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  • JOKER: FOLIE À DEUX Lady Gaga Breaks Her Silence On Negative Response To Todd Phillips’ DC Box Office Flop

    JOKER: FOLIE À DEUX Lady Gaga Breaks Her Silence On Negative Response To Todd Phillips’ DC Box Office Flop

    Joker: Folie À Deux star Lady Gaga has addressed the negative reviews for the DC sequel, sharing her take on audiences rejecting what was expected to be another hit from Todd Phillips and Joaquin Phoenix.

    Joker was a record-breaking $1 billion success in 2019, landing countless award nominations and even a “Best Actor” trophy for lead star Joaquin Phoenix.

    Despite him and filmmaker Todd Phillips vowing to never make a sequel, they reunited for Joker: Folie À Deux and turned to singer and actor Lady Gaga to bring Lee Quinzel to life. Given a massive budget by Warner Bros. – the studio was likely convinced more box office success was guaranteed – Phoenix and Phillips chose to make a musical that, ultimately, no one wanted to see.

    That’s evident from a dismal $206 million haul at the global box office and the only awards Joker: Folie À Deux looks set to win this year are Razzies.

    Elle recently ran a profile on Gaga and asked her about what proved to be a rare career misstep with Phillips’ DC Comics adaptation.

    “People just sometimes don’t like some things,” Gaga acknowledged. “It’s that simple. And I think to be an artist, you have to be willing for people to sometimes not like it. And you keep going even if something didn’t connect in the way that you intended.”

    For the singer, who became the first woman to win an Academy Award, BAFTA Award, Golden Globe Award, and Grammy Award in the same year in 2019, it’s the fear of failure which can be more damaging than actually failing.

    “When that makes its way into your life,” she told the site, “that can be hard to get control of. It’s part of the mayhem.”

    Neither Phoenix nor Phillips have spoken out about Joker: Folie À Deux’s failings, though both are bound to have been left reeling from failing to net what would have been massive bonuses had the sequel been a hit.

    You can check out Gaga’s photoshoot by following the link in the X post below.

    In our review of the movie, we concluded by saying, “Lady Gaga shines and Joaquin Phoenix brings more of the same to Joker: Folie à Deux, a wholly unnecessary sequel with no new ideas and nothing to say. It doesn’t work as a movie or a musical. What a waste of $200 million.”

    Joker: Folie À Deux finds Arthur Fleck institutionalized at Arkham awaiting trial for his crimes as Joker. While struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that’s always been inside him.

    The sequel stars Joaquin Phoenix once again in his Oscar-winning dual role as Arthur Fleck/Joker, opposite Oscar-winner Lady Gaga (A Star Is Born). The movie also features Oscar nominees Brendan Gleeson (The Banshees of Inisherin) and Catherine Keener (Get Out), alongside Zazie Beetz, reprising her role from Joker.

    Joker: Folie À Deux is now available on 4K Ultra HD, Blu-ray, DVD, Digital, and can be found streaming on Max.

  • ‘Bosch’ Ends Again as ‘Bosch: Legacy’ Gets Premiere Date for Final Season

    ‘Bosch’ Ends Again as ‘Bosch: Legacy’ Gets Premiere Date for Final Season

    Prime Video’s long-running detective drama starring Titus Welliver will take its final bow in April

    “Bosch” is coming to an end one more time. The third and final season of “Bosch: Legacy” will premiere on Prime Video on March 27.

    The original “Bosch” followed Harry Bosch (Titus Welliver) during his years as a LAPD homicide detective. “Legacy” picks up after his retirement as Bosch tries his hand at becoming a private investigator. Standing at his side are Honey “Money” Chandler (Mimi Rogers), an attorney who’s struggling to believe in the legal system, and patrol cop Maddie Bosch (Madison Lintz).

    Specifically, this season is an adaptation of two of Michael Connelly’s best-selling novels: 2022’s “Desert Star” and 1993’s “The Black Ice.” As Bosch, Money and Maddie investigate the murder of Kurt Dockweiler, the secrets that come to light threaten to ruin their lives. As this unfolds, Bosch struggles to cope with the disappearance of a family, Money is positioned to become the next District Attorney of Los Angeles and Maddie becomes entangled in a string of violent home robberies.

