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  • Walkerton’s Healthcare Showdown: When a Doctor’s Appointment is the New Winning Lottery Ticket

    Walkerton’s Healthcare Showdown: When a Doctor’s Appointment is the New Winning Lottery Ticket

    In the crisp dawn of Walkerton, Ontario, the Royal Canadian Legion became the unlikely epicenter of a silent but potent healthcare crisis. In an era where digital convenience reigns supreme, the physical manifestation of desperation was both a throwback and a wake-up call. Residents, some having braved the elements for hours, clung to the promise of a family physician like it was a winning lottery ticket—the odds favoring them for once in a healthcare system stretched thinner than a pair of worn-out gym shorts.

    The scene was as stark as it was striking. Hundreds of hopeful souls, bundled against the biting cold, waited with bated breath and bated hope. Among them, Katy Scott—cancer survivor and seeker of regular medical care—embodied both relief and guilt, clouded by the thought of others potentially in greater need still in the shadows of the line. “Part of me feels guilty,” she admitted, echoing a sentiment that many in her shoes might feel—a temporary victory overshadowed by a communal defeat.

    Ontario’s primary care dilemma isn’t new, but never has it been illustrated so viscerally. The scenery in Walkerton is a snapshot of a brewing storm—2.5 million Ontarians feel the brunt of this shortage now, a figure projected to nearly double by 2026. Dr. Danielle Martin captured this poignant tableau succinctly, underscoring the sobering reality of the situation.

    Rural areas, especially, have been grappling with this dearth of doctors, a problem epitomized by Walkerton’s sign-up event, orchestrated by a local volunteer group spearheaded by Dr. Paul McArthur. In the past two years, they’ve battled the tide, successfully recruiting new physicians to an area gasping for medical attention.

    But even victories taste bittersweet. While fresh faces like Dr. Mitchell Currie join the ranks, they inherit patient lists bursting at the seams, barely accommodating the status quo let alone newcomers. It’s akin to pumping iron with all the weight and no support, and Ontario’s health leaders are calling for the metaphorical spotter—a healthcare reform invasion.

    As the political gears slowly turn, the human stories continue to unfold. Families like the Wilkens, who had been medical nomads for more than two years, felt the weight of temporary security lift, if only just. Their plight isn’t isolated—it’s emblematic of a system forcing families to the brink of desperation for routine care.

    Yet, even amidst such dire circumstances, there’s a glimmer of hope, encapsulated in Bridget Gainey’s tearful yet triumphant exit from the legion, intake forms in hand. Relief for some; heartbreak for the masses left in line—a dichotomy all too familiar in today’s world where access to healthcare feels more like a privilege than a right.

    As charged as the atmosphere was in Walkerton, another saga unfolded across an ocean—one marked not by physical queuing but by emotional endurance. The Duchess of York, Sarah Ferguson, publicly navigated the “dark places” brought on by dual cancer diagnoses, her revelations painting a picture of resilience amidst royal turmoil.

    Having faced breast cancer surgery followed closely by malignant melanoma, Ferguson’s candid reflections served as both a cautionary tale and a beacon of hope. The tribulations of a public figure reminded us all that no pedigree is immune to the turbulent tides of health challenges.

    With support systems spanning from personal meditative practices to an unwavering familial network, Ferguson’s journey is one of adaptation and mental fortitude. Yet, even in her recovery, she voices concerns for her daughters’ futures, spotlighting the pressures of a society increasingly under scrutiny—a sentiment resonating beyond royal walls.

    Such narratives from the Duchess underscore a universal truth: health and the pursuit of well-being—whether through lining up for a local doctor or wrestling with personal demons—are experiences shared across divides of class, geography, and circumstance.

  • From Cardboard Phones to Royal Resilience: How Modern Challenges Are Redefining Ingenuity and Strength

    From Cardboard Phones to Royal Resilience: How Modern Challenges Are Redefining Ingenuity and Strength

    In an era where truth often seems stranger than fiction, today’s headlines vividly underscore the unpredictable tapestry of modern life — from ingenious student hacks to pressing public health debates, and deeply personal battles against disease within royal walls. It’s a curious tableau we’re observing, where youth ingenuity, healthcare evolution, and the intimate struggles of high-profile figures intersect, sparking conversations that resonate far beyond their primary subjects.

