while the last time she appeared in a major stadium came with tricked-out Nike sneakers, she opted for classic blue high-tops this time around.

    Williams’s cameo in the political performance lasted for the blink of an eye, but it made an impact. She crip walked to “Not Like Us,” Lamar’s Grammy-winning diss track about the rapper Drake. Fans online speculated Williams had reason to take Lamar’s side in their ongoing beef. She and Drake were rumored to have dated in the mid-2000s; late last year, Page Six reported his song “Too Good” was written about her. Lamar then referenced the song in “Not Like Us,” rapping, “From Alondra down to Central — better not speak on Serena.”

    The tennis star had already made her appreciation for the track clear at another event. Hosting the ESPY Awards in 2024, she danced to “Not Like Us” several times during her opening monologue.

    Of course, the duo has a connection beyond any mutual dislike of Drake. Both are proud Los Angeles natives from the neighborhood of Compton.

    Cobalt blue tennis separates were part of a bigger picture on the Super Bowl halftime stage. All of the performers wore red, white, and blue — the colors of the American flag — to underscore Lamar’s lyrics critiquing American politics and culture throughout the set. (Exact credits for Williams’s look were not available at press time.) Other notable cameos included SZA (performing “All the Stars” in a lace-up red leather outfit) and Samuel L. Jackson (playing the role of Uncle Sam, narrating the show).

    While Williams has made history on several world stages, her Super Bowl cameo offered an opportunity the pro tennis circuit never could. During her competition days, as X (formerly Twitter) user @notdanilu noted, the GOAT was lambasted in the media for crip-walking after a win at Wimbledon. Her performance was her way of reclaiming it boldly (and in a look similar to what she wore back then.)

  • Green Day-Inspired Comedy Movie in the Works From Live Nation Productions (EXCLUSIVE)

    Green Day-Inspired Comedy Movie in the Works From Live Nation Productions (EXCLUSIVE)

    Green Day-Inspired Comedy Movie in the Works From Live Nation Productions (EXCLUSIVE)

    Ethan Shanfeld

    February 10, 2025 at 8:00 PM

    A comedy movie inspired by (and developed with) Green Day is being produced by Live Nation Productions.

    Titled “New Years Rev,” the film is a coming-of-age story of three friends — played by Mason Thames, Kylr Coffman and Ryan Foust — who journey to Los Angeles, mistakenly believing that their band is opening for Green Day on New Year’s Eve.

    More from Variety

    Billie Joe Armstrong’s Coverups Bring Electric Set to Benefit for Wildfire Relief at Los Angeles’ Troubadour

    Billie Eilish Joins Green Day for Soaring Duet on ‘Last Night on Earth’ to Open FireAid Concerts

    Sabrina Carpenter Registered 35,814 Voters on Tour, Engaged More Voters Through HeadCount Than Any Artist in 2024

    Per the logline, “Their roadtrip is a rowdy and mischievous jaunt across the country filled with adventures, based on the exploits of Green Day and their years of living in a tour van.”

    The film, written and directed by Lee Kirk, also stars “The Office” favorites Jenna Fischer and Angela Kinsey, alongside Ignacio Diaz-Silverio and Keen Ruffalo. Production is underway in Oklahoma.

    “Van days rule. You will drive all night on no sleep then play a show for 10 kids in a basement of a friend of a friend’s house 50 miles east of anywhere you’ve ever heard of,” said Green Day frontman Billie Joe Armstrong in a statement. “But you’ll do it again the next day, and the one after that. Because you’re doing it with your bandmates who become your family and it’s unlike anything you’ve ever known. It’s electric. Let the music and mischief ensue.”

    “New Years Rev” is produced by Tim Perell for Process; Green Day’s Armstrong, Mike Dirnt and Tre Cool; and Stella Bulochnikov for Pat Solitano Productions. Ryan Kroft and Michael Rapino for Live Nation Productions and Jonathan Daniel are executive producers.

    Green Day, the rock trio behind alternative classics like “Basket Case,” “American Idiot” and “Good Riddance (Time of Your Life),” released its latest album, “Saviors” in 2024. The California rockers are set to headline Coachella in April.

    Live Nation Productions is the film and TV arm of Live Nation Entertainment. Its music-inspired projects include the Oscar-winning “A Star Is Born,” “Moonage Daydream,” “Love, Lizzo” and Anderson .Paak’s upcoming scripted feature “K-Pops.”

    Thames is represented by WME and Brillstein Entertainment Partners. Coffman is repped by MAG Talent Agency and Luber Roklin Management. Foust is repped by Paradigm.

