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  • Inclusive Maternity Care: Breaking Down Barriers

    Inclusive Maternity Care: Breaking Down Barriers

    In the world of maternity care, not all barriers are visible. Marginalized groups—those who often fall through the cracks—gear up for a journey riddled with challenges that quietly undermine their health and well-being. The stark reality? Overcoming these hurdles requires more than just routine check-ups; it demands a system-wide shift toward inclusivity and compassion.

    When maternity services take the reins of inclusive care, they don’t just offer appointments; they open doors to understanding and support. They recognize that comprehensive care extends beyond the physical—embracing mental well-being with open arms. Our healthcare system must turn to these principles, creating an environment where every woman feels heard, respected, and empowered throughout her journey.

    Innovative programs are stepping up to the plate, gearing up to dismantle these barriers with precision and empathy. From training healthcare professionals to understand diverse communication needs to extending appointment times for deeper engagement—a revolution is underway. This is not just about providing care; it’s about transforming experiences and outcomes for those who need it most.

    As we shine a light on these disparities, it’s clear: the path to overcoming barriers in maternity care is paved with understanding, education, and systemic change. Professionals and policymakers must unite, taking bold strides towards a future where every pregnancy journey is safe, supportive, and inclusive. The time for change is now; the conversation is just getting started.

  • Julianne Moore says her book ‘Freckleface Strawberry’ was banned by Trump administration

    Julianne Moore says her book ‘Freckleface Strawberry’ was banned by Trump administration

    In the historical drama, based on a true story, the 63-year-old Oscar-winning actress plays Mary Villiers, Countess of Buckingham, who guides her son George to seduce King James I, in order to achieve power and influence.

    Amid the Trump administration’s crackdown on diversity, equity and inclusion, Julianne Moore is speaking out on the recent censorship of one of her books.

    In a lengthy Instagram post Sunday, the Oscar-winning actress and children’s book author reacted to the news that her book “Freckleface Strawberry” was reportedly removed from schools within the Department of Defense Education Activity (DoDEA).

    “It is a great shock for me to learn that my first book, Freckleface Strawberry, has been banned by the Trump Administration from schools run by the Department of Defense,” wrote Moore, whose father is a Vietnam War veteran.

    In a Feb. 10 memo, the Department of Defense announced that several books and learning materials had been removed from class curriculums and flagged for review, according to The Washington Post and The Guardian. Such titles include Moore’s book, as well as “Becoming Nicole,” a biography of transgender actress Nicole Maines.

    DoDEA spokesman Will Griffin told The Washington Post in a statement that the restrictions were in response to a pair of executive orders issued by President Donald Trump targeting discussions of the trans community in schools and the “radical indoctrination” of students via DEI, which often focuses on societal representation of marginalized communities.

    “DoDEA is reviewing its current policies and DoDEA-adopted instructional resources to ensure compliance with applicable Executive Orders and Department of Defense guidance,” said Griffin, adding that books “potentially related to gender ideology or discriminatory equity ideology” would be placed under staff review.

    Operating 161 accredited schools for children of military families, the Department of Defense Education Activity oversees the management of educational programs serving pre-K through 12th grade on behalf of the Department of Defense, according to the official DoDEA website.

    Julianne Moore ‘saddened’ by DoD book ban

    Released in 2007, “Freckleface Strawberry” is a “semi-autobiographical story” about a 7-year-old girl who struggles to embrace her freckles. The LeUyen Pham-illustrated picture book spawned numerous sequels, most recently 2016’s “Freckleface Strawberry and the Really Big Voice,” and a 2010 stage musical.

    “It is a book I wrote for my children and for other kids to remind them that we all struggle but are united by our humanity and our community,” Moore wrote on Instagram. “I am particularly stunned because I am a proud graduate of Frankfurt American High School a #DOD school that once operated in Frankfurt, Germany.”

    “The Room Next Door” star said she was “truly saddened” by the DoD ban, adding that she “never thought I would see this in a country where freedom of speech and expression is a constitutional right.”

    “It is galling for me to realize that kids like me, growing up with a parent in the service and attending a @dodea_edu school will not have access to a book written by someone whose life experience is so similar to their own,” Moore wrote.

    Since taking office in January, Trump has taken fierce aim at DEI in measures that include an executive order terminating initiatives in the federal government, ordering executive branch agencies to place DEI employees on paid administrative leave and the impending removal of DEI from the military.

    Michelle Pfeiffer, Bella Thorne, more react to ‘Freckleface Strawberry’ ban

    Several of Moore’s celebrity pals shared their dismay over the ban of her children’s book in the comments section.

    “I have that book and I’m grateful for that because it’s a beautiful book aimed to make any child who feels different feeling ok, even grateful for that,” Helena Christensen wrote. “This decision is eerie and downright ridiculous.”

