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  • Gerard Depardieu sexual assault trial marks a cultural reckoning for post-#MeToo France

    Gerard Depardieu sexual assault trial marks a cultural reckoning for post-#MeToo France

    PARIS — PARIS (AP) — Gérard Depardieu won’t just be facing two women who accuse him of sexual assault when he walks into a Paris courtroom on Monday. The renowned actor will also be confronting a nation long criticized for failing to address sexual violence — particularly when committed by its most powerful figures.

    Depardieu, 76, one of France’s biggest screen stars, is accused of assaulting a set dresser and an assistant director during the 2021 filming of ‘Les Volets Verts’ (‘The Green Shutters’). While more than 20 women have publicly accused him of sexual misconduct, this is the first time one of those cases has gone to trial.

    It is also the most prominent post- #MeToo -era case in France, testing whether a country famed for its culture of seduction is prepared to hold its cultural titans accountable.

    Prosecutors say Depardieu trapped one of the women with his legs before groping her waist and breasts in front of witnesses. In an interview with investigative outlet Mediapart, the 54-year-old set dresser said Depardieu shouted on set that he “couldn’t even get it up” because of the heat, then told her: “Come and touch my big parasol. I’ll stick it in your (nether regions).” She said he then grabbed her forcefully and had to be pulled away by bodyguards.

    A second woman, a 34-year-old assistant director, alleged she was groped both on set and in the street. The plaintiffs’ identities have not been disclosed to protect alleged victims of sexual violence.

    Depardieu has denied all allegations.

    In an open letter published in Le Figaro in Oct. 2023, he wrote: “Never, but never, have I abused a woman. To think that I have hurt someone or made them feel uncomfortable is intolerable to me.”

    He added, “I have only ever been guilty of being too loving, too generous, or of having a temperament that is too strong.”

    His lawyer, Jérémie Assous, called the case baseless and said Depardieu — who recently underwent a quadruple bypass and has diabetes — will attend the two-day trial, reportedly with breaks scheduled to accommodate his health condition.

    France has often been ambivalent — even resistant — toward the #MeToo movement. While Hollywood saw powerful men fall swiftly and publicly, the French film industry was slower to respond. Some dismissed #MeToo as an American export incompatible with French values, citing concerns over free expression and what they viewed as an erosion of flirtation culture.

    Roman Polanski, convicted in the United States of unlawful sex with a minor and accused by several other women, continues to live and work in France with near-total impunity. Despite international outcry, he remains a decorated figure in French cinema. His 2020 César Award for Best Director — for ‘An Officer and a Spy’ — prompted several women, including actress Adèle Haenel, to walk out of the ceremony in protest.

    Yet the industry offered little institutional pushback, highlighting a deep-rooted reluctance to confront abuse when it involves revered cultural figures.

    In February, director Christophe Ruggia was convicted of sexually abusing Haenel when she was underage. The actress, who had already quit the film industry in protest, has become one of the country’s most prominent voices on abuse.

    Judith Godrèche, an actor and filmmaker, has also emerged as a leading figure. In February 2024, in a televised testimony, she addressed a French parliamentary commission, accusing directors Benoît Jacquot and Jacques Doillon of sexually exploiting her as a teenager — allegations both men deny. “This is not about desire or love,” she told lawmakers. “It is about power. It is about a system that enables silence.”

    That same commission has called major actors and producers — including Jean Dujardin — to testify. Several reportedly requested that their appearances be held behind closed doors.

    Anouk Grinberg, a respected actor who appeared in ‘Les Volets Verts’, has publicly supported the plaintiffs. She described Depardieu’s behavior as vulgar and disturbing, saying she felt “a sense of shame” on set.

    At the time of the alleged 2021 assaults, Depardieu was already under formal investigation for rape. In 2018, actor Charlotte Arnould accused him of raping her at his home. That case is still active, and in August 2023, prosecutors requested it go to trial.

    Depardieu’s off-screen controversies have long made headlines, from drunk driving to urinating in the aisle of a plane. But a 2023 France Télévisions documentary, ‘La Chute de l’Ogre’ (‘The Fall of the Ogre’), reignited debate about his impunity. It showed footage of the actor during a 2018 trip to North Korea, making sexually inappropriate remarks to a female interpreter and appearing to sexualize a young girl riding a horse.

    For decades, behavior like this was dismissed as part of his larger-than-life persona. Today, that legacy is under direct challenge.

    Godrèche, who told lawmakers she was 14 when Jacquot first exploited her, has called for reforms to France’s statute of limitations on child sex crimes and new protections for minors in the arts. Her testimony — alongside those of other survivors — has brought rare political attention to a culture of silence that many say pervades French cinema.

    Still, resistance remains.

    In 2018, actor Catherine Deneuve and more than 100 prominent French women signed an open letter in ‘Le Monde’ defending what they called a “freedom to bother.” The letter argued that flirtation should not be conflated with harassment and warned against American-style puritanism.

  • Disney’s ‘Snow White’ opens with a lackluster $43 million amid controversies, poor reviews

    Disney’s ‘Snow White’ opens with a lackluster $43 million amid controversies, poor reviews

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    It was more of a “ho-hum” than a “heigh-ho” at the box office this weekend, as Walt Disney Co.’s latest live-action remake “Snow White” arrived in theaters.

    The movie, which stars Rachel Zegler as the titular princess and Gal Gadot as the Evil Queen, opened in the U.S. and Canada to a lackluster $43 million in ticket sales, landing it in first place at the domestic box office, according to studio estimates. Prior to its release, “Snow White” was expected to haul in $45 million to $55 million in its opening weekend, according to analyst and pre-sale ticket estimates.

    The film will have to have to do lots of business in the coming weeks to break even. It cost an estimated $250 million to make, before marketing expenses. The movie grossed $44 million overseas for a total global debut of $87 million.

    The “Snow White” opening number is less than that of Tim Burton’s re-imagining of “Dumbo” in 2019, which went on to gross $353 million worldwide and was considered a disappointment.

    It has been a slow first quarter at the box office. So far, there has been a downturn compared with results from last year, analysts have said. It’s likely that the full first-quarter box office numbers will finish lower compared with the same time period a year ago, which were already significantly weaker than the pre-pandemic norm.