    “As we approach the final season of ‘Bosch: Legacy,’ we are so proud of what this series has accomplished and while it’s bittersweet to see it come to a close we’re immensely satisfied with the journey,” Vernon Sanders, head of television for Amazon MGM Studios, said in a statement to press. “We’re grateful to Michael Connelly, Titus Welliver and the rest of the cast and crew for the captivating stories they have delivered over the years and the series has left an indelible mark on the crime drama genre. This final season promises to deliver more high-stakes drama and intriguing storytelling for our global customers.”

    “What an amazing run it has been. I could not have asked for a better cinematic adaptation of my work,” Michael Connelly, author and executive producer, said. “Led by Titus Welliver and showrunners Eric Overmyer and Tom Bernardo, and a great partnership with Amazon MGM Studios, I think we defined the start of the streaming era with the best detective show ever.”

    In addition to Welliver, Rogers and Lintz, Season 3 stars Stephen A. Chang (Maurice “Mo” Bassi), Denise Sanchez (Det. Reina Vasquez), Scott Klace (Sgt. John Mankiewicz), Gregory Scott Cummins (Det. “Crate” Moore), Troy Evans (Det. “Barrel” Johnson), Paul Calderon (Det. Jimmy Robertson), Celestino Corneille (DEA Agent Charlie Hovan) and Chris Browning (Preston Borders). They will joined by series newcomers Tommy Martinez (Albert Torres), Andrea Cortes (Victoria Hernandez), Orla Brady (Siobhan Murphy), Michael Reilly Burke (Finbar McShane), Dale Dickey (Sheila Walsh), Manuel Uriza (Zorillo) and Chris Bauer (Sheriff Deputy Jack Garrity).

    “Bosch: Legacy” comes from Fabel Entertainment and is executive produced by Connelly, Eric Overmyer, Tom Bernardo, Henrik Bastin, Pieter Jan Brugge and Welliver.

    The original “Bosch” premiered as one of two drama pilots Amazon debuted in 2014. The rest of its first season was later released in 2015, and the series came to an end in 2021. Though “Legacy” is coming to an end, Prime Video is moving forward with another spinoff that will follow Connelly’s character Detective Renée Ballard, played by Maggie Q.

  • Harrison Ford Poses in a Kilt While Starring in Glenmorangie Whiskey’s New Campaign

    Harrison Ford Poses in a Kilt While Starring in Glenmorangie Whiskey’s New Campaign

    On Tuesday, Jan. 28, Glenmorangie revealed a new campaign for its single malt Scotch whisky, in which the actor, 82, travels to the beautiful country and embraces its culture – including wearing a kilt.

    The campaign – titled “Once Upon a Scotland” – features a set of 12 episodes and a “hero film” directed by filmmaker Joel Edgerton, who made his feature directorial debut with 2015’s The Gift.

    As of now, six episodes are available to view on the brand’s YouTube and website, with the rest releasing throughout the year.

    The first installment shows Ford receiving the campaign offer and preparing to travel to Scotland. The actor, set to star in Captain America: Brave New World, tells someone on the phone that he won’t be doing “the action man s— that they want, but I will sit by the fire and drink amazing, smooth Glenmorangie single malt whiskey.”

    Related: Popeyes and Don Julio Tequila Are Collaborating on Several ‘Bold’ Menu Items in Honor of the 2025 Super Bowl

    He then does exactly that as he pulls out a piece of paper that details the concept of the ad. “Harrison Ford,” he reads, “Top of the mountain. Bagpipe players. Never in a million years.” He crumbles the paper and tosses it in the fire.

    A quick cut shows Ford in a stylish Scottish kilt designed by streetwear brand Palace, matching knee-high socks and a black blazer as he walks down a mountain while bagpipe players perform around him.

    “I loved working with the team at the Distillery — they were all great,” Ford said in a statement. “The whole process of filming was full of unanticipated joys: little unexpected moments. It’s a tribute to Glenmorangie’s sensibilities that they let us be less than totally serious. I think what Joel has produced has a certain charm to it, because it’s unpretentious and just amusing.”

    A press release states that the campaign, filmed in the northeast Highlands of Scotland, “captures the natural beauty of the local area: from the historic distillery in Tain where Glenmorangie has been created for over 180 years, to the storied 19th century Ardross Castle, and the dramatic landscapes surrounding Loch Glass.”

    Caspar MacRae, president and CEO of Glenmorangie, called Ford “the real deal.” He noted that the actor is “a true global icon” and “genuine whisky lover,” which made him perfect for the gig.

