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  • Saturday Night Live: Dave Chappelle returns for a stellar episode

    Saturday Night Live: Dave Chappelle returns for a stellar episode

    The controversial comedian makes a plea for empathy from the returning president in a strong week for the show

    Saturday Night Live returns from holiday hiatus with MSNBC coverage of the impending presidential inauguration. Rachel Maddow (Sarah Sherman) presides over a panel of liberal pundits – including her doppelganger Chris Hayes (Andrew Dismukes) – essentially “the Avengers for your aunt”.

    The panel promises not to let crazy a Trump outburst distract them from the real news like las time around, only to breathlessly report on the president-elect’s incoming comments and tweets, including a plan to trade Kentucky for Italy, sending Don Jr to purchase the Emerald City from Wicked, challenging China’s president to a fight in the UFC octagon, and a declaration of war on sharks.

    They cut to footage of Trump (James Austin Johnson) rambling about TikTok (“We used to hate it but it then, in many ways, got me elected”), Mark Zuckerberg (“He looks much cooler in terms of perm and with regard to chain”), his inauguration (“it will be indoors; too many people to fit outside”), and his latest cabinet pick, George Santos (Bowen Yang), who will be serving as Secretary of Fact Checking and Ambassador to Sephora. Things wrap up with Trump live tweeting insults at the MSNBC anchors: “This lineup looks like Scooby Doo: Oops, All Velma.”

    A fine, if uninspiring cold open ahead of the dire prospect of Monday’s event. The best bits were the digs on Hayes.

    When November’s post-election episode of Saturday Night Live aired without Dave Chappelle at the helm, it seemed as though the show was intentionally breaking with the tradition it started in 2016. No so, according to the comedian, hosting for the fourth time, who informs us that Lorne Michaels indeed asked him to do it, only for Chappelle to pass. Instead, he offered to host in January, hoping to avoid controversy. Alas, “the moment I said yes, LA burst into flames”.

    Smoking a cigarette and pulling up a stool, Chappelle reflects on the perfect storm of catastrophe that caused the apocalyptic California fires (“You have to at least consider the possibility that God hates these people … Sodomites … no, that’s not true, West Hollywood was unscathed”), before giving in and turning his attention to Trump.

    An Ohio resident, Chappelle was especially upset by Trump’s racist attacks on Haitian immigrants in Springfield, only one town over from where he lives, and decided to make a public show of support for the community: “Every day, I would drive a few miles over to Springfield and eat lunch at the Haitian restaurant … and to be honest with you, I don’t know what that meat was. But whatever it was, it fell right off the bone, I’ll tell you that.”

    He also speaks on Diddy’s legal troubles, realizing the only reason he was never at the freak-offs was because he was too ugly to attend: “Can you imagine … everyone in Hollywood had an orgy behind your back … Carl Winslow from Family Matters was there, and I wasn’t invited?”

    He then wraps up with a sincerely moving story about the late Jimmy Carter touring Palestine against the warnings of the secret service. This leads him to deliver a message to Donald Trump and viewers at home about showing empathy for others, especially displaced people “whether they’re in the Palisades or Palestine”.

    The message itself – the strongest statement on Palestine to appear on SNL yet – is unimpeachable, although it’s rich for Chappelle to dole out moral instruction considering he has spent the last several years publicly disparaging transgender people.

    Still, it was a good performance, less a monologue than a mini-standup special. It was certainly funnier than any of his full-length Netflix specials.

    The first sketch of the night sees the return of Immigrant Dad Talk Show. Marcello Hernández’s Latino emigree invites his Black neighbor Richard (Chappelle) onto the show. They hold court on their favorite subject: their disappointing sons (“My son diagnosed himself with OCD. I said, Oh? See Deez Nuts!”). Later, they’re joined by fellow neighbor Kevin (Mikey Day), a sensitive dweeb who creepily kisses his son on the mouth Tom Brady-style but shakes his wife’s hand. As with almost every race relations sketch, the writers can’t help but fall back on cringey white liberals as the butt of the joke.

    A Los Angeles family in one of the fire zones decide to evacuate, only for the dad to start tearing apart the house (and family dog) to retrieve his hidden stash of cash, forged passports, firearms and secret French family. There’s no real payoff to any of this, but it’s got some good gore and a couple of funny moments between Chappelle and Devon Walker as his “soft like a bitch” son.

    Musical guest GloRilla performs her first song of the night, then it’s on to Weekend Update. Colin Jost scores some big laughs with a solid dig at the expense of Mark Zuckerberg (“He flew down to Mar-a-Lago to meet with Trump and boy are his knees tired”) and gets a lot of groans over a joke about the Israel-Palestine ceasefire agreement (“their version of dry January”).

    Michael Che invites cast member Michael Longfellow to make one final plea to save TikTok. Longfellow discards concerns over the app’s Chinese ownership (“You know who else was Chinese? Jesus Christ … I saw it on a Tik Tok”) and data stealing (“Oh no, China knows I like thick Latinas – who doesn’t?”), while contemplating how he’ll live without it: “What do I do at work? What do I even watch during a movie?” A very good takedown of the awful social platform and the best Longfellow has been on the show, his vocal patterns and line delivery reminiscent of the late Phil Hartman and Norm McDonald.

    Later, Jost welcomes their second guest, the original Nosferatu (Sherman, of course). The OG vampire is not happy with the new film’s redux (“He doesn’t even look like me … the guy is jacked and has a mustache; he looks like shirtless Ned Flanders”), but he spends more time ragging on Jost, a coke-addicted sex fiend who is the bigger monster at the desk. As ever, Jost and Sherman have the best chemistry on the show.