    Though the beginning of 2024 started off slowly, the latter part of the first quarter saw blockbuster hits like “Dune: Part Two” and “Godzilla x Kong: The New Empire,” each of which brought in at least $80 million in their opening weekends.

    “To say that the stakes for ‘Snow White’ are only on Disney ignores the fact that this entire industry was expecting a better first quarter,” said Daniel Loria, senior vice president at the Boxoffice Co., which tracks theatrical data. “We really need to finish this month on the strongest note possible.”

    “Snow White” faced a tough road to its opening weekend.

    The film was hit with racist backlash after Zegler, who is of Colombian and Polish descent, was announced as the lead character. Then, die-hard fans criticized her for saying the new film would update tropes from the original 1937 animated movie, including the emphasis on Snow White’s romance with Prince Charming.

    The film has also faced questions about its depiction of little people and its leading actors’ viewpoints on the Israel-Hamas war in Gaza; Zegler has been an outspoken advocate for Palestinians, while Gadot has voiced support for Israel, where she was born.

    It’s unclear how much the external controversy around the film factored into its opening weekend results.

    But Disney’s strategy of mining its animated film library for live-action remakes shows no signs of stopping. The Burbank media and entertainment company plans to release a live-action version of “Lilo & Stitch” in May.

    The remakes are a risk-management plan of sorts — the films retell familiar stories while also giving Disney a chance, in some cases, to revise problematic aspects from the original animated movies, such as giving some of the princesses more agency and diversifying the casts.

    Updating the original animated films also allows Disney to redirect attention to these characters. The company can then sell new merchandise from the live-action films and pump up interest and familiarity with the characters.

    That translates to other parts of Disney’s vast empire, such as theme parks, streaming services and Broadway plays, said Peter Kunze, a professor of communication at Tulane University and author of “Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance.”

    “By doing these live-action remakes, it’s kind of like a defibrillator to the franchise,” he said. “It’s not only the theatrical distribution revenue stream that is dependent on this film; it’s often feeding into these other aspects of the company.”

    Though fans have sometimes complained about the frequency of live-action remakes compared with original stories, these films can be big money-makers. The 2017 “Beauty and the Beast” grossed more than $1 billion worldwide, as did 2010’s “Alice in Wonderland,” 2019’s “The Lion King,” and 2019’s “Aladdin.”

    And even if opening weekend is slow, these films can have a longer tail with audiences. “Snow White,” for instance, is coming at a time when many children will be on spring break, which means harried parents may be looking for things for their kids to do.

    There’s little competition in the family movie space right now, with Warner Bros. Pictures “A Minecraft Movie” still two weeks away. StudioCanal’s “Paddington in Peru” (distributed by Sony in the U.S.), and Universal Pictures’ “Dog Man” came out weeks ago.

    Last year’s “Mufasa: The Lion King” opened in December to a so-so $35 million domestically, but ended up grossing more than $717 million at the global box office. Family films can take a while to build buzz, and often don’t have the same types of fans who will clamor to see it in theaters as soon as possible, Loria said.

    “This weekend will only tell us part of the story of ‘Snow White,’ ” he said. “The true measure of a performance of a movie like this happens in week three, week four, week five.”

    _____

  • ‘Impractical Jokers’ star Joe Gatto denies sexual assault allegation, admits ‘poor judgment’

    ‘Impractical Jokers’ star Joe Gatto denies sexual assault allegation, admits ‘poor judgment’

    Fox News Flash top entertainment and celebrity headlines are here.

    Former “Impractical Jokers” star Joe Gatto has responded to an alleged sexual assault claim made by a TikTok user.

    “I have used poor judgment and as a result have violated the trust of the people I love most,” Gatto – who separated from his wife, Bessy, in 2021 but reconciled in 2023 – said in a statement to Fox News Digital. “But anyone who knows me at all knows full well that I wouldn’t assault anyone. Working on myself is an ongoing process, and I am now going to take some time away from the public eye to focus my energies where I need to.”

    In a series of videos uploaded to TikTok on March 20, a user by the name joozyb alleged that she was “sexually assaulted by Joe Gatto, the Impractical Joker.”

    IMPRACTICAL JOKERS’ JOE GATTO ANNOUNCES DEPARTURE FROM SHOW, CITES PERSONAL LIFE ‘ISSUES’

    The user, who was allegedly 19 years old at the time, detailed how she met the comedian while he was performing in Wisconsin in September 2023. The two allegedly began private messaging via Instagram.

    “I was drunk, whatever, and he was texting me all this stuff. And, like, it was starting to get a little weird, you know,” she claimed in one video, which was paired with various screenshots of alleged messages between the two.

    Eventually, she claimed, Gatto allegedly invited her to his hotel room where “some stuff happened.”

    “I’ve been wanting to tell people this for so long. I’ve like, tried in different ways, but it’s hard with somebody this big, [I] come to the realization that if I do say something, that I’m really saying something.”

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    In a disturbing photo she uploaded to TikTok, she wrote, “Yes he did S.A me. yes he had JUST gotten back together with his wife. I’m sorry you guys don’t want to hear it but…”

    In 2021, Gatto announced his departure from “Impractical Jokers.”

    “Alongside my friends, I’ve devoted a decade of my life to building this franchise and couldn’t be prouder of what has been accomplished. However, due to some issues in my personal life, I have to step away,” Gatto wrote, then mentioning his wife of eight years. “Bessy and I have decided to amicably part ways, so now I need to focus on being the best father and co-parent to our two incredible kids.”

    He said outside his family, the relationships with his co-stars and longtime friends James S. Murray, Brian “Q” Quinn and Sal Vulcano “have been the most important in my life.” The four friends since high school, who originally formed a comedy troupe called The Tenderloins, eventually became known as the Impractical Jokers for their hidden camera television show started in 2011 for TruTV.

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    “I know they will continue to make the world laugh,” Gatto said. “And even though the four of us are the ones who you all see, this show is only possible due to the hard work of the talented crew members who work behind the scenes. I am very thankful to have worked with each and every one of them.”