    “It was a dream come true to collaborate on this campaign, and welcome him to our home in the Highlands to discover more about Glenmorangie,” MacRae added. “He is someone who has honed his craft over decades, which gives him a real appreciation for the dedication and skill of our distillery team. Like us, he’s not afraid to laugh at himself – and I think Joel has perfectly captured his authentic warmth, alongside his roguish sense of humor.”

    Related: Timothy Simons Fumbles His Lines in Coors Light’s 2025 Super Bowl Ad Teaser — How the Actor Relates (Exclusive)

    Edgerton, meanwhile, offered his perspective on the campaign, stating that he was able to “subvert the seriousness that often goes into an advertising campaign and have fun with that.”

    The alcoholic brand carries a variety of whiskey offerings, in addition to the signature product. Others include Glenmorangie A Tale of Ice Cream, which features the single malt whiskey combined with another whisky that’s finished in high-vanillin casks for a vanilla flavor, and Glenmorangie Triple Cask Reserve, for a spicy beverage that’s developed in bourbon, charred oak and rye casks.

    Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

    But as for the aesthetics, Ford spoke with GQ about rocking the Scottish wear. “The kilt, I thought, looked quite good on me,” he said. “It hits a nice point above the knee and I was quite comfortable in it.”

    The actor added, “My job was, however, was not just to wear it but to act about it — I pretended to be apprehensive, when in fact I felt completely secure.”

    Ford went on to share his love for whiskey and, now, Glenmorangie.

    He said, “I had spent my entire adult life drinking it without knowing a hell of a lot about it. But the whisky maker, Dr. Bill, took me under his wing and gave me a rather valuable instruction in the crafts and the standards and the different varieties of single malt scotch whisky, the history of the distillery, the history of the product. I enjoyed learning about it and I enjoyed drinking it.”

  • Trump’s Deportation Tsunami Sparks Global Shockwaves, Defies Biden’s Open Borders!

    Trump’s Deportation Tsunami Sparks Global Shockwaves, Defies Biden’s Open Borders!

    The political stage is once again electrified as former President Donald Trump makes headlines with his uncompromising stance on immigration — a hallmark of his administration. In recent days, Trump’s Department of Homeland Security (DHS) has made a contentious move, enabling Immigration and Customs Enforcement (ICE) to deport migrants who entered the United States under the Biden administration’s so-called “parole programs”. A shocking blow to Biden’s policies, the sweeping deportation efforts are anticipated to impact around 1.4 million foreign nationals.

    According to a DHS memo, migrants under these programs, such as the CBP One app and the CHNV initiative, are subject to the “statutory maximum” of expedited removal. Benjamin Huffman, the acting DHS Secretary, emphasized the intent to expand the removal scope to the maximum statutory level — a decision stirring both national and international discourse.

    The CBP One app, a contentious tool introduced under Biden, facilitated nearly 919,000 individuals in claiming asylum daily. By contrast, the CHNV program—permitting temporary legal status for migrants from countries like Cuba and Venezuela—brought an additional 530,000 foreign nationals into American borders. The sweeping deportation measures underscore Trump’s hardline approach, reversing Biden’s policies that were criticized by some as abuses of the “humanitarian parole program”.

    Meanwhile, the international ramifications of Trump’s immigration policies are palpable. In an interconnected world, geopolitical relationships are as fragile as they are complex, and nowhere is this more evident than in Trump’s current dealings with Mexico and Colombia. Mexican President Claudia Sheinbaum has recently lauded Mexico’s working relationship with the Trump administration, a collaboration underscored by the seamless acceptance of thousands of deported migrants.

    President Sheinbaum remarked, “This is not new. Mexico has a long history of repatriation with the United States,” — a point of pride and diplomatic tact. Yet, the harmony was briefly disrupted when reports emerged of a deportation flight initially not cleared to land in Mexico. The situation was quickly rectified, as both the White House and Mexico issued statements ensuring continuity.

    Colombia, on the other hand, is experiencing the sharp edge of Trump’s rhetoric. Trump’s administration threatened tariffs on Colombia after President Gustavo Petro initially refused deportation flights. Succumbing to pressure, Petro reversed his stance — a testament to Trump’s impactful, albeit divisive, negotiation tactics.

    Domestically, celebrities like Selena Gomez have voiced emotional reactions to Trump’s aggressive deportation policies. Gomez, caught in a swirl of public attention, shared — and then deleted — a tearful video lamenting the impact of these policies on undocumented immigrants, symbolizing how immigration remains a deeply contentious and personal issue for many Americans.