    At a police station, a man (Walker) reports his girlfriend missing. He gives a description of her to the cops, only to freeze when asked how much she weighs. An eavesdropping janitor (Kenan Thompson) is sympathetic to his cause, providing him with answers that will keep him out of trouble should his statements ever come to light. Painfully unfunny, it takes forever to peter out.

    GloRilla performs her second song, then the show concludes with online dating show Pop the Balloon. A group of single ladies meet a couple single guy contestants before being introduced to Chappelle Show’s resident Playa Haters Silky Johnson and Beautiful, and degenerate gambler Ashy Larry (the latter two played by series regular Donnell Rawlings). Asked if he’s some kind of sex trafficker, Silky retorts: “I don’t do traffic, I take helicopters, bitch.” They all get popped immediately. It’s great to see these classic characters back, especially the ones played by Rawlings, a truly great and perpetually underrated actor. I only wish there had been more of them.

    The first two episodes of SNL that Chappelle hosted left behind a sour taste, but these last two have been winners. Even his penchant for preachiness landed here since he was on the right side of history for a change. The rest of the episode was roundly solid as well.

    When SNL returns next week, it will be under a second Trump presidency. Expect the mood to be grimmer.

  • Jingle jangle: Draft lyrics to ‘Mr. Tambourine Man’ sell for $508K at US auction

    Jingle jangle: Draft lyrics to ‘Mr. Tambourine Man’ sell for $508K at US auction

    NASHVILLE, Tenn. (AP) — Draft lyrics to Bob Dylan’s song “Mr. Tambourine Man” went for over a half-million dollars as part of a weekend sale of dozens of items related to the iconic American singer-songwriter.

    About 60 Dylan items — including photos, music sheets, his guitar, pencil drawings and an oil painting composed by the Nobel Prize for literature winner — were sold on Saturday in Nashville, Tennessee, through Julien’s Auctions.

    The items generated nearly $1.5 million in sales overall through in-person and online bidding, the auction house said. Julien’s said 50 of the items, including the lyrics that received the highest sale price, came from the personal collection of late music journalist Al Aronowitz.

    The typewritten lyrics, which covered three drafts of the 1965 song, were written on two sheets of yellow paper, with Dylan’s annotation on the third draft.

    Dylan wrote the original draft lyrics in the journalist’s New Jersey home, according to Julien’s, citing a 1973 newspaper article by Aronowitz.

    Dylan sat “with my portable typewriter at my white formica breakfast bar in a swirl of chain-lit cigaret smoke, his bony, long-nailed fingers tapping the words out” on copy paper, Aronowitz was quoted as writing.

    The third draft, while close to the final version, still had significant variations from the final lyrics, the auction house said on its website.

    The song appeared as the lead track on the acoustic side of his 1965 “Bringing It All Back Home” album and was the first Dylan composition to reach No. 1 in the United States and the United Kingdom, Julien’s said.

    Other high-selling items Saturday included a 1968 Dylan-signed oil-on-canvas painting for $260,000 and a custom 1983 Fender guitar that he owned and played for $225,000.

    Dylan, now 83, is garnering attention with last month’s release of the movie “A Complete Unknown,” which focuses on his rise to stardom in the early 1960s. Dylan is played by Timothée Chalamet, who has worked for several years on the role, which involves singing and playing guitar.

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  • Sir Mark Rylance’s wife, Claire van Kampen, dead at 71

    Sir Mark Rylance’s wife, Claire van Kampen, dead at 71

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    The ‘BFG’ star’s beloved spouse Claire van Kampen passed away at the age of 71 in Kassel, Germany, on Saturday (18.01.25) – the actor’s 65th birthday – “surrounded by her family” after battling cancer.

    Mark and Claire’s daughter Juliet – who she had from her marriage to architect Christopher van Kampen – remembered the theatre director and composer as “one of the funniest and (most) inspiring women we have ever known”.

    They added in a statement: “We thank her for imbuing our lives with her magic, music, laughter, and love.

    “Ring the bell, sound the trumpets reverie, something is done, something is beginning. One of the great wise ones has passed.”

    Claire studied at the Royal College of Music on London before joining the Royal Shakespeare Company in 1986. A year later, she joined the Royal National Theatre and later became artistic associate to her actor husband at Shakespeare’s Globe theatre from 1996 to 2006.

    When Mark left the theatre, Claire stayed on as a musical consultant and resident composer to his successor Dominic Dromgoole, from 2007 to 2015.

    Most recently, she worked as a creative associate at the Old Vic Theatre in London and was also involved with TV series ‘Wolf Hall’ as a Tudor music advisor and arranger.

    Claire and Mark married in 1989, the same year she composed the music for the RSC’s production of ‘Hamlet’, which the ‘Ready Player One’ actor appeared in.

    She also composed the original scores for a number of Broadway productions, including ‘True West’, Boeing-Boeing’ and ‘La Bete’, and adaptations of ‘Twelfth Night’ and ‘Richard III’.

    Claire was nominated for a number of Olivier Awards and Tony Awards after writing the play ‘Farinelli And The King’, which her husband starred in as King Philippe V of Spain.

    The couple experienced tragedy in 2012 when Claire and Christopher’s other daughter, Natasha, passed away at the age of 28 after suffering a brain haemorrhage.

    Mark previously credited his wife for having “completely changed” his life.