    CLICK HERE TO GET THE FOX NEWS APP

    In his goodbye post, Gatto continued, “To all of the amazing fans, thank you for allowing me to make you laugh with Jokers. They say that laughter is the best medicine, and I hope I’ve been able to provide some of that over the last decade. Seeing you laugh has been my own medicine, particularly in these weird and difficult times we find ourselves. As I work through the challenges I am facing, I hope to and am excited to create new ways to entertain you.”

  • Jonas Brothers announce details for ‘Jonas20: Living the Dream’ Tour

    Jonas Brothers announce details for ‘Jonas20: Living the Dream’ Tour

    Celebrating their 20-year career in stadiums and arenas across North America

    CITIZENS BANK PARK – PHILADELPHIA, PA

    AUGUST 14, 2025

    Sign Up For Artist Presale Now at livemu.sc/jonasbrothers;

    General On-Sale Begins on Friday, March 28 at 10AM at Ticketmaster.com

    New Single “Love Me To Heaven” Out Now – Listen HERE!

    Today, to kick off the highly anticipated JONASCON, Jonas Brothers revealed tour details for their massive “JONAS20: LIVING THE DREAM” tour – a powerful, full-circle celebration of their 20-year journey from performing in malls to headlining the biggest stadiums in the world. The brothers, who just released their new single “Love Me To Heaven,” exclusively shared the tour news this past Friday on Good Morning America – watch HERE.

    “We’re beyond excited to hit the road and celebrate 20 years of music,” said the Jonas Brothers. “Our fans have been with us through every chapter, and this tour is our way of honoring them, the memories we’ve made, and the ones we’ll create together. We can’t wait to make this our biggest, most unforgettable tour yet.”*

    Marshmello will join the tour for the 10 iconic stadium shows, bringing his chart-topping hits — including his iconic collabs with the brothers — to life in a high-energy set that keeps the party going all night. In addition, The All – American Rejects and Boys Like Girls will join as special guests in select cities.

    Kicking off at MetLife Stadium in East Rutherford, NJ, on August 10, this 43-date tour promises a one-of-a-kind experience for fans with a scheduled stop at Citizens Bank Park in Philadelphia, PA, on August 14, 2025.

    The band will return to iconic venues like Dodger Stadium in LA, Rogers Centre in Toronto, Wrigley Field in Chicago, Globe Life Field in Arlington, while also debuting at several new stadiums and arenas from August through November.

    Each night will take fans on a full, career-spanning journey — with dedicated sets from every chapter of Jonas including Nick Jonas & the Administration, Nick Jonas’ solo career, Joe Jonas’ solo work, and DNCE — all leading up to an unforgettable headlining performance from the Jonas Brothers.

    ⭐ Fans can sign up for the Artist Presale now through Wednesday, March 26 at 10 AM ET at livemu.sc/jonasbrothers. The Artist Presale will run Thursday, March 27 from 10 AM to 3 PM.

    ⭐ General on-sale begins on Friday, March 28 at 10 AM at ticketmaster.com.

    ⭐The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, invitation to the pre-show VIP Lounge, specially designed 20 year anniversary Jonas Brothers VIP gift item & more. For more information, visit vipnation.com.

    JONAS BROTHERS: “JONAS20: Living the Dream” TOUR DATES

    *With Marshmello & The All – American Rejects

    +With Marshmello & Boys Like Girls

    ^With Boys Like Girls

    #With All American Rejects

    **Support To Be Determined

    Sun Aug 10 – East Rutherford, NJ – MetLife Stadium*

    Tue Aug 12 – Washington, DC – Nationals Park*

    *Thu Aug 14 – Philadelphia, PA – Citizens Bank Park**

    Sun Aug 17 – Hershey, PA – Hersheypark Stadium*

    Thu Aug 21 – Toronto, ON – Rogers Centre+

    Sat Aug 23 – Boston, MA – Fenway Park+

    Tue Aug 26 – Chicago, IL – Wrigley Field+

    Thu Aug 28 – Detroit, MI – Comerica Park+

    Sun Aug 31 – Arlington, TX – Globe Life Field+

    Sat Sep 06 – Los Angeles, CA – Dodger Stadium+

    Thu Sep 18 – Vancouver, BC – Rogers Arena^

    Sat Sep 20 – Portland, OR – Moda Center^

    Mon Sep 22 – Seattle, WA – Climate Pledge Arena^

    Thu Sep 25 – San Francisco, CA – Chase Center^

    Fri Sep 26 – Sacramento, CA – Golden 1 Center^

    Sun Sep 28 – Phoenix, AZ – PHX Arena (Formerly Footprint Center)^

    Sun Oct 02 – Denver, CO – Ball Arena^

    Fri Oct 04 – Omaha, NE – CHI Health Center^

    Sun Oct 5 – Des Moines, IA – Wells Fargo Arena^

    Tue Oct 07 – Kansas City, MO – T-Mobile Center#

    Wed Oct 08 – St. Louis, MO – Enterprise Center#

    Fri Oct 10 – St. Paul, MN – Xcel Energy Center#

    Sun Oct 12 – Milwaukee, WI – Fiserv Forum#

    Tue Oct 14 – Nashville, TN – Bridgestone Arena#

    Thu Oct 16 – Tulsa, OK – BOK Center#

    Fri Oct 17 – Austin, TX – Moody Center#

    Sat Oct 18 – San Antonio, TX – Frost Bank Center#

    Sun Oct 19 – Houston, TX – Toyota Center#

    Wed Oct 22 – Tampa, FL – Amalie Arena#

    Fri Oct 24 – Sunrise, FL – Amerant Bank Arena#

    Sun Oct 26 – Orlando, FL – Kia Center#

    Tue Oct 28 – Atlanta, GA – State Farm Arena**

    Wed Oct 29 – Raleigh, NC – Lenovo Center#

    Sat Nov 01 – Lexington, KY – Rupp Arena#

    Sun Nov 02 – Indianapolis, IN – Gainbridge Fieldhouse#

    Tue Nov 04 – Knoxville, TN – Thompson-Boling Arena at Food City Center#

    Wed Nov 05 – Charlotte, NC – Spectrum Center#

    Thu Nov 06 – Columbia, SC – Colonial Life Arena#

    Sat Nov 08 – Columbus, OH – Schottenstein Center#

    Sun Nov 09 – Buffalo, NY – KeyBank Center#

    Tue Nov 11 – Cleveland, OH – Rocket Arena#

    Wed Nov 12 – Pittsburgh, PA – PPG Paints Arena#

    Fri Nov 14 – Uncasville, CT – Mohegan Sun Arena

    Media Contacts:

    Jonas Brothers:

    Philymack / Alexis Spangler / alexis@philymack.com

    2PM Sharp / Jeff Raymond / teamjb@2pmsharp.com

    Republic Records / Marisa Bianco / marisa.bianco@umusic.com

    Live Nation:

    Monique Sowinski / moniquesowinski@livenation.com

    Valeska Thomas / valeskathomas@livenation.com

  • Former ‘Impractical Jokers’ star Joe Gatto accused of sexual assault

    Former ‘Impractical Jokers’ star Joe Gatto accused of sexual assault

    Impractical Jokers star Joe Gatto has denied a TikToker’s claim that he sexually assaulted her when she was 19, but admitted he has ‘used poor judgement.’

    Gatto, 48, was hit with allegations from TikTok user Joozyb, who did not give her name, claiming he assaulted her after she met him before one of his shows in Milwaukee in September 2023.

    The TikTok user claimed that after meeting Gatto and taking a picture with him, he offered her ‘two meet and greet passes’ to his stand-up comedy show later that night.

    She included screenshots of her DMs with Gatto from the night she claims they met, alongside a picture she took with the comedian backstage at the show.

    After the show, she said they continued messaging each other, adding in her TikTok video: ‘I was drunk, whatever, and he was texting me all this stuff. And, like, it was starting to get a little weird, you know.’

    She claimed Gatto then put their messages on Instagram into ‘vanish mode’, which hides their conversation, and told her how to get to where he was staying that night.

    The accuser did not go into detail about the alleged sexual assault, but said that ‘some stuff happened’ and shared an image of her backside with a large bruise across it, claiming ‘here’s what he did… with his TEETH.’

    Gatto denied the allegations, telling Page Six: ‘I have used poor judgment and as a result have violated the trust of the people I love most. But anyone who knows me at all knows full well that I wouldn’t assault anyone.’

    Impractical Jokers star Joe Gatto has denied a TikTokers claim that he sexually assaulted her when she was 19, but admitted he ‘used poor judgement’

    A TikTok user, who did not reveal her name, alleged that Gatto sexually assaulted her after she met him before one of his shows in Milwaukee in September 2023, and shared a backstage selfie they took together

    The comedian said he would be stepping back from the spotlight in response to the allegations.

    ‘Working on myself is an ongoing process, and I am now going to take some time away from the public eye to focus my energies where I need to,’ he said.

    Gatto has not been accused or charged with any crimes by any law enforcement agencies.

    The woman said she had ‘been wanting to tell people this for so long’ after coming forward with her allegations this week.

    ‘I’ve like, tried in different ways, but it’s hard with somebody this big, I come to the realization that if I do say something, that I’m really saying something,’ she continued.

    She added in the caption to her TikTok clip: ‘Idk what my goal is, I just want people to be aware that not everyone is who you think.’

    DailyMail.com has contacted the accuser for further comment.

    She included screenshots of her DMs with Gatto from the night she claims they met, where he offered her ‘two meet and greet passes’ to his stand-up comedy show later that night

    The accuser claimed that Gatto later turned their messages to vanish mode to hide their conversation before telling her where to meet him

    After the clip received millions of views, some viewers cast doubt over the allegations against Gatto and questioned what she would have ‘expected’ from going to his hotel.

    The accuser responded to those questioning her story: ‘I’m sorry if you don’t want to believe it.

    ‘But the people you idolize are not always going to be good. They’re gonna do s****y things, and they’re gonna take advantage of people.’

    The allegations against Gatto come after the comedian faced personal challenges in recent years, including leaving Impractical Jokers and the group’s comedy troupe The Tenderloins in 2021.

    Gatto stepped away from the show following his split from his wife Bessy Gatto, saying he wanted to focus on co-parenting with her after their breakup. The couple subsequently got back together in September 2023.

    Gatto denied the allegations, saying in response: ‘I have used poor judgment and as a result have violated the trust of the people I love most. But anyone who knows me at all knows full well that I wouldn’t assault anyone’

    In a statement at the time he left the group, Gatto said: ‘Alongside my friends, I’ve devoted a decade of my life to building this franchise and couldn’t be prouder of what has been accomplished.

    ‘However, due to some issues in my personal life, I have to step away. Bessy and I have decided to amicably part ways, so now I need to focus on being the best father and co-parent to our two incredible kids.’

  • David Cronenberg Views ‘Campaign’ Against ‘The Brutalist’ as Something Harvey Weinstein Would Do

    David Cronenberg Views ‘Campaign’ Against ‘The Brutalist’ as Something Harvey Weinstein Would Do

    David Cronenberg is not one to suffer fools and he definitely knows a scam when he sees one. Amongst this year’s many Oscar-related scandals, perhaps one of the more futile narratives was around the use of AI in Brady Corbet’s “The Brutalist.” Considering the project prided itself on being a throwback to classic movie-making, even shooting on film and utilizing the old format of VistaVision for certain scenes, many fans were disappointed Corbet would use such a divisive technology in his work. Speaking at London’s Royal Festival Hall during an appearance with composer Howard Shore at Soundtrack Festival, Cronenberg shared how he believed the uproar to be unnecessary and perhaps even orchestrated.

    “I must confess, there was a scandal [with] ‘The Brutalist,’” he said (as per The Hollywood Reporter). “There was a discussion about Adrien Brody… but apparently they used artificial intelligence to improve his accent. I think it was a campaign against ‘The Brutalist’ by some other Oscar nominees. It’s very much a Harvey Weinstein kind of thing, though he wasn’t around.”

    The Canadian filmmaker pointed out to the audience that craftspeople have been manipulating elements in post for ages and that even he has been know to adjust audio from time to time in his films. While presenting one of his collaborations with Shore — an adaptation of the play “M. Butterfly” — Cronenberg even acknowledged the changes he made in post.