  • Paul Simon and Sabrina Carpenter open the Saturday Night Live 50th anniversary celebration

    Paul Simon and Sabrina Carpenter open the Saturday Night Live 50th anniversary celebration

    Paul Simon and Sabrina Carpenter opened the 50th anniversary special celebrating “Saturday Night Live” with a duet of his song “Homeward Bound.”

    The 83-year-old Simon has been a constant on “SNL” since its earliest episodes in 1975, and performed on the first show after the 9/11 attack. He was joined by the 25-year-old pop sensation of the moment, carpenter.

    “I sang this song with George Harrison on ‘Saturday Night Live’ in 1976,” Simon said.

    “I was not born then,” Carpenter said, getting a laugh. “And neither were my parents,” she added, getting a bigger laugh.

    Fifty seasons of “Saturday Night Live” sketches, songs and special guests are being celebrated for the special’s landmark anniversary.

    The pop culture juggernaut has launched the careers of generations of comedians, from Bill Murray to Eddie Murphy and Tina Fey to Kristen Wiig.

    Many of those stars were on hand for “SNL50: The Anniversary Celebration,” airing live from New York, of course.

    “I grew up with the show, you know, and I was born in 1971 and it’s lived with me my whole life,” Amy Poehler, who was a cast member from 2001 to 2008,” said on Sunday ahead of the show’s start. “We have a show to do in just under two hours, and being back is an amazing privilege.”

    The three-hour extravaganza comes after months of celebrations of “Saturday Night Live,” which premiered Oct. 11, 1975, with an original cast that included John Belushi, Chevy Chase and Gilda Radner.

    “After the original cast, we were just going, Those guys just did it all for us,” Adam Sandler, a cast member from 1990-1995, said before the show. “They crushed it. We watched them at home. They made their movies. We worshiped their movies. And that’s all. What we wanted to do is just kind of continue that sort of stuff.”

    The Tragically Hip’s mix of weed and improvisation on live TV remembered as SNL turns 50

    It’s become appointment television over the years as the show has skewered presidents, politics and pop culture and been a platform for the biggest musical stars of the moment. As streaming has altered television viewing, “SNL” sketches, host monologues and short comedy films remain popular on social media and routinely rack up millions of views on YouTube.

    While NBC has revealed some of the stars expected to appear, many of the special’s moments, cameos and music performances remain a surprise.

    On Sunday, NBC announced more guest appearances including Julia Louis-Dreyfus, Leslie Jones, Billy Crystal, Cher, Mike Myers and Alec Baldwin, who holds the title of the person who’s hosted “SNL” the most times.

    NBC says in addition to Murphy, Poehler, Fey and Sandler, you can expect: Andy Samberg, Chris Rock, Fred Armisen, Jason Sudeikis, Jimmy Fallon, Kate McKinnon, Kristen Wiig, Maya Rudolph, Molly Shannon, Pete Davidson, Seth Meyers, Tracy Morgan, Will Ferrell and Will Forte.

    Some members of the original cast, known as the Not Ready for Prime Time Players, will appear, including Chase, Laraine Newman, Garrett Morris and Jane Curtin. A publicist for Dan Aykroyd, the other remaining surviving member, did not respond to a request for comment on whether he would attend.

    Steve Martin, who has left an indelible comedic mark on “SNL” over the years, will be among the many successful hosts returning for the show’s 50th celebration.

    Other prolific and returning hosts range from actors like Tom Hanks, Martin Short and Scarlett Johansson (who is married to current “SNL” cast member Colin Jost) to athletes like Peyton Manning. Former “SNL” writer John Mulaney will appear, as will Adam Driver, Ayo Edebiri, Kim Kardashian, Pedro Pascal, Quinta Brunson, Robert De Niro and Woody Harrelson.

    In some ways, it already has. Radio City Music Hall on Friday hosted the star-packed “SNL50: The Homecoming Concert” with a lineup that included Cher, Miley Cyrus, Arcade Fire, David Byrne, Post Malone and Nirvana.

    Sunday’s special will include appearances by Paul McCartney, Bad Bunny, Cyrus and other music stars, though the show hasn’t said whether all will perform. McCartney has used New York’s Bowery Ballroom as a warm-up spot, hosting three surprise shows this week.

    The musical legacy of “SNL” is also explored in the documentary “Ladies and Gentlemen … 50 Years of SNL Music,” from the Oscar-winning Questlove. It’s currently streaming on Peacock.

  • 8 thoughts on the 50th anniversary special for ‘Saturday Night Live’

    8 thoughts on the 50th anniversary special for ‘Saturday Night Live’

    Like every episode of “Saturday Night Live” since 1975, Sunday’s three-hour anniversary special was a confusing, celebrity-packed, occasionally funny grab-bag. And we have some thoughts.