    TikTok, that vibrant tapestry of quirks and creativity, recently played host to a viral spectacle that may cause some school administrators to raise an eyebrow — or perhaps several. In a January post, teenage user Belle Hesse demonstrated a clever ruse designed to outsmart her school’s no-phone policy. The DIY tactic involved substituting a real phone with a meticulously crafted cardboard imitation, shielded by a phone case and opaque screen protector. As Belle cheekily declared in the video, “The school ain’t takin’ my phone this semester 💀” — a defiant sentiment that has resonated with millions, racking up views and stirring lively debate amongst students and educators alike.

    This act of youthful rebellion comes amid a growing trend of phone bans in schools across America — a phenomenon gaining traction after U.S. Surgeon General Dr. Vivek Murthy articulated concerns about social media’s impact on adolescent mental health. But as some schools opt for drastic measures, such as Yondr pouches that lock away devices, a portion of the parent community calls for a balance, stressing the necessity of phones in ensuring direct communication during potential emergencies.

    Shifting from classrooms to clinics, nurse practitioners in Ontario are urging clarity in public funding — a conversation reignited by federal Health Minister Mark Holland’s recent declarations. As Ontario faces a looming shortfall in family doctors, NPs are stepping into the breach, capable of providing essential medical services traditionally delivered by physicians. Yet, this rise in NP-led care surfaces the pressing need for a robust funding model that reflects their critical role.

    Currently, while most nurse practitioners in Ontario are salaried, the system lacks consistency — some NPs run private clinics with out-of-pocket costs, a gap that Holland insists should fall under public health insurance. “The time to act is now,” asserts Lhamo Dolkar, president of the Registered Nurses’ Association of Ontario, as she underscores the urgent necessity for Premier Doug Ford and Minister of Health Sylvia Jones to address this policy vacuum. With changes expected by April 2026, the path forward remains a focus of intense deliberation, while voices like Michelle Acorn of the Nurse Practitioners’ Association call for flexibility in any forthcoming funding structures.

    Meanwhile, across the Atlantic, the British royal family grapples with its own tribulations — a narrative marked by the unsettling specter of cancer. In a candid interview with The Times, Sarah Ferguson — Duchess of York — opened up about her mental health battles following two separate cancer diagnoses within mere months. “Cancer is like a bomb going off in your life,” she revealed, painting a poignant picture of resilience supported by her family, mindfulness practices, and a resolve to remain positive despite daunting odds.

    The Duchess’s ordeal is but one chapter in what Prince William has distilled as a “dreadful” year for the royals. With both King Charles and Princess Kate also facing their own health struggles, the royal circle finds itself navigating a storm of personal challenges amidst the constant glare of public scrutiny.

    In this complex world, where the narratives of individuals and institutions coil and uncoil in unpredictable ways, we find ourselves bearing witness to the tenacity of the human spirit. Whether through teenage ingenuity, healthcare advocacy, or personal resilience amid adversity, each story speaks to the broader truths of our time — that change is constant, that hope endures, and that the narratives we weave today will shape the world’s tomorrows.

  • TikTok Schemes and Schoolyard Dreams: The Great Smartphone Standoff

    TikTok Schemes and Schoolyard Dreams: The Great Smartphone Standoff

    In an era where smartphones are practically glued to the hands of teens, a new TikTok sensation has stirred the pot—going viral and giving school administrators across the nation a reason to scratch their heads. The protagonist? A crafty hack designed to outwit those pesky school phone bans.

    Without further ado, the star of the show is none other than TikTok user Belle Hesse, whose inventive video showcases a simple yet cunning trick: Place a phone-sized piece of cardboard inside a black phone case, slap on an opaque screen protector, and voilà—a faux phone ready to fool any school official. Belle cheekily captions her video, “The school ain’t takin’ my phone this semester 💀”—much to the delight of over 16 million curious eyes as of mid-January.

    This cardboard charade has left audiences both amused and intrigued. Teens, quick to jump on the trend, chimed in with their own takes. “I would give them my old iPhone 6 instead of my new one, no questions asked,” one TikTok user commented, echoing a sentiment shared by many who simply hand in outdated devices instead of their current electronics. “TURN IN UR OLD PHONE,” another user urged, succinct in their advice.