    The broader implications of Trump’s policies are complex. While some Republicans hail the move as a fulfillment of campaign promises to curtail illegal immigration, others warn of potential economic ramifications. As Robert Shapiro, a political science professor, noted, the surge in deportations might lead to “mistakes and racial profiling” — factors that could significantly impact sectors reliant on immigrant workers.

    The Trump administration’s latest maneuvers serve as a stark reminder of the enduring complexities surrounding immigration policy. As the U.S. treads familiar yet perilous waters, the implications both domestically and globally continue to unfold, leaving no easy answers in sight.

  • Quentin Tarantino declares 2019 ‘last year of movies’ in fiery Hollywood rant

    Quentin Tarantino declares 2019 ‘last year of movies’ in fiery Hollywood rant

    Quentin Tarantino has slammed the state of the film industry during a surprise appearance at Sundance Film Festival.

    The acclaimed director has been behind the camera for some of the biggest movies around, including Pulp Fiction, Kill Bill, Reservoir Dogs and Django Unchained – with Leonardo DiCaprio and Jamie Foxx.

    Speaking in a rare interview with Elvis Mitchell at the Elvis Suite, the 61-year-old explained that he is in no hurry to get started on his last project as his focus is currently on writing a play – and spending time with his children.

    ‘That’s a big f**king deal, pulling [a play] off, and I don’t know if I can. That’s a challenge, a genuine challenge,’ he declared, via Variety, before calling out the way movies are made and released in present day.

    ‘But making movies? Well, what the f**k is a movie now? What — something that plays in theaters for a token release for four f**king weeks?

    ‘And by the second week you can watch it on television.’

    ‘I didn’t get into all this for diminishing returns. I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last f**king year of movies,’ he continued.

    ‘That was a s**t deal, as far as I was concerned, the fact that it’s gotten drastically worse? It’s a show pony exercise.

    ‘Now the theatrical release and then in two weeks, you can watch it on this [streamer] and that one. Okay. Theater? You can’t do that. It’s the final frontier.’

    ‘They pay a lot of f**king money to get into that seat,’ Quentin added on theater-goers, via Deadline. ‘There’s no f**king taping it, there’s no cell phone, you own the audience for that time.

    ‘They are all yours, they are in the palm of your hand. It’s not just about doing art, it’s about wowing them, it’s about giving them a great night out. This to me is f**king existing. It’s the last frontier.’

    All eyes have been on the filmmaker to release his 10th movie, which he previously suggested could be his final project.

    However, elsewhere in the talk, he shared that he wants to wait until his four-year-old son is ‘at least six’ before taking time away to get started on another movie.

    Quentin’s last film came in 2019, with Once Upon a Time… in Hollywood – starring a string of the biggest names in the industry, led by Leonardo, Brad Pitt and Margot Robbie.

    It follows the story of actor Rick Dalton (Leo) and his stunt double Cliff (Brad) as they navigate the changing culture of Hollywood in the 60s, struggling to claim their place in the industry.

    Margot stars as the struggling star’s neighbor, Sharon Stone, while Austin Butler, Dakota Fanning, Sydney Sweeney, Luke Perry, Kurt Russell, Damian Lewis, Al Pacino and Timothy Olyphant are just some of the other famous faces who appeared in the final cut.

    Got a story?

    If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.

  • FireAid, the massive benefit concert to help LA fire victims, came together quickly. Here’s how

    FireAid, the massive benefit concert to help LA fire victims, came together quickly. Here’s how

    FireAid, the massive benefit concert to help LA fire victims, came together quickly. Here’s how

    MARIA SHERMAN

    January 28, 2025 at 5:45 PM

    1 / 3

    FireAid – 3×2 for APNews

    This combination of photos shows Sting, from left posing for photographers upon arrival for the premiere of the film ‘Emancipation’ in London, Friday, Dec. 2, 2022, Lady Gaga attending the Critics Choice Awards celebration at The Savoy Hotel on Sunday, March 13, 2022, in London, and Billie Eilish arriving at the 30th annual Screen Actors Guild Awards on Saturday, Feb. 24, 2024 in Los Angeles. (Photos by Vianney Le Caer/Jordan Strauss/Invision/AP)

    Invision/AP

    LOS ANGELES (AP) — As the Los Angeles area continues its recovery from a series of debilitating wildfires, the benefit concert FireAid this week will raise millions for relief efforts.