    “With incredible guidance from Green Day, ‘New Years Rev’ tells the story of young artists chasing a dream — long nights, endless miles, and the electrifying rush of the stage fueling their journey,” said Kroft, Live Nation Productions’ head of film and TV. “Brought to life by an incredible cast, it’s a tribute to the magic of live music.”

    Best of Variety

    New Movies Out Now in Theaters: What to See This Week

    Grammy Predictions, From Beyoncé to Kendrick Lamar: Who Will Win? Who Should Win?

    What’s Coming to Netflix in February 2025

    Sign up for Variety’s Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

  • Attempted murder trial begins for accused Salman Rushdie attacker | CBC News

    Attempted murder trial begins for accused Salman Rushdie attacker | CBC News

    Salman Rushdie was so stunned when a masked man started to stab him on a stage in western New York that the acclaimed author didn’t even try to fight back, a prosecutor said Monday during opening statements in the suspected attacker’s attempted murder trial.

    Rushdie, 77, is expected to testify during the trial of Hadi Matar in a Chautauqua County court in Mayville, N.Y., bringing the two face-to-face for the first time since the attack that left Rushdie seriously wounded and blind in one eye.

    On the day of the attack in August 2022, the Booker Prize-winning author was seated in an armchair on stage at the Chautauqua Institution Amphitheater, about to present a lecture on keeping writers safe.

    District Attorney Jason Schmidt told jurors the attack was swift and sudden. He said Matar bounded up a staircase to the stage and ran about 30 feet toward Rushdie. As the stabbing began, Rushdie and fellow speaker Henry Reese were so stunned that they initially remained seated.

    “Without hesitation this man holding his knife forcefully and efficiently in its speed, plunged the knife into Mr. Rushdie over and over and over again,” Schmidt said, “stabbing, swinging, slicing into Mr. Rushdie’s head, his throat, his abdomen, his thigh” and a hand the author raised to protect himself.

    “It all happened so fast that even the person under attack, Mr. Rushdie, and the person sitting next to him, Mr. Reese, didn’t register what was happening,” Schmidt said.

    Rushdie eventually got up and ran away with Matar in pursuit and other people subdued the attacker, Schmidt said. Reese, co-founder of City of Asylum, a Pittsburgh-based nonprofit organization that helps writers exiled from their countries for their controversial writing, suffered a gash above his eye.

    Matar, wearing a blue dress shirt, looked on from the defence table during the opening statements, occasionally taking notes. The 27-year-old, a resident of Fairview, N.J., has pleaded not guilty to charges of attempted murder and assault.

    “This is not a case of mistaken identity,” Schmidt said. “Mr. Matar is the person who attacked Mr. Rushdie without provocation.”

    The Indian-born British-American author detailed the attack and his long, painful recovery in a memoir, Knife: Meditations After an Attempted Murder, released last year.

    Rushdie had worried for his safety since his 1989 novel The Satanic Verses, a novel inspired by the life of the prophet Muhammad, which utilized magical realism and received praise from literary critics, was denounced as blasphemous by many Muslims and led to Iran’s Ayatollah Ruhollah Khomeini issuing a fatwa calling for his death.

    Rushdie spent years in hiding, but had travelled freely over the past quarter century after Iran announced it would not enforce the decree.

    The trial is taking place as the 36th anniversary of the fatwa — Feb. 14, 1989 — approaches.

    Matar’s defence faced a challenging start after it was announced that his lawyer, Nathaniel Barone, was hospitalized with an undisclosed illness and would not attend the start of the trial.

    Judge David Foley refused a defence request to postpone opening statements, instead instructing one of Barone’s associates to deliver the defence’s opening statement in his place.

    Assistant public defender Lynn Schaffer told jurors that prosecutors would be unable to prove Matar’s guilt, even using video recordings and photos. She said the case is not as straightforward as the prosecution portrayed.

    “The elements of the crime are more than ‘something really bad happened’ — they’re more defined,” Shaffer said. “Something bad did happen, something very bad did happen, but the district attorney has to prove much more than that.”

    She acknowledged that nearly all the jurors admitted during jury selection that they had heard something about the case.

    “No matter what you knew coming in here, none of that information ever told you why and none of that information that you get from the district attorney is going to tell you why,” she said.

    The trial will last up to two weeks, the lawyers said.

    Matar told investigators he travelled by bus to Chautauqua, about 120 kilometres south of Buffalo. He is believed to have slept on the grounds of the arts and academic retreat the night before the attack.

    In a separate indictment, federal authorities allege Matar was motivated by a terrorist organization’s endorsement of a fatwa, or edict, calling for Rushdie’s death. A later trial on the federal charges — terrorism transcending national boundaries, providing material support to terrorists and attempting to provide material support to a terrorist organization — will be scheduled in U.S. District Court in Buffalo.