    “We mess with actors’ voices all the time,” Cronenberg said. “In the case of John [Lone], when he was being this character, this singer, I raised the pitch of his voice [to sound more feminine] and when he’s revealed as a man, I lowered to his natural voice. This is just a part of moviemaking.”

    “The Brutalist” scandal erupted when the film’s editor, Dávid Jancsó, told video tech site RedShark News about how he blended his own Hungarian accent with that of the characters played by Adrien Brody and Felicity Jones.

    “Most of their Hungarian dialogue has a part of me talking in there,” Jancsó said. “We were very careful about keeping their performances. It’s mainly just replacing letters here and there. You can do this in ProTools yourself, but we had so much dialogue in Hungarian that we really needed to speed up the process otherwise we’d still be in post.”

    When social media heard this news, many were apoplectic over one of this year’s strongest Oscar contenders utilizing a technology many still believe has no place within a creative industry. Trying to cool heads, Corbet released a statement further explaining how the AI tool was used and its minimal effect on the overall film.

    “Adrien and Felicity’s performances are completely their own. They worked for months with dialect coach Tanera Marshall to perfect their accents. Innovative Respeecher technology was used in Hungarian language dialogue editing only, specifically to refine certain vowels and letters for accuracy,” said Corbet. “No English language was changed. This was a manual process, done by our sound team and Respeecher in post-production. The aim was to preserve the authenticity of Adrien and Felicity’s performances in another language, not to replace or alter them and done with the utmost respect for the craft.”

    Despite this conflict, Brody still managed to win Best Actor at the 97th Academy Awards, with composer Daniel Blumberg also receiving Best Original Score for the film as well. Cronenberg himself is not unfamiliar with scandal either. Chatting further during the London Soundtrack Festival, he brought up the reception he received following the premiere of his erotic thriller “Crash,” which many called to be banned.

    “The film caused a huge sensation [at the] Cannes Film Festival in 1996,” Cronenberg said. “Alexander Walker was a very famous film critic here, said this was a film ‘beyond the bounds of depravity’, which of course I loved. We actually used in some our ads.”

    The filmmaker received a less-excitable reception last year at Cannes where he unveiled his latest feature, “The Shrouds,” starring Vincent Cassel, Diane Kruger, and Guy Pearce.

  • Greenlanders embrace pre-Christian Inuit traditions as a way to proudly reclaim ancestral roots

    Greenlanders embrace pre-Christian Inuit traditions as a way to proudly reclaim ancestral roots

    NUUK, Greenland (AP) — Sitting on the pelt of a polar bear hunted by her family, Aviaja Rakel Sanimuinaq says she’s proud to be part of a movement of Greenlanders reclaiming their Inuit traditions and spirituality.

    The shaman, who has Inuit facial tattoos, works with spiritual healing practices to help people connect with their ancestors and heal generational trauma. A sign outside her studio in the Greenland capital of Nuuk conveys her role: “Ancient knowledge in a modern world.”

    In recent years, Greenlanders like her have been embracing pre-Christian Inuit traditions, including drum dancing and Inuit tattoos. For some, it’s a way to proudly reclaim their ancestral roots. It’s also a way to reject the legacy of European Christian missionaries who colonized Greenland in the 18th century and suppressed their traditions, labeling them as pagan.

    “The sacredness of Christianity is still sacred in my eyes. But so is Buddhism, so is Hinduism, and so is my work,” Sanimuinaq said in her studio, surrounded by skulls of seals, raven feathers and medicinal herbs. They help the “angakkoq,” or shaman, communicate with “silam aappaa” or the other world — the spiritual world.

    “That’s where I stand – that the arising of our culture, and us as a people, is also to get the equality within our culture, to acknowledge that our culture is legit; that it has to have a space here.”

    The Inuit have survived and thrived for generations in one of the most remote, vast and  rugged places on Earth, hunting for seals, whales and polar bears. Their traditional religion is animist.

    Inuit believe that “every animal and bird, every stone and every piece of earth, the rain and the snow all have a spirit and a right to be respected,” authors Gill and Alistair Campbell write in their travel book, “Greenland.”

    About 90% of the 57,000 Greenlanders identify as Inuit and the vast majority belong to the Lutheran Church. A Danish missionary brought that branch of Christianity to the world’s largest island more than 300 years ago.

    Greenland is now a semi-autonomous territory of Denmark, and Greenlanders increasingly favor getting full independence — a crucial issue in a recent parliamentary election.

    Some say Greenland’s independence movement received a boost after U.S. President Donald  Trump pushed their Arctic homeland into the spotlight  by threatening to take it over.

    “We don’t have to walk silenced anymore,” Sanimuinaq said. “That’s the change we see — that the voice we get out in the world has been forbidden even within our country. Now that we’re opening, we have more freedom.”

    The suppression of Inuit drums and facial tattoos were part of a broader effort to Christianize and assimilate Inuit into the European way of life, said Asta Mønsted, a professor at the University of California, Berkeley. She researches Inuit oral history and its connections to Greenland’s archaeology.

    “Drum songs and drum duels were central to Inuit spiritual and social life, but the missionaries viewed them as pagan practices and superstitions that needed to be replaced with Christian hymns and prayers,” she said. “Drums were confiscated or destroyed in order to break the connection to the pre-Christian beliefs.”

    In some parts of Greenland, though, the drum songs and knowledge of drum-making were preserved without the church’s knowledge.

    “Tattoos were also linked to Inuit cosmology and rites, but missionaries labeled them as pagan and especially viewed the facial tattoos as a defilement of God’s creation,” said Mønsted. “They promoted the European ideal, where the human body should remain unmarked.”

    “Tunniit,” the traditional Inuit tattoos, were etched by poking sod from soapstone lamps onto the skin with a needle or by dragging a sod-covered sinew thread underneath the skin.

    Women generally got tattoos as they experienced menstruation and childbirth, viewing them as protection against illness and malevolent spirits, Mønsted said.

    But resistance to Inuit tattoos deterred many Greenlanders across generations from getting them; some who had tattoos hid them, fearing repercussions.

    Growing up, Therecie Sanimuinaq Pedersen recalled how her grandmother covered her facial tattoos in soot because she didn’t want to be alienated from her community.

    Therecie only got the tattoos that now cover her face — the way she remembered her grandmother’s — after her daughter, Aviaja, got them in recent years.