    He told The Guardian newspaper in 2023: “Claire completely changed my life. We met at the National Theatre when she was musical director of a play I was in.

    “She introduced me to that world of classical and modern music, and it was very much around music that we fell in love.

    “We’ve always loved working together, from Phoebus Cart, our own theatre company in the 90s, to our years at the Globe, to ‘Farinelli and the King’.

    “From the beginning, we were always imagining stories that we could tell together. I’ve lost count of how many projects we’ve imagined, sitting there at our kitchen table.”

  • Box office: Keke Palmer comedy ‘One of Them Days’ and ‘Mufasa’ in close race for No. 1

    Box office: Keke Palmer comedy ‘One of Them Days’ and ‘Mufasa’ in close race for No. 1

    WASHINGTON (AP) — The Keke Palmer buddy comedy “One of Them Days” opened in first place on the North American box office charts on a particularly slow Martin Luther King Jr. holiday weekend.

    The R-rated Sony release earned $11.6 million from 2,675 theaters, according to studio estimates Sunday, beating Disney’s “Mufasa: The Lion King” by a hair. By the end of Monday’s holiday, “Mufasa” will have the edge, however.

    “One of Them Days” cost only $14 million to produce, which it is expected to earn by Monday. The very well-reviewed buddy comedy stars Palmer and SZA as friends and roommates scrambling to get money for rent before their landlord evicts them. Notably it’s the first Black female-led theatrical comedy since “Girls Trip” came out in 2017 and it currently carries a stellar 96% rating on Rotten Tomatoes.

    But the marketplace was also quite weak overall. The total box office for Friday, Saturday and Sunday will add up to less than $80 million, according to data from Comscore, making it one of the worst Martin Luther King Jr. holiday weekends since 1997.

    “For an individual film like ‘One of Them Days’ this was a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “You can still find success stories within what is overall a low grossing weekend for movie theaters.”

    The Walt Disney Co.’s “Mufasa” was close by in second place with $11.5 million from the weekend, its fifth playing in theaters. Globally, the Barry Jenkins-directed prequel has made $588 million. It even beat a brand-new offering, the Blumhouse horror “Wolf Man,” which debuted in third place with $10.6 million from 3,354 North American theaters.

    Writer-director Leigh Whannell’s monster tale starring Christopher Abbott and Julia Garner did not enter theaters with great reviews. It currently carries a 53% on Rotten Tomatoes. Reviews don’t generally affect the success of horror movies in their first weekend, but audiences also gave it a lackluster C- CinemaScore in exit polls. The Blumhouse production and Universal Pictures release cost a reported $25 million to make and is expected to reach $12 million by the close of Monday’s holiday.

    “Sonic the Hedgehog 3” was in fourth place with $8.6 million and “Den of Thieves 2” rounded out the top five with $6.6 million.

    In specialty releases, Brady Corbert’s 215-minute post-war epic “The Brutalist” expanded to 388 screens where it made nearly $2 million over the weekend. A24 reported that it sold out various 70mm and IMAX showings. The studio also re-released its Colman Domingo drama “Sing Sing” in theaters and prisons, where over 1 million incarcerated people in 46 states were able to view the film.

    The Martin Luther King Jr. holiday weekend has seen major successes in the past. Dergarabedian noted “Bad Boys for Life,” which had a three-day opening of $62.5 million in 2020, and “American Sniper,” which earned $89.3 in its first weekend in wide release in 2016.

    “This is a year that’s going to get a big boost starting with ‘Captain America: Brave New World’ and ‘Paddington in Peru’ in February,” Dergarabedian said.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  • Justin Baldoni’s lawyer issues furious response to Blake Lively

    Justin Baldoni’s lawyer issues furious response to Blake Lively

    By SAMEER SURI and RUTH STYLES IN LOS ANGELES, CALIFORNIA, FOR DAILYMAIL.COM

    Justin Baldoni’s lawyer has issued a furious response to Blake Lively’s statement about his $400 million lawsuit against her.

    Lively and her husband Ryan Reynolds were sued for defamation Thursday by Baldoni and his publicists, who say the actress cooked up a scheme to kill their careers and discredit them by making false accusations of sexual harassment.

    Court papers obtained exclusively by DailyMail.com accuse Lively and Reynolds of using their combined star power to hijack the domestic abuse movie It Ends With Us, which Baldoni co-starred in and directed.

    The new defamation action is the latest broadside in an increasingly labyrinthine legal battle that began just before Christmas when Lively sued Baldoni, claiming he sexually harassed her and created a toxic work environment on the set of the film. He has staunchly denied the allegations.

    In response to Baldoni’s new lawsuit, Lively’s attorneys issued a fiery statement to DailyMail.com, declaring: ‘This latest lawsuit from Justin Baldoni, Wayfarer Studios, and its associates is another chapter in the abuser playbook.’

    Now Baldoni’s counsel Bryan Freedman has fired back, denouncing Lively’s ‘revoltingly false sexual allegations’ against his client, via Deadline.

    Justin Baldoni’s (left) lawyer has issued a furious response to Blake Lively’s (right) statement about his $400 million lawsuit against her

    ‘After my clients filed a comprehensive lawsuit packed with almost 200 pages of undeniable facts and documentary evidence which crushed their false allegations of a smear campaign by providing doctored communications to the New York Times, Blake and her legal team have just one heinous pivot left, and that is to double down on the revoltingly false sexual allegations against Mr. Baldoni,’ Freedman said.