    FireAid will take place in two Los Angeles venues and feature performers like Billie Eilish, Jelly Roll, Peso Pluma, the Red Hot Chili Peppers, Joni Mitchell, Sting and Anderson .Paak.

    It all came together in a matter of days.

    Joel Gallen of Tenth Planet, who has produced many benefits, including “America: A Tribute to Heroes” after 9/11 and similar programs after Hurricane Katrina, Los Angeles Clippers executive Gillian Zucker and producers Irving and Shelli Azoff told The Associated Press exactly what it takes to make a show like this happen.

    How FireAid came together

    The fires began on Jan. 7, and by Jan. 10, the team behind FireAid — the Azoff family, in conjunction with Live Nation and AEG Presents — had announced a benefit concert for Jan. 30 at the Intuit Dome. It quickly grew in size, taking over the nearby Kia Forum as well.

    Shelli Azoff was the catalyst.

    “When it became obvious that there was going to be a need, I think we were just trying to commiserate. ‘What can we do?’ And Shelli said we should do all we know how to do. We should do the show,” says Irving Azoff. “Gillian Zucker, the CEO of the Clippers organization and Shelli were on the phone a few minutes later. And here we are.”

    “Shelli Azoff reached out the morning of Jan. 9 about 48 hours after the fires started,” recalled Zucker. “They had already reached out to a few music artists in their circle about the idea of benefit concert and based on that positive response, wanted to know if Intuit Dome might be available.”

    And so, she offered the Clippers’ home arena to them.

    “Twenty-four hours later, it became clear we might need Kia Forum for rehearsal space. And by the weekend, it appeared, by the robust desire to help, the number of acts interested in participating would exceed the capabilities of a single building,” she says.

    The next step was making phone calls, lining up corporate sponsorships, and booking the show. Support was immediate.

    “Suddenly, it became two shows instead of one because we had so many people volunteer,” Irving Azoff adds.

    A lineup of incredible talent

    Billie Eilish, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting, Tate McRae and Earth, Wind & Fire will perform at the Intuit Dome.

    Alanis Morissette, Anderson .Paak, Dawes, Graham Nash, Green Day, John Fogerty, Joni Mitchell, No Doubt, Pink, the Red Hot Chili Peppers, Stephen Stills, Stevie Nicks, the Black Crowes, Dave Matthews and John Mayer will perform at the Kia Forum.

    FireAid will also feature special guest appearances and surprises.

    As they were putting the lineup together, Irving Azoff says “it gravitated toward, ‘it rocks more at the Forum, and it pops more at Intuit.’”

    Booking California talent — in particular, groups inextricably connected to Southern California like the Red Hot Chili Peppers and No Doubt — was a priority. Gallen says there was so much interest in participating, they actually had to turn artists away because the shows were fully booked so quickly.

    Each artist will perform two to four songs. They’re encouraged to address the room from the stage.

    As for what viewers can expect, Irving Azoff puts it simply: “One of the best shows ever televised.”

    How FireAid will work

    With 28 performers, the show will run over five hours. In order to ensure each venue and the viewers at home get to see every performance, the sets are staggered. The show will begin at 6 p.m. Pacific at the Kia Forum; early attendees at the Intuit Dome will watch those on live screens. Then, when both shows have begun, they’ll cut back and forth: a live performance and then one broadcast on the screens.

    When the live performances end at the Forum, those attendees can stick around and watch the final sets broadcast from the Dome. This way “there’s never a dull moment,” Gallen says. “There’s no, ‘Let’s stop and watch them change the stage for 10 minutes.’”

    Rehearsals begin Tuesday and will run through Thursday during the day, just ahead of the show.

    The program beyond performances

    Between the performances, there will be celebrity and non-celebrity speakers.

    “Our speakers will be people that lost their homes in the fires. People from Altadena,people from Palisades, people from neighboring areas,” says Gallen.

    “We’re going to have packages, which is about both the people that lost their homes and also the firefighters and the first responders,” Gallen adds. One of the speakers will be a firefighter, and firefighters will be in attendance at the concerts.

    “There are at least 2,000 seats going to first responders, firemen, policemen and people that have lost their homes,” says Irving Azoff. He says some corporate sponsors are providing seats to those who lost their homes as well.

    There are contingency plans if there were to be renewed fire danger, Gallen assures, but, “right now, we don’t feel like the show is in jeopardy. We don’t think any fire danger is anywhere close to the venues where we’re doing the show.”