    1. Does SNL owe Sabrina Carpenter money?

    Sure, the pop singer took over the summer with her smash hit “Espresso,” but she isn’t a fixture of “Saturday Night Live” like, say, Paul Simon. Simon hosted the second-ever episode of SNL and is close friends with show creator Lorne Michaels. Carpenter is a newly famous pop singer. Yet, there she was alongside Simon, kicking the night off with a wistful duet of “Homeward Bound.”

    Then Carpenter was a punch line in a “Weekend Update” joke and appeared in a “Domingo” sketch, trying to sing off-key.

    The Washington Post’s pop music critic Chris Richards recently wrote: “For the show’s first 30-odd seasons, landing a guest spot confirmed a star musician’s status in the popular imagination. But more recently, the cred balance seems to be seesawing, with pop acts now giving the show necessary injections of cultural legitimacy.”

    Perhaps that’s exactly what was happening on Sunday.

    2. It was a musical affair.

    There were, of course, performances of the expected kind: the aforementioned “Homeward Bound,” Miley Cyrus and Brittany Howard singing Sinéad O’Connor’s biggest hit, “Nothing Compares 2 U,” and Lil’ Wayne with the Roots reprising some of his biggest hits. A Paul McCartney medley to close out the night.

    The sketches were loaded with music, too. The genre-hopping “Domingo,” which riffed on Taylor Swift and “Wicked.” The Andy Sandberg and Bowen Yang prerecorded song about the anxiety of working at SNL. Adam Sandler and his acoustic guitar. Another John Mulaney Broadway musical medley with Paul Rudd, Scarlett Johansson, Adam Driver (in a hot dog costume) and Kate McKinnon as Rudy Giuliani doing “Hamilton” (yes, with the cast of “Hamilton”).

    3. Look, a celebrity! Look, another!

    SNL50 was so loaded with famous people, it brought to mind a visit to Madam Tussaud’s.

    In one sketch, friends and former “Weekend Update” hosts Tina Fey and Amy Poehler took questions from the crowd for a few minutes — an excuse to load in as many celebrities as possible, including Quinta Brunson, Tim Meadows, Nate Bargatze, Jon Lovitz, Julia Louis-Dreyfus, Cher, Keith Richards, Zach Galifianakis, Jon Hamm, Bad Bunny, Ryan Reynolds, Ray Romano, Peyton Manning, Al Sharpton and Seth Meyers — who called out the show for its blatant celebrity-packing.

    As The Post’s TV critic Lili Loofbourow wrote: “You can practically taste the strenuous effort that’s gone into trying to squeeze everyone into every sketch so far.”

    4. The special provided a break from politics.

    “Saturday Night Live” spent 50 years earning a reputation for political satire. But the SNL50 show seemed to pull its political punches; there was no overt commentary about what’s happening in Washington — apart from an ICE joke about carting away Canadian Martin Short — and there was no Trump impersonation. Colin Jost made a joke about Trump wanting SNL to be canceled and, as mentioned, McKinnon reprised her Giuliani impression — but the show was nostalgic callbacks and goofy jokes.

    5. MERYL STREEP!

    Somehow, Meryl Streep, who has proven her comedy chops over and over again, has never appeared on SNL — until now. She appeared in the “Close Encounter” sketch, which featured McKinnon as a semi-vulgar, super-laid-back victim of an alien abduction. Streep portrayed the victim’s equally vulgar mother.

    Her timing, the live camera-switching, the reading of the handwritten cue cards — it’s its own kind of performance. And she held her own against McKinnon’s now-iconic abductee.

    6. Where was Bill Hader?

    If you know, please drop us a line.

    7. Most of the recurring sketches were more recent creations.

    You might think on the occasion of its 50th anniversary celebration, SNL might take the moment to celebrate some of its more foundational sketches.

    But most of the major recurring sketches of the night came from the past decade or so, from “Close Encounters” to “Black Jeopardy” (in which Eddie Murphy played Tracy Morgan alongside the actual Tracy Morgan) to “Domingo,” the latest sketch that SNL seems determined to grind into the ground until there’s not a funny bone left in it.

    8. Fake In Memoriam segments are better than real In Memoriam segments.

    Every overlong awards show pauses for an In Memoriam segment, which is guaranteed to anger some segment of the audience. So props to SNL for this one.

    In a genuinely funny fake-out, Tom Hanks somberly introduced an In Memoriam segment for “characters in SNL sketches that have aged horribly,” including some that included “ethnic wigs.”

    “But you laughed,” Hanks said. “So, if anyone should be canceled, shouldn’t it be you, the audience?” Clips included Dan Aykroyd’s “Weekend Update” catchphrase “Jane, you ignorant slut,” a bunch of homophobia, racism and sexism, and “Word Association,” the famous sketch starring Chevy Chase and Richard Pryor.