    Rushdie has been one of the world’s most celebrated authors since the 1981 publication of Midnight’s Children, winner of the Booker Prize. His other works include the novels Shame and Victory City, which he had completed shortly before the 2022 stabbing, and the 2012 memoir Joseph Anton, in which he wrote about his time in hiding.

    In the federal indictment, authorities allege Matar believed the edict was backed by the Lebanon-based militant group Hezbollah and endorsed in a 2006 speech by the group’s then-leader, Hassan Nasrallah.

  • How to Rewatch the Kendrick Lamar and SZA Super Bowl Halftime Show

    How to Rewatch the Kendrick Lamar and SZA Super Bowl Halftime Show

    The Super Bowl (and all of its iconic commercials) is over for another year, and there’s no way that Kansas City Chiefs fans want to relive their team’s 22-40 loss to the Philadelphia Eagles. But music fans might want to relive Kendrick Lamar’s musical halftime show, since the Super Bowl performance each year is the closest thing we have to a national concert. After the game, the NFL put the 13-plus-minute performance online. Here’s how to rewatch Kendrick Lamar’s Super Bowl 2025 halftime show.

    Here you go! Every year, the NFL is quick to put the performance online on YouTube, so watch away.

    Kendrick Lamar, influential musician, rapper, 20-time Grammy winner and recipient of the 2018 Pulitzer Prize for Music was this year’s halftime show headliner, and he couldn’t have timed it better as far as publicity. The weekend before the Super Bowl, Lamar collected five Grammy Awards, all for his Drake diss track Not Like Us. He won record of the year, song of the year, best music video, best rap song and best rap performance.

    Lamar did indeed perform his controversial 2024 song Not Like Us during the halftime show. You might have heard about it. Drake is suing record label Universal Music Group for defamation and harassment, alleging that the company helped to spread a “false and malicious” narrative about him via the song. While Lamar did perform the song, he didn’t say the word “pedophile,” which is in the lyrics and is at the center of the controversy.

    Actor Samuel L. Jackson, dressed as Uncle Sam, introduced Lamar. Lamar was surrounded by dancers dressed in red, white and blue, who at one point formed a flag on stage. And as expected, Lamar was later joined by his fellow Grammy-winning musician, SZA.

    Tennis superstar Serena Williams also showed up to dance. Why was a tennis star there? Well, both Lamar and Williams were raised in Compton, California (Williams was born in Michigan), and Williams reportedly once dated Drake, so there may have been some trolling going on. (SZA also once dated Drake.)

    Kendrick Lamar and SZA weren’t the only musical performers involved in the Super Bowl, and you can catch up on the other musical performances, too.

    Lady Gaga performed a touching musical tribute to host city New Orleans, which suffered a terrorist attack on New Year’s Day.

    New Orleans’ native Harry Connick Jr. also joined in with a New Orleans tribute, which included the Southern University Human Jukebox Marching Band.

    This sounds weird, but the Super Bowl halftime performers don’t get paid. They do make money thanks to the increased visibility the Super Bowl gives them, since so many people watch, and their mini-concert has a captive audience. Over 100 million people watch, and many of them seek out the artist’s music after hearing it during the game.

    Rihanna performed at the 2023 Super Bowl, and according to The Mirror, her listens on Spotify jumped by 640% after the game. One estimate says her big-game performance was worth $88 million in publicity and interest.

    The Philadelphia Eagles scooped up their second Super Bowl title, beating the Kansas City Chiefs 40-22 in a game that really wasn’t close. The Chiefs, led by quarterback Patrick Mahomes, had high hopes for their third straight Super Bowl title — no team has ever won three in a row. But looks like we’re going to have to keep waiting for the first-ever three-peat.

  • Lil Wayne reveals if he will attend the Super Bowl after controversy

    Lil Wayne reveals if he will attend the Super Bowl after controversy

    Back in September, it was revealed that Kendrick Lamar would be taking center stage at Super Bowl 59’s halftime show, which will be held at the Caesar Superdome in New Orleans. Wayne was very open about his disappointment of not being chosen for the halftime show in his home city.

    “That hurt. It hurt a lot. You know what I’m talking about. It hurt a whole lot,” he said at the time. “I blame myself for not being mentally prepared for a letdown. And for automatically mentally putting myself in that position like somebody told me that was my position. So I blame myself for that. But I thought that was nothing better than that spot and that stage and that platform in my city, so it hurt. It hurt a whole lot.”

    Wayne revealed on his Instagram story Wednesday leading up to the Super Bowl that he would not be attending.

    “Y’all know I’m not going to be there this week,” the rapper said. “Shoutout to New Orleans, but I’ve been working on something very special. I’ve got something exciting coming for you.”