    But not all students are getting away with phone swaps this easily, thanks to the ever-watchful eyes of school authorities. Enter Yondr pouches—small, secure, magnetized bags that keep phones locked down in designated areas. Expensive or not, they’re becoming ubiquitous in schools across the States. As one disgruntled student pointed out, “My school can’t afford to fix my poor math teacher’s AC or get ant exterminators, but they can purchase Yondr pouches for over 2,000 students???”

    The movement to curb cell phone use isn’t confined to just a handful of institutions. Statewide bans have seen an uptick, with states like California, Florida, Indiana, and Virginia spearheading the initiative. These policies vary in severity but share a common belief influenced by figures like U.S. Surgeon General Dr. Vivek Murthy. In a 2024 opinion piece for The New York Times, Murthy pointed to social media as a factor in youth mental health troubles—calling for warning labels akin to those on cigarettes and alcohol. “It is time to require a surgeon general’s warning label on social media platforms,” he declared, underscoring the potential dangers lying behind that seductive digital glow.

    Despite the bans and warnings, not everyone is on board with these strict measures, particularly parents who worry about communication in emergencies. “We’ve not done our job as grown-ups to try to teach our kids the skills they need to actually navigate this technology,” noted Keri Rodrigues, president of the National Parents Union. The concern isn’t merely that kids have phones—it’s about what they’re exposed to when the school day ends, and screens light up away from adult supervision.

    So, while some teens cleverly evade today’s rules, a broader conversation lingers about responsibility, communication, and the delicate balance of technology in our daily lives. As schools and parents navigate this digital labyrinth, one thing remains clear: The dialogue around these pint-sized, powerful devices—and how to handle them—is far from over.

  • Roseanne Barr Says ‘This Granny’s Going Bad’ and ‘Screw Eminem’ in Pro-Trump Rap Song | Video

    Roseanne Barr Says ‘This Granny’s Going Bad’ and ‘Screw Eminem’ in Pro-Trump Rap Song | Video

    Roseanne Barr — sporting blond box braids, gold chains and sunglasses — says “Granny’s going bad” and “screw Eminem” in a new pro-Trump rap video with Canadian rapper Tom MacDonald.

    The lyrics of the song, titled “Daddy’s Home,” also include the refrain, “We won, you mad, done, too bad … you cry, we laugh,” which plays over a video of a procession of trucks and other vehicles with Trump flags.

    Roseanne’s featured rap in the song begins with, “They try to cancel me and say I’m a racist. I got a mean hook, they can’t get me with that jam. Trying to take away my right to go and say this. Listen up, cuz this Granny’s going bad.”

    Watch the video below:

    In 2018, Barr’s hit sitcom was canceled and she was dropped by her reps at ICM Partners after she tweeted that former Barack Obama adviser Valerie Jarrett was a product of the Muslim Brotherhood and the “Planet of the Apes.”

    MacDonald promoted the new song with Barr on Friday ahead of President-elect Trump’s Monday inauguration, writing on X, “Celebrate the inauguration with us!” On Instagram, he wrote, “This is going down in pop culture history.”

    In another Instagram post featuring a video of Roseanne flipping off the camera, the former sitcom star commented Friday, “My twerking is the best!” with a laughing emoji.

  • David Lynch changed my life – and I’ve got the tattoo to prove it

    David Lynch changed my life – and I’ve got the tattoo to prove it

    After first watching Twin Peaks in 2005, I had this recurring dream that I was Laura Palmer – the dead young woman the show revolves around.

    In it, I was floating along a windy road towards the small American town Twin Peaks, to the theme music by Angelo Badalamenti – my body wrapped in plastic.

    I stopped at the town sign that reads ‘Welcome to Twin Peaks, population 51,201’, looked out at the mountains and sighed. Then, my body dropped to the floor – a loud disturbing sound filling my ears.

    The sound of my bones hitting the floor woke me up.

    It was disturbing, but somewhat comforting. The soundscape of the theme music and the sound of owls hooting – something I’ve never experienced in a dream before or since – made me feel at ease. Surprisingly, it assured me I was dreaming.

    Because that’s what the show Twin Peaks was like to me: a lucid dream.

    And after the sudden death of co-creator David Lynch at 78 this week, I’ve been reflecting on that curious combined sensation of comfort and unease and how it shaped parts of my life.

    Part horror-mystery, part small town soap opera, Twin Peaks launched in 1990 and ran for two seasons. In 1992 the feature film Twin Peaks: Fire Walk with Me was released, followed by a long-awaited third season in 2017.