    “The tattoos I have goes from mother to daughter for thousands of years,” Therecie said in Greenlandic, translated by her daughter. “I have the same as my grandmother — that’s my heritage.”

    These days, when she’s out on Nuuk’s streets and encounters others displaying Inuit tattoos, she feels encouraged, especially when she sees them on young Greenlanders.

    “When I see them, it’s like we have a connection,” she said. “Without knowing them, and them knowing me, we say hi. Some come, give a hug, and say thank you.”

    For the Inuit, the “qilaat” played a crucial role in conflict resolution through drum duels.

    The drum, Mønsted said, had three main functions: for entertainment and socializing, as a tool for the shaman during their seances, and as part of a pre-colonial juridical system.

    “In the drum duels, opponents used songs, insults, and exaggerated body movements to argue their case before the community, which would stand in a circle ar ound them,” Mønsted said.

    She said the crowd’s collective laughter often determined the winner without the need for a formal ruling.

    While some duels helped ease tensions, others ended in public humiliation, sometimes forcing the losing party to leave the community and become a “qivittoq” — a person living in nature outside of society. This exile could be tantamount to a death sentence in the frigid Arctic environment.

    Greenland was a colony under Denmark’s crown until 1953, when it became a province in the Scandinavian country. In 1979, the island was granted home rule, and 30 years ago became a self-governing entity. But Denmark retains control over foreign and defense affairs.

    The former colonial ruler is accused of committing abuses against Greenland’s Inuit, including removing children from their families in the 1950s with the excuse of integrating them into Danish society and  fitting women with intrauterine contraceptive devices in the 1960s and 1970s — allegedly to limit population growth.

    Some Greenlanders believe the recent global attention on their mineral-rich country and a unified call for independence from Denmark has allowed them to speak more openly about abuses committed by their former colonial ruler. Some have grown closer to their rich pre-Christian Indigenous culture.

    “Our culture is very spiritual … I want to bring that back,” said Naja Parnuuna, an award-winning singer-songwriter.

    “I want to be in that wave with my fellow young people… I feel like we’ve been looked down for so long, and we really haven’t had a voice for a long time.”

    Growing up, she said she felt that it was “cooler to be a Dane, or to speak Danish, and was ashamed to be Greenlandic and follow Inuit traditions. “Maybe not embarrassing,” she said, “but it was taboo or weird to do the drums or be Inuk.”

    Her father, Markus Olsen, is a former Lutheran pastor who was dismissed from his church position in 2022 after he allowed drum dancing during a National Day service at the Nuuk Cathedral. He knew that was risky but did it because he believes the quilaat, the Inuit traditional drum, needs to be reinstated into its valued position in religious services and other aspects of Greenlandic life.

    Olsen, who wears a collar with a small qilaat and a crucifix, takes inspiration from the Latin American Liberation Theology movement, which holds that the teachings of Jesus require followers to fight for economic and social justice. He also takes inspiration from the Rastafari legend Bob Marley, the Rev. Martin Luther King Jr. and civil rights activist Malcolm X.

    Parnuuna feels inspired by her father. She began to embrace her roots through her music, which encourages Greenlanders to value their Inuit culture and history.

    “The more I practiced my art, singing and writing songs, I began to realize how important it is to accept … my roots, to have more self-respect, to have higher self-esteem and in that way have a healthier way of living and a more positive view of the world,” she said.

    “It’s important to bring that back, so that we can love ourselves again.”

    Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

  • Conan O’Brien is set to receive the Mark Twain Prize for humor as politics roils the Kennedy Center

    Conan O’Brien is set to receive the Mark Twain Prize for humor as politics roils the Kennedy Center

    Conan O’Brien is set to receive the Mark Twain Prize for humor as politics roils the Kennedy Center

    ASHRAF KHALIL

    Updated March 23, 2025 at 12:55 PM

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    Mark Twain Prize Conan O’Brien

    FILE – Conan O’Brien takes part in a panel discussion during the South by Southwest Conference and Festival, March 11, 2025, in Austin, Texas. (Photo by Jack Plunkett/Invision/AP, File)

    Jack Plunkett/Invision/AP

    WASHINGTON (AP) — Conan O’Brien is set to receive the Mark Twain Prize on Sunday night at the John F. Kennedy Center for the Performing Arts, where the backstage drama of the host institution may hang over the celebration.

    O’Brien, 61, was named the latest recipient of the award for lifetime achievement in comedy in mid-January, about three weeks before President Donald Trump upended the Kennedy Center by ousting the longtime president and the board chairman. Trump dismissed the board of directors and replaced them with loyalists, who then elected him as chairman.

    In announcing the changes, Trump posted on social media that the dismissed individuals “do not share our Vision for a Golden Age in Arts and Culture.”

    How that vision takes shape remains to be seen, but Trump has spoken about wanting to book more Broadway shows there and floated the idea of granting Kennedy Center Honors status to actor Sylvester Stallone and singer-songwriter Paul Anka.

    Into this maelstrom steps O’Brien, whose comedic persona has never been particularly political. The comic has always tended more towards goofiness and self-deprecation. But he has also leaned into sensitive societal issues at times. In 2011, O’Brien officiated a gay wedding live on his show, overseeing the marriage of his longtime costume designer Scott Cronick and his partner David Gorshein.

    O’Brien vaulted into the spotlight from near-total obscurity in 1993 when he was chosen to replace David Letterman as host of “Late Night” despite no significant on-camera experience. The former Harvard Lampoon editor had spent the previous years as a writer for “Saturday Night Live” and “The Simpsons,” appearing on camera only as an occasional background extra in “SNL” skits.

    He went on to host “Late Night” for 16 years, longer than any other host. O’Brien was later tapped to replace Jay Leno as host of “The Tonight Show,” but that experiment ended in public failure. After seven months of declining ratings, NBC executives brought Leno back for a new show that would bump “The Tonight Show” back. O’Brien refused to accept the move, leading to a public spat that ended with a multimillion-dollar payout for O’Brien and his staff to exit the network in early 2010.