  • Marisa Tomei Is Turning Heads in a Plunging, Black Velvet Gown at the 2025 EE BAFTAs

    Marisa Tomei Is Turning Heads in a Plunging, Black Velvet Gown at the 2025 EE BAFTAs

    Sacha Baron Cohen Is Allegedly ‘Furious’ at Isla Fisher Over Her Latest Comments About Him

    Not only is Marisa Tomei presenting at the 2025 BAFTAs, but she arrived in a gown that has our jaws on the floor! In case you missed it, on Feb 16, Tomei made a super-rare red carpet appearance for the 2025 EE BAFTA Film Awards at The Royal Festival Hall in London!

    You can see the photos below:

    As you can see in the photos, Tomei looks sensational in this plunging, black velvet gown from Sophie Couture, which also has a high slit, long sleeves, and a gorgeous silver leaf applique on the front. Along with that, she paired the look with black kitten heels, and minimal silver jewelry. Also, she topped the look off with her bronde, wavy hair that looks so perfectly shiny and long, and a rosy, fresh-faced makeup look.

    It’s the perfect mix of fresh and chic! Seriously, we’re obsessed with her BAFTAs look!

    In a dual interview with Lisa Bonet in Interview Magazine, they talked about the importance of the intersection of confidence and fashion.

    Tomei added, “It’s self-expression. This means something to me and I want to share it. When you’re talking about fashion, how can it be used more for beauty than for commercialism? Beauty is so important because it really stops us from thinking. It makes space for that transcendence.”

  • Shakira cancels Peru concert after being hospitalized with ‘abdominal issue’

    Shakira cancels Peru concert after being hospitalized with ‘abdominal issue’

    The Colombian pop star, 48, took to Instagram to share with fans that her Sunday concert in Lima was canceled after the singer was hospitalized with an unspecified abdominal issue.

    “The doctors taking care of me have informed me that I’m not in condition to perform a concert tonight,” Shakira wrote on her Instagram Story, in Spanish.

    The singer noted the show will be postponed to a later date and said her team is working with the concert promoter on rescheduling.

    Shakira reflected that she was “very sad” over the concert cancellation. “I’ve been so emotional and excited to meet again with my beloved Peruvian fans,” she said.

    Need a break? Play the USA TODAY Daily Crossword Puzzle.

    “I hope to be better tomorrow and that they discharge me as soon as possible so I’m able to perform the show I’ve prepared for all of you,” Shakira concluded.

    USA TODAY has reached out to representatives for Shakira for comment.

    Who’s on tour this year?Post Malone, Usher, Sabrina Carpenter among big name concerts in 2025

    The “Puntería” singer launched her Las Mujeres Ya No Lloran World Tour, in support of her 12th album of the same name, on Tuesday with a performance in Rio de Janeiro. Shakira then took the stage in São Paulo on Thursday.

    Following her Rio concert, Shakira wrote on Instagram: “Rio! I couldn’t have asked for a better crowd to kick off the tour! Thank you for all your love, warmth, and energy on an unforgettable night!”

    The album “Las Mujeres Ya No Lloran,” the singer’s first release since her high-profile breakup with longtime boyfriend Gerard Piqué, has scored six No. 1 hits. The confessional LP also earned her a Grammy Award for best Latin pop album earlier this month at the 67th annual Grammy Awards.

    Shakira at Grammys:Singer vows to ‘always fight’ with ‘my immigrant brothers and sisters’

    Her next concert is scheduled for Monday at Estadio Nacional in Cercado de Lima, Peru, according to the official Shakira website.

  • Kim Sae-ron Dies: Popular Korean Actress Known For ‘The Man from Nowhere’ Was 24

    Kim Sae-ron Dies: Popular Korean Actress Known For ‘The Man from Nowhere’ Was 24

    The actress was found dead at her on Sunday home in Seoul by a friend, who then called the police, according to the Yonhap News Agency. Police reportedly found no foul play and are investigating the cause of death.

    Born July 31, 2000 in Seoul, Kim began her career as a child actress with roles in such films as A Brand New Life (2009) and I Am a Dad (2011), before taking on leading roles as a teen in movies like A Girl at My Door (2014) and The Villagers (2018), as well as shows like Listen to My Heart, The Queen’s Classroom and Love Playlist.

    Kim’s work earned in A Girl at My Door won her Best New Actress at the Blue Dragon Film Awards, years after winning the same accolade at the Korean Film Awards for her performance in The Man from Nowhere.

    Following a DUI incident in 2022, Kim left her role in the SBS drama Trolley shortly after taking it, and she opted not to renew her contract with her agency Goldmedalist later that year.