    Donations start now

    Those who cannot attend the concerts or watch the live feed can contribute donations now, via FireAidLA.org. The link will also be up on the screen for the duration of the broadcast, throughout the performances, speakers and packages. “100% of all proceeds are going to help rebuild,” says Gallen.

    “It’s text to donate,” says Irving Azoff.

    Los Angeles Clippers owner Steve Ballmer and his wife Connie will match all donations made during the live broadcast, doubling the proceeds.

    A 501(c)(3) was set up, and contributions to FireAid will be distributed under the Annenberg Foundation, which with FireAid has assembled a small committee to advise.

    They have been reviewing the relief funds that currently exist and are “further researching the many effective nonprofits responding now,” says Zucker. “They have also contacted representatives from past recovery efforts in places like Maui and Sandy Hook to understand the longer-term needs and issues related to the devastation.”

    Irving Azoff says Zucker called Wallis Annenberg, president and chairwoman of the board of The Annenberg Foundation, who immediately agreed to help. They consulted with a number of people, including billionaire developer Rick Caruso.

    “It was very important for us to find people that were familiar with the right organizations. So that we could place the money in the right place,” Shelli Azoff adds. “I think that all of us are really committed to getting the money to the people that have been very affected. And personally, it means a lot to me to get it to people that haven’t been thought about. And those are the people that don’t have jobs anymore due to the businesses being down as well.”

    “One thing at a time,” says Irving Azoff. “First, we’ve got to execute the show and collect the money. But the outpouring from the community and the corporate support we’ve gotten for the event, I will tell you already, we’re north of $50 million.”

  • Roseanne Barr plotting career comeback with new show about a family…

    Roseanne Barr plotting career comeback with new show about a family…

    Roseanne Barr is plotting her comeback after being canceled from Hollywood.

    The outspoken comedian, 72, revealed she’s making a show about a family who “save America with guns, the Bible, petty crime and alcoholism.”

    She also warned it will contain “very offensive ideas and a lot of swearing.”

    Barr told Variety that she wrote the comedy series with “Roseanne” and “Arli$” alum Allan Stephan, adding they are getting ready to shop the show around town.

    The actress will star in the series, which will be about four to six episodes.

    Barr described the comedy as “a cross between ‘The Roseanne Show’ and ‘The Sopranos,’” telling the outlet it’ll center around a small-town farmer in Alabama who is “saving the United States from drug gangs and China.”

    This isn’t the average farmer, though.

    Barr shared that the farmer grows and sells drugs like magic mushrooms and cannabis.

    “It’s silly and out there,” she said. “[It will contain] very offensive ideas and a lot of swearing. I live with my daughter and her husband and their six children on a farm. And they have goats running through their house and stuff. It’s based on my life as a farmer in Hawaii. They save America with guns, the Bible, petty crime and alcoholism. It’s kind of like the Coen brothers thing.”

    She teased that the family in her new series will have similarities to the Conners from “Roseanne.”

    “There’s a scene where I have to strap myself into a corset. My granddaughter helps me, and then I go into town to flirt with all the shopkeepers that are just grotesque people,” she stated. “It’s just kind of a cartoony kind of thing.”

    Barr doesn’t expect a bidding war, revealing that “if Hollywood doesn’t buy it, then I’m just gonna make it myself.”

    She added, “Does anybody in [Hollywood] like America or the people who watch TV? Because the people who watch TV would really like to see a show where working-class people win against the enemies of America.”

    One network she doesn’t expect to show interest in the series is ABC, who fired her and canceled “Roseanne” in 2018 after she tweeted that Michelle Obama’s former aide Valerie Jarrett was the offspring of the “Muslim Brotherhood & Planet of the Apes.”

    Barr later apologized to Jarrett and deleted her Twitter account, but the damage had already been done.

    When asked if she would consider ABC if it showed interest, she replied, “F-k no.”

    The Post reached out to ABC for comment.

    Barr believes Donald Trump’s winning the presidency proves that viewers want to consume the content that Hollywood has yet to make.

    “Hollywood has made itself irrelevant to the American people,” she said. “If they want to survive, they should work with the new president. American people elected him in an overwhelming victory. They should get back in touch with [them] and make some money, which I don’t know if they do or not ’cause they’ve proven to be ideologues rather than [business people]. What shocks me is the fact that they prefer to lose money and then explain that to the shareholders who apparently have no problem with that.”