    “Until then? I’m just chillin,’” he said later, revealing that he would have a big surprise for fans this week.

    The rapper surprised fans in a Cetaphil commercial that referenced Wayne’s reaction to not being chosen for the Super Bowl.

    “Sometimes, we all get a Lil Sensitive… and hey, who hasn’t been there? Right, @Cetaphil? Because if you can’t solve your sensitive situation, you can at least soothe your sensitive skin,” the rapper captioned a post on Instagram with the ad.

    At the end of the ad, it was revealed that Wayne would be releasing his highly anticipated Tha Carter VI in June.

    Kendrick Lamar To Headline Super Bowl Halftime Show

    Kendrick will be performing tonight at the Super Bowl and actually referenced Lil Wayne’s reaction to not being chosen on his latest project GNX.

    “I used to bump Tha Carter III, I held my Rollie chain proud/Irony, I think my hard work let Lil Wayne down,” Dot raps on “wacced murals.”

    In anticipation for the Super Bowl, Kendrick spoke to the halftime show sponsor, Apple Music, in a press conference about what fans are to expect.

    “I’ve always been very open about storytelling through all my catalog and my history of music, and I’ve always had a passion about bringing that on whatever stage I’m on,” Lamar said in the press conference on Thursday. “I like to always carry on that sense of mak[ing] people listen, but also [to] see and think a little.”

    “I think a lot of people was putting rap to the back — you didn’t get that grit, you didn’t see that bite anymore,” he explained. “My intent, I think from day one, was to always keep the nature of it as a sport… I love when artists grit [their] teeth. I still watch battle raps … This has always been the core definition of who I am.”

    The Kansas City Chiefs will face the Philadelphia Eagles at the Super Bowl, which will take place at 6:30 ET on FOX.

  • Super Bowl halftime performer ‘banned for life’ from NFL events after waving flags in protest

    Super Bowl halftime performer ‘banned for life’ from NFL events after waving flags in protest

    A performer in Kendrick Lamar’s Super Bowl halftime show was detained after he unfurled a combined Palestinian and Sudanese flag during the performance.

    The NFL confirmed Monday morning to USA TODAY that the person was part of the 400-member field cast and had hidden the flag on himself before the halftime show began Sunday night.

    “No one involved with the production was aware of the individual’s intent,” the league said in a statement. “The individual will banned for life from all NFL stadiums and events.”

    The protester, who has not been identified, was seen displaying the flag after Lamar’s performance of his chart-topping diss track “Not Like Us.” Images and video show that “Sudan” and “Gaza” were written on the white sections of the flags, along with a heart and a solidarity fist.

    Protester with Palestinian, Sudanese flag was halftime show performer

    The individual, who was wearing black sweats matching those on stage, could be seen among dozens of dancers in red, white, blue and black. The now-infamous moment occurred after Lamar’s performance of “Not Like Us” as the rapper launched into his final song, “TV Off.”

    NFL STATS CENTRAL: The latest NFL scores, schedules, odds, stats and more.

    The protester bearing the flag could be seen standing on the hood of a Buick Grand National GNX, the vehicle behind the name of Lamar’s latest album, “GNX,” that served as a central prop in the halftime show performance.

    The moment gained signifacant attention on social media, where videos showed the individual jumping from the car and fleeing the stage while still displaying the flag. Security eventually tackled the man, handcuffed him and removed him from the field.

    Roc Nation, the entertainment company behind the halftime show, said in a statement that “the act by the individual was neither planned nor part of the production and was never in any rehearsal.”

    The NFL referred further questions to New Orleans police, who did not immediately return a message left Monday morning by USA TODAY.

    Protest follows Trump’s Gaza proposal

    President Donald Trump was in attendance at the Super Bowl, though he left at halftime.

    The game took place after Trump last week called for the U.S. to take over the Gaza Strip and relocate roughly 2 million Palestinians to neighboring Arab countries amid the prolonged war with Israel. As part of the proposal, which represents a major shift in Middle East policy, Trump did not rule out sending U.S. troops in Gaza to secure the territory.

    Meanwhile, immigrants from Sudan, where a Civil War is raging, are among those to whom the Biden administration extended temporary protections in January before Trump took office. Trump has vowed to end temporary protected status for immigrants from some countries.

    Kendrick Lamar makes historic rap performance

    The performance marked the first time that a rap star had been the solo headliner of a Super Bowl halftime show.

    Lamar, 37, previously performed during the Super Bowl in 2022 as part of a lineup with Dr. Dre, Snoop Dogg, Eminem and Mary J. Blige.