  • ‘The White Lotus’ Season 3 Premiere Recap: Thai Up

    ‘The White Lotus’ Season 3 Premiere Recap: Thai Up

    The premiere of the new season of the HBO anthology drama, set in Thailand, suggests that Mike White’s formula retains plenty of pop.

    Season 3, Episode 1: ‘Same Spirits, New Forms’

    Take a moment. Focus on your breathing. Calm your mind. Let the sounds of the external world fade away. Did you just hear gunshots? Ignore them. Embrace the now. Find in your minds what is timeless. Pay no attention to the corpse floating by you.

    If you watched either of the previous two seasons of the HBO hit “The White Lotus,” you probably were not surprised to see Season 3 kick off with a dead body. This show is effectively an anthology drama, with each new edition following a different set of rich tourists and well-meaning service industry employees at high-end international resorts. The writer-director Mike White has developed a sturdy blueprint for this series, combining beautiful locations, talented actors, dark social satire, gentle humanism and just a little bit of mystery. Think “Fantasy Island,” but with a TV-MA twist.

    Because White takes his time establishing characters and telling their stories, he hooks the audience in the opening minutes of each season with a tease of where the plot is headed. Someone — as yet unidentified — is going to die. Please stay tuned.

    In the Season 3 premiere at least, this formula retains plenty of pop. We begin in a sun-dappled Thailand jungle, where one of the White Lotus chain’s wellness-centered seaside getaways is nestled among thick groves of trees filled with monkeys and wild birds. There, a stress-management session is interrupted by some loud pops and a cadaver. And away we go, rewinding to the start of the story, one week earlier.

    Once again, White has assembled a stellar cast, easily sorted into four different groups who will all, no doubt, interact before the season’s over.

    The largest is the Ratliff family, North Carolina blue bloods led by Timothy (Jason Isaacs), a business bigwig with no interest in any of the resort’s spiritual healing exercises. Parker Posey plays Tim’s wife, Victoria, a brassy belle who thinks everything her children do is a hoot. Patrick Schwarzenegger plays the eldest son, Saxon, a beefy finance bro who works for Tim and is on a constant hunt for sexual partners. Sarah Catherine Hook is Piper, the daughter, a University of North Carolina student working on a thesis project about eastern religions (and who is the reason the other Ratliffs are, semi-reluctantly, in Thailand). And Sam Nivola is the youngest son, Lochlan, a high school senior who just got into Duke but isn’t sure he wants to follow in his father’s and brother’s heavy footsteps.

    The second-biggest group is a trio of “longtime friends” (don’t call them “old”), reconnecting after a long time apart for a “victory tour” (don’t call it a “midlife crisis trip”). Carrie Coon plays Laurie, a busy New York professional. Leslie Bibb is Kate, a Texas housewife apparently married to a tycoon. And Michelle Monaghan in Jaclyn, a famous TV actress recognized by the resort’s staff and guests.

    Next up is a couple who do not seem at all compatible. Walton Goggins plays Rick Hatchett, an irritable man who seems shady (though we do not yet know why). Aimee Lou Wood is Chelsea, his much-younger girlfriend, an upbeat free spirit eager to indulge in whatever the resort has to offer.

    Each set of guests have been provided with a “health mentor” to help them book spa treatments and activities. The lady-pals have Valentin (Arnas Fedaravicius), a hunky Russian whom one or more of them will surely take a run at before the season’s over. The Ratliffs have Pam (Morgana O’Reilly), whom they mostly ignore — especially when she tells them the resort has a “no cellphones in public areas” policy. Rick and Chelsea have Mook (Lalisa Manobal, better known as Lisa from Blackpink), who is in a flirty relationship with the security guard Gaitok (Tayme Thapthimthong).

    These employees barely register to our featured guests — save for one, Belinda Lindsey (Natasha Rothwell), a White Lotus masseuse previously seen in the show’s first season. Belinda is planning to spend three months in Thailand to relax, recharge and learn new techniques. Along with the other White Lotus employees, she fits into the fourth group of characters that this season follows — although she also stands alone.

    Belinda does not have many scenes in the premiere, but she is central to one of the episode’s most memorable images as she watches, with satisfaction, a woman who looks a lot like herself enjoying a nice dinner out with her man. One of the recurring ideas in “The White Lotus” is how it feels to be permanently stationed in paradise, but as a servant. Spending your days pampering other people can foster a deep feeling of longing to be the one being fed and massaged.

    The Rick and Chelsea story line also does not get much play in this episode. Chelsea does most of the talking, telling Mook that her boyfriend “barely works” and gushing to Rick that they should always be living this life of luxury. Rick though seems disgruntled — about the location and the food, and about the fact that the resort’s co-owner is convalescing from an illness in Bangkok and isn’t around.