    The MAGA supporter shared that while she’s been a loud advocate for Trump — most recently, dropping the music video “Daddy’s Home” with Canadian rapper Tom MacDonald ahead of the inauguration — Barr isn’t on the president’s speed dial.

    “The Trump administration regards me as a loose cannon, which I am,” Barr shared. “I’m not a party line person for anyone or anything except myself. The Trump staff or whoever runs it, they’re a little afraid of me. I am a loudmouth comedian, so I understand it. But it really hurt my feelings. But what are you gonna do?”

  • Snoop Dogg fires back at ‘all the hate’ over Trump inauguration…

    Snoop Dogg fires back at ‘all the hate’ over Trump inauguration…

    Snoop Dogg has a blunt response to fans who criticized him for performing during Donald Trump’s inauguration celebrations.

    In an Instagram live broadcast on Sunday, which he later posted to the main page of his account, the rapper and former Trump critic, 53, spoke about “all the hate” he’s been receiving lately. Though he didn’t mention the president by name, Snoop’s comments came a little over a week after performing in Washington, DC, on Jan. 17 at the Crypto Ball for one of Donald Trump’s pre-inauguration festivities.

    “It’s Sunday I got gospel in my heart,” the “Drop It Like It’s Hot” hitmaker said in the clip, in which he is seen smoking and listening to gospel music in his car.

    “For all the hate I’m going to answer with love, I love too much,” he added. “Get your life right, stop worrying about mine. I’m cool. I’m together. Still a Black man. Still 100 percent Black. All out ’til you ball out or ’til you fall out.”

    Later in the video, Snoop said, “We gotta learn to pick each other up instead of pulling each other down. That’s what we great at as Black people. We great at tearing each other down.”

    He continued, “You can be up one minute and they’ll try to pull you down the next.”

    “But I’m a strong black man. I’m cut from a different cloth. You can’t tear me down. I’m one of God’s child [sic]. One of his children.”

    Snoop closed his video saying, “Y’all stay strong. The only way to beat hate is with love. Learn from the Dogg. Teach you something every day.”

    The “Gin & Juice” rapper also addressed the backlash during an appearance on “R&B Money Podcast” over the weekend.

    “You ‘gon deal with hate when you get to the top, no matter who you are,” he said. “Me, personally, I answer it with success and love. That’s my answer to any hate and negativity that comes my way, ’cause it’s the strongest force that can beat it.”

    Snoop wasn’t the only big name to perform at the Crypto Ball. Rick Ross and Soulja Boy also took the stage. Other celebrities, including Carrie Underwood, Billy Ray Cyrus and Nelly performed at other inauguration events.

    Following his performance, Snoop lost a significant number of social media followers — more than 500,000 on Instagram and nearly 20,000 on X.

    The musician and mogul was once a fierce critic of Trump.

    In September 2018, the “Sweat” rapper spoke out against Kanye West and everyone who supported Trump, 78.

    While discussing West’s support for the former “Apprentice” host during an interview on DJ Suss One’s SiriusXM show, Snoop had a fiery response when the DJ mentioned that some of his fans might back Trump.

    “I tell them straight up motherf-ker, if you like that n — -, you motherf-king racist. F-k you, and f-k him.”

    Snoop also said Trump fanned strife between people of different backgrounds and “drew the lines.”

    “Before him, there were no lines,” he said. “Everybody was everybody, we respected everything; we didn’t trip. But n — -, when you drew the line, n — – started pointing motherf-ker out … f-k you n — -.”

    Snoop had a change of heart about Trump in 2021 after he pardoned Death Row Records co-founder Michael Harris, who had who served 30 years on charges of conspiracy to commit first-degree murder.

    “He ain’t done nothing wrong to me. He has done only great things for me,” Snoop said of Trump in a January 2024 interview with The Sunday Times.

    “So I have nothing but love and respect for Donald Trump.”

  • Sinners Director Ryan Coogler Reveals the Surprising Influences Behind His First Stab at Horror – IGN

    Sinners Director Ryan Coogler Reveals the Surprising Influences Behind His First Stab at Horror – IGN

    The Black Panther filmmaker deems his latest “a very genre-fluid film.”

    As part of promoting the release of the newest trailer for Sinners, writer-director Ryan Coogler chatted with movie influencer Juju “Straw Hat Goofy” Green about the personal and pop cultural inspirations behind his upcoming vampire film.