    With Samuel L. Jackson, clad in a full Uncle Sam outfit and top hat, acting as a moderator, The Grammy- and Pulitzer-winning rapper was also briefly joined by R&B performer SZA. Lamar also brought out Drake’s ex, tennis legend Serena Williams, during his controversial Grammy-winning song “Not Like Us,” which targets Drake.

    ‘Not Like Us’ at Super Bowl 59?Origins of the song fueled by Drake, Kendrick Lamar’s feud

    Lamar’s performance comes a week after he earned five more Grammy Awards – the most of any artist at the 2025 ceremony – and increased his career tally to 22. The performance also follows the surprise release of Lamar’s sixth album in November as he prepares to embark on a tour with SZA kicking off April 19 in Minneapolis.

  • Opening statements set in trial of man accused of trying to kill Salman Rushdie

    Opening statements set in trial of man accused of trying to kill Salman Rushdie

    MAYVILLE, N.Y. – Lawyers are scheduled to deliver opening statements Monday at the trial of the man charged with trying to fatally stab author Salman Rushdie in front of a lecture audience in western New York.

    Rushdie, 77, is expected to testify during the trial of Hadi Matar, bringing the writer face-to-face with his knife-wielding attacker for the first time in more than two years.

    Recommended Videos

    Rushdie, who wrote “Midnight’s Children” and “Victory City,” had been about to speak about keeping writers safe from harm in August 2022 when Matar ran toward him on the stage at the Chautauqua Institution Amphitheater. Matar stabbed Rushdie more than a dozen times in the neck, stomach, chest, hand and right eye, leaving him partially blind and with permanent damage to one hand.

    The Indian-born British-American author detailed the attack and his long, painful recovery in a memoir, “Knife: Meditations After and Attempted Murder,” released last year.

    Matar, 27, of Fairview, New Jersey, is charged with attempted murder and assault. He has pleaded not guilty. A jury was selected last week. Matar was in court throughout the three-day process, taking notes and consulting with his attorneys.

    Once testimony is underway, the trial is expected to last a week to 10 days. Jurors will be shown video and photos from the day of the attack, which ended when onlookers rushed Matar and held him until police arrived. The event’s moderator, Henry Reese, co-founder of City of Asylum in Pittsburgh, was also wounded.

    Matar told investigators he traveled by bus to Chautauqua, about 75 miles (120 kilometers) south of Buffalo. He is believed to have slept in the grounds of the arts and academic retreat the night before the attack.

    Matar’s attorney has not indicated what his defense will be.

    In a separate indictment, federal authorities allege Matar was motivated by a terrorist organization’s endorsement of a fatwa, or edict, calling for Rushdie’s death. A later trial on the federal charges — terrorism transcending national boundaries, providing material support to terrorists and attempting to provide material support to a terrorist organization — will be scheduled in U.S. District Court in Buffalo.

    Rushdie spent years in hiding after the late Iranian leader Ayatollah Ruhollah Khomeini issued the fatwa in 1989 over the Rushdie novel, “The Satanic Verses,” which some Muslims consider blasphemous.

    In the federal indictment, authorities allege Matar believed the edict was backed by the Lebanon-based militant group Hezbollah and endorsed in a 2006 speech by the group’s then-leader, Hassan Nasrallah.

  • Tom Robbins, novelist and prankster-philosopher, dies at 92

    Tom Robbins, novelist and prankster-philosopher, dies at 92

    Tom Robbins, the novelist and prankster-philosopher who charmed and addled millions of readers with such screwball adventures as “Even Cowgirls Get the Blues” and “Jitterbug Perfume,” has died. He was 92.

    Robbins’ death was confirmed by his friend, the publishing executive Craig Popelars, who said the author died Sunday morning.

    Pronouncing himself blessed with “crazy wisdom,” Robbins published eight novels and the memoir “Tibetan Peach Pie” and looked fondly upon his world of deadpan absurdity, authorial commentary and zig zag story lines. No one had a wilder imagination, whether giving us a wayward heroine with elongated thumbs in “Cowgirls” or landing the corpse of Jesus in a makeshift zoo in “Another Roadside Attraction.” And no one told odder jokes on himself: Robbins once described his light, scratchy drawl as sounding “as if it’s been strained through Davy Crockett’s underwear.”

    He could fathom almost anything except growing up. People magazine would label Robbins “the perennial flower child and wild blooming Peter Pan of American letters,” who “dips history’s pigtails in weird ink and splatters his graffiti over the face of modern fiction.”

    A native of Blowing Rock, North Carolina who moved to Virginia and was named “Most Mischievous Boy” by his high school, Robbins could match any narrative in his books with one about his life. There was the time he had to see a proctologist and showed up wearing a duck mask. (The doctor and Robbins became friends). He liked to recall the food server in Texas who unbuttoned her top and revealed a faded autograph, his autograph.