    Why is he looking for the owner? It’s unclear. But given that there are some parts of the world — like Australia — where Rick is apparently unwelcome, we can assume he is up to no good. (As for Chelsea, she just giggles at Rick’s irascibility and calls him “a victim of your own decisions.”)

    As I mentioned, White does not seem to be a hurry to trot out all the season’s major story lines. Instead we get a lot of scene-setting as his actors scramble to make an immediate impression. They all hit their marks, but Coon, Bibb and Monaghan stand out.

    Not much happens with their characters in the premiere. It’s mainly established that Kate and Jaclyn lead happy and fulfilling lives — on the surface anyway — while Laurie is struggling in some as-yet-unspecified way. For now, it is enough to watch these three ping energetically off each other, grinning wildly and swapping compliments … while slipping in passive-aggressive, cutting remarks.

    The Ratliffs get the bulk of the screen time. Tim has the most potentially dramatic story line, as he handles an unexpected phone call from The Wall Street Journal about some dubious dealings involving one of his business associates in Brunei. But Saxon is the character who is the most perversely fascinating — the most “Mike White” in his combination of clueless egotism and sympathetic buffoonery. Saxon drops off-putting references to arousal into casual conversations, and is disturbingly focused on his siblings’ sex lives. He also seems to have adopted alpha male entitlement as an ethos, telling his brother, “It’s good to want things, if you can get them. That’s happiness, bro.”

    Much of White’s work to date in film and television is about the many ways people convince themselves that their needs matter more than others’. What sets White apart from a lot of other satirists is that he tries to understand his characters’ self-centered delusions, rather than merely mocking them. He gets how anyone can succumb to desire, especially when visiting a place designed to cater to their appetites.

    To get his audience to see this too, White this season is leaning even harder than usual into his exotic setting, emphasizing the intoxicating, hypnotic sounds of the wind and the animals moving through the swaying trees. He wants us to be lulled.

    But he also wants us to pay heed to Belinda, who is trying to get into the spirit of being a White Lotus guest even though she knows too much about what it takes to keep Shangri-La running. Throughout this episode, she fluctuates between beatific and skittish, either smiling at all the pretty people around her or flinching at the lizards skittering across the pathways. At one point she mutters to herself that she is going to keep an eye out for any snakes that could fall from above. Given the nature of this show, she certainly should.

    Concierge Service

    Belinda notes that her college-aged son will be visiting. This, I assume, is Zion (Nicholas Duvernay), who is seen in the episode’s opening flash-forward, going from a stress-management session to dodging bullets. Zion and Belinda both talk about how they have been coping with “other stuff,” aside from work and school. Something to note, perhaps.

    Something else that could matter later: Saxon idly gripes about spending the week eating fruit while holding the toxic product of what Pam calls “the mighty pong-pong tree.” Will that fruit’s poison seeds come into play this season?

    While Rick smokes and stews alone, Chelsea makes a new friend in the bar: a jet-setting ex-model named Chloe (Charlotte Le Bon), who has a house near the resort with her husband. That man? Greg Hunt (Jon Gries), who wooed Jennifer Coolidge’s character, Tanya, in Season 1 and then turned heel in Season 2.

    The Mike White touch, Part 1: Chloe points out to Chelsea how many bald white guys populate the bars in Thailand, saying the locals call them “LBHs … Losers Back Home.”

    The Mike White touch, Part 2: When Pam asks Tim how the Ratliffs’ flight went, he simultaneously tries to be pleasant and to make sure everyone knows his suffering, grumbling, “Long layover in Doha, but it’s all forgotten now.”

  • ‘Saturday Night Live’ Celebrates 50 Years with Comedy, Music and Show’s Many, Many Famous Friends

    ‘Saturday Night Live’ Celebrates 50 Years with Comedy, Music and Show’s Many, Many Famous Friends

    Martin Short arrives for the “Saturday Night Live 50: The Anniversary Special” at 30 Rockefeller Plaza in New York City, US, February 16, 2025. (Reuters)

    Paul Simon and Sabrina Carpenter duetted on Simon’s “Homeward Bound” to open the show, five-decade “Saturday Night Live” luminary Steve Martin delivered the monologue, and Paul McCartney gave an epic closing to a 50th anniversary special celebrating the sketch institution that was overflowing with famous former cast members, superstar hosts and legendary guests.

    The 83-year-old Simon has been essential to “SNL” since its earliest episodes in 1975, and told the 25-year-old pop sensation of the moment Carpenter that he first performed “Homeward Bound” on “SNL” in 1976.

    “I was not born then,” Carpenter said, getting a laugh. “And neither were my parents,” she added, getting a bigger laugh.

    McCartney closed with the rarely performed song cycle from the Beatles’ “Abbey Road,Golden Slumbers/Carry That Weight/The End,” with its wistful ending, “the love you take, is equal to the love you make.”