    ‘The mere fact that Ms. Lively feels that she can publicly destroy Mr. Baldoni’s reputation in an attempt to devastate his future career and then deny him or his team their own ability to defend theirselves against her is preposterous,’ he added.

    Read More Ryan Reynolds looks sheepish as he’s seen for first time since new Justin Baldoni lawsuit against Blake Lively

    ‘Mr. Baldoni never once publicly attempted to call Ms. Lively out for her own many wrongdoings during filming, he kindly addressed all her concerns during filming in the correct manner despite the fact that he wholly disagreed, he himself was committed to do things differently and to keep the peace as she specifically admitted to in her own lawsuit,’ Freedman insisted further.

    ‘We will not only continue to defend our clients against Blake’s power, privilege and all out lies, but we will now fight even harder for the voiceless in the DV community who are unfairly suffering while she continues to push on her own self-serving and selfish vendetta in the media.’

    Freedman’s new remarks are a counterattack to a statement by Lively’s lawyers saying: ‘This is an age-old story: A woman speaks up with concrete evidence of sexual harassment and retaliation and the abuser attempts to turn the tables on the victim. This is what experts call DARVO. Deny. Attack. Reverse Victim Offender.’

    The statement alleged Baldoni’s production company Wayfarer Studios ‘opted to use the resources of its billionaire co-founder to issue media statements, launch meritless lawsuits, and threaten litigation to overwhelm the public’s ability to understand that what they are doing is retaliation against sexual harassment allegations.’

    Lively’s attorneys added: ‘They are trying to shift the narrative to Ms. Lively by falsely claiming that she seized creative control and alienated the cast from Mr. Baldoni. The evidence will show that the cast and others had their own negative experiences with Mr. Baldoni and Wayfarer.

    ‘The evidence will also show that Sony asked Ms. Lively to oversee Sony’s cut of the film, which they then selected for distribution and was a resounding success.’

    Baldoni’s lawyer Bryan Freedman, who lost his home in the Palisades fire, is pictured

    They continued: ‘Their response to sexual harassment allegations: she wanted it, it’s her fault. Their justification for why this happened to her: look what she was wearing.’

    The statemetn concluded: ‘In short, while the victim focuses on the abuse, the abuser focuses on the victim. The strategy of attacking the woman is desperate, it does not refute the evidence in Ms. Lively’s complaint, and it will fail.”

    In Baldoni’s new lawsuit, he accuses Lively muscling in on production despite allegedly failing to read the book until filming was well under way.

    The hijack allegedly went as far as relegating Baldoni and his family to the basement after arriving on the red carpet for the movie’s premiere on August 6, 2024, because ‘Lively demanded he not attend’.

    The suit said: ‘Security personnel, acting as though there was a risk of “escape,” escorted Baldoni’s group to the basement of the building.

    Lively is pictured with Reynolds at the 2014 Met Gala

    ‘There, they were confined to a makeshift holding area surrounded by concession stand stock, with only foldout tables and chairs arranged in a square.’

    In addition to not reading the book before filming started, the lawsuit claims she initially pushed back on having to read it at all.

    And despite the novel’s dark subject matter, Lively allegedly failed to take it seriously during the promotional campaign – even naming a cocktail after the abusive lead male character.

    This, the filing says, is evidence of the ‘insensitivity’ that sparked an ‘organic backlash to the actress last summer.

    She also refused to meet with the domestic violence charity Baldoni had paired up with while promoting the film.

    The hijacking of the movie It Ends With Us allegedly went as far as relegating Baldoni and his family to the basement when they arrived at the premiere on August 6, 2024, because ‘Lively demanded he not attend’

    The lawsuit against Lively and Reynolds was filed in New York on Thursday

    Baldoni’s suit claimed Lively hadn’t read the book before filming started and she initially pushed back on having to read it at all citing

    The suit said Lively allegedly failed to take it seriously during the promotional campaign – even naming a cocktail after the abusive lead male character

    Baldoni and his family were relegated to the basement after arriving on the red carpet for the movie’s premiere on August 6, 2024, because ‘Lively demanded he not attend’

    Lively’s sexual harassment claims first appeared three weeks ago in a New York Times story that included texts sent between his publicists that they now say were cherrypicked and stripped of context to make it appear Baldoni was orchestrating a ‘smear campaign’ against the actress.

    But the actor says it was Lively who was the real orchestrator of a negative publicity campaign – alleging that she had been working with her own publicist Leslie Sloane and the New York Times for months before the article was published.

    Baldoni is already suing the outlet for $250million for libel and defamation, saying in his lawsuit that the story relied on Lively’s ‘self-serving narrative’.

    The new filing is a cross-complaint to Lively’s own, and notes that Baldoni and his publicists were even served papers while trying to evacuate their homes during the devastating LA wildfires that ripped through the city last week.

    Lively, the complaint added, was safely at home in New York, even as she deployed process servers’ in the midst of the infernos.

    The home of Baldoni’s lawyer Bryan Freedman was among the casualties of the Palisades Fire.

    The filing also details how Baldoni’s publicists Melissa Nathan and Jennifer Abel endured death threats and a torrent of abuse after Lively’s allegations were aired, some of it anti-Semitic.

    An industry source told DailyMail.com: ‘The only question to ask now that we can see the full picture is why did Blake make the decision to do this?