    Or that odd moment in the 1990s when the FBI sought clues to the Unabomber’s identity by reading Robbins’ novel “Still Life with Woodpecker.” Robbins would allege that two federal agents, both attractive women, were sent to interview him.

    “The FBI is not stupid!” he liked to say. “They knew my weakness!”

    He also managed to meet a few celebrities, thanks in part to the film adaptation of “Even Cowgirls,” which starred Uma Thurman and Keanu Reeves, and to appearances in such movies as “Breakfast of Champions” and “Mrs. Parker and the Vicious Circle.” He wrote of being Debra Winger’s date to the 1991 Academy Awards ceremony and nearly killing himself at an Oscars after-party when – hoping to impress Al Pacino – he swallowed a glass of cologne. He had happier memories of checking into a hotel and being recognized by a young, pretty clerk, who raved about his work and ignored the man standing next to him, Neil Young.

    In Robbins’ novels, the quest was all and he helped capture the wide open spirit of the 1960s in part because he knew the life so well. He dropped acid, hitchhiked coast to coast, travelled from Tanzania to the Himalayas and carried on with friends and strangers in ways he had no right to survive. He didn’t rely on topical references to mark time, but on understanding the era from the inside.

    “Faulkner had his inbred Southern gothic freak show, Hemingway his European battlefields and cafes, Melville his New England with its tall ships,” he wrote in his memoir, published in 2014. “I had, it finally dawned on me, a cultural phenomenon such as the world had not quite seen before, has not seen since; a psychic upheaval, a paradigm shift, a widespread if ultimately unsustainable egalitarian leap in consciousness. And it was all very up close and personal.”

    His path to fiction writing had its own rambling, hallucinatory quality. He was a dropout from Washington and Lee University (Tom Wolfe was a classmate) who joined the Air Force because he didn’t know what else to do. He moved to the Pacific Northwest in the early ’60s and somehow was assigned to review an opera for the Seattle Times, becoming the first classical music critic to liken Rossini to Robert Mitchum. Robbins would soon find himself in a farcical meeting with conductor Milton Katims, making conversation by pretending he was working on his own libretto, “The Gypsy of Issaquah,” named for a Seattle suburb.

    “You must admit it had an operatic ring,” Robbins insisted.

    By the late 1960s, publishers were hearing about his antics and thought he might have a book in him. A Doubleday editor met with Robbins and agreed to pay $2,500 for what became “Another Roadside Attraction.” Published in 1971, Robbins’ debut novel sold little in hardcover despite praise from Graham Greene and Lawrence Ferlinghetti among others, but became a hit in paperback. “Even Cowgirls Get the Blues” came out in 1976 and eventually sold more than 1 million copies.

    “Read solemnly, with expectations of conventional coherence, ‘Even Cowgirls Get the Blues’ will disappoint,” Thomas LeClair wrote in The New York Times. “Entered like a garage sale, poked through and picked over, ‘Cowgirls’ is entertaining and, like the rippled mirror over there by the lawn mower, often instructive. Tom Robbins is one of our best practitioners of high foolishness.”

    Domestic stability was another prolonged adventure; one ex-girlfriend complained “The trouble with you, Tom, is that you have too much fun.” He was married and divorced twice, and had three children, before settling down with his third wife, Alexa d’Avalon, who appeared in the film version of “Even Cowgirls Get the Blues.”

    Robbins’ other books included “Half Asleep in Frogs Pajamas,” “Fierce Invalids Home from Home Climates,” “Villa Incognito.” His honours included the Bumbershoot Golden Umbrella Award for Lifetime Achievement and being named by Writer’s Digest as among the 100 best authors of the 20th century. But he cherished no praise more than a letter received from an unnamed woman.

    “Your books make me laugh, they make think, they make me horny,” his fan informed him, “and they make me aware of all the wonder in the world.”

  • Tom Robbins, literary prankster-philosopher, dies at 92

    Tom Robbins, literary prankster-philosopher, dies at 92

    NEW YORK — Tom Robbins, the novelist and prankster-philosopher who charmed and addled millions of readers with such screwball adventures as “Even Cowgirls Get the Blues” and “Jitterbug Perfume,” has died. He was 92.

    Robbins’ death was confirmed by his friend, the publishing executive Craig Popelars, who said the author died Sunday morning.

    Pronouncing himself blessed with “crazy wisdom,” Robbins published eight novels and the memoir “Tibetan Peach Pie” and looked fondly upon his world of deadpan absurdity, authorial commentary and zig zag story lines. No one had a wilder imagination, whether giving us a wayward heroine with elongated thumbs in “Cowgirls” or landing the corpse of Jesus in a makeshift zoo in “Another Roadside Attraction.” And no one told odder jokes on himself: Robbins once described his light, scratchy drawl as sounding “as if it’s been strained through Davy Crockett’s underwear.”