    Lynch’s death has left me immeasurably sad. He had given me characters from the show to care for me when I needed them and a strange world to comfort me.

    Twin Peaks follows FBI special agent Dale Cooper (Kyle MacLachlan) as he investigates the murder of local teenager Laura Palmer (Sheryl Lee).

    Viewers are introduced to a town with eccentric characters and a dark mystery – and throughout it, you have a feeling that something isn’t quite right.

    When I finally got around to watching the show, nearly 15 years after its debut, the show infiltrated my mind so deeply, it appeared in my dreams. I was obsessed with it, but the reason didn’t become clear to me until much later.

    In 2004, I studied Film and Animation at university and I was a creative dreamer back then. I wanted to make music videos inspired by my favourite band at the time, Tool, and I wanted them to be weird, subversive and dream-like.

    I was emo and so I felt like no-one understood me. I had lots of angst and a creative vision for its output.

    Then, one day something changed for me. In one of the rare lectures I didn’t skip, the teacher put on Eraserhead – a 1977 surrealist body horror by director David Lynch.

    While most students in the theatre grimaced and gagged in disgust, I felt like I was under a spell.

    The film itself is not something I would enjoy now – it’s about a man caring for his child who suffers from deformities and is possibly an alien. There are moments of violence and abuse which I now feel are too grotesque and insensitive to bear.

    But at the time, it reminded me what I was there for. To create art. To make people happy about sadness. I have since consumed all his work.

    Although it wasn’t until later that year, watching Lynch’s Twin Peaks – immersed in a sense of melancholia, the fear and horror of death and a subversive need to be in a constant dream, away from Earth – that I realised I was depressed.

    I was entering adulthood at university after having left home as a troublemaker, complete with a tongue piercing and freshly short hair – but it seemed that I couldn’t move past my angst. There was something holding me back, and it turns out it was sadness.

    As a woman of colour, navigating my then-conservative parents, my changing body and developing eating disorders, I was vulnerable.

    I felt lost to the world, misunderstood. My body was fragile, but covered in hair. I felt disgusting and unseemly – I felt like an alien.

    I hadn’t come out – and wouldn’t until my 30’s – so I was hiding in this alien body, and relying on alcohol to make friends. Essentially, I was scared. I didn’t think the world would accept me.

    Twin Peaks came into my life at the time I was struggling the most. It became the show that took me under its wing and gave me the dream world I wanted to escape to.

    A world where young people were beautiful, soft and sad – but remembered. When they die, they are remembered. People cry over them. People lose their minds for them.

    I wanted to be those characters and live with them.

    Audrey Horne (Sherilyn Fenn), a school friend of the show’s central figure Laura Palmer, was the woman I wanted to kiss.

    I wanted to save the cafe waitress Shelly (Mädchen Amick), from her abusive husband. Lucy (Kimmy Robertson) and Andy (Harry Goaz) from the sheriff offices, had to be my best friends, there was no doubt there. I wanted to marry Agent Dale Cooper – or did I want to be him? I wasn’t sure.

    This dream reality wrapped me up and warmly told me to live there for now. Until I was ready for the real world.

    Eventually I was – I sought help, I ate, took medication. By that time, my university experience had been hazy and I barely graduated, but I survived it.

    In 2013, I got a tattoo to commemorate my love for Twin Peaks. In a dream, Laura Palmer tells Agent Dale Cooper, ‘But sometimes my arms bend back’, which helps him solve her murder. So I got those words tattooed on the inside of my arm. It made me feel saved.

    Now that Lynch has passed on, his work still remains with us and so does the world he left me.

    Every time I need that warm embrace, that escape from reality, I put on the surreal world of Twin Peaks and chuckle with my strange friends.

  • Oscar-Nominated Actress Joan Plowright Dead at 95

    Oscar-Nominated Actress Joan Plowright Dead at 95

    Dame Joan Plowright, a legendary British actress of the stage and screen, has died … this according to her family.

    The actress — who was best known for her work in the 1992 film, “Enchanted April,” for which she earned an Oscar nomination and a Golden Globe award — died peacefully Thursday surrounded by her loved ones at Denville Hall … a retirement home for performers in North West London.

    While her family did not share a cause of death, they did applaud “her brilliant career” and thanked those “who helped care for her in her last years.”