    The suit notes Baldoni and his publicists were even served papers while trying to evacuate their homes during the devastating LA wildfires that ripped through the city last week

    Lively and Reynolds are pictured at the New York premiere of It Ends With Us

    Read MoreEXCLUSIVE Justin Baldoni’s explosive fightback against Blake Lively revealed: Claims her team smeared HIM, ‘weaponised’ WhatsApps and lawsuit is ploy to rebuild her image. Read ALISON BOSHOFF’S bombshell world exclusive

    ‘There can be only two reasons, one she did not think the other side would fight back or two, she herself was shown edited and doctored messages from her own team of advisors.

    ‘It will be interesting to see how she handles herself moving forward now that the public has the fully unedited communications in full.’

    In a statement released exclusively to DailyMail.com, Nathan and Abel described the impact of Lively’s allegations as ‘devastating’ and accused the actress of bullying them.

    ‘It is devastating that we are forced to answer this viciously selfish ongoing litigation littered with documented and provable lies in the midst of the tragedy impacting California where we reside,’ the statement read.

    ‘Five months ago Ms. Lively chose to promote a film about domestic violence in a way that caused instant negative and organic backlash due to her own highly publicized actions.

    ‘Instead of accepting responsibility, she decided to cruelly blame us. This malicious attack on private individuals by Ms. Lively and her team in which they chose to spoon feed The New York Times with doctored, out of context and edited text messages in an effort to paint herself as a victim set off a chain of events that has been harmful beyond measure,’ they continued.

    Baldoni’s suit alleged that Lively’s publicist Leslie Sloane (pictured), one of Hollywood’s most influential women, tried to smear Baldoni by planting stories with news organisations

    It Ends With Us, based on the 2016 bestseller by Colleen Hoover, was released in August and was a box office hit, grossing more than $350million against a $25million production budget

    ‘To be clear, Ms. Lively and her team initiated this smear campaign in the media for the sole intention of gaining undeserved public sympathy for her own missteps.

    ‘Over the last month, we have received death threats, abhorrent abuse and vile anti-Semitic slurs hurled at us due to her decision to use us as scapegoats for her own choices promoting her film in which she made millions of dollars.

    ‘With this filing, we lift our own curtain of what happens when the entitled weaponize power, fear and money to destroy, intimidate and bully those who get in their way.’

    The new filing also sheds fresh light on Lively’s behavior during filming, including an incident where the actress threatened Baldoni by emphasizing her celebrity connections and hinting that they could make life difficult for him.

    Comparing herself to Game of Thrones heroine Khaleesi, Lively allegedly described them as ‘my dragons’ during a row over her rewrite of the film’s rooftop scene.

    Baldoni claims he would have agreed to make the changes she suggested without the additional pressure and was taken aback by the threatening approach.

    The new filing also sheds fresh light on Lively’s behavior during filming, including an incident where the actress threatened Baldoni by emphasizing her celebrity connections and hinting that they could make life difficult for him

    Comparing herself to Game of Thrones heroine Khaleesi, Lively allegedly described them as ‘my dragons’ during a row over her rewrite of the film’s rooftop scene

    The suit goes on to say that she tried to force Baldoni to issue a statement where he would ‘take accountability’ in the face of the backlash and when he refused, plotted to drive him out of the industry altogether via a ‘false allegations of sexual harassment’.

    It Ends With Us became one of the most talked about movies of the year following its release in August, but for all the wrong reasons.

    Also included in the filing are the full versions of text conversations between Baldoni’s publicists which the lawsuit claims were obtained when Sloane seized Abel’s phone after she quit her job with her PR firm and selectively edited.

    Included in the papers are copies of entire conversations, all of which contain extra messages that contradict Lively’s claims of an orchestrated smear campaign.

    The new lawsuit comes after months of tit-for-tat battles between Lively and Baldoni who fell out dramatically over It Ends With Us which the actress has been accused of hijacking.

    According to the new lawsuit, the backlash she got during the film’s publicity campaign was the direct result of her using it to promote her own brands, including a booze company, in a tone-deaf way – but not as a result of a smear campaign.

    The suit said the backlash Lively got during the film’s publicity campaign was the direct result of her using it to promote her own brands, including her booze company, Betty Buzz, in a tone-deaf way – but not as a result of a smear campaign

    The suit goes on to say that she tried to force Baldoni to issue a statement where he would ‘take accountability’ in the face of the backlash and when he refused, plotted to drive him out of the industry altogether via a ‘false allegations of sexual harassment’

    The romantic drama follows Lily Bloom, played by Blake Lively, as she becomes embroiled in an abusive relationship with Justin Baldoni’s Ryle Kincaid.

    One alleged point of contention was how the movie should be marketed, with Lively reportedly wanting to make the tale more upbeat in contrast to Baldoni, who felt it should be more focused on the abuse aspect.

    As rumors of the feud persisted, social media reaction began to turn against Lively, who has been repeatedly criticized for her responses in interviews promoting the movie.

    She was blasted as ‘tone deaf’ and ‘shallow’ after she hosted an interview with her It Ends With Us costars and failed to discuss the serious message behind the movie.

    Another clash came when Baldoni asked how much Lively weighed prior to a scene in which he was supposed to lift her.

    The A-list actress reportedly said this made her feel ‘fat-shamed’, while those close to Baldoni insisted that he was just trying to protect his back following an injury.

    Unlike many project where controversy affects the box office, It Ends With Us still emerged a box office hit, despite mixed reviews from critics.

    More to Follow…

  • Lady Gaga, Billie Eilish, No Doubt to perform at FireAid benefit in LA: How to watch

    Lady Gaga, Billie Eilish, No Doubt to perform at FireAid benefit in LA: How to watch

    A slate of music superstars including Lady Gaga, Billie Eilish, Green Day, Joni Mitchell and a reunited No Doubt will help raise money for victims of the Los Angeles wildfires with dual high-profile concerts.