    Lil Wayne and Miley Cyrus were among the night’s other musical guests, though the show’s musical legacy also had its own night with a Radio City Music Hall concert on Friday.

    “SNL50: The Anniversary Celebration” aired live from New York, of course, on NBC and Peacock. The pop culture juggernaut has launched the careers of generations of comedians including Eddie Murphy, Kristen Wiig and Will Ferrell, who all appeared in early sketches.

    And the evening included epic cameos that included Meryl Streep, Jack Nicholson and Keith Richards.

    Steve Martin’s opening sets tone

    Martin, one of the shows most prolific hosts and guests since the first season in 1975, tried to keep it current in the monologue even on a backward-looking night.

    Martin said when the show’s creator Lorne Michaels only told him he’d be doing the monologue, “I was actually vacationing on a friend’s boat down on the Gulf of Steve Martin.”

    He was joined by former “SNL” luminaries and frequent hosts Martin Short and John Mulaney, who looked at the star-studded crowd full of former hosts in the same Studio 8H at 30 Rockefeller Plaza that has been the show’s longtime home.

    “I see some of the most difficult people I have ever met in my entire life,” Mulaney said. “Over the course of 50 years, 894 people have hosted ‘Saturday Night Live,’ and it amazes me that only two of them have committed murder.”

    Later, on the night’s “Weekend Update,” anchor Colin Jost said there are so many former hosts and musical guests that wanted to see the show that many had to be seated in a neighboring studio and some had to watch “from the Metropolitan Detention Center in Brooklyn” as a photo of Sean “Diddy” Combs appeared.

    Martin took a jab at the always-difficult-to-wrangle Bill Murray in his monologue.

    “We wanted to make sure that Bill would be here tonight,” Martin said, “so we didn’t invite him.”

    Murray appeared on “Weekend Update” to rank the show’s anchors since they began with Chevy Chase. He poked at the whiteness of the group by first ranking its Black anchors, a list of just one, current co-anchor Michael Che.

    The extravaganza came after months of celebrations of “Saturday Night Live,” which premiered Oct. 11, 1975, with an original cast that included John Belushi, Chase and Gilda Radner.

    It’s become appointment television over the years as the show has skewered presidents, politics and pop culture.

    “It is a honor and a thrill to be hosting weekend update for the 50th and if it was up to our president final season of SNL,” Jost said.

    The show had its typical ending, with all involved looking exhilarated and exhausted on the studio stage. This night it was so crowded with luminaries it looked like it might break. Led by Short, they all applauded in tribute to Michaels, who created the show and has run it for 45 of its 50 years.

    Cameos and memorials

    Alec Baldwin, the show’s most frequent host with 17 stints, appeared to introduce an evening of commercial parodies, seven months after his trial was halted and an involuntary manslaughter charge was dropped in the shooting of cinematographer Halyna Hutchins.

    Aubrey Plaza made one of her first public appearances since the January death of her husband when she introduced Cyrus and Howard’s performance.

    The 87-year-old Nicholson was once a constant in the front rows of the Oscars and Los Angeles Laker games, but is rarely seen out anymore. He introduced his “Anger Management” co-star Adam Sandler, who sang in his signature style about the show’s history. He gave a roll-call of cast members, giving special attention to several who have died, including his friends Chris Farley and MacDonald along with Radner, Jan Hooks and Phil Hartman.

    It ended with, “six years of our boy Farley, five of our buddy Norm.”

    The show didn’t have a formal “in memoriam” section, though it pretended to when 10-time host Tom Hanks came out somberly to mourn “SNL characters and sketches that have aged horribly.”

    A montage began with the late Belushi’s “Samurai” character. The word “Yikes” appeared on screen in a sketch that included Mike Myers and a young Macaulay Culkin in a bathtub. A “body shaming” label appeared over the beloved sketch of Farley and the late Patrick Swayze as Chippendale’s dancers.

    The oldest former cast member, 88-year-old Garrett Morris, appeared to introduce a film that showed the whole original cast.

    “I had no idea y’all that I would be required to do so many reunion shows,” he said.

    Sketches and bits jam-packed with former cast and hosts

    The first sketch featured a mash-up of former cast members and hosts. Fred Armisen hosted a “Lawrence Welk Show” that featured Ferrell as Robert Goulet.

    Former hosts Kim Kardashian and Scarlett Johansson — Jost’s wife — gave an updated version of the elegant singing Maharelle Sisters with former cast members Ana Gasteyer and Wiig, who provided the traditional punchline “And I’m Dooneese” with a balding head and creepy, tiny doll arms.

    It was followed by “Black Jeopardy,” hosted by the show’s longest running (and still current) cast member, Kenan Thompson, who called the game show the only one “where every single viewer fully understood Kendrick’s halftime performance.”