    Sinners – Coogler’s fifth collaboration with actor Michael B. Jordan, who plays dual roles here – follows troubled twin brothers in the 1920s who return to their Mississippi hometown to discover a great evil lurking there. While ostensibly Coogler’s first foray into supernatural horror, the Black Panther filmmaker prefers to think of Sinners as “a very genre-fluid film.”

    In his chat with Green, Coogler cited an array of movies as influences on Sinners, including: the Coen Brothers’ No Country for Old Men, Inside Llewyn Davis, and Fargo; the films of John Carpenter (Coogler called The Thing his favorite horror movie); and Robert Rodriguez’s The Faculty, which Coogler said Sinners is “actually quite close to.”

    But movies weren’t Coogler’s key source of inspiration for Sinners.

    “Truthfully, the biggest influences are not in cinema,” Coogler revealed, naming Stephen King’s novel Salem’s Lot as “a massive influence on the film. … Salem’s Lot is about the town. Not to give too much up [but] this movie’s about this community.”

    Another key influence for the Creed and Fruitvale Station filmmaker was one particular television classic: “My favorite thing ever made is Rod Serling’s The Twilight Zone. And my favorite episode of that is an episode called The Last Rites of Jeff Myrtlebank.” (That 1962 episode sees the title character come back to life at his own funeral, which prompts his rural small town neighbors to think he might be possessed.)

    But perhaps the greatest influence on Sinners was Coogler’s own family.

    “Each time I make something I’ve been blessed to make, it had been the most personal thing that I’ve made up to date. And this was no different,” the filmmaker said, revealing that both his late uncle and his maternal grandfather hailed from Mississippi, the location of his film’s story.

    “The seed of it started with that relationship with my uncle. He would listen to blues music all the time. He would only talk about Mississippi when he was listening to that music. He had a profound effect on my life. And I got a chance to dig into my own ancestral history with this film, and it’s been extremely rewarding.”

    The blues music that Coogler’s uncle loved is part of the fabric that makes up Sinners. “The film deals with American music, blues music,” Coogler revealed, citing the lore of blues music – such as the myth of Robert Johnson selling his soul to the devil at a crossroads in the Mississippi Delta – as having a thematic connection to vampirism.

    “(The vampire) is the supernatural creature that’s most associated with seduction, that’s most associated with choice. And that aspect is something that’s very present [in Sinners]. Blues music was also called the Devil’s Music,” Coogler said. “And so, the film is in conversation with all of those things.”

    Coogler’s longtime collaborator Ludwig Göransson is composing the score for Sinners and also serves as executive producer on the film. Coogler noted that “in some ways it’s the perfect movie for Ludwig,” since Göransson’s father was a guitarist who the director said was obsessed with the Delta blues music of that era.

    “We actually did The Blues Trail when we were researching the film and doing some early vocation scouting. And Ludwig and his dad came along,” Coogler recalled. “We went to B.B. King’s Club in Indianola, Mississippi, and played on the stage of his club. It was just heavily researched.”

    Sinners opens in North American cinemas on April 18, 2025.

  • Selena Gomez brutally trolled for crying in viral video over deportation of Mexicans by Donald Trump, netizens say ‘Her Mexican father abandoned them and she wants…’

    Selena Gomez brutally trolled for crying in viral video over deportation of Mexicans by Donald Trump, netizens say ‘Her Mexican father abandoned them and she wants…’

    A third user said, “Posting yourself weeping over illegal immigrant criminals being deported is a new level of absurd celebrity narcissism.”

    Actress and singer Selena Gomez recently shared a video she deleted later where she cried over the deportation of Mexicans by Donald Trump amid the immigration crackdown. What followed next was social media backlash.

    One wrote- “Her mom is American. Her Mexican father abandoned them. She went from living in this small Texas home to this $5M palace in LA. She’s a billionaire because of America Yet she does not consider us “her people” We are over ungrateful woke victim brain rot.”

    “Does she realize the people who have been arrested and deported so far are all criminal aliens? Many of them rapists and murderers? Pretty sick to cry that they have to leave… That’s what happens when you’re an ill informed moron celebrity,” read another comment.

    A third user said, “Posting yourself weeping over illegal immigrant criminals being deported is a new level of absurd celebrity narcissism.”

    Last year, Selena Gomez had all the reasons to be on cloud nine as according to a report by Bloomberg_,_ she had become a billionaire at 32 with estimated net-worth of $ 1.3 billion.

    The 31-year-old artiste, who is the most followed woman on the platform with 429 million followers, said staying away from social media made her “happier”.