    O’Brien went on to host another talk show on the cable station TBS, while launching successful podcasts and travel shows. He is currently on a late-career elder statesman hot streak. His travel series, “Conan O’Brien Must Go,” sparked popular and critical acclaim, with a second season coming. His recent gig hosting the Academy Awards was so well received that the producers announced they are bringing him back next year.

    In the wake of Trump’s takeover of the Kennedy Center, several artists, including the producers of “Hamilton” and actress and writer Issa Rae, announced they were canceling appearances at the venue.

    Others have chosen to perform while making their sentiments known from the stage. Leftist comic W. Kamau Bell directly addressed the controversy in his performance just days after the shake-up. Earlier this month, cellist Erin Murphy ended her set with a performance of the Woody Guthrie protest anthem, “All You Fascists Bound to Lose.”

    Mark Twain recipients typically receive tributes and testimonials from a star-studded collection of comics and celebrities. Given the nature of comedians, it seems likely that some of them on Sunday evening will address the issue of the institution’s uncertain future.

    Other comedians receiving the lifetime achievement award include both Letterman and Leno, along with George Carlin, Whoopi Goldberg, Bob Newhart, Carol Burnett Bill Murray and Dave Chappelle.

    The ceremony will be streamed on Netflix later this year. The date has not been announced.

  • Box Office: ‘Snow White’ Leads With Sleepy $43 Million, Robert De Niro’s Mob Drama ‘Alto Knights’ Misfires With Disastrous $3 Million Debut

    Box Office: ‘Snow White’ Leads With Sleepy $43 Million, Robert De Niro’s Mob Drama ‘Alto Knights’ Misfires With Disastrous $3 Million Debut

    “Snow White” may be the fairest of them all with a leading $43 million in its domestic box office debut, but Disney’s latest live-action remake is off to a sleepy start.

    Overseas, “Snow White” also opened slightly behind projections with $44.3 million for a global launch of $87.3 million. Heading into the weekend, the film was estimated to collect $100 million globally.

    More from Variety

    “Snow White” arrived in theaters dogged with controversies, including criticism about the film’s depiction of the seven dwarves, complaints about changes to the nearly 100-year-old story and calls for boycotts because of co-stars Rachel Zegler and Gal Gadot’s public stances on the Israel-Hamas war. There were also expensive reshoots, which added many millions to the film’s budget. Disney as a result scaled back the movie’s Los Angeles premiere, doing without traditional red carpet interviews. However, analysts don’t believe the deluge of bad publicity actually factored into ticket sales.

    “This is a situation that is never ideal,” says senior Comscore analyst Paul Dergarabedian. ‘In the case of ‘Snow White,’ kids and families likely just wanted to see a PG film and [were] perhaps unaware of the controversies.”

    Still, this cinematic take on the 1937 animated classic has notched the lowest domestic debut to date for Disney’s various reimaginings, below even 2019’s “Dumbo” which took flight with $45 million (without adjusting for inflation). Prior remakes of “The Little Mermaid,” “The Jungle Book,” “Aladdin,” “Beauty and the Beast” and “The Lion King” all opened above $100 million. Three of those — 2019’s “Aladdin,” 2017’s “Beauty and the Beast” and 2019’s “The Lion King” — were billion-dollar blockbusters while a fourth, 2016’s “The Jungle Book,” got pretty close with $967 million.

    So what does this mean for “Snow White” in terms of box office fortunes? Well, whether the musical film is deemed a success or flop will rely entirely on the tentpole’s staying power. If the $250 million film, which stars Zegler as the original Disney princess and Gadot as the Evil Queen, follows a similar flight path of “Dumbo” (a lethargic $353 million globally), it’ll signal that after one too many revisits to the vault, families are tiring of Disney’s live-action remakes. “The Little Mermaid” also fell short of expectations with $569 million worldwide in 2023. Another real-life reboot, “Lilo & Stitch,” lands in theaters in May.

    Disney, however, believes that “Snow White” can mirror the slow and steady ascent of last December’s “Mufasa.” The “Lion King” prequel opened to a soft $35 million but eventually climbed to $252 million domestically and a mighty $716 million globally. For “Snow White,” brand familiarity and a lack of competition will help. So will the film’s decent “B+” grade on CinemaScore exit polls.

    “This isn’t a Disney juggernaut,” says David A. Gross, who runs the FranchiseRe movie consulting firm. “It’s a soft opening by Disney’s historic standard. Success will depend on whether the film plays well for a couple of months like ‘Mufasa’ recently did. Disney knows how to support their films and this is a good corridor.”

    He adds, “Keep in mind that for Disney animation, theatrical is the first of many income streams. ‘Snow White’ is a merchandising gold mine, and the IP will find its place somewhere somehow at the theme parks.”

    Also this weekend, Robert De Niro’s R-rated mob drama “The Alto Knights” crumbled with a terrible $3 million from 2,800 cinemas in its domestic debut. The Warner Bros. film failed to crack the top five, landing in sixth place on box office charts. “Alto Knights,” which cost about $45 million to produce, is already shaping up to be one of the year’s biggest flops.

    Reviews and audience sentiment may not benefit the film, in which De Niro pulls of double duty as two of New York’s most notorious organized crime bosses; “Alto Knights” was saddled with a “B” grade on CinemaScore and lousy 39% Rotten Tomatoes average. Based on initial sales, “Alto Knights” is the second consecutive misfire for Warner Bros. after Bong Joon Ho’s “Mickey 17” which is projected to lose $75 million to $80 million in its theatrical run after a rocky box office reception. Now in its third weekend of release, “Mickey 17” dropped to No. 5 on box office charts with $3.7 million. The film has earned $40 million domestically and $100 million worldwide against a $118 million budget.

    Another newcomer, body builder drama “Magazine Dreams,” starring Jonathan Majors, majorly stumbled with $700,000 from 800 theaters. The film debuted to acclaim at Sundance in January 2023 and has since been promoted as a shot at redemption for Majors, whose career stalled after he was convicted later that year of domestic assault and harassment of his ex-girlfriend. Briarcliff, the distributor of “The Apprentice,” picked up the film after Searchlight parted ways following Majors’ high-profile trial.