    She is survived by her children, Richard, Tamsin, and Julie-Kate … who she welcomed with famed British director/actor Laurence Olivier in their 28-year marriage.

    Joan’s career spanned over six decades, giving memorable performances on Broadway, the West End, and on the big screen. She won a Tony Award in 1961 for her work in the Broadway play, “A Taste of Honey.”

    Joan made history in 1993 when she became the second actress to win two Golden Globes in the same year … aside from “Enchanted April, her additional win was for her work in HBO’s “Stalin.” So far, only four actresses have pulled off this feat … including Helen Mirren, Sigourney Weaver, and Kate Winslet.

    Other notable credits include “The Entertainer,” “The Scarlet Letter,” “101 Dalmatians,” “Tea with Mussolini,” “Dennis the Menace,” among countless other titles.

  • Apple to stream FireAid concert, prompts users to donate to relief efforts

    Apple to stream FireAid concert, prompts users to donate to relief efforts

    As wildfires continue to ravage Southern California, Apple continues to rally support for victims by prompting users for donations, as well as streaming the upcoming LA wildfire relief concert.

    In an effort to raise awareness and money for the Southern California wildfires, Apple will join other major streaming services in streaming upcoming FireAid benefit concert. The concert is set to take place on January 30 at 6:00 p.m. PT/9:00 p.m. ET and will be held at both the Intuit Dome and Kia Forum.

    FireAid’s benefit concert will feature the following acts:

    Tickets for the in-person event go on sale on January 22 at noon PT/3:00 p.m. ET, for those who can make it to the venues. Ticket sales will be distributed under the advisement of the Annenberg Foundation.

    For those who can’t make it to the venue, they can tune into the livestreamed event via the Apple TV app or Apple Music. Other streaming services broadcasting the event include iHeartRadio, Paramount+, Prime Video, SiriusXM, Spotify, YouTube, and even select AMC Theater locations.

    Additionally, on Friday, Apple CEO Tim Cook posted on X that Apple would give users an easy way to donate to wildfire relief efforts.

    Now, when you open Apple Music or the App Store, you’ll be prompted to donate to the 2025 Southern California wildfires. Donations will be collected by Apple and passed along to the American Red Cross.

    The wildfires in the Los Angeles area have caused significant damage, with more than 12,000 structures — mostly homes — destroyed. Thousands of people have left the area, and the current death toll is unknown at the time of writing. At least 27 people are known to have died as a result of the wildfires.

    This isn’t the first time Apple has pledged to donate to fire relief this year. A week prior, Cook had posted that Apple would be donating to support the victims and recovery efforts.

    Read on AppleInsider

  • Frasier reboot axed by Paramount+

    Frasier reboot axed by Paramount+

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    The streaming service has decided not to pick up the comedy for a third season, but producer CBS Studios plans to shop it around to other outlets, according to Deadline.

    The reboot was first ordered to series in 2022 with season one premiering in 2023 and season two in September 2024.

    Seasons one and two will continue streaming on Paramount+.

    According to the logline, the reboot follows Dr Frasier Crane (Kelsey Grammer) in the next chapter of his life as he returns to Boston, Massachusetts, with new challenges to face, new relationships to forge and an old dream or two to finally fulfill.

    The series also stars Jack Cutmore-Scott as Frasier’s son, Freddy, Nicholas Lyndhurst as Alan, a university professor and friend of Frasier, Toks Olagundoye as Olivia, Alan’s colleague and head of the university’s psychology department, Jess Salgueiro as Eve and Anders Keith as Frasier’s nephew, David.

    Some familiar faces from the original sitcom also made appearances including Bebe Neuwirth, reprising the role of Frasier’s ex-wife Lilith, Peri Gilpin as Roz Doyle, Dan Butler as Bob “Bulldog” Briscoe, Edward Hibbert as Gil Chesterton and Harriet Sansom Harris as Frasier’s agent, Bebe Glazer.

    Speaking previously about the sitcom, co-showrunner Chris Harris told The Hollywood Reporter: “The first season for every show is about finding the characters and seeing, ‘Oh, we thought this character was here, but it’s actually over there.’ Or, ‘we thought that these two had a sniping relationship, but it’s one of mutual respect’. Our show was not one of the few shows that came out of the gate knowing exactly what every character was, like the original ‘Frasier’. But for the most part, that first season, we feel good about having found where the show is. And here we got to dive in more.”