    It showcased many of the show’s most prominent Black cast members through the years including Tracy Morgan and Murphy, doing a Morgan impression.

    Streep walked on as the mother of McKinnon’s constant alien abductee Miss Rafferty, with the same spread legs and vulgar manner.

    Streep’s fellow all-time-great actor Robert De Niro paired with Rachel Dratch in a “Debbie Downer” sketch with its traditional trombone accompaniment.

    Former cast member Amy Poehler and former lead writer Tina Fey, who partnered as “Weekend Update” anchors, led a Q-and-A with audience questions.

    Ryan Reynolds stood, and they asked him how it’s going.

    “Great, why?” he said defensively. “What have you heard?”

    Reynolds and wife Blake Lively, sitting next to him, have been locked in a heated legal and media battle with her “It Ends With Us” director and co-star Justin Baldoni.

    Julia Louis-Dreyfus, Adam Driver, Cher, Bad Bunny, Peyton Manning and Richards were also featured in the bit.

    Poehler also paired with Rudolph for a revival of their mock talk show “Bronx Beat,” that featured Mike Myers as his mother-in-law-inspired, Streisand-loving character “Linda Richman.”

    “Look at you, both of you, you look like buttah,” Myers said.

  • Julianne Moore Slams Censorship of Her Children’s Book ‘Freckleface Strawberry’ by Trump Administration

    Julianne Moore Slams Censorship of Her Children’s Book ‘Freckleface Strawberry’ by Trump Administration

    As if taking hold of the Kennedy Center and upending NEA grants wasn’t enough, the Trump Administration seems to be coming for Academy Award-winning actress and author Julianne Moore.

    In a post on Instagram, Moore revealed that her 2007 children’s book, “Freckleface Strawberry,” was “banned” from schools operated by the Department of Defense. This came as a great “shock” to her considering the message of the novel is one of unity.

    “‘Freckleface Strawberry’ is a semi-autobiographical story about a seven year old girl who dislikes her freckles but eventually learns to live with them when she realizes that she is different ‘just like everybody else,’” Moore wrote. “It is a book I wrote for my children and for other kids to remind them that we all struggle, but are united by our humanity and our community.”

    Moore added that even more hurtful for her was that she graduated from a DoD high school that once operated in Frankfurt, Germany, where her father was stationed.

    “I grew up with a father who is a Vietnam veteran and spent his career in the #USArmy,” she said. “I could not be prouder of him and his service to our country.”

    Despite this pride, Moore nonetheless finds the situation “galling,” especially for kids who now won’t be able to seek out material that reflects a life experience “similar to their own.”

    “I can’t help but wonder what is so controversial about this picture book that cause it to be banned by the US Government,” Moore wrote in conclusion. “I am truly saddened and never thought I would see this in a country where freedom of speech and expression is a constitutional right.”

    These new decrees of the Trump Administration were handed down through the U.S. Department of Defense Education Activity (DoDEA), which announced on February 7 that it would remove and review “books potentially related to gender ideology or discriminatory equity ideology topics” in DoD schools, and also work to end programs, activities, and holidays related to those topics. As per the military publication Stars and Stripes, many schools began enacting these policies immediately, with Wiesbaden Elementary School in Germany even going as far as removing a portrait of Michelle Obama painted on glass in honor of Black History Month.

    In response, on Friday, Feb. 14, the American Library Association and the American Association of School Librarians released a joint statement denouncing these actions. It read, “DoDEA school libraries provide a wealth of information and resources to their communities. By ordering the removal and suppression of learning materials and activities in its schools and libraries, the DoDEA is engaging in censorship of legitimate views and opinions that violates the First Amendment rights of those who serve our nation and their families, thereby denying them the very freedoms they have pledged to protect with their lives.”

    It continued, “These shameful censorship decrees erase history and silence the voices of Americans whose lives reflect the diversity of our nation. The brave people who defend us deserve to exercise the rights they protect, and their children deserve the right to read a broad array of materials and learn from a range of perspectives that reflect the abundance of ideas from all Americans. Military personnel, with input from school librarians and teachers who serve them, should be trusted to select the resources that meet their families’ information needs.”

    According to a post shared by Pen America, in addition to Moore’s “Freckleface Strawberry,” another piece of material under “compliance review” is a picture book entitled “No Truth Without Ruth.” It was written by Kathleen Krull and covers the life of the late Supreme Court Justice Ruth Bader Ginsburg. The biography “Becoming Nicole,” written by Amy Ellis Nutt, was also featured amongst the books censored by the DoDEA. It tells the true story of transgender actor and activist Nicole Maines as her and her family, including her identical twin brother, start to understand and nurture her new gender identity.