    Elsewhere on domestic box office charts, Steven Soderbergh’s sleek thriller “Black Bag” enjoyed a solid second weekend with $4.4 million from 2,713 venues, declining just 42% from its debut. After opening at the No. 3 spot, the R-rated film rose to second place over the weekend. It has grossed $14.9 million so far. Focus Features, which spent $50 million on “Black Bag,” hopes that great reviews will help the film become a word-of-mouth hit.

    Disney’s Marvel sequel “Captain America: Brave New World” landed in third place with $4.3 million in its sixth weekend. The superhero adventure, starring Anthony Mackie, has earned $192 million domestically and $400.8 million worldwide, which ranks as the biggest Hollywood release of the year but isn’t quite enough to offset its hefty $180 million price tag.

    Paramount’s action comedy “Novocaine” tumbled to No. 4 after last weekend’s first place finish. The film added $3.7 million from 3,369 theaters, dropping a painful 57% from its debut. So far, “Novocaine” has generated $15.7 million and $5.3 million internationally. Luckily, production costs were roughly $18 million, so there’s not too high a threshold for profitability.

    Though “Snow White” provided a bit of necessary momentum to the marketplace, overall box office grosses are grim. Revenues are trailing nearly 7% behind 2024 and 39% behind 2019, according to Comscore. On deck, “A Minecraft Movie (April 4) and Marvel’s “Thunderbolts” (May 2) hope to inject life into theaters.

    “We will be singing a much more positive tune in just a few short weeks,” predicts Comscore’s Dergarabedian.

  • Gerard Depardieu sexual assault trial marks a cultural reckoning for post-#MeToo France

    Gerard Depardieu sexual assault trial marks a cultural reckoning for post-#MeToo France

    PARIS (AP) — Gérard Depardieu won’t just be facing two women who accuse him of sexual assault when he walks into a Paris courtroom on Monday. The renowned actor will also be confronting a nation long criticized for failing to address sexual violence — particularly when committed by its most powerful figures.

    Depardieu, 76, one of France’s biggest screen stars, is accused of assaulting a set dresser and an assistant director during the 2021 filming of ‘Les Volets Verts’ (‘The Green Shutters’). While more than 20 women have publicly accused him of sexual misconduct, this is the first time one of those cases has gone to trial.

    It is also the most prominent post- #MeToo -era case in France, testing whether a country famed for its culture of seduction is prepared to hold its cultural titans accountable.

    Prosecutors say Depardieu trapped one of the women with his legs before groping her waist and breasts in front of witnesses. In an interview with investigative outlet Mediapart, the 54-year-old set dresser said Depardieu shouted on set that he “couldn’t even get it up” because of the heat, then told her: “Come and touch my big parasol. I’ll stick it in your (nether regions).” She said he then grabbed her forcefully and had to be pulled away by bodyguards.

    A second woman, a 34-year-old assistant director, alleged she was groped both on set and in the street. The plaintiffs’ identities have not been disclosed to protect alleged victims of sexual violence.

    Depardieu has denied all allegations.

    In an open letter published in Le Figaro in Oct. 2023, he wrote: “Never, but never, have I abused a woman. To think that I have hurt someone or made them feel uncomfortable is intolerable to me.”

    He added, “I have only ever been guilty of being too loving, too generous, or of having a temperament that is too strong.”

    His lawyer, Jérémie Assous, called the case baseless and said Depardieu — who recently underwent a quadruple bypass and has diabetes — will attend the two-day trial, reportedly with breaks scheduled to accommodate his health condition.

    France has often been ambivalent — even resistant — toward the #MeToo movement. While Hollywood saw powerful men fall swiftly and publicly, the French film industry was slower to respond. Some dismissed #MeToo as an American export incompatible with French values, citing concerns over free expression and what they viewed as an erosion of flirtation culture.

    Roman Polanski, convicted in the United States of unlawful sex with a minor and accused by several other women, continues to live and work in France with near-total impunity. Despite international outcry, he remains a decorated figure in French cinema. His 2020 César Award for Best Director — for ‘An Officer and a Spy’ — prompted several women, including actress Adèle Haenel, to walk out of the ceremony in protest.

    Yet the industry offered little institutional pushback, highlighting a deep-rooted reluctance to confront abuse when it involves revered cultural figures.

    In February, director Christophe Ruggia was convicted of sexually abusing Haenel when she was underage. The actress, who had already quit the film industry in protest, has become one of the country’s most prominent voices on abuse.

    Judith Godrèche, an actor and filmmaker, has also emerged as a leading figure. In February 2024, in a televised testimony, she addressed a French parliamentary commission, accusing directors Benoît Jacquot and Jacques Doillon of sexually exploiting her as a teenager — allegations both men deny. “This is not about desire or love,” she told lawmakers. “It is about power. It is about a system that enables silence.”

    That same commission has called major actors and producers — including Jean Dujardin — to testify. Several reportedly requested that their appearances be held behind closed doors.

    Anouk Grinberg, a respected actor who appeared in ‘Les Volets Verts’, has publicly supported the plaintiffs. She described Depardieu’s behavior as vulgar and disturbing, saying she felt “a sense of shame” on set.

    At the time of the alleged 2021 assaults, Depardieu was already under formal investigation for rape. In 2018, actor Charlotte Arnould accused him of raping her at his home. That case is still active, and in August 2023, prosecutors requested it go to trial.

    Depardieu’s off-screen controversies have long made headlines, from drunk driving to urinating in the aisle of a plane. But a 2023 France Télévisions documentary, ‘La Chute de l’Ogre’ (‘The Fall of the Ogre’), reignited debate about his impunity. It showed footage of the actor during a 2018 trip to North Korea, making sexually inappropriate remarks to a female interpreter and appearing to sexualize a young girl riding a horse.

    For decades, behavior like this was dismissed as part of his larger-than-life persona. Today, that legacy is under direct challenge.

    Godrèche, who told lawmakers she was 14 when Jacquot first exploited her, has called for reforms to France’s statute of limitations on child sex crimes and new protections for minors in the arts. Her testimony — alongside those of other survivors — has brought rare political attention to a culture of silence that many say pervades French cinema.

    Still, resistance remains.

    In 2018, actor Catherine Deneuve and more than 100 prominent French women signed an open letter in ‘Le Monde’ defending what they called a “freedom to bother.” The letter argued that flirtation should not be conflated with harassment and warned against American-style puritanism.