    He could fathom almost anything except growing up. People magazine would label Robbins “the perennial flower child and wild blooming Peter Pan of American letters,” who “dips history’s pigtails in weird ink and splatters his graffiti over the face of modern fiction.”

    A native of Blowing Rock, North Carolina who moved to Virginia and was named “Most Mischievous Boy” by his high school, Robbins could match any narrative in his books with one about his life. There was the time he had to see a proctologist and showed up wearing a duck mask. (The doctor and Robbins became friends). He liked to recall the food server in Texas who unbuttoned her top and revealed a faded autograph, his autograph.

    Or that odd moment in the 1990s when the FBI sought clues to the Unabomber’s identity by reading Robbins’ novel “Still Life with Woodpecker.” Robbins would allege that two federal agents, both attractive women, were sent to interview him.

    “The FBI is not stupid!” he liked to say. “They knew my weakness!”

    He also managed to meet a few celebrities, thanks in part to the film adaptation of “Even Cowgirls,” which starred Uma Thurman and Keanu Reeves, and to appearances in such movies as “Breakfast of Champions” and “Mrs. Parker and the Vicious Circle.” He wrote of being Debra Winger’s date to the 1991 Academy Awards ceremony and nearly killing himself at an Oscars after-party when — hoping to impress Al Pacino — he swallowed a glass of cologne. He had happier memories of checking into a hotel and being recognized by a young, pretty clerk, who raved about his work and ignored the man standing next to him, Neil Young.

    In Robbins’ novels, the quest was all and he helped capture the wide open spirit of the 1960s in part because he knew the life so well. He dropped acid, hitchhiked coast to coast, traveled from Tanzania to the Himalayas and carried on with friends and strangers in ways he had no right to survive. He didn’t rely on topical references to mark time, but on understanding the era from the inside.

    “Faulkner had his inbred Southern gothic freak show, Hemingway his European battlefields and cafes, Melville his New England with its tall ships,” he wrote in his memoir, published in 2014. “I had, it finally dawned on me, a cultural phenomenon such as the world had not quite seen before, has not seen since; a psychic upheaval, a paradigm shift, a widespread if ultimately unsustainable egalitarian leap in consciousness. And it was all very up close and personal.”

    His path to fiction writing had its own rambling, hallucinatory quality. He was a dropout from Washington and Lee University (Tom Wolfe was a classmate) who joined the Air Force because he didn’t know what else to do. He moved to the Pacific Northwest in the early ’60s and somehow was assigned to review an opera for the Seattle Times, becoming the first classical music critic to liken Rossini to Robert Mitchum. Robbins would soon find himself in a farcical meeting with conductor Milton Katims, making conversation by pretending he was working on his own libretto, “The Gypsy of Issaquah,” named for a Seattle suburb.

    “You must admit it had an operatic ring,” Robbins insisted.

    By the late 1960s, publishers were hearing about his antics and thought he might have a book in him. A Doubleday editor met with Robbins and agreed to pay $2,500 for what became “Another Roadside Attraction.” Published in 1971, Robbins’ debut novel sold little in hardcover despite praise from Graham Greene and Lawrence Ferlinghetti among others, but became a hit in paperback. “Even Cowgirls Get the Blues” came out in 1976 and eventually sold more than 1 million copies.

    “Read solemnly, with expectations of conventional coherence, ‘Even Cowgirls Get the Blues’ will disappoint,” Thomas LeClair wrote in The New York Times. “Entered like a garage sale, poked through and picked over, ‘Cowgirls’ is entertaining and, like the rippled mirror over there by the lawn mower, often instructive. Tom Robbins is one of our best practitioners of high foolishness.”

    Domestic stability was another prolonged adventure; one ex-girlfriend complained “The trouble with you, Tom, is that you have too much fun.” He was married and divorced twice, and had three children, before settling down with his third wife, Alexa d’Avalon, who appeared in the film version of “Even Cowgirls Get the Blues.”

    Robbins’ other books included “Half Asleep in Frogs Pajamas,” “Fierce Invalids Home from Home Climates,” “Villa Incognito.” His honors included the Bumbershoot Golden Umbrella Award for Lifetime Achievement and being named by Writer’s Digest as among the 100 best authors of the 20th century. But he cherished no praise more than a letter received from an unnamed woman.

    “Your books make me laugh, they make think, they make me horny,” his fan informed him, “and they make me aware of all the wonder in the world.”