    The FireAid benefit will take place at 6 p.m. PT Jan. 30, with performances happening at both the Intuit Dome, a new arena in Inglewood, and the nearby Kia Forum, a longtime landmark.

    Tickets for both shows go on sale at noon PT Jan. 22 through Ticketmaster. Other artists participating include Katy Perry, Finneas, Earth, Wind & Fire, Lil Baby, Pink, Red Hot Chili Peppers, Stevie Nicks, Rod Stewart, Sting and performing together for the first time, Dave Matthews and John Mayer.

    More than 20 artists – more will be announced ‒ are expected to play the two venues. The fundraisers will be held simultaneously and are scheduled to be broadcast and streamed live on Apple Music, Apple TV app, Max, iHeartRadio, KTLA+, Netflix/Tudom, Paramount+, Prime Video, Amazon Music Channel on Twitch, SiriusXM (exclusively on the Life with John Mayer channel), SoundCloud, Veeps, YouTube, and at select AMC Theatre locations in 70 US markets. iHeartRadio will serve as the national audio partner to FireAid.

    More: Milo Ventimiglia, Joshua Jackson and Paris Hilton, more celebrities lose homes in LA fires

    Many of the artists involved have roots in Southern California, such as Eilish, who was born in Los Angeles and Stefani, who grew up in Anaheim.

    The shows are being produced by Irving and Shelli Azoff in conjunction with Live Nation and AEG Presents.

    Contributions made to FireAid at fireaidla.org will be distributed under the advisement of the Annenberg Foundation for short-term relief efforts and long-term initiatives to prevent future fire disasters. All proceeds from the FireAid benefit concert at Intuit Dome and Kia Forum will go directly to the event’s designated beneficiaries and the LA Clippers, which calls the Intiut Dome home, will cover the millions in expenses associated with the event, organizers said.

    The LA wildfires are among the most destructive and costly in state history.

    More: Celebrities volunteer to help Southern Californians recover from wildfires

    The concerts will take place three days before the 67 annual Grammy Awards, held at Crypto.com Arena in downtown LA. Numerous events associated with Feb. 2 celebratory music event have been canceled. But the show, as well as the Jan. 31 MusiCares concert honoring The Grateful Dead and the Feb. 1 Clive Davis Pre-Grammy Gala, is proceeding with a focus on fundraising and supporting first responders.

    The Recording Academy and MusiCares recently established the Los Angeles Fire Relief Effort to Support Music Professionals and have raised and pledged more than $2 million in emergency aid to music people affected by the wildfires.

    This article originally appeared on USA TODAY: FireAid concert will feature Lady Gaga, Billie Eilish: How to watch

  • Keke Palmer comedy ‘One of Them Days´ and ‘Mufasa´ in close race…

    Keke Palmer comedy ‘One of Them Days´ and ‘Mufasa´ in close race…

    WASHINGTON (AP) – The Keke Palmer buddy comedy “One of Them Days” opened in first place on the North American box office charts on a particularly slow Martin Luther King Jr. holiday weekend.

    The R-rated Sony release earned $11.6 million from 2,675 theaters, according to studio estimates Sunday, beating Disney´s “Mufasa: The Lion King” by a hair. By the end of Monday’s holiday, “Mufasa” will have the edge, however.

    “One of Them Days” cost only $14 million to produce, which it is expected to earn by Monday. The very well-reviewed buddy comedy stars Palmer and SZA as friends and roommates scrambling to get money for rent before their landlord evicts them. Notably it´s the first Black female-led theatrical comedy since “Girls Trip” came out in 2017 and it currently carries a stellar 96% rating on Rotten Tomatoes.

    But the marketplace was also quite weak overall. The total box office for Friday, Saturday and Sunday will add up to less than $80 million, according to data from Comscore, making it one of the worst Martin Luther King Jr. holiday weekends since 1997.

    “For an individual film like ‘One of Them Days´ this was a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “You can still find success stories within what is overall a low grossing weekend for movie theaters.”

    The Walt Disney Co.´s “Mufasa” was close by in second place with $11.5 million from the weekend, its fifth playing in theaters. Globally, the Barry Jenkins-directed prequel has made $588 million. It even beat a brand-new offering, the Blumhouse horror “Wolf Man,” which debuted in third place with $10.6 million from 3,354 North American theaters.

    This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from “One of them Days.” (Anne Marie Fox/Sony Pictures via AP)

    Writer-director Leigh Whannell´s monster tale starring Christopher Abbott and Julia Garner did not enter theaters with great reviews. It currently carries a 53% on Rotten Tomatoes. Reviews don´t generally affect the success of horror movies in their first weekend, but audiences also gave it a lackluster C- CinemaScore in exit polls. The Blumhouse production and Universal Pictures release cost a reported $25 million to make and is expected to reach $12 million by the close of Monday´s holiday.

    “Sonic the Hedgehog 3” was in fourth place with $8.6 million and “Den of Thieves 2” rounded out the top five with $6.6 million.

    In specialty releases, Brady Corbert’s 215-minute post-war epic “The Brutalist” expanded to 388 screens where it made nearly $2 million over the weekend. A24 reported that it sold out various 70mm and IMAX showings. The studio also re-released its Colman Domingo drama “Sing Sing” in theaters and prisons, where over 1 million incarcerated people in 46 states were able to view the film.