  • Roseanne Barr Drops ‘Daddy’s Home’ Rap Video With Tom MacDonald

    Roseanne Barr Drops ‘Daddy’s Home’ Rap Video With Tom MacDonald

    In the post on X, the 72-year-old actress wrote, “Tom MacDonald & Roseanne Barr – Daddy’s Home. Some say I’m a poor loser- but I’m much worse when I win.” The post included a link to their YouTube video that, at the time of this publication, has been viewed nearly 350,000 times and counting.

    In a second post she added, “It really would be a shame if all my followers downloaded this song and got it to number 1. That would really piss off everyone who cancelled us and tried to destroy our country these last 8 years. We can’t have that!”

    In the fun video filled with Trump-flag-waving supporters, the two performers rap a catchy tune about President-elect Donald Trump’s victory and repeat the chorus, “We won, you mad/It’s done, too bad/Boo-hoo, so sad/Now your daddy’s home. We won, you mad/You cry, we laugh/We wave, the flag/Now your Daddy’s home.”

    In the song, the two reference the last four years under President Joe Biden and the transgender insanity pushed by his administration. One line read, “Thank God, that we’re back/Couldn’t take another four years, that’s a wrap/I can take a bath in your tears, that’s a fact/You got lipstick all on your beard, you’re a man…”

    In another part, the pair rap, “If you mad about it, go and cry about it/Shave your head and wear a shirt that says your woke/If you can’t handle all the facts and make up lies about it (liar)/Say goodbye to Joe, your daddy’s coming home (coming home).”

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    For her part, the former star of the hit TV sitcom “Roseanne” rapped about attempts to cancel her.

    “They tried to cancel me and say that I’m a racist/ But I mean, huh, they can’t keep me with that jam (with the jam),” Barr rapped. “Try and take away my rights, then go and save this (woo!), Why they try and turn Becky into Dan?”

    The lyrics were in reference to when Barr was fired from the reboot of her ABC series “Roseanne” following a tweet that was quickly labeled racist in 2018. The show was canceled and the series later came back to the network without her, retitled “The Conners.”

    She later spoke about that tweet — which read, “muslim brotherhood & planet of the apes had a baby” — and was aimed at former White House senior adviser to President Barack Obama, Valerie Jarrett, as The Daily Wire previously reported.

    “I shoulda not did it, but by God, I was really pissed that day,” Barr explained. “I did something I wouldn’t do if I hadn’t been on that Ambien. It makes you do a lot of crazy s***.”

    The comedian also issued an apology on Twitter, but the show was still taken off the air.

  • Greta Gerwig gets her wish: Narnia to receive IMAX release before Netflix

    Greta Gerwig gets her wish: Narnia to receive IMAX release before Netflix

    In the end, Greta Gerwig will get her theatrical release. After months of speculation, Narnia will be released on IMAX screens before it streams on Netflix.

    Per Matt Belloni of Puck, Narnia will air on nearly 1,000 screens worldwide on Thanksgiving Day 2026. IMAX has guaranteed Narnia will play for at least two weeks. However, that could increase to three if demand is high. After its IMAX run, Narnia will stream globally on Netflix around Christmas Day.

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    Belloni’s report states Narnia could screen in non-IMAX formats, though that is unconfirmed. More importantly, Netflix will market Narnia like a typical IMAX release and brand it as a Netflix and IMAX movie from the outset.

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    Gerwig’s deal could be a tipping point for Netflix, which has consistently prioritized streaming over the theatrical experience. Netflix gives its prestige plays limited theatrical releases to qualify for the Oscars and other awards shows. The only other example that resembles Gerwig’s deal is Glass Onion: A Knives Out Mystery. Rian Johnson’s sequel received a one-week limited theatrical release during the 2022 Thanksgiving holiday before its December debut on Netflix.

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    Gerwig is coming off the overwhelming success of Barbie, which likely factored into Netflix’s decision to allow an IMAX release. Barbie became the highest-grossing film of 2023 with over $1.44 billion worldwide.

    In 2018, Netflix acquired the rights to C.S. Lewis’ Narnia books, intending to develop movies and TV shows. Netflix enlisted Gerwig to develop Narnia in 2020. In 2023, The New Yorker reported that Gerwig had been hired to write and direct two Narnia movies for Netflix.