  • Review: Kendrick Lamar, SZA, and Samuel L. Jackson as Uncle Sam, in a riveting Super Bowl halftime show

    Review: Kendrick Lamar, SZA, and Samuel L. Jackson as Uncle Sam, in a riveting Super Bowl halftime show

    Drake got dissed in “Not Like Us,” Jackson played Uncle Sam as President Trump looked on, and Serena Williams danced in a surprise cameo.

    So many questions circled around Kendrick Lamar’s halftime show during the Eagles-Kansas City Chiefs game at the Super Bowl on Sunday night.

    First of all: Would the Eagles be ahead?

    And secondly, besides his special guest SZA, who would the Compton rapper, performing just a week after winning five Grammy awards, bring out out on stage with him?

    Would it be New Orleans local hero Lil Wayne? Taylor Swift? Grammy rap album winner Doechii? And would Lamar only attack his archenemy Drake, who he slayed with his uncommonly successful diss track “Not Like Us” ? Or would he also target Super Bowl LIX attendee President Donald Trump?

    The answer to the first question: Yes, by the whopping margin of 24-0, that would only grow in the third quarter.

    As for the rest: None of the above.

    Rather than turning his 13 minutes in front of an audience of over 100 million into a showcase of his hip-hop colleagues, Lamar kept it simple, and tightly disciplined. And he did not address Trump directly.

    The only unannounced guests were the actor Samuel L. Jackson, dressed in red, white, and blue, and personifying America as Uncle Sam. He acted as the master of ceremonies, advising the rapper to keep his performance from being too unruly and warning him not to let the show get too “ghetto” in front of a global TV audience.

    Lamar’s producer Mustard, joined him on stage for the closing of “TV Off.” Which was followed by an appearance of a dancing Serena Williams, who briefly dated Drake.

    Lamar started off by making a show of flouting Jackson’s advice: “The revolution’s about to televised,” he rapped. “You picked the right time, but the wrong guy.”

    As dancers dressed in red, white, and blue came tumbling out of a Buick GNX, Lamar followed Jackson’s introduction with “Squabble Up,” the tightly coiled single from GNX, the 2024 album whose Grand National Tour will come to Philly’s Lincoln Financial Field on May 5.

    ” READ MORE: Kendrick Lamar’s Super Bowl halftime show set list: The songs he performed

    The 10 song set that followed — with Lamar wearing a jacket inscribed with the world “Gloria,” the name of the last song on GNX — found the rapper being followed around stage by teams of dancers on two songs from his 2017’s Pulitzer Prize winning album DAMN. He otherwise focused on GNX, a brighter, more hard hitting album fueled by “Not Like Us,” that has broadened Lamar’s already large audience to stadium-sized proportions.

    Early in the set, he teased “Not Like Us,” with the sound of its simple, repeated synth figure, only to back away like he didn’t intend to perform it, as if it wasn’t worth revisiting the rap battle with Drake that he had so clearly won.

    But after bringing on SZA for two swoony numbers, “Luther” and the particularly delicious “All The Stars” — he relented and gave the people what they wanted, going in hard on “Not Like Us,” a song that transcended its battle rap origins to become an all-purpose anthem in a us-against-them world. One significant edit, though: the last word of the song’s most vicious allegation, in which he calls his rival a “certified pedophile,” was omitted, replaced with the the sound of an explosion.

    All in all, a disciplined, impressive and commanding performance, short on bells and whistles, long on mastery of his craft. In other world, exactly what you would expect from Lamar.

    “When people talk about rap,” he said, “the conversations I hear, they think it’s just rap and not an actual art form … I love to see it get recognition for straight raps.”

    The halftime show followed pre-game musical performances that put an emphasis of the big game’s Big Easy setting.

    New Orleans native Ledisi sang a powerful version of “Lift Every Voice and Sing,” the hymn known as the Black National Anthem, written by James Weldon Johnson in 1900. She was joined by 125 members of the Great New Orleans High School Chorale Collective.

    Jon Batiste — who’s from Kenner, La., just outside New Orleans, sang an understated, jazzy version of the “The Star Spangled Banner,” moving easily into his falsetto range. If you made a prop bet that the musician would sing while playing piano and he would hold the final note of the song for over 3.5 seconds, you would have won.

    Lady Gaga performed her hit “Hold My Hand” from Top Gun: Maverick while playing piano and backed by a live band on Bourbon Street in the French Quarter, where 15 people were killed in the early morning of New Year’s Day where a driver drove a truck into a crowd.

    New Orleans musicians were also featured in pregame entertainment, including Trombone Shorty and Lauren Daigle teaming up on “America the Beautiful.”

    Jazz trumpeter and composer Terence Blanchard also performed with New Orleans brass band the Soul Rebels, and then backed Harry Connick Jr. singing Professor Longhair’s “Mardi Gras in New Orleans.”