    The Martin Luther King Jr. holiday weekend has seen major successes in the past. Dergarabedian noted “Bad Boys for Life,” which had a three-day opening of $62.5 million in 2020, and “American Sniper,” which earned $89.3 in its first weekend in wide release in 2016.

    “This is a year that´s going to get a big boost starting with ‘Captain America: Brave New World´ and ‘Paddington in Peru´ in February,” Dergarabedian said.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. “One of Them Days,” $11.6 million.

    2. “Mufasa: The Lion King,” $11.5 million.

    3. “Wolf Man,” $10.6 million.

    4. “Sonic the Hedgehog 3,” $8.6 million.

    5. “Den of Thieves 2: Pantera,” $6.6 million.

    6. “Moana 2,” $6.1 million.

    7. “Nosferatu,” $4.3 million.

    8. “A Complete Unknown,” $3.8 million.

    9. “Wicked,” $3.6 million.

    10. “Babygirl,” $2 million.

    This image released by Sony Pictures shows Keke Palmer, right, and SZA in a scene from “One of them Days.” (Anne Marie Fox/Sony Pictures via AP)

  • David Lynch’s children to honour film-maker with ‘worldwide group meditation’

    David Lynch’s children to honour film-maker with ‘worldwide group meditation’

    David Lynch’s children have invited fans of the film-maker to join in a “worldwide group meditation” to honour his legacy “by spreading peace and love across the world”.

    His children Jennifer, Austin, Riley and Lula Lynch have organised the event to take place for 10 minutes on Monday at 8pm (12pm PST), on what would have been his 79th birthday.

    It was announced on Thursday that the acclaimed Oscar-winning director, known for the surreal TV series Twin Peaks and films such as The Elephant Man, Mulholland Drive and Blue Velvet, had died age 78.

    His children remembered their “beloved dad” as a “guiding light of creativity, love, and peace” as they announced the celebratory event in a joint statement shared on his X account.

    “On Monday, January 20th — what would have been his 79th birthday — we invite you all to join us in a worldwide group meditation at 12:00pm NOON PST for 10 minutes”, the family statement added.

    “Let us come together, wherever we are, to honour his legacy by spreading peace and love across the world.

    “Please take this time to meditate, reflect and send positivity into the universe. Thank you for being part of this celebration of his life.”

    The US film-maker’s death comes five months after he revealed he had been diagnosed with emphysema, a chronic lung disease, after “many years of smoking”.

    Following his death, the world of film and TV hailed Lynch as a “visionary” film-maker who approached his projects with “two guns blazing”.

    Oscar-winning British film-maker Sir Steve McQueen shared his admiration for Lynch’s approach with BBC Radio 4’s Today programme on Saturday, saying: “He did it his way. He designed nightclubs, he painted, he did what he wanted to do.

    “I tip my hat to him, he went out with two guns blazing, he did it, end of story. And he tapped in to the mainstream, which is extraordinary.”

    Sir Steve, whose 2013 drama 12 Years A Slave won the best picture Oscar, also said Lynch brought “evil to the forefront of our narrative” within his work.

    Lynch achieved worldwide stardom with the release of Twin Peaks, co-created with Mark Frost, following FBI agent Dale Cooper (Kyle MacLachlan) who visits a quaint town to investigate the murder of a 17-year-old.

    The director returned to develop and write Twin Peaks: The Return, released in 2017, as MacLachlan came back to the role.

    MacLachlan said he “owed” his “entire career, and life really, to his vision” after Lynch originally cast him in 1984 sci-fi film Dune based on the Frank Herbert novel, before starring in Lynch’s 1986 film Blue Velvet.

    Lara Flynn Boyle, who played Donna Hayward in Twin Peaks, said “there goes the true Willy Wonka of film-making” in a statement.

    Oscar-winning filmmaker Martin Scorsese was also among the film-makers reflecting on Lynch’s back catalogue, including Eraserhead, Wild At Heart, Lost Highway, The Straight Story and Inland Empire, which he said will keep “growing and deepening” as the decades go by.

    Scorsese said the word “visionary” has become a catch-all phrase but feels it was accurate in Lynch’s case.

    “The word could have been invented to describe the man and the films, the series, the images and the sounds he left behind,” he said in a statement.

    Scorsese said Lynch made “everything strange, uncanny, revelatory and new” which were “right on the edge of falling apart but somehow never did”.

    The Oscar-winner added that it was a “sad day for moviemakers, movie lovers, and for the art of cinema” following Lynch’s death.

    Other stars paying tribute were Italian-born star Isabella Rossellini, British actress Naomi Watts, Sir Ringo Starr, Wolverine star Hugh Jackman, The Police singer Sting and Oscar winner Nicholas Cage.

    Mystery movie Blue Velvet launched Lynch into the mainstream but prompted controversy with its violent and sexual content, despite securing him an Oscar nomination for best director.

    He was known for the dreamlike, surreal quality of his work, epitomised in 1980 film The Elephant Man – which secured Lynch Oscar nods for best director and best writing, and was loosely based on the life of Joseph Merrick, a severely deformed man who lived in London in the late 19th century.

    Following three Oscar nominations, the Academy presented Lynch with the honorary award in 2019 for “fearlessly breaking boundaries in pursuit of his singular cinematic vision”.

    Born in Missoula, Montana, Lynch began a career in painting before switching to making short films during the 1960s.

    He was also known for the 1970s feature-length film Eraserhead, a black and white, surrealist body horror which follows Henry Spencer as he navigates a strange and gloomy industrial landscape filled with characters such as The Lady In The Radiator.

    He also directed 1997’s Lost Highway and 1999’s The Straight Story, and made a foray into music, releasing three of his own studio albums, working with Yeah Yeah Yeahs singer Karen O and Swedish singer Lykke Li.

  • Tragedy as Mark Rylance’s wife Claire van Kampen dies on his birthday

    Tragedy as Mark Rylance’s wife Claire van Kampen dies on his birthday

    Claire van Kampen, the wife of actor Sir Mark Rylance, has died aged 71, it has been confirmed.

    The 71-year-old passed on Saturday (January 18) – Rylance’s 65th birthday – in the German town of Kassel surrounded by her family after being diagnosed with cancer, according to a statement shared on behalf of Sir Mark and her daughter Juliet.

    Van Kampen was a concert pianist, composer, playwright, theatre director and worked in various roles at Shakespeare’s Globe for around 20 years. In the statement, she was described as “one of the funniest and (most) inspiring women we have ever known”.

    It added: “We thank her for imbuing our lives with her magic, music, laughter, and love. Ring the bell, sound the trumpets reverie, something is done, something is beginning. One of the great wise ones has passed.”

    The announced, signed from “Mark and Juliet Rylance” continued: “Claire has died of cancer on Mark Rylance’s 65th birthday. Her youngest daughter having died in 2012, she leaves her eldest daughter Juliet Rylance, her eldest daughter, Juliet Rylance, her two husbands, and countless beloved friends in England and America.”

    Her theatre credits include composing the music for the 1989 Royal Shakespeare Company production of Hamlet starring Sir Mark, whom she married that same year.

    Later in her career she created original scores for Broadway productions of 2000’s True West, 2008’s Boeing-Boeing and 2010 comedy La Bete, as well as adaptations of Shakespeare’s Twelfth Night and Richard III.

    Paying tribute to Van Kampen on X, formerly Twitter, The Royal Shakespeare Company wrote: “We are deeply saddened to hear of the passing of Claire van Kampen today. Our thoughts are with Claire’s family and friends at this time. Co-Artistic Directors Tamara Harvey and Daniel Evans share this message.”

    The message from the directors reads: “Claire was a true genius, not only in her music but also in her understanding of Shakespeare and of the relationship between actor, audience, text, music and silence in so many forms of storytelling.

    “Her score for Pericles this season was a thing of wonder and beauty, which captivated audiences at the Swan and in Chicago alike. The world is a far more beautiful place for having had her in it. Our thoughts are with all those, near and far, who were lucky enough to know her.”

    Van Kampen also wrote the play Farinelli And The King which saw Sir Mark star as King Philippe V of Spain and was nominated for several Olivier Awards including best new play, and a number of Tony Awards.

    The director and composer trained at the Royal College of Music in London where she studied music theory and piano, specialising in the performance of 20th century music.

    She went on to have a career as a composer and performer, writing and playing for theatre, radio, television and film soundtracks and the concert hall. In 1986, she began her theatre career with the Royal Shakespeare Company and with the Royal National Theatre the following year. She served as artistic associate at Shakespeare’s Globe from 1996 to 2006 when Sir Mark was the artistic director.

    Van Kampen later acted as a musical consultant and resident composer to the subsequent artistic director Dominic Dromgoole from 2007 to 2015. She was also a creative associate of the prestigious Old Vic theatre in London.

    Van Kampen was previously married to architect Christopher van Kampen, with whom she had two daughters Juliet and Nataasha. Her youngest daughter Nataasha, a filmmaker, tragically died aged 28 in 2012 after suffering a brain haemorrhage.

  • When And Where To Watch The Grand Finale

    When And Where To Watch The Grand Finale

    After 15 weeks of intense drama and strategic gameplay, Bigg Boss 18 is now coming to an end with the much-awaited grand finale. Over the last week, the show saw three swift eliminations of Shrutika Arjun, Chahat Pandey and Shilpa Shirodkar. The top 6 contestants of Bigg Boss 18 include Rajat Dalal, Vivian Dsena, Karanveer Mehra, Chum Darang, Avinash Mishra and Eisha Singh.

    When and where to watch the Bigg Boss 18 grand finale?

    Bigg Boss 18 grand finale will take place on January 19, 2025. The episode will air at 9:30 pm on Colors TV. It can also be streamed live on the JioCinema app.

    Celebrities, contestants’ families and eliminated contestants will partake in the finale, which is anticipated to go on till midnight. As usual, Salman Khan will be hosting the finale.

    Prize money

    According to an India Today report, the winner of this season will take home a cash prize of ₹50 lakh. However, there is a twist. The final prize money could be reduced if the makers bring back the iconic money bag twist. This recurring feature gives contestants the option to leave the competition by accepting a portion of the prize money. Will someone take the bait or hold out for the trophy? Let’s wait and watch.

    Voting Details

    The voting lines are still open, and fans can show their support by voting for their favourite contestant to make them the winner of this season. To cast your vote, head over to the official Jio Cinema app. But don’t wait too long – the voting lines will close on Sunday at noon.

    Voting trends

    The competition is heating up as the latest voting trends suggest a tight race. According to Times Now, Rajat Dalal is leading with a commanding 41% of the votes. Following him is Vivian Dsena, securing 29%.

    In third place is Karanveer Mehra with 15%, while Avinash Mishra trails with 6%. Chum Darang stands at 5% and Eisha Singh rounds out the list